
The Legend of Heroes: Trails of Cold Steel
There was a time when the term RPG meant really only one thing, at least for kids and teens in the 90’s: Final Fantasy. Now the term is probably more synonymous with Bethesda and Bioware games, the “western” style of RPGs, with the eastern take being some-what of an endangered species. The “JRPG” as we know it is mostly relegated to older consoles and portables. Even popular JRPG franchises like Final Fantasy have adopted a more western style of real-time combat. Others settle for takes on the MMORPG, like the Xenoblade series, which is also more of a western creation than an eastern one.
That old style is hard to come by, either because it doesn’t sell well or the perception exists that gamers today don’t want to play a game where combat is largely turn-based and the game unfolds in a mostly linear fashion. There are, of course, some exceptions as Nintendo’s Fire Emblem, a tactical RPG but a genre that still largely adheres to the same constraints as traditional JRPGs, and Atlus’ Persona series still garner a lot of attention. In the case of Persona, it’s been a long time since Persona 4 was released, but Persona 5 is finally set for release in the spring so we’ll get a good idea of how popular the JRPG can still be.
Some developers are keeping the genre alive, and Nihon Falcom is one of them. Falcom has been around almost as long as video games have been and Falcom was one of the first Japanese developers of RPG computer games. Falcom has never had much exposure in the US and if I had to guess, the developers most popular title is the Ys series. If you had a Sega CD then you may know them for Popful Mail, one of the few Sega CD titles worth playing. Falcom’s most popular franchise for a longtime in its native Japan was Dragon Slayer, which was basically on par in terms of popularity as Dragon Quest and Final Fantasy, for a time. The Legend of Heroes franchise splintered off from Dragon Slayer in the mid 90’s and has become a franchise all its own, and possibly Falcom’s biggest. It has slowly made its way out of Japan, first with the Trails in Sky series on Sony’s Playstation Portable. Trails of Cold Steel is the most current, and Xseed has handled the western distribution for the first two titles which have been released on both the Playstation 3 and Playstation Vita.
Trails of Cold Steel was first released in Japan in September 2013. It wouldn’t see a US release until December 2015. Of course, by then the Playstation 4 was out and selling well, but apparently the game has been successful enough for Xseed to continue bringing the series to the US with Trails of Cold Steel II arriving in the summer of 2016. The third game in the series is still in development for the Playstation 4.

Class VII from left to right: Emma, Gaius, Fie, Laura, Rean, Alisa, Elliot, Jusis, and Machias.
My exposure to Trails of Cold Steel has been via the Playstation Vita, with some play taking place on the even less popular Playstation TV peripheral. As such, I can’t compare it to the PS3 version, but from what I’ve seen the two look similar, but it wouldn’t surprise me if the console version performs a little better in terms of frame-rate. The game, and its sequel, supports the cross-save functionality so if you wish to buy both versions you can save between the two. Trails of Cold Steel is my first exposure to the Legend of Heroes franchise, but it’s my understanding it contains same narrative homages to the Trails in the Sky games without being a direct sequel.
The game takes place in a fictional setting called Erebonia where opposing factions are quietly trying to seize political control of the region. The main conflict is between the Noble Faction, those who have ruled via birthright, and the commoners who have risen to high-ranks via political means. There’s no active war taking place at the game’s onset, but it becomes clear throughout that tensions are high. Complicating things is that a terrorist organization has shown itself whose motives are unclear at first. They seem to want to stir the pot and challenge the empire, but naturally you have to play the game to learn more.
Class VII’s instructor, Sarah, who very much enjoys a good beer.
Caught up in all of this is Rean Schwarzer. Rean has just enlisted at Thors Military Academy, a prestigious academic institution that welcomes students from all social classes. Historically, Thors still recognizes a student’s class standing and organizes its dormitories appropriately, but Rean has learned he is to be a part of Class VII, a new experiment by the academy that is forcing nobles and commoners to work cooperatively. Rean’s class contains an eclectic mix of students, both male and female, and naturally conflicts emerge. Part of the game’s narrative is working to resolve these conflicts while advancing the storyline and building relationships. Class VII contains nine students, four boys and five girls, and the games structure unfolds in such a fashion that the player is rarely in control of more than five students at any one time, with Rean being the clear main protagonist.
The game utilizes a day structure reminiscent of the Persona series. Days unfold at a methodical pace with the player having certain tasks to complete during the day, some forced and some optional, with each day ending when the player decides to end it. Most of these are fetch quests and some are dungeon crawls. Once a month Class VII is dispatched on field studies to different parts of the continent which is when the party is split-up, shrinking the cast of main characters temporarily. Doing so allows the story to play-up inter-class conflicts while allowing the player to experiment with different party combinations in a less intimidating way. It also allows for the story to show the current state of affairs in different parts of the world which pays off later in the game. Also like Persona, Rean can establish bonds with his peers and learn more about them during what the game calls bonding events. It’s not as robust as what is found in Persona 4, or as rewarding, but it is still an effective way of developing characters.

The battle menu. Linked characters are denoted by the beams of light on the ground and connecting their portraits. The portraits on the left indicate action order. The icons beside the portraits denote special bonuses on that action such as EP charge, healing, and so on.
The gameplay is mostly classic JRPG, but with some twists. Navigating the field is pretty traditional and comparable to Final Fantasy X. There’s no throwback overworld or anything, and most settings contain a hub town with branching areas of hostility. Enemies appear on the screen and will react to your avatar by either attacking or running. Avoiding enemies is pretty simple, but of course avoiding conflict won’t help you in the long run as you need to defeat enemies to earn experience and get stronger. Characters can attack enemies in the field, and landing a blow on an enemy’s flank will stun them allowing you to engage the enemy with an advantage. Rean is the main character, but any character in the party can be utilized to navigate the field and they all have different weapons. Certain characters, like the shotgun wielding Machias, can break parts of the environment or attack enemies from a distance. It gives the player a chance to figure out how they would prefer to navigate the world and approach enemies. I typically stuck with Rean as his wide-arcing sword slash makes it easy to flank enemies for an easy combat advantage. Certain large enemies can’t be stunned on the field, but flanking them can still impart a bonus.
Combat itself is like a hybrid of Final Fantasy X and a tactical RPG. Characters can be moved and positioned on the battlefield which is mostly useful for taking advantage of area-based attacks and arts (the game’s version of magic). Four characters can partake in battle at any given time, with reserves able to swap in and out of the active party at any given turn. The order of attack is displayed on the screen so you know when the enemy will next attack, but the order can be influenced with delay tactics and other conventions. Characters typically can attack, use an art, use an item, run, or use a craft. Crafts are basically special attacks and abilities that utilize CP, which is accumulated primarily by attacking and taking damage. Throughout the game characters will unlock special crafts which can be triggered with 100 CP, but are more effective when triggered with 200 CP, which is a full CP gauge. These attacks are basically massive, highly damaging, maneuvers that often can help turn the tide of battle as they can be triggered at any point, allowing the player to bypass an enemy turn.

The females seem to enjoy pointing out Emma’s bust, even though every girl “of age” is pretty well endowed in this game.
Characters can also link with other characters, and the more often a character links with another the higher their link level will rise. The main benefit of linking characters is that when one lands a critical hit the other is able to utilize a follow-up attack. As the game progresses more benefits open up, and increasing the link level between characters also opens up other benefits like one character automatically curing another after damage is taken. These link levels are not confined to just Rean and everyone else, but even between the secondary characters. The bonding events open to Rean will increase the link level faster, so naturally Rean will have a higher level with his comrades than they will with each other.
Outside of combat, characters can be equipped with character specific weapons, armor, and accessories. They also have what is called an ARCUS unit which contains slots that quartz can be equipped to. Quartz are essentially materia from Final Fantasy VII. They’ll contain elemental based arts as well as passive abilities and restorative arts. They’re elemental based, and certain slots can only take certain types of quartz. Throughout the game you will earn Sepith from enemies and treasure chests, and Sepith is used to open up more slots on each character’s ARCUS unit to equip more quartz. Each character can also equip a Master Quartz which earns experience like a character and grows throughout the game. These Master Quartz also have a greater impact on a character’s underlying stats and help influence how a character should be played, if they’re a tank, healer, etc. Naturally, characters are predisposed to certain play styles and deviating from that is probably more trouble than its worth, but it can be done.
Being that I am a big fan of both Final Fantasy X and tactical RPGs in general, I naturally find the combat mechanics of Trails of Cold Steel to be mostly excellent. If I had one major complaint it’s that the Crafts are a bit overpowered and easy to take advantage of. At the same time, I also played through the game on the normal setting and harder ones are available so my criticism is some-what empty. For the most part, the combat is addicting and enjoyable. It’s easy to get used to, but also possesses depth, and that’s all gamers really want out an RPG combat system.

Lesbian characters are depicted as especially lustful with one of them being a downright creep who hits on young girls.
Technologically speaking, Trails of Cold Steel offers little to get excited by. It’s a PS3 game, that even by PS3 standards, is unimpressive to behold. The main characters all look good, but the settings are small and bland. The game uses an anime style that is mostly pleasing to look at, and there’s even a few instances of actual anime used to enhance the story-telling. Xseed’s localization is pretty good, with lots of veteran anime voice actors onhand to give the game a professional sound. The music is also excellent, though at times can get a little too repetitive. There were some frame-rate dips in combat, and some slowdown as well. It’s mostly cosmetic though and didn’t affect my ability to deal damage or anything.
The game’s approach to story-telling is pretty consistent. Trails of Cold Steel is often serious, but also inserts a lot of humor into the mix. Some of the humor can be fairly juvenile with there being an abundance of gay jokes, or instances of male characters being spooked by something gay. Interestingly, lesbian characters are approached in a completely different manner and are often depicted as sex-hungry perverts. These characters are also accepted by their peers, so in one sense the game is progressive, but in other respects it feels like a sixteen year old heterosexual male wrote portions of the scripts. I didn’t find any of this offensive, but at times I felt like I was older than the game’s target audience. There are also numerous jokes about breasts, especially directed at the Emma character who is depicted with a large bust even by video game standards.

Meanwhile, the game’s lone fat girl isn’t exactly portrayed in a positive light.
The main plot unfolds very methodically and in a very linear fashion. That more than anything is probably what is most likely to turn off a modern gamer accustomed to Elder Scrolls or Mass Effect. The game’s plot is a slow burn, and finding every available side quest in a given day often requires you to speak with every NPC you come in contact with, some of which won’t give up their quest on the first try. I took my time with the game, and it took over 80 in game hours for me to complete. Part of the reason why the game moves so slowly is because it is the first game in what is projected to be a trilogy so it’s possible future games in the series will unfold at a brisker pace. Of course, I won’t know for sure until I finish the sequel (which I am actively playing).
Completion of the game unlocks a new game plus, a pretty common convention in modern games. During the first play through, it’s impossible to see every bonding event in the game so completists will need at least two play-throughs. Players can also save a cleared game save to carry over into the sequel. For the most part, carrying over a save just gives some bonus items depending on Rean’s level and rank at the game’s conclusion. There’s also an opportunity to establish a more romantic relationship with the game’s female characters that also appears to carry-over. The game definitely steers the player towards one character in particular, and I took the bait figuring I would experience the story the developers most want to tell. I’m not sure if other characters take on a romantic relationship with Rean or if it’s more a friend type of thing, but it’s nice to have some variety in the gameplay experience. Since the characters are all teens, don’t expect any Bioware styled sex scenes or anything, it’s mostly puppy love.

The Link menu makes it easy to keep track of the combat links earned throughout the game.
Playing Trails of Cold Steel often made me think of Persona 4. As I spent more time with the game I thought of that game less as ToCS has a very different tone than Persona. It definitely borrows a lot from that game in its setup, and most of the stuff it borrows it does not improve upon and kind of half-asses. That, however, is really the only main fault I found with the game. Sometimes the characters did frustrate me, as they tend to be so unfailingly nice and pure, I’d like to see an edge to at least some of them even if the main protagonist is as dull as a butter knife. There’s also a twist at the end of the game that felt rather forced and unnecessary, but I can’t say it really affected my enjoyment of the game. It also closes with some hints at what’s to come in the sequels with a positive spin on the gameplay. I do appreciate the wide scope of the game’s narrative, and it has a very ambitious feel to it. Hopefully Falcom can deliver on that front.
If you like the JRPG genre and have a Vita or PS3 handy, I do recommend Trails of Cold Steel. I do recommend with some trepidation as the series is unfinished, and there’s no promise the third game in the series will be released outside of Japan at this time. Its predecessor series, Trails in the Sky, was never concluded in the US and I’ll be disappointed if the same happens here. Though for now, I’ll enjoy what I have. Trails of Cold Steel isn’t the next big thing by any means, but it’s a game that’s done pretty well and gives hope that the JRPG is not a dying genre.
Switch. If you took a shot each time someone said that word during Nintendo’s press conference unveiling the latest device in console/mobile gaming you’re probably hung over right now. It’s obviously not just a name for the console/handheld hybrid, but also a marketing strategy. Nintendo is changing with the times, switching it up if you will, and making a commitment to something new and exciting. If that’s the main take-away from the Switch’s coming out party last night, then why did I feel like this was the Wii all over again?



We’re now past Thanksgiving here in the US which means the holiday shopping season is already well underway. The recently released NES Classic continues to be a hot seller, perhaps the hottest of the season, though that seems to have more to do with product scarcity than true demand (after all, children by and large are not interested in a gaming device with 30 year old games on it). That said, no one would deny that even in limited quantities the NES Classic has been a commercial success for Nintendo, something that’s been hard to come by for the venerable game developer of late. Most analysts peg the NES Classic as being pretty cheap to manufacture, and the power under the hood is likely sufficient to support a comparable quantity of N64 games, so speculating on a potential SNES Classic seems like a waste of time: it’s going to happen. And if we’re going to get an SNES Classic then immediately the mind next moves onto what games will Nintendo include on that collection?
Super Mario World (Nintendo 1991) – The original pack-in title for the SNES and best Mario game to date, it’s a no-brainer. The more interesting thing to ponder is how will Nintendo pack the SNES Classic with Nintendo branded games as easily as they could the NES Classic since Mario, Link, and others had fewer outings on the SNES.
Super Mario World 2: Yoshi’s Island (Nintendo 1995) – I loved this game when it first came out, and for awhile after. More recently, I’ve found it hard to get into as a lot of the gameplay frustrates me. Not to mention the audio. Still, it will be included and it remains Yoshi’s best solo adventure.
Super Mario Kart (Nintendo 1992) – Arguably Nintendo’s most reliable franchise today, it seems every Nintendo console since has had at least one Mario Kart game. The only one that did not was the ill-fated Virtual Boy. For awhile, the original game was my favorite of the series. Those who grew up with its sequel on the N64 as their gateway of the series are probably surprised to hear that most people felt it was inferior to the SNES game when it first came out. It’s no longer the best, but it’s still playable and the battle mode is still a lot of fun.
The Legend of Zelda: A Link to the Past (Nintendo 1992) – The best game of the series, and perhaps the best game ever? I suppose I could have said the same of Super Mario World, and I could say that about more SNES titles which further illustrates how awesome the system was. This game will be included, and it will be enjoyed by any who purchase it.
Star Fox (Nintendo 1993) – Nintendo’s flashy on-rails shooter, the Super FX powered Star Fox was a pretty big deal at the time, even if it’s one of Nintendo’s lesser franchises these days. The game was so good that Nintendo has essentially remade and released it several times with minor alterations. It’s probably too much to ask for Nintendo to include the never released Star Fox 2 on this set.
Super Metroid (Nintendo 1994) – If any of the games on the NES Classic had a “Super” version on the SNES, then it’s probably fair to assume they’ll make it to the SNES Classic. Not that Super Metroid needs to be included for that reason, it needs to be included because it too has a claim to greatest game ever made. It was very influential, especially for the Castlevania series, and the only downside to including it is that it might make people a little depressed when they think about how the franchise is treated by Nintendo today.
Kirby Super Star (Nintendo 1996) – Another late arrival for the SNES, Kirby Super Star takes what was good about the NES game and multiplies it tenfold. Easily Kirby’s best game, Super Star is a bit of a forgotten gem on the SNES and holds up quite well. It also features some fun 2-player action so be prepared to have to hunt down an additional controller.
F-Zero (Nintendo 1991) – Nintendo kind of ignored the racing genre with the NES, so it’s not surprising they rectified that with the SNES. Racing games were one of those genres that really benefitted with the move to the SNES as the hardware could finally keep up with the speed needed to make these type of games as fun as they could be. F-Zero was a flashy title with its futuristic visuals and also plenty difficult. Not one of my favorites, but I’d be shocked if it was left out.
Pilotwings (Nintendo 1991) – Pilotwings was kind of the debut of the Nintendo developed tech demo released with all of their future console launches to show off the new console’s capabilities. It was to the SNES what Wii Sports was to the Wii. It’s basically a collection of mini games, and personally I remember all of my friends looking down on this title. I haven’t played it in years so I can’t say if I’d enjoy it more now, but since Nintendo developed it they’ll likely include it on the SNES Classic.
Donkey Kong Country (Nintendo 1994) – The title that reinvented and brought modern relevance to the Donkey Kong character, Donkey Kong Country was a visual wonder when it was first released and an instant hit. Some people love this franchise more than the 2D Mario one. I’m not one of them, but there’s no way Nintendo doesn’t include this one.
Donkey Kong Country 2 (Nintendo 1995) – Nintendo had three main series Mario games to help pad the NES Classic, chances are they’ll look to DK to help do the same for the SNES Classic. Some think this one is the best of the SNES trilogy of DKC games, I have no real opinion on the matter as I don’t remember even playing this one.
Donkey Kong Country 3 (Nintendo 1996) – This game arrived really late for the SNES, though if memory serves it still sold all right. This one might not make the SNES Classic, it’s certainly the least likely of the three, but since Nintendo wants to put as many of their games on the system as possible it feels like a safe assumption to include it here.
Super Punch-Out!! (Nintendo 1994) – Punch-Out!! was immensely popular for the NES, Super Punch-Out!! was less so for the SNES. It wasn’t bad by any means, and it felt more like the arcade version of the original, but aside from a visual upgrade it didn’t really feel much improved. I think part of that was the new perspective of being behind Little Mac made him feel like more of an equal to his opponents as opposed to being a diminutive underdog.
Final Fantasy II (Square 1991) – Now we’re into the non-Nintendo games, and this is actually where the list really begins for me as far as ordering by most likely. The first 13 could be ordered however you want, aside from maybe DKC3, they’re all going to be included for sure. The SNES was the console where the JRPG really took off, and it’s kind of where Final Fantasy was truly born (at least in the West). Final Fantasy III is the better game, but for some reason I suspect that II is more likely to be included if only one is.
Chrono Trigger (Square 1995) – Another one of those “best ever” contenders, Chrono Trigger is as beloved as any game in the Final Fantasy series, even if it never took off as a franchise on its own. The only thing that would keep it from being included is if Square-Enix wants to be protective of how often they re-release the game. Or if they want too much money in the form of royalties, which could be a problem since they made a lot of awesome SNES games…
Secret of Mana (Square 1993) – …like Secret of Mana! Lazily referred to as a Zelda clone, Secret of Mana is a delightful action RPG and the type of game Square-Enix has seemingly forgotten how to make. The sequel was also excellent, but never released outside of Japan. Following that though, virtually every other game in the series has been a shallow hack n’ slash and a major disappointment. Thankfully, this one holds up so well we really don’t need another (though Square-Enix really should just finally localize the damn sequel for some kind of release).
Super Bomberman (Hudson Soft 1993) – The ultimate party game for the SNES, Super Bomberman was probably my most rented title for sleepovers and such as the four-player mode rocked. If Nintendo does include this title, and it should, it needs to make sure the SNES Classic can handle four-players, even if it means messing with the aesthetics of the system by including four controller ports on the front.
Street Fighter II (Capcom 1992)- Capcom’s fighting game is almost certain to make an appearance, it’s just a question of what version. They should probably just go with Super Street Fighter II, but maybe they think the importance of the original makes it the more worthy title.
Mega Man X (Capcom 1993) – Mega Man was huge for the NES, so he’ll be included on the SNES Classic even if he played a lesser role for the console. His one main entry, Mega Man 7, is regarded as one of the worst in the series so Capcom will probably push for Mega Man X, and it should. Mega Man X was what the character needed to remain relevant and remains an excellent Mega Man game to this day.
Super Castlevania IV (Konami 1991) – another NES tentpole franchise, Castlevania would see its stock plummet in the 16 bit era, even though Super Castlevania was an excellent game. It’s one of the last traditional Castlevania titles as Symphony of the Night would soon follow with its Metroidvania gameplay becoming the preferred style of future titles in the series.
Super Mario RPG (Nintendo/Square 1996) – could Mario do RPGs as well as he could platformers? If Square is handling most of the game design, then yeah of course he can! Super Mario RPG was a surprise hit and remains a fun game to this day. In a way, it might be more likely to appear on this collection than the Final Fantasy games as at least Nintendo shares publishing rights with Square-Enix on this one.
Contra III (Konami 1992) – Probably the last relevant title in the Contra series, Contra III was more of the same which is what people were happy to have at the time. Being a sequel to an NES Classic game is what guarantees it a spot here.
Sim City (Nintendo 1991) – Another Nintendo published title but with the royalties a little messy compared to a Mario or Zelda game. Sim City was another surprise hit in that there was skepticism the city builder simulation would find an audience on a home console. It did and it did well with its success leading to other sim games being released for the SNES, including “classics” like Sim Ant…
Killer Instinct (Midway/Rareware/Nintendo 1995) – Nintendo, and Rare’s, answer to Mortal Kombat, Killer Instinct was a perfectly acceptable fighter for the era. Rare, and now Microsoft, hold the publishing rights for the franchise and I don’t know how that affects the original game’s inclusion. If Nintendo needs to only split royalties with Microsoft/Rare then I think it will be included. Anything more and it probably won’t be.
Earthbound (Nintendo 1995) – Nintendo’s answer to Dragon Quest, Earthbound (known as Mother 2 outside the US) has never been real popular with Nintendo. It’s the only title in the series to be released outside Japan even though Nintendo fans seem to adore it for its quirky humor and real world setting. It’s a game that has amassed a cult following over the years, though personally I don’t think it’s one that really lives up to the reputation. It’s a Nintendo game though, so it will most likely find a way onto the SNES Classic.
Final Fantasy III (Square 1994) – You know it, I know it, and I bet even Nintendo knows that this game should definitely be included among the top SNES games released. Will it make it to the SNES Classic though is a harder question. If Final Fantasy II does, then it may not, even though it seems ludicrous to split those two games up.
Tetris Attack (Nintendo 1996) – Many have tried to improve upon the formula of Tetris, and few have succeeded. Tetris Attack found a way with a competitive two-player mode that’s a blast to play. It’s been ripped off for other puzzle games like Puzzle Fighter and Pokemon Puzzle League. And thankfully there’s no Super Dr. Mario to bump this one from the collection.
Actraiser (Enix 1991) – A legitimately unique game that combines the sim elements of a world builder with the action RPG gaming of Castlevania, Demon’s Crest, and so forth. Few games have tried to do what Actraiser did (Dark Cloud being the only one I can recall off the top of my head) and even though it wasn’t an immensely popular title, it feels like one that received its due in the years since so if Nintendo leaves it out I’d actually be pretty surprised.
Zombies Ate My Neighbors (Konami 1993) – This game was so thematically outrageous at the time that it couldn’t be ignored. People remember it, even though it never turned into a bankable franchise or anything (though zombies in general certainly have). It’s extremely memorable as a Super Nintendo game, so much so that it seems like Nintendo won’t be able to ignore it.
The Legend of the Mystical Ninja (Konami 1992) – Our last title is from a franchise that was far more popular in Japan than the US, but worth including. The co-op play was some of the best on the system. I never owned the game, but I remember renting it multiple times as it was a lot of fun to have around when friends were over for the night.
If you’re into video games then you have probably heard by now about the NES Classic, the plug and play gaming device that resembles a mini Nintendo Entertainment System. You’ve also probably heard about how Nintendo shipped a minuscule amount of the units for the system’s launch date and now it’s impossible to find at retail. It’s a cute product that’s going to be popular due to the nostalgia factor and low price ($60), but if properly stocked it’s probably not flying off the shelves in mass quantities like the current shortage would indicate. It’s a particularly great device for those who do not still own, or never owned, an actual NES and want to get a retro gaming fix. The NES Classic comes pre-loaded with 30 games and each one has four save state slots making hard to beat classics like Zelda II that much more manageable.
30. Ice Climber (Nintendo 1985) – Most probably know Ice Climber as that weird double-character controlled by a single player in the Super Smash Bros. series. Older folks remember it as an NES launch title that the unlucky ones received instead of one of the better games. Ice Climber represents the early, primitive NES games that were little more than better looking Atari 2600 games. Some of these games were worthwhile because they first existed in the arcade and were just now getting home versions on par with those arcade originals. Ice Climber is not one of those games though, but it costs Nintendo nothing to include it here. As a title for the NES Classic, the only thing it has going for it is that it features 2-player simultaneous play.
29. Balloon Fight (Nintendo 1986) – Another early Nintendo game, this one first appeared in arcades before making it home. It’s slightly more interesting than Ice Climber, but isn’t a game you will have much interest in returning to over and over. It’s been re-released a ton over the years, and including it here is just overkill.
28. Mario Bros. (Nintendo 1983) – Super Mario Bros. is the game most synonymous with the NES, the original Mario Bros. is not. If you had a copy of Super Mario Bros. 3 (and you probably did) then you experienced all you needed to from this game. It was never a popular NES title and Nintendo is basically only including it because it has Mario in the title.
27. Donkey Kong Jr. (Nintendo 1982) – Donkey Kong Jr is another arcade classic (I’m using that term liberally here) that was never really all that popular on the NES, but Nintendo obviously felt the old arcade games needed (significant) representation on the NES Classic. Donkey Kong Jr. is most notable for putting Mario in the role of villain as the player takes control of Kid Kong and tries to save his old man, I mean, ape. It’s fine, but lack replay value outside of just shooting for a high score isn’t much of a home console experience.
26. Galaga (Namco 1981) – a slightly younger generation maybe familiar with Galaga not as an arcade classic, but as a popular loading screen diversion of Playstation era Namco games. Galaga is another arcade great that never had much of a life on the NES. Tastes had moved on, and Galaga really doesn’t need to be included in a set of great NES games.
25. Pac-Man (Namco 1980) – Pac-Man was Mario before Mario. Unlike a lot of the other games on this list so far, there actually was some appetite for an arcade perfect version of Pac-Man on the NES. It’s a game almost everyone is familiar with, but still not really one that people are clamoring to play.
24. Donkey Kong (Nintendo 1981) – Donkey Kong, like Pac-Man, is another game that consumers did have some appetite for when the NES made it to retail. And since DK is one of Nintendo’s most popular characters, it’s not surprising that he’s included. Still, there’s a lot of arcade games on this set, too many if you ask me.
23. Tecmo Bowl (Tecmo 1987) – More known for how game-breaking Bo Jackson was, Tecmo Bowl was the first great football game of its kind. It’s pretty dated at this point, but is a top 50 NES title, and for diehard sports fans, probably a top 30 one too.
22. Final Fantasy (Square 1987) – Few franchises are as synonymous with gaming as Final Fantasy. The first title is also known as the game that saved Square, now Square-Enix, hence why it was called Final Fantasy since there was a very real chance it was the publisher’s final title. It was a Dragon Quest clone that did a few interesting things on its own, but played today it’s quite clear that Father Time has not taken a liking to it. Only the truly dedicated NES Classic owners will see this title to the end.
21. Dr. Mario (Nintendo 1990) – One of the first examples of Nintendo realizing it could just slap Mario on anything and boost sales, Dr. Mario is a Tetris clone that does enough to separate itself from its predecessor, but not enough to better it.
19. Gradius (Konami, 1985) – Gradius is a classic on-rails shooter by Konami known for its difficulty. The on-rails shooter genre has actually aged really well, because there isn’t really much better technology can do for it aside from make it look better. So from that standpoint, it holds up.
18.
17. Double Dragon II (Acclaim 1989) – The arcade beat-em-up most synonymous with the NES. It was a good debate over which was superior, Double Dragon II or TMNT II, but both were fun games, particularly for two-players. Double Dragon II is also miles ahead of the original so good call by Nintendo for being able to recognize that including it over the original was the right move.
16. Castlevania II: Simon’s Quest (Konami 1987) – The sequel to the smash-hit original, Castlevania II, like Zelda II, is known mostly for its big shift in gameplay. Simon Belmont still handles the same way, but the RPG mechanics make for a vastly different experience. Some people loved it, some people hated it, everyone was frustrated by it’s cryptic puzzles. That last part isn’t really an issue today thanks to the wonderful invention known as the internet, making this game actually more playable now than it was in 1987.
15. Bubble Bobble (Taito 1986) – A simple, but challenging, two-player experience is how I remember Bubble Bobble. It strangely holds up really well, and its timeless gameplay plus two-player simultaneous play makes for a worthy selection.
14. Super C (Konami 1988) – Also known as Super Contra, it’s the sequel to Contra and features the same basic run n’ gun gameplay. For whatever reason, no one seems to remember this game even though the first Contra was mega popular. As an aside, it’s pretty amazing how many Konami games made this release.
13. Super Mario Bros (Nintendo 1985) – Obviously, this one was going to be included because it’s probably the most important game that Nintendo ever released, and it could be considered the most important and famous game of all time.
12. Ghosts ‘N Goblins (Capcom 1986) – Finally, a Capcom game! It surprised me how many Konami games made this release vs Capcom as I always viewed the two as equal during the NES days. Ghosts ‘N Goblins was a hard, but fun, game and gamers will really appreciate the save states on the NES Classic when they tackle this one. It’s another run n’ gun styled game, a genre that has held up really well.
11. Castlevania (Konami 1986) – A no doubt classic. I don’t think I really need to say much about this one, right? It’s hard, but fair (mostly), and it’s style of play is still rewarding today. None of the NES sequels really did enough to warrant consideration over it either (and Nintendo included Castlevania II anyways) making this selection completely warranted.
10. Metroid (Nintendo 1986) – It’s a good thing games were so expensive in the 80s, otherwise how would anyone have gotten anything done in ’86 and ’87 with so many killer releases on the NES? Metroid is a bit of a tough one to rank as it hasn’t aged too well, but the game’s mood is still so captivatingly barren and lonesome that I find it charming even today. Obviously, future games in the series were able to vastly improve upon the original formula, but since none of them were NES games it makes Metroid’s inclusion a no-(mother)brainer.
9. Kirby’s Adventure (Nintendo 1993) – Kirby is a character who peaked early. Kirby’s Adventure, only his second outing, is probably second only to his outing on the SNES among all of the Kirby games. Kirby’s Adventure is a great inclusion here because not only is it a fun and unique platformer, but it was also a late release for the NES when a lot of gamers had moved onto the Genesis and SNES. The NES Classic gives those gamers who missed it the first time a second chance to experience it.
8. Kid Icarus (Nintendo 1986) – Poor Pit has been mistreated for years by Nintendo, but at least he gets to be among the 3o games on the NES Classic. His original outing was a difficult platforming/RPG hybrid that may be more appreciated today than it was in 1986. The controls aren’t the best, but they work, and the save state feature gives this one new life. Since it is so often cited as a forgotten Nintendo classic it has probably ceased to be one, but many gamers will probably still get their first taste of Kid Icarus with this set.
7. Punch-Out!! (Nintendo 1990) – Obviously, this is the version featuring Mr. Dream and not Mike Tyson. It’s the same game though, and while one could argue that this one has been re-released too much, it’s harder still to argue it’s not one of the most fun games released for the NES. It’s timing based gameplay also means it’s held up well in the age department. It’s challenge has always been fair and rewarding, though people will still probably abuse save states to beat it.
6. Super Mario Bros. 2 (Nintendo 1988) – Ever notice how no one, and I mean no one, ever acknowledges the box art’s Mario Madness subtitle? What was that even supposed to mean? Anyways, you probably know all about Super Mario Bros. 2’s odd path to release, so I won’t bore you here. It’s a great game, even if it’s very different from its predecessor, and Nintendo wasn’t going to exclude it from this release.
5. StarTropics (Nintendo 1990) – StarTropics is an often overlooked game from the NES era that feels like the spiritual sequel to Zelda, since Zelda II felt so different. It improves on the original Legend of Zelda in some ways, and it’s use of contemporary items as weapons definitely feels a lot like Earthbound. It’s a really good game, and one you probably haven’t played, so go ahead and play this one first. You have my permission. Just be warned that you will need to consult the internet to make it through one particular part.
4. Ninja Gaiden (Tecmo 1990) – Few characters on the NES are as fun to control as Ryu Hayabusa. It’s just too bad the world around our badass ninja Ryu makes him feel not so badass since everything can kill him. Ninja Gaiden is a brutal game, but it still manages to be a fun one. Some of the stuff it does seems unfair, but it always manages to bring gamers back after some rage-induced quiting. Just remember, the chord on that NES Classic controller is really short before you throw it.
3. Mega Man 2 (Capcom 1988) – Naturally, you can’t have a collection of thirty of the best NES games ever created and not include Mega Man. And if Nintendo was limiting itself to just one Mega Man, then Mega Man 2 is probably the best option. Yeah, future games introduced elements like the slide and Rush, but Mega Man 2 is iconic for its boss selection, music, and stage setup. It’s considered the best in the franchise by many still to this day. The only real argument is why did Nintendo include one Mega Man game but two Castlevania titles? The easy answer is that Simon’s Quest is pretty different from its predecessor, while all of the Mega Man games are very similar. It still feels odd, though.
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1.Super Mario Bros. 3 (Nintendo 1990) – Super Mario Bros. 3 is among the greatest games ever made, and it’s the best game on the NES, so obviously it was going to be included. There’s no argument against it, other than maybe that everyone has already played it before. The only negative thing I can even say about it is that Mario has brown sideburns but a black mustache on the box art, which makes no sense. Then again, Nintendo really hasn’t mined the Mario back catalogue like it has some other games so it really doesn’t feel exploited. I may have suggested playing StarTropics first, but come on, you’ll play this one first. Just about everyone will.
If you consider yourself an avid gamer then you are probably by now aware that Nintendo has unveiled its latest console/handheld: The Nintendo Switch. Previously known by the code name NX, the Switch was officially revealed in a short promotional video on October 20th. Prior to this promotional video, the Switch had only been seen via patent applications by Nintendo containing early drawings that gave some indication of what the console was going to look like. It’s design resembled the Wii U tablet, but with some notable distinctions such as a slot for cartridge based games not unlike Nintendo’s current handheld, the 3DS.



We’re down to the top four in our rankings for the best games in The Legend of Zelda franchise. As far as climaxes go, this one is probably fairly anti-climactic as there’s a pretty clear top two in this series that the majority of gamers agree on. Though, as these games collectively get older there is undoubtedly more affection for the more recent games as suddenly a title like The Wind Waker is a normal gateway for players in their teens and twenties. Nostalgia always plays a role in a subjective exercise such as this one, though I sincerely feel these four games are the most dense and most fun Zelda experiences that Nintendo has put out. And I’m also not beholden to them. I really hope the next game in the series dethrones our champ, or at least forces its way into the conversation. Time will tell.
3. Breath of the Wild (Wii U/Switch 2017)





Part 2 of this ranking feature for the games in the Legend of Zelda series should be less controversial than Part 1. Hopefully that doesn’t make it boring because we are just about at that point with this list where I’m splitting hairs. It’s probably not really a spoiler to say that the top 2 Zelda games are not really in question, and I think for many, the order is mostly agreed upon. I also think the next two games on our list are pretty clearly inferior to what follows, though some of that does depend on what your appetite for retro gaming is (suffice to say, if you were born sometime after 1990 the order of the following games is probably different from mine). Let’s move along though to take a look at these prestigious games which made it deep into the top ten.
8. Oracle of Seasons (Gameboy Color 2001)



If Mario is to video games what Budweiser is to beer, then Zelda is like the Alchemist Brewery. If you’re not a beer enthusiast that’s to say that Zelda is like fine wine to Mario’s table offering. And if you’re not a wine person, well I’m just saying that while Nintendo is best known for Mario, it’s Zelda that is their true flagship offering. Ever since The Legend of Zelda debuted in 1986 for the NES, it’s been the franchise that Nintendo is most apt to make sure isn’t over-exposed and benefits from long development cycles to best ensure a quality product is delivered. That’s not a slight against Mario, it’s just he has way more spin-offs and lesser outings than Link tends to (not that he’s immune from the occasional Hyrule Warriors or Crossbow Training).






Nintendo 64 – How to rank this one? You all know it, that oddly shaped, three-handled device released in 1996 alongside the Nintendo 64. It wasn’t the first controller to feature an analog thumb-stick, but it certainly made it standard, which is about the only good thing I can say about it. It was chunky, the face buttons felt cheap, and the shoulder buttons offered little satisfaction. The Z-trigger was a nice touch, but unless you were playing one of the many 3D platformers featured on the N64, this one was lacking.
Atari Jaguar – Just look at this thing. If you never handled one consider yourself lucky. Ignoring that the system was a terrible waste of money, this controller was a beast of unwieldy proportions. See that key pad? Of course you do because it’s gigantic. That thing had inserts that could be snapped over it depending on the game, but it was mostly a tacky, useless feature that just made the controller obtuse. The cheap feel didn’t help things either.
The NES controller – It’s the one that standardized the modern layout of basically every controller. The d-pad on the left, and action buttons on the right. Maybe the squared edges weren’t the best idea but the re-designed “dog bone” bundled with the later model NES rectified that mistake. It’s been improved upon by leaps and bounds, but few people thought at the time there was anything wrong with it.








