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Dec. 2 – Toy Story That Time Forgot

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Toy Story That Time Forgot first premiered December 2, 2014.

When the credits started to roll in 2010 signaling the end of Toy Story 3 I think most who were watching it assumed this was “good bye.” The toys which had captured the hearts of movie-goers going on two decades were saying good bye to their former owner and playmate, Andy, and so too were we to these characters. It was a somber close to a particularly wonderful film that closed out an improbable trilogy. It took a lot of risk on the part of Pixar and Disney to bring the original Toy Story to theaters in 1995, but it proved to be a colossal success that forever changed the animated film space, for better or worse. Toy Story 2 wasn’t even supposed to happen, and when that film ended, Toy Story 3 wasn’t exactly a foregone conclusion, but it turns out there was still one more story to tell and the film absolutely nailed it. The franchise ended up being the rare one that may have gotten better with each installment in its trilogy.

Of course, Toy Story 3 wasn’t the end for these beloved toys for more was on the way. What seemed like a compromise to keep these characters alive and to line the pockets of Disney and Pixar, the company turned to an old standby – the holiday special, before a new film was eventually released in 2019. First up was Toy Story of Terror!, a Halloween themed special of sorts which premiered on October 16, 2013. Announced at the same time was a Christmas special, but fans would have to wait over a year for that one. Toy Story That Time Forgot premiered on December 2, 2014 and like Toy Story of Terror!, it was not content to be a straight-up holiday special. Toy Story of Terror! may have obviously been timed with Halloween, but the special makes no mention of the holiday. Instead it’s just a thriller with some light horror elements, but it was also rather compelling and entertaining. Toy Story That Time Forgot does at least make mention of Christmas, but it’s in passing as the special actually takes place two days after the holiday. Perhaps that is done because, as we saw in the first film in the series, Christmas is a pretty stressful time to be a toy. While the special avoids recounting that plot, it does go back to that first film for another major piece of the story.

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It’s Santa Woody!

Toy Story That Time Forgot is written and directed by Steve Purcell. This seems especially noteworthy as just a year ago we talked about a Christmas special from the property Purcell is best known for:  Sam & Max. Purcell got started in comics before moving onto Lucas Arts and Industrial Light & Magic where he honed his animation chops. He’s been with Pixar since 2000 and has made contributions to films like Cars, Ratatouille, and Brave, where he served as co-director. Toy Story That Time Forgot is his first solo director credit. The short took roughly two years to write and plan with another year in actual production to finish it out. This short also marks the last time Don Rickles was alive for production on a Toy Story project before his passing in 2017. His character of Mr. Potato Head does appear in Toy Story 4, but in a far smaller role than we’re accustomed to seeing.

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This special is going to center on Trixie and how she’s unhappy with the roles Bonnie chooses for her. Around the holidays, that includes being a baby reindeer.

The special begins at the home of Bonnie (Emily Hahn) as she plays with her toys following another successful Christmas holiday. Surprisingly, Bonnie appears to have received few new toys as the only addition to the cast is Angel Kitty (Emma Hudak), which could be a new toy or could just be a holiday decoration that spends 11 months of the year in an attic or something. Trixie (Kristen Schaal), Bonnie’s toy triceratops, is frustrated that she’s being forced by Bonnie to roleplay as a reindeer, amongst other things, when she just wants to be a dinosaur. She is even momentarily teased when Bonnie declares she needs to find her dinosaur, only to decide that Angel Kitty is to be the dinosaur today. The other toys try to cheer Trixie up while reminding her she’s lucky to be the toy of such an imaginative child, but it does little to please Trixie. Soon the toys are bagged up because Bonnie has a playdate with a boy named Mason (R.C. Cope) over at his house. This is where we say “bye” to most of the toys as only Woody (Tom Hanks), Buzz (Tim Allen), Rex (Wallace Shawn), Angel Kitty, and Trixie are brought along.

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Angel Kitty, more of a decoration than toy, is a new addition to the gang.

When the crew arrives at Mason’s house, Bonnie finds the boy enthralled by a new video game he must have received for Christmas. She tosses her backpack of toys into Mason’s playroom and goes to join him at the television. The toys emerge from the backpack to find Mason’s room absolutely covered with boxes and boxes of new toys. They’re all from a new line of action figures called Battlesaurs, a sort of anthropomorphic dinosaur brand that would have been right at home on store shelves in the 90s. They are soon greeted by a warrior of this brand, Reptillus Maximus (Kevin McKidd), and it becomes clear things are a bit screwy in Dinosaur Land. Reptillus is very serious about his culture and refers to the other toys as being of the “Bonnie Tribe” when they mention their kid. Trixie, seeing what she deems is a more idealized dinosaur, is taken by Reptillus almost immediately and wants to know more about their “race.” Meanwhile, another toy has taken interest in the Bonnie Tribe by the name of The Cleric (Purcell). He’s a robed, Emperor Palpatine-like character that also happens to be a pterodactyl. He’s the unquestioned leader of the Battlesaurs and does not appear to be welcoming to outsiders. As Trixie is lead away by Reptillus, the others grab Woody and Buzz from behind while The Cleric mugs for the camera because that’s what villains do.

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Mason apparently enjoying his new Optimum X gaming console.

As Trixie is taken around the room we see loads of other action figures. This kid Mason is quite the spoiled little kid as not only does he appear to have every figure and playset in this line, he even has loads of multiples (in the toy-collecting community, we refer to these figures as army builders). He’s like every kid in a toy commercial who improbably had an entire army of Foot Soldiers to battle against his Teenage Mutant Ninja Turtles. Trixie is soon outfitted with special armor to make her feel as if she is apart of this tribe. Rex also gets to play along and receives some mechanical arms and leg attachments. As she is lead around by Reptillus, he shares details of his world which even includes a righteous theme song. It’s clear he and the others are not aware of their existence as toys, and whenever Trixie makes mention of their reality it’s met with confusion by Reptillus, and anger by The Cleric who continues to lurk in the shadows.

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Trixie first encounters Reptillus Maximus.

A battle is organized and Trixie has it sold to her that this is a major part of the culture of Battlesaurs. They thrive in combat, and a gladiator-styled ring is erected for the toys to engage in combat. Trixie joins Reptillus, but soon she realizes that this activity is rather barbaric. Toys she used to play with at Mason’s house are brought into the ring against their will and are systematically dismantled by Reptillus. She does not like this ferocious side of Reptillus, and she likes it even less when her friends are brought in to fight. Woody and Buzz are forced to face the duo in combat, and it’s Woody who reveals to Trixie that these toys have never been played with. The two put up a good fight against Reptillus, but he eventually gains the upper-hand. As he prepares to finish the duo, Trixie makes the save and smashes into Reptillus declaring him a bully. Frustrated, The Cleric summons a new dinosaur; a giant, Rancor-like beast. Woody and Buzz are soon swallowed by soon swallowed by it much to Trixie’s horror.

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Trixie and Rex really take to this new dinosaur culture they’ve stumbled upon.

Trixie makes an attempt to free her friends recognizing the button on the beast that works its jaw. She is unable to do so though, and when knocked over the other toys see her mark. The “Bonnie” written on her foot is declared the mark of obedience, something which the Battlesaurs have been conditioned to shun. Trixie tries to play it off as no big deal, since it truly is not to her, but The Cleric orders her seized. He’s brought a controller and it’s revealed that it controls the arms and leg attachments that have been placed on Rex. He forces Rex to go after Trixie, and she in turn is forced to run with Reptillus ordered to give chase. As Trixie runs through the maze of boxes and playsets, Reptillus is close behind. He eventually comes face to face with his own packaging. Seeing himself, he has a crisis of faith, but is still unwilling to admit to himself he is in fact a toy.

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Woody and Buzz not having a good time.

Woody and Buzz are taken to The Cleric’s apparent lair. There The Cleric has Rex remove the pair from the bowels of the other toy, and Angel Kitty is also regurgitated. Woody and Buzz then learn that The Cleric is able to spy on Mason using a periscope-like feature on one of the playsets. He wants Mason to remain occupied by his new gaming console so that he may rule the play room with the other Battlesaurs ignorant of their station (one onlooker even remarks “What’s ignorant mean?). This is his master plan, and he intends to dispose of the nuisance toys.

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Reptillus comes face to face with his packaging.

Trixie makes a break for the TV room where Bonnie and Mason are still playing. She’s able to get under the television and as she treks through the tangle of wires all of her new armor is dislodged. She eventually reaches her destination:  the surge protector. Waiting for her is Reptillus, but she shoves past him. She tries reasoning with him, explaining that part of the joy of being a toy is being played with by an imaginative child. And as she attempts to convince Reptillus of this, it’s clear she’s also convincing herself. Reptillus doesn’t know what to believe, but Trixie presses further. Reptillus acknowledges what she speaks of as “surrender,” but the look in his eyes suggests that maybe he’s ready to surrender. He then takes up his default pose, and it’s Reptillus that turns off the surge protector. With the game turned off, Mason reaches under the television and finds Reptillus. He gives the figure a look, before Bonnie runs over and declares it’s cool. She starts playing with Reptillus as Mason turns his game back on, but as he goes to sit down he gives Bonnie a look. She’s already crafting a backstory for Reptillus and Mason is intrigued. He puts down his controller and goes over to Bonnie to learn more.

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Things aren’t looking so good in the playroom.

In the playroom, Rex has been forced to carry Woody and Buzz towards a heating vent where a whirling fan awaits. Angel Kitty plays a mournful tune on his/her horn as the toy is being carried hanging from an axe. Another Battlesaur grabs the horn and tosses it into the fan where it breaks into pieces. As Woody and Buzz dangle precariously over the opening, Mason and Bonnie rush in. The two come in like a whirlwind and start grabbing all of the toys in sight. Bonnie is happy to see her “baby reindeer” with Trixie having returned the little pipe cleaner attachments to her horns (quite the achievement for a toy with no hands) to play the role Bonnie seems to prefer for her. Even The Cleric gets scooped up into the action as the kids decide to have a dance party.

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At last, the toys get to play.

Mason and Bonnie are shown enjoying the vast amount of toys in the playroom via montage, and the frozen, plastic, faces of Reptillus and Trixie somehow convey a sense of contentment. Eventually, all play dates must come to an end and Bonnie heads home. Trixie and the others fill in the toys left behind when they get home on what happened while Trixie declares she’s found a new appreciation for Bonnie and how she’s utilized in play. Angel Kitty appears to reaffirm the message of the special, and then vanishes confusing the onlooking toys. We then see Mason, once again, only now he’s fast asleep clutching his Reptillus Maximus. The toy wriggles free from Mason’s grasp and we see he’s been “branded” on his hand. The Cleric is also shown apparently happy to be utilized like a nightlight as he possesses illuminated wings on his back. Reptillus goes to the window and forlornly looks out with anticipation of seeing Trixie of the Bonnie Tribe once again – Tuesday around 3:30.

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There’s a real “post sex” vibe to this scene between Trixie and Reptillus following an exhausting playdate.

Toy Story That Time Forgot is a Christmas special that is exceptionally light on the holiday. The opening scene contains a Christmas tree and some décor, but following that our only holiday expression is essentially Angel Kitty, a surprisingly secular choice. Anyone who has ever seen a home occupied by a child after Christmas is certainly familiar with the boxes and general chaos the holiday leaves behind. Though in the case of Mason, that is taken to another level. Even on my best holiday, I probably didn’t come close to getting half the stuff Mason apparently received. I suppose it’s possible he didn’t get all of those toys for Christmas, but considering pretty much every toy in the room also has a corresponding box it sure makes it seem like this all just arrived.

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The Cleric is written and played in such a silly manner by Steve Purcell that it’s actually hard not to like him.

The general plot for this one relies heavily on the familiar topic of a toy not realizing it’s a toy. We saw this with Buzz in the first film and this special can’t shake that familiar feeling. It makes Toy Story That Time Forgot feel like a truncated version of that story only with the focus being on Trixie and Reptillus instead of Woody and Buzz. It also turns it on its head a bit with Trixie being captivated by Reptillus, rather than annoyed and jealous. There’s also the nefarious motivations of The Cleric who’s actually utilizing the ignorance of his tribe to further his own goals where as Buzz wasn’t really hurting anyone with his delusions. It may be a bit of retread, but it’s at least tidy and there’s plenty of humor and charm to go around. We all know where the story is going basically from the moment the plot is established and we know it’s all just a means for Trixie to have a better appreciation for her lot in life, but predictable doesn’t automatically mean bad.

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The Battlesaurs are pretty damn cool and I kind of wish they existed in the real world.

What keeps this special interesting and entertaining is the design of the Battlesaurs. It’s obvious a lot of thought when into the creation of this fictitious toyline. I get a real Masters of the Universe vibe from some of the playsets we see, and I love how the animators kept everything grounded. It’s obvious these are toys and they move and function like toys, so while it’s a bit horrifying to see Woody and Buzz devoured by a dinosaur, we also know it’s a plastic toy that is supposed to “eat” other toys with no actual harm coming to the ingested toy. The remote-controlled dinosaur arms are a bit weird and convenient for the plot of this one, but I suppose for a toyline consisting entirely of dinosaurs it wouldn’t be out of the question for something like that to actually exist for the T-Rex characters. The Battlesaurs are so convincing as an actual toy property that I wish Disney had gone ahead and had a bunch of these things made. Maybe if the special had done some crazy viewership numbers Disney would have, but alas these beings exist only in this fantasy world.

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Even though it’s made for TV, this special still looks about as awesome as you would expect a Pixar feature to look.

Toy Story That Time Forgot is a fine piece of entertainment. No, it doesn’t come close to matching the heart of the films, and I do enjoy Toy Story of Terror! more, but it’s still worth an annual viewing. It’s not going to bring the Christmas cheer though, so I don’t blame anyone who doesn’t feel like this is required Christmas viewing. It’s at least extremely accessible as ABC and Freeform will air this special this year. ABC usually devotes Thursday nights to Christmas programming, and in particular, Disney specials and often pairs this one with the Frozen special. Freeform will show it multiple times as the month goes along so if you miss the network broadcast, you have cable to fallback on. And the special is also available to stream on Disney+, and if you really enjoy it, you can purchase it on physical media as well.


Toy Story 4

 

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Toy Story 4 (2019)

Is there a better tetralogy of films than the recently completed (?) Toy Story franchise? It’s a question I didn’t immediately ponder upon viewing Toy Story 4, but in the days that followed it’s something I’ve started to consider. I’m not sure what the most famous tetralogy is, but my mind first went to the Indiana Jones franchise. While that one is quite good, I think most would agree the fourth film is okay at best. After that, and it gets murky for me. There’s a lot of trilogy franchises that were turned into four films like The Hunger Games and Twilight. I’ve seen The Hunger Games, I’ve never bothered with Twilight, but I don’t think many would argue for either as being great. There’s also Avengers, but that feels like another beast entirely given how interconnected it is with other Marvel films. And then there are a bunch of former trilogies turned into long-running franchises like Star Wars that took themselves beyond four films.

I’m surely missing out on some and there’s probably a good tetralogy or two I’m spacing on, but I’m having a hard time finding a worthy contender to what Pixar has done with its Toy Story franchise. It’s surprising how successful it has been considering Pixar never even envisioned doing a sequel. Disney all but mandated Toy Story 2 be a thing because of how successful the original was. It even started as a direct-to-video feature that earned a theatrical release and, for many, is the most beloved entry in the series. Toy Story 3 surprised and delighted movie-goers in 2010 and seemed to put a bow on the franchise as it dealt with the toys moving on from their beloved owner, Andy. A few TV specials have emerged since and it seemed like that’s where Toy Story was destined to reside. Then the world was surprised in 2014 when Toy Story 4 was officially confirmed as in development.

Toy Story 4 had probably the most treacherous development cycle (though most treacherous moment still belongs to Toy Story 2 when that film was accidentally deleted) of any of the films in the series thus far. A lot of writers came and went and the picture was delayed a year not once, but twice. John Lasseter was unceremoniously dumped by Disney and Pixar following some allegations of inappropriate conduct which was made worse when actress/writer Rashida Jones left the picture citing a disagreement on where the story was heading and renewing concerns that Pixar was not a great place for women creators. Given the turmoil behind the scenes, and the already high bar set by the previous films, it would not have been at all surprising if Toy Story 4 turned out to be a bust in the end. Pixar has a tremendous track record, but a similarly troubled picture like The Good Dinosaur wasn’t able to overcome development hell.

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Bo Peep is back and she has a whole new outlook on what it means to be a toy that Woody has to come to grips with.

Unlike The Good Dinosaur, this is Toy Story. This is the franchise that essentially made Pixar was it is today and it’s these characters that the company will be most identified by for as long as humans are around and talking about movies. There was likely a different kind of focus behind the scenes and a determination by those involved to make sure that this movie did not harm the reputation of the studio and the franchise as a whole. A lot of credit seems to be going to Andrew Stanton who has helmed several Pixar projects and director Josh Cooley, who was selected by Lasseter to helm his first feature-length project. Further credit should also go to these wonderful characters created by Pixar who quite simply refuse to stop being so damn charming and interesting despite appearing in now four films where the plot is nearly the same in all four with just slight variations on the setup.

Several years ago I ranked Pixar’s 10 best features and selected Toy Story 3 as my favorite in the Toy Story trilogy. It’s still my favorite, but following it I also had no idea how the franchise could go on. Well, that’s not entirely true. Pixar could have easily just stitched together another adventure only now instead of Andy in the background it’s Bonnie. After all, at their core all four films are just the toys getting lost and having to find their way back. That, however, isn’t really Pixar’s philosophy. Their features have purpose, and for Toy Story 4 the concept of self-identity and self worth are its purpose and main story. And the vehicle for that story is Woody (Tom Hanks), who was once the favorite toy of Andy but is now a cast-off in the eyes of Bonnie. He’s going to be paired up with newcomer Forky (Tony Hale), a spork turned into a toy via Bonnie (Madeleine McGraw) who has a hard time coming to grips with the fact that he’s no longer a discarded utensil but an actual toy.

Bonnie takes an immediate liking to Forky, and at least for the duration of the film, Forky is her new favorite toy. Forky though considers himself trash and all he wants is to be thrown away. It’s up to Woody to make sure that doesn’t happen. It’s a task Woody gives himself because he has no other purpose at the moment and he’s not even willing to share the responsibility of safeguarding Forky, which becomes quite a problem when the family hits the road for a good old fashioned RV vacation.

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Woody introducing Forky to the rest of the gang.

The film opens with a flashback revealing what happened to Woody’s old flame Bo Peep (Annie Potts), the porcelain doll who adorned a lamp belonging to Andy’s sister Molly. She disappeared between Toy Story 2 and 3, and in Toy Story 4 she is reintroduced as a lost toy. During an attempted escape from the RV by Forky, Woody and he end up on their own in search of the RV. During that time they happen across an antiques store where Woody recognizes Bo Peep’s lamp in the window, but without Bo Peep. He’ll eventually find her, and the film turns into a story about Woody and Bo Peep that’s essentially a G-rated rom-com.

Along the way, new toys will be introduced like Keanu Reeves’ Duke Caboom, a dare devil motorcycle toy with confidence issues, and the comedic duo of Keegan-Michael Key and Jordan Peele voice Ducky and Bunny, a pair of carnival prizes looking for an owner of their own. Old favorites like Buzz Lightyear (Tim Allen) and Jessie (Joan Cusack) are here as well, but they play very minor roles compared with past films. Really, only Buzz has a substantial role as the others are mostly left waiting on the RV absent from the adventure being experienced by Woody. It’s something that does not read well in a review, or at least it wouldn’t had I read any reviews going into seeing this film, but I honestly did not miss those characters even if I mostly adored them in the prior films. That’s a testament to the engrossing nature of the film’s main plot, the questions it asks, and the stakes it creates.

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Your old favorites are here, but there’s also new characters to introduce and, more importantly, merchandize.

Those stakes are partially created by outside forces. There’s a sense of finality going into this film, as there was with Toy Story 3, which makes it feel like almost anything could happen. And then there was also the impossible to avoid press on the film (even by someone like me who does his best to avoid such) in which Tim Allen and Tom Hanks openly talked about the emotional ending to the film. That had people speculating wildly on what could happen, and it was in the back of my mind while viewing the film. Even so, probably around the one-hour mark in the movie I could see where the picture was headed. That did not diminish my enjoyment of the film, though it probably contributed to my finding of the film’s resolution less emotional than its predecessor.

Toy Story 3 is a film that hit me right in the feels, so Toy Story 4 not matching that level of emotion is hardly a negative. It would have been hard to pull that off, but what Toy Story 4 did manage to do in terms of topping the prior films is up the comedy. This is, especially in the first half of the film, the funniest Toy Story movie yet. A lot of that comes from Forky who is basically suicidal, in a sense. I was quite skeptical of the character going into this one, but he absolutely won me over and he basically steals every scene he’s involved with. Ducky and Bunny also lend a certain level ludicrousness to this one that wasn’t found in past installments, or really in any Pixar film I can think of. I’m curious how much, if any, ad-libbing Key and Peel were allowed to do for their characters as it feels like their brand of humor certainly had an influence on their parts. Reeves is more charming than truly funny as Duke Caboom and Kristen Schaal’s Trixie is also good for a chuckle when she’s around.

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Your little ones may find some of the scenes in this picture a bit intense.

Toy Story 4 is not only the funniest film in the series, it might also be the scariest. While there is no moment where all of the toys look like they’re going to perish in a fire as there was in Toy Story 3, there’s some pretty scary imagery that may freak out the younger members of the audience. In particular is the army of old school ventriloquist dummies which occupy space in the antiques store. Those puppets, like clowns, are never not scary so when they’re trying to be terrifying it works. The film’s villain, Gabby Gabby (Christina Hendricks), is quietly unsettling as well and I always felt a feeling of discomfort when she was around, similar to Lotso from Toy Story 3.

The scary and the funny moments are just entertainment beats along the way to telling the story of Woody and Bo Peep. They have quite the adventure in this picture not unlike the past ones and everything looks quite spectacular along the way. The leap in terms of visuals from Toy Story 3 to 4 isn’t as impressive as what we saw in going from 2 to 3, but it’s still noticeable and this is a high point for Pixar. Whether it’s the toys or the few humans on display, this picture is marvelous to look at. The action pieces are thrilling and the novelty of viewing a world through the eyes of a toy has yet to grow stale. While I do think some liberties were taken in this picture in terms of the actions of the toys going unseen by the humans they share space with, it never diminished my enjoyment of the film.

I have heard there’s some disappointment amongst the fanbase in how this film resolves itself and some of the plot points it took to get there, but I can’t say I share them. Is this the story I would have told had I been given the keys to the franchise? Probably not, but I also would never be put in that position, and with good reason. I never desired to find out what happened to Bo Peep, just as I don’t really care what happened to Weezy or that shark who momentarily wore Woody’s hat in the first film, but Pixar created a story and a film centered on Bo Peep and it works. She is everything Woody fears as she’s a lost toy who is beholden to no owner, and Woody has to struggle to understand that world view. I get a sense some are disappointed to see that Bonnie has also essentially discarded the cowboy she appeared to love in Toy Story 3. To those I say how many of you continued to love every toy you received as a four-year-old? It would be more improbable for that four-year-old girl to continue to adore an old cowboy as opposed to finding something new (and in this it’s clearly established that she prefers Jessie to Woody). And while it’s unlikely any child would continue to love and adore a plastic spork turned into a toy, it’s totally probable in the short-term. I know my own kids have professed to love a Happy Meal toy or something similar for a few days or a week at most only for it to wind up under a bed or in a toy box for months on end (and then when I go to get rid of it they suddenly love it all over again).

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I never would have expected a rom-com from Toy Story, and yet that’s what we got and it works.

As it is, I find nothing improbable about the film’s overall plot, aside from it being about sentient toys. I accept the story for what it is, and found the film delightfully entertaining for its entire duration. There are parts that made me a touch uncomfortable with where these characters were going, but good films and stories should do that. They should challenge the viewer and take them out of their comfort zone at times, otherwise what’s the point?

Naturally, folks will debate what is the best movie in this franchise. It’s perhaps too soon to tell, but I do think Toy Story 4 is probably going to be the least liked film in the series, and yet it’s still going to be held up as another Pixar masterpiece. That says less about the movie than it does about the franchise as a whole, which has been remarkably consistent. It brings me back to my original question when I started this review:  what is the best tetralogy in film history? I’m not qualified to answer that definitively, but I’m having a hard time coming up with a series of four films better than what Pixar has given us with Toy Story. These are four delightful films populated by interesting and wondrous characters who have already managed to stand the test of time for nearly 25 years. Toy Story 4 is probably the end for these characters, though if you asked me I would have said the same after Toy Story 3. It’s always possible another movie comes along, and additional shorts will probably happen, but I wouldn’t hold my breath on Toy Story 5. If this is indeed the end then it’s a wonderful way to go out. Maybe it didn’t answer all of the questions fans had been asking (Who was Andy’s dad? Did Andy’s mom once own Jessie?),  but it kept the focus on the toys and it gave us a pretty full look at what it means to be a toy. It made us laugh and it made us cry and it probably also caused more than a few viewers to feel a little guilty about all of those toys we left behind ourselves, but mostly it captivated us and showed us a new way to enjoy animation. Toy Story is a franchise with an amazing and unforgettable legacy attached to it, and Toy Story 4 adds to it and is yet another film that will be enjoyed by kids and adults alike to infinity and beyond.


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