The Teenage Mutant Ninja Turtles have been around long enough that I think we can officially declare it wasn’t a fad. Back in the early 90s, that was the prevailing thought which is how we ended up with 3 films in 4 years. Since then, the movies have come far more sporadically. The original comic and television show have come and gone, and the concept of a reboot is nothing the franchise is unfamiliar with. And with each reboot that comes, you can pretty much count on a bunch of stuff carrying over. The turtles begin life as four, ordinary, baby, turtles mutated by some ooze. They’re raised by their rat-dad, Splinter, who is sometimes Hamato Yoshi or sometimes just his pet. And they’re always tied to the Shredder and the Foot Clan in some fashion. Early on, it was a revenge story, and then later versions usually preserved some tragedy in there, but didn’t make the turtles as bloodthirsty as originally portrayed back in 1984.
Sometimes, the status quo needs to be changed. How many times can the same story be retold with only minor modifications? That seems to be the issue facing Teenage Mutant Ninja Turtles in the modern age. When the show that began in 2012 came to an end, Nickelodeon was willing to try something new and that’s how we got Rise of the Teenage Mutant Ninja Turtles. It wasn’t the success that 2012 was, so it’s hard to say if Nickelodeon was rewarded for such a drastic change. Now, it’s the film franchise’s turn for something new. No, this isn’t Rise, but spiritually it’s more similar to that show than any of the shows and films that came before it. Teenage Mutant Ninja Turtles: Mutant Mayhem is (what Nickelodeon hopes) the start of a new era for the heroes in a half shell in which they’re given a much different look. Not so much design-wise, but in approach. That word “teenage” has been in the title ever since the beginning, but prior to Mutant Mayhem it’s rarely applied.
Mutant Mayhem is being talked about as the Seth Rogen Turtles in the same way that the previous film franchise was thought of as the Bay Turtles. Only this time, it’s a little more true. Rogen is a credited screenplay writer on this film, along with his usual writing partner Evan Goldberg, Jeff Rowe, Dan Hernandez, and Benji Samit. It’s true that Rogen has played a large role in shaping this film, but he’s not doing it alone, obviously. The story is credited to Rogen, Goldberg, Row, and Brendan O’Brien with Rowe directing.
The film takes our four heroes, Leonardo (Nicolas Cantu), Donatello (Micah Abbey), Michelangelo (Shamon Brown Jr.) and Raphael (Brady Noon) out of the sewers and into the streets of New York City. Only this time, they’re not seasoned crime fighters. Instead, they’re errand boys for their father Splinter (Jackie Chan) who have been trained as ninja purely for self-defense and stealing (in this version, they don’t inexplicably have money for pizza). Yes, Splinter is not out for revenge in this one. He’s just a New York City rat who happened to get mutated along with the turtles and had to learn martial arts via video tapes he was able to track down. He decided to teach his boys in the same discipline when it became apparent to him that they could never hope to be accepted by humanity. As a result, he’s a bit controlling and forbids his sons from interacting with any humans. Meanwhile, the turtles are all teenaged and looking for an outlet. They seek acceptance and companionship as they have the usual social needs all teens have. They want to go to high school, Leo dreams of a girlfriend, Donnie wants to share in his interests with other geeks, Mikey yearns for the stage, while Raph just wants to fight people.
Early in the film, we’re shown the turtles getting created by accident. This time, the ooze is attributed to Baxter Stockman (Giancarlo Esposito), who as a social outcast (which seems to a be running theme with this film), saw his mutagen as a way to create a family for himself. His prized pupil is a fly, who we’ll come to know as Superfly (Ice Cube), but he has a lot of other creations brewing (literally). He’s being dogged by Cynthia Utrom (Maya Rudolph) who heads-up the mysterious TCRI and seeks to gain control of all of the ooze out there and the creations it’s spawned. As for the turtles, their forays in New York put them in contact with April O’Neil (Ayo Edebiri), a teenager herself and aspiring journalist. She’s an outcast herself, but hopes to uncover the secrets of Superfly’s crime wave to get her foot in the door as a bonafide journalist, and to gain acceptance from her peers. The turtles view stopping Superfly similarly and hope to have April paint them as heroes in a bid to gain acceptance from humanity and that’s essentially the basis for our story.

The story moves at an okay pace starting with relatively low stakes and getting progressively greater. We get a pretty good look at our main heroes, but the film doesn’t have much time for the supporting cast. April gets just enough time for us to see why she doesn’t exactly fit in, but we don’t know anything about her homelife, for example. The cast of mutants working with Superfly get almost no character development. They’re just designs with a few one-liners. And as for those designs, much has been made of how some of the characters look. Some of the mutants could use a bit more imagination to their design for my taste, but as for the rest, I’m fine. The film has its own style and none of the humans look especially human. There’s unnatural proportions and odd shapes, which works for the film. The turtles themselves look fairly conventional. Leonardo, especially, looks like he could be from almost any era. Raphael is sporting a skull cap like he did in Rise, while Michelangelo gets an unusually shaped head and braces. Donatello, being the smart one, gets glasses which is kind of boring. Maybe he’ll get contacts later.

The voice cast is a mix of stars and newcomers. The turtles are voiced all by kids, or actual teens, and they all do a great job. I don’t like picking on young people, but I will say that Donatello sounds a bit too young for my tastes. With Splinter no longer being from Japan, it basically allowed the film to cast Jackie Chan in the role and he does a great job. Edibiri is fantastic as April, and even though she’s a lot older than her turtle cast-mates, she doesn’t sound out of place as a high schooler. Perhaps more impressive than the voice cast though, is the score by Trent Reznor and Atticus Ross. This thing kicks way harder than I bet many would have expected. Superfly’s theme is especially awesome as it has a humming quality to it which conveys a sense of unease. The film doesn’t rely on nostalgia-bait with the soundtrack, though we do get a quick cut of an old song at one point. I do kind of wish they snuck something in for the closing credits, but I get it. Not everything needs to be loaded with fan-service. There are a few instances of licensed music, but the film manages to avoid the most overused of song selections.
The animation for this film is credited to Mikros Animation and Cinesite and it’s probably the true star of the film. For only the second time in the franchise’s history, a film released to theaters featuring the Teenage Mutant Ninja Turtles is fully animated. It’s clearly borrowing some from Into the Spider-Verse, but that’s not a bad thing. The characters have a very sketch quality with lots of linework and scribbles over it. The animation itself isn’t as intentionally jumpy as Spider-Verse, while the soft approach sometimes makes this film look like claymation. The action is fluid and easy to follow and the animation is able to allow characters with non-traditional faces to emote as well as they need to. It’s a total feast for the eyes and I could not stop admiring this picture for a moment while I watched it.

Teenage Mutant Ninja Turtles: Mutant Mayhem is a visual treat with a great voice cast and soundtrack. Where it falls a little flat is with the plot. As I mentioned before, we don’t get much character development outside of the main four. It feels very crowded as more mutants are thrown in and there’s an element to the plot where it feels like it’s being made up on the spot. Perhaps that’s the intent as the turtles are basically doing the same, but I found it hard to get invested into it. I cared about the characters, just not so much the stakes. The film is able to make up for that to a point by being very funny. The plot somewhat suffers because the first half of the film does feel like it just wants to make you laugh. There’s some terrific pacing to some of the gags where you think the joke is over, and then it continues. Splinter has a very specific fear for his sons which gets to be paid off (and has the benefit of Rogen getting to slip a masturbation joke into what is otherwise a kid’s movie) and the rest of the mutants basically have a line or two designed to produce a laugh.
Mutant Mayhem is an imperfect film, but it manages to be suitably entertaining for its modest run time. Nickelodeon has already revealed plans for an animated series for the property which will serve as a bridge to a sequel so the company has a lot riding on this film. There is a mid credits scene that sets up a future conflict, so all that remains to be seen is if the film is successful enough to warrant another. Outside of the very first film, Teenage Mutant Ninja Turtles hasn’t really made huge waves at the box office during its life and Mutant Mayhem is off to a lukewarm start. If you want to see more out this group, then definitely go check it out. Bring your kids! If they’re anything like mine then they’ll love it and already ask you when they can own it. It’s a good family movie, and a sub 2 hour one at that, and those are in short supply. Accepting that this is a new version of the old team intended for kids, I think this film is plenty enjoyable even for adults. It very much feels like a foundational type of movie so I do hope we get to see more out of this team because I believe the best is yet to come.
How does Mutant Mayhem measure up to these films?
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