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Teenage Mutant Ninja Turtles: Mutant Mayhem

The Teenage Mutant Ninja Turtles have been around long enough that I think we can officially declare it wasn’t a fad. Back in the early 90s, that was the prevailing thought which is how we ended up with 3 films in 4 years. Since then, the movies have come far more sporadically. The original comic and television show have come and gone, and the concept of a reboot is nothing the franchise is unfamiliar with. And with each reboot that comes, you can pretty much count on a bunch of stuff carrying over. The turtles begin life as four, ordinary, baby, turtles mutated by some ooze. They’re raised by their rat-dad, Splinter, who is sometimes Hamato Yoshi or sometimes just his pet. And they’re always tied to the Shredder and the Foot Clan in some fashion. Early on, it was a revenge story, and then later versions usually preserved some tragedy in there, but didn’t make the turtles as bloodthirsty as originally portrayed back in 1984.

Sometimes, the status quo needs to be changed. How many times can the same story be retold with only minor modifications? That seems to be the issue facing Teenage Mutant Ninja Turtles in the modern age. When the show that began in 2012 came to an end, Nickelodeon was willing to try something new and that’s how we got Rise of the Teenage Mutant Ninja Turtles. It wasn’t the success that 2012 was, so it’s hard to say if Nickelodeon was rewarded for such a drastic change. Now, it’s the film franchise’s turn for something new. No, this isn’t Rise, but spiritually it’s more similar to that show than any of the shows and films that came before it. Teenage Mutant Ninja Turtles: Mutant Mayhem is (what Nickelodeon hopes) the start of a new era for the heroes in a half shell in which they’re given a much different look. Not so much design-wise, but in approach. That word “teenage” has been in the title ever since the beginning, but prior to Mutant Mayhem it’s rarely applied.

Mutant Mayhem is being talked about as the Seth Rogen Turtles in the same way that the previous film franchise was thought of as the Bay Turtles. Only this time, it’s a little more true. Rogen is a credited screenplay writer on this film, along with his usual writing partner Evan Goldberg, Jeff Rowe, Dan Hernandez, and Benji Samit. It’s true that Rogen has played a large role in shaping this film, but he’s not doing it alone, obviously. The story is credited to Rogen, Goldberg, Row, and Brendan O’Brien with Rowe directing.

There’s a new version of the heroes four on the scene, but they’re hardly unrecognizable.

The film takes our four heroes, Leonardo (Nicolas Cantu), Donatello (Micah Abbey), Michelangelo (Shamon Brown Jr.) and Raphael (Brady Noon) out of the sewers and into the streets of New York City. Only this time, they’re not seasoned crime fighters. Instead, they’re errand boys for their father Splinter (Jackie Chan) who have been trained as ninja purely for self-defense and stealing (in this version, they don’t inexplicably have money for pizza). Yes, Splinter is not out for revenge in this one. He’s just a New York City rat who happened to get mutated along with the turtles and had to learn martial arts via video tapes he was able to track down. He decided to teach his boys in the same discipline when it became apparent to him that they could never hope to be accepted by humanity. As a result, he’s a bit controlling and forbids his sons from interacting with any humans. Meanwhile, the turtles are all teenaged and looking for an outlet. They seek acceptance and companionship as they have the usual social needs all teens have. They want to go to high school, Leo dreams of a girlfriend, Donnie wants to share in his interests with other geeks, Mikey yearns for the stage, while Raph just wants to fight people.

Early in the film, we’re shown the turtles getting created by accident. This time, the ooze is attributed to Baxter Stockman (Giancarlo Esposito), who as a social outcast (which seems to a be running theme with this film), saw his mutagen as a way to create a family for himself. His prized pupil is a fly, who we’ll come to know as Superfly (Ice Cube), but he has a lot of other creations brewing (literally). He’s being dogged by Cynthia Utrom (Maya Rudolph) who heads-up the mysterious TCRI and seeks to gain control of all of the ooze out there and the creations it’s spawned. As for the turtles, their forays in New York put them in contact with April O’Neil (Ayo Edebiri), a teenager herself and aspiring journalist. She’s an outcast herself, but hopes to uncover the secrets of Superfly’s crime wave to get her foot in the door as a bonafide journalist, and to gain acceptance from her peers. The turtles view stopping Superfly similarly and hope to have April paint them as heroes in a bid to gain acceptance from humanity and that’s essentially the basis for our story.

There’s a lot different in Mutant Mayhem, but one thing left largely unchanged is that a reporter named April is their connection to the human world. Only now, April is a teen hoping to save prom.

The story moves at an okay pace starting with relatively low stakes and getting progressively greater. We get a pretty good look at our main heroes, but the film doesn’t have much time for the supporting cast. April gets just enough time for us to see why she doesn’t exactly fit in, but we don’t know anything about her homelife, for example. The cast of mutants working with Superfly get almost no character development. They’re just designs with a few one-liners. And as for those designs, much has been made of how some of the characters look. Some of the mutants could use a bit more imagination to their design for my taste, but as for the rest, I’m fine. The film has its own style and none of the humans look especially human. There’s unnatural proportions and odd shapes, which works for the film. The turtles themselves look fairly conventional. Leonardo, especially, looks like he could be from almost any era. Raphael is sporting a skull cap like he did in Rise, while Michelangelo gets an unusually shaped head and braces. Donatello, being the smart one, gets glasses which is kind of boring. Maybe he’ll get contacts later.

Splinter’s design appears to be a mix of TMNT co-creators Kevin Eastman and Peter Laird. The Eastman influence is very obvious in the flashback scenes.

The voice cast is a mix of stars and newcomers. The turtles are voiced all by kids, or actual teens, and they all do a great job. I don’t like picking on young people, but I will say that Donatello sounds a bit too young for my tastes. With Splinter no longer being from Japan, it basically allowed the film to cast Jackie Chan in the role and he does a great job. Edibiri is fantastic as April, and even though she’s a lot older than her turtle cast-mates, she doesn’t sound out of place as a high schooler. Perhaps more impressive than the voice cast though, is the score by Trent Reznor and Atticus Ross. This thing kicks way harder than I bet many would have expected. Superfly’s theme is especially awesome as it has a humming quality to it which conveys a sense of unease. The film doesn’t rely on nostalgia-bait with the soundtrack, though we do get a quick cut of an old song at one point. I do kind of wish they snuck something in for the closing credits, but I get it. Not everything needs to be loaded with fan-service. There are a few instances of licensed music, but the film manages to avoid the most overused of song selections.

The animation for this film is credited to Mikros Animation and Cinesite and it’s probably the true star of the film. For only the second time in the franchise’s history, a film released to theaters featuring the Teenage Mutant Ninja Turtles is fully animated. It’s clearly borrowing some from Into the Spider-Verse, but that’s not a bad thing. The characters have a very sketch quality with lots of linework and scribbles over it. The animation itself isn’t as intentionally jumpy as Spider-Verse, while the soft approach sometimes makes this film look like claymation. The action is fluid and easy to follow and the animation is able to allow characters with non-traditional faces to emote as well as they need to. It’s a total feast for the eyes and I could not stop admiring this picture for a moment while I watched it.

No Shredder? No problem! Superfly, portrayed excellently by Ice Cube, is a pretty solid villain. The other mutants, unfortunately, get a little lost in the massive cast.

Teenage Mutant Ninja Turtles: Mutant Mayhem is a visual treat with a great voice cast and soundtrack. Where it falls a little flat is with the plot. As I mentioned before, we don’t get much character development outside of the main four. It feels very crowded as more mutants are thrown in and there’s an element to the plot where it feels like it’s being made up on the spot. Perhaps that’s the intent as the turtles are basically doing the same, but I found it hard to get invested into it. I cared about the characters, just not so much the stakes. The film is able to make up for that to a point by being very funny. The plot somewhat suffers because the first half of the film does feel like it just wants to make you laugh. There’s some terrific pacing to some of the gags where you think the joke is over, and then it continues. Splinter has a very specific fear for his sons which gets to be paid off (and has the benefit of Rogen getting to slip a masturbation joke into what is otherwise a kid’s movie) and the rest of the mutants basically have a line or two designed to produce a laugh.

Mutant Mayhem is an imperfect film, but it manages to be suitably entertaining for its modest run time. Nickelodeon has already revealed plans for an animated series for the property which will serve as a bridge to a sequel so the company has a lot riding on this film. There is a mid credits scene that sets up a future conflict, so all that remains to be seen is if the film is successful enough to warrant another. Outside of the very first film, Teenage Mutant Ninja Turtles hasn’t really made huge waves at the box office during its life and Mutant Mayhem is off to a lukewarm start. If you want to see more out this group, then definitely go check it out. Bring your kids! If they’re anything like mine then they’ll love it and already ask you when they can own it. It’s a good family movie, and a sub 2 hour one at that, and those are in short supply. Accepting that this is a new version of the old team intended for kids, I think this film is plenty enjoyable even for adults. It very much feels like a foundational type of movie so I do hope we get to see more out of this team because I believe the best is yet to come.

How does Mutant Mayhem measure up to these films?

Teenage Mutant Ninja Turtles (1990)

Hollywood loves to go after us folks who are suckers for nostalgia.  We’re easy targets as it doesn’t take much to lure someone in with a touch of nostalgia.  Especially today.  We live in a world of 24 hour news networks and the internet puts information at our fingertips at all times.  The media’s tactics…

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Teenage Mutant Ninja Turtles II: The Secret of the Ooze

Cowabunga dudes, it’s the 30th anniversary of the original Teenage Mutant Ninja Turtles movie! On March 30, 1990, New Line Cinema together with Golden Harvest released a film to theaters that seemingly no one wanted to make. This isn’t that surprising considering when Kevin Eastman and Peter Laird first started soliciting offers for a toy-line…

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Teenage Mutant Ninja Turtles III

When I was a child, going to the movies was a pretty big deal. It didn’t happen often so when it did it felt like a special occasion. Most of the Disney films of the late 80s and 90s were seen by me at home. Batman, Ghostbusters, every Back to the Future movie- all films…

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Freaks and Geeks

The credited main cast of Freaks and Geeks (left to right): James Franco, Jason Segel, Linda Cardellini, Seth Rogan, John Francis Daley, Martin Starr, Samm Levine

I can remember hanging out with some of my friends at another friend’s house back when I was in high school. I think it was 2001, and we were just riffing on some music when one of my other friends entered the room and remarked that we reminded him of some characters from the show Freaks and Geeks. It was the first time I had ever heard of the show, and I can’t even recall which characters he referenced (probably the geeks). We then all watched Galaxy Quest and had a shared infatuation with Sigourney Weaver’s blond wig.

I never would seek out Freaks and Geeks, even though I valued the opinion of my friend when he said it was a good show. It was short-lived though, which implied that it wasn’t very good, and I was at an age where I was spending most of my time playing video games and not watching TV. If I was going to watch something, it was going to be something animated or maybe Jackass or a CKY video. Over the years though, I would hear more good things about Freaks and Geeks, especially as the cast started to find success in film. I don’t think I ever really talked about the show with anyone in-person and most of the chatter was just all online. I was quite curious about it, but by the time the DVD set came out I was less interested. It was also expensive since it included a lot of licensed music and I didn’t want to get invested in a show that was going to end after 18 episodes. I was late to the streaming platforms, and this was a show that I just never would make time for. Recently, Hulu added it and they got the broadcast cut with all of the licensed music in place (I believe some prior streaming options omitted it), and being that it’s winter and COVID is still a thing, I found myself with plenty of time to finally get to know the characters of Freaks and Geeks.

Lindsay is looking to make some new friends and Daniel is her gateway to just that.

Freaks and Geeks is a sitcom set in the school year of 1980-1981 that aired from 1999-2000. It was created by Paul Feig (Bridesmaids, The Heat, Ghostbusters (2016)) and executive-produced by Judd Apatow (The 40 Year Old Virgin, Knocked Up, Funny People). It was the success of Apatow directed films that really brought posthumous attention to Freaks and Geeks, for the show had a relatively short existence. It’s a show about teenagers and school life with a young, mostly unknown at the time, cast that found itself in primetime on a broadcast network. Network shows set in high school weren’t unheard of in the 90s, but they were usually relegated to the Fox Network which prided itself on being different from the big three of ABC, CBS, and NBC. That network’s hit teenaged show was Beverly Hills 90210, which was more of a soap opera than a sitcom and starred a bunch of beautiful people who looked way too old to be in high school. Freaks and Geeks was set in an unremarkable suburb of Detroit and featured quite young-looking actors (for the most part) in much more of a grounded, real world, setting. It also found itself on NBC and in the unusual position of being a primetime sitcom that was an hour long. I don’t know how Feig and Apatow were able to convince NBC to give them an hour on television in 1999, but they did it somehow. Unfortunately, there was a changing of the guard at NBC in between the show being picked-up and it going to air, and the new boss wasn’t a fan. The show was a critical darling, but it wasn’t a huge ratings hit in terms of 1999 numbers and it was cancelled after 12 episodes. Fans actually had to petition the network to get the remaining 6 of 18 episodes aired, which did happen over the summer in 2000, but on cable.

Since leaving the airwaves of NBC, it would seem Freaks and Geeks has garnered nothing but praise from both critics and viewers, alike. It’s young cast which would have quickly aged out of high school meant that the show was probably never destined for a long run, but it certainly deserved a second season and it would have been a treat to see where Feig and Apatow took things, especially considering that the show was really hitting its stride at the end of its lone season. I suspected that would be the case as I went into the show and it was one of the reasons I resisted it for so long as it always sucks to get into a show when there’s no hope of seeing what would have come next. It’s basically a slice of life type of show so there really was no way for it to ever have a truly satisfying conclusion, but it certainly would have been nice to at least see the cast graduate from high school or something.

Freaks and Geeks may have wound up on the radar of many a comedy fan thanks to Apatow, but it’s the cast that will keep viewers around for 18 episodes. It stars Linda Cardellini as Lindsay Weir who is a high school junior that has always been a gifted student. Academics come easy to her, but when the show begins we find out she recently lost her grandmother and it’s brought on a change in attitude. She has stopped socializing with some of her childhood friends and dropped off of the Mathletes program, a competitive math team. She’s also taken to wearing an old, olive, army jacket and has her sights set on making some new friends. She’s basically been living a life devoted to pleasing the adults in her sphere and setting herself up for the ideal future most parents want for their kids and is now likely having some regrets. She wants to have other experiences while she’s young, and she looks to the so-called “freaks” of her school for that kind of fulfillment.

Busy Philipps (front left) is not part of the opening credits but her character, Kim Kelly, is very much a major player on the show.

Cardellini has gone on to have a successful career in Hollywood, but it’s her co-stars that make up the freaks that have become household names. The freaks are basically just the slackers and kids who have no real academic ambition and just have their sights set on enjoying themselves and one day getting out of their small town. The first one we’re introduced to is Daniel Desario played by a young James Franco. Daniel is Lindsay’s gateway into his circle of friends, which all seem to at least know her from the start, but aren’t close with her. The most eager of Daniel’s friends to get to know Lindsay is Nick, played by Jason Segel. Nick is clearly attracted to Lindsay from the start and plays the nice guy routine. He’s an aspiring drummer and idolizes the likes of Jon Bonham and Neal Peart. Seth Rogan plays Ken, who is more of a sarcastic wallflower at the start of the series who gradually becomes more involved as the show progresses. Daniel’s girlfriend, Kim (Busy Philipps), is the only one who takes a combative posture towards Lindsay’s associating with their crowd. She presents a problem at first as she doesn’t understand why Lindsay suddenly wants to associate with them and finds the girl boring.

Much of the first several episodes are spent on Lindsay trying to fit in with her new group of friends while they try to figure out what she brings to the table. Other forces in Lindsay’s life try to pull her back towards academics or the Mathletes. She struggles to find her place as she’s rather open to discussion and being introspective while her new friends almost all avoid any form of conflict. The only one who doesn’t is Kim, but the others just seem to brush off anything she does or says while Lindsay can’t help but take things personally. As viewers, it’s hard to find much to like about Daniel and Kim early on. They seem eager to take advantage of Lindsay, who has had a more privileged upbringing and access to more of everything, while they come from troubled backgrounds and broken homes. Much of the Lindsay/Kim dynamic gets settled in the fourth episode “Kim Kelly is My Friend.” It begins a bit too familiar with Kim seemingly using Lindsay to her advantage as she wants her mother to see she has made a wholesome friend, or someone her mom will approve of. By the end of the episode they seem to find a new understanding and the title of the episode feels like a true a statement. Plenty of the remaining 14 episodes demonstrate a deepening of the relationship between Kim and Lindsay as Lindsay begins to find her own place. Other episodes, like the following “Tests and Breasts,” put the focus on Lindsay and her relationship with another member of her circle of friends, such as Daniel. Just about every character gets a spotlight of sorts early leaving the rest of the episodes to examine other aspects of school life, relationships, and the like.

Left to right: Bill, Sam, and Neal comprise the geeks portion of the show.

As the title of the show implies, there are two social groups the show focuses one. We’ve discussed the freaks, now lets talk about the geeks. The geeks are, as you probably could have guessed, a more nerdy group who are a bit outside the popular crowd like the freaks, but for different reasons. The group begins the series as a trio and includes Lindsay’s younger brother Sam (John Francis Daley), Neal (Samm Levine), and Bill (Martin Starr). All three are freshmen and in that awkward stage where their shared interests are being forced to compete with the onset of puberty. They’ve always been comfortable with who and what they are, but now are beginning to doubt themselves and all to a different degree. Sam is the most conflicted and confused by everything. He’s a sweet boy who likes the comedy of Steve Martin and Bill Murray and also enjoys Star Wars and playing Dungeons & Dragons. He’s also sweet on Cindy Sanders (Natasha Melnik), but she’s a cheerleader unlikely to ever view him as a romantic possibility. Sam questions if his enjoyment of the nerdier things in life are keeping him from attracting someone like Cindy, causing him to contemplate rejecting them. Meanwhile, Neal is the Jewish son of a dentist obsessed with comedy, but also is very much interested in women. Given his background, it’s not hard to imagine both Feig and Apatow seeing a bit of themselves in Neal and his uncompromising attitude towards finding what’s most funny about a situation or joke, He’s also probably overconfident in his ability to be a real Casanova. Even though he has no luck attracting women, he’s fairly certain that he’ll grow up into someone who is not challenged by such at all. Bill is the most secure in his nerdy ways. He’s not that interested in popularity, and while he likes girls, they’re definitely not a priority at this stage of his life.

The two cliques cross paths at times in the show, but for the most part their stories are self contained. Sam and his friends have their problems to deal with, while Lindsay and her friends have their own. They’re both able to be quite relatable, though this is coming from someone with a bit of a freak and geek background myself, so maybe this show plays differently for someone who was a jock in high school. There are a lot of ongoing plots that the show is willing to just let simmer in the background like Sam’s pursuit of Cindy and some problems at home for both Neal and Bill. For Lindsay, there’s a bit of a “will they or won’t they?” towards her relationship with Nick. She gets caught in a relationship quite quickly with him as a result of her feeling pity for him, but she keeps up appearances by convincing herself that since he’s a nice guy he’s worthy of being her boyfriend, and that’s never a healthy way to begin a relationship. It gets called off after a few episodes and tension is allowed to play out for the rest of the season. It’s definitely something that would have continued into a second season, though at the same time, it’s not exactly a Ross and Rachel situation as I don’t get a sense that the audience is rooting for things to go one way or not. Then again, I was never into Friends and I get the sense most people dislike Ross so maybe it is the same? Nick is at least likable, but it’s reasonable to doubt if he’s right for Lindsay.

I love Tom Wilson on this show. I would have been very interested in seeing how he was utilized in a second season.

The main cast of teens and young adults is great. They absolutely are capable of carrying the show, but thankfully they also don’t have to. Making up the rest of the cast is an assortment of utility players. Lindsay and Sam’s parents Jean (Becky Ann Baker) and Harold (Joe Flaherty) are excellent as parents that try to be supportive and keep their kids on the straight and narrow, but also stumble. Flaherty is particularly terrific in his portrayal as Lindsay’s father as he tends to get frustrated with trying to relate to his daughter quickly so he just makes demands that are only partially effective. He changes as much as the kids as the episodes roll along and anytime an episode lingers on him it’s for the better. It’s reasonable to wonder if he would have followed in the footsteps of other TV dads and taken on a bigger role had the show continued. Dave “Gruber” Allen is also perfectly cast in his role as counselor Mr. Ross. He spends a lot of time trying to keep Lindsay on the path she was on before the show began, but unlike some of his fellow teachers, he doesn’t exactly discourage her from hanging out with her new friends. He doesn’t consider them lost causes and tries his best to be a positive influence on their lives. He’s just a great character because most people can probably remember someone like him from their adolescence. Possibly my favorite member of the recurring characters is Tom Wilson’s Ben Fredericks, the coach and PE teacher the geeks tend to find conflict with. It’s just great to see Wilson outside of the Back to the Future franchise even if he’s playing a Biff-adjacent type of character as it’s not hard to imagine Biff becoming a hard-ass of a gym teacher. He gets a lot opportunity to show his range though leading to some really nice scenes with both Sam and Bill.

As I alluded to at the start of this post, the music licensed for the show plays a substantial role in evoking the spirit of 1980. Every episode begins with Joan Jett’s “Bad Reputation” as the main cast is shuffled quickly through a picture day setting at school. Over the course of the first 5 or 6 episodes we’re exposed to the entire self-titled Van Halen debut album, which must have been pricey on its own. There’s also numerous other cuts along the way, some that come as expected while others are a bit of a surprise. It’s mostly era appropriate too, though as a former punk rocker back in the day I feel obliged to point out that Daniel at one point ends up with a copy of Black Flag’s Damaged several months before it was actually released. Music plays a large role in the lives of the freaks as well since they start their own band playing mostly Cream covers. They all have an appreciation for Led Zeppelin and in the last episode Lindsay discovers The Grateful Dead. In an era where televisions only had a few channels and video games hadn’t quite taken over, music was a huge past time for kids and it’s great to see that reflected in the show.

There’s a lot of loose ends when the credits roll on season one, like where Lindsay and Nick’s relationship is heading, but sadly we’ll never get to see how that stuff would have resolved itself.

Freaks and Geeks consists of a simple premise, but one that is frequently hard to execute. It’s difficult to find kids and young adults who can actually act, and while few members of the cast were actually high school age at the time of shooting, they were all close enough. And they’re all really good! It’s not surprising so many have received bigger roles in the years since the show came to an end, some of which were roles from Apatow, but also many found their own way through the entertainment industry. The show is funny, but also captivating. It’s not afraid to be honest with its characters and it tackles some pretty interesting subjects. The only one that I felt stumbled a bit was the requisite drug episode when Lindsay is worried Nick is addicted to pot, which seems kind of ridiculous, but they are kids, I suppose. There are issues of parental infidelity as experienced by a kid and also the issue of one’s mother dating an adult her child is familiar with and not exactly a fan of. Like a lot of Apatow’s movies, the show is rather adept at putting its characters into uncomfortable and awkward situations, for both them and the audience, and we have to see how they untangle the knots. Mostly though, it’s just enjoyable to watch these characters, and the show, grow over its 18 episodes. Some of that growth is intentional and some of it is just the natural progression of a show discovering itself and coming to a greater understanding of what it is, who inhabits its world, and where everything is going. The show was cut down too soon, but the final episode does at least have a touch of finality to it, especially for what I consider the two main characters of Lindsay and Sam. I wish there was more, but I’m happy I finally took the time to watch what we have.