Oh hell yeah, it’s time for Christmas posts! Welcome back for the year 2020 as The Christmas Spot comes at you with 25 days of Christmas posts! 2020 has been a crazy year with a lot of new normals tossed our way, but at least each year the calendar gets turned over to Christmas and for close to one month things seem consistent with prior years. And like year’s past, we’re turning this place into an advent calendar and looking at 25 festive topics. Most of which will be like this one, a write-up of a beloved or not so beloved Christmas television special. It may be one from the past, or it may be relatively current, but one thing is certain and that’s it will be Christmas. I have nothing against the other seasonal holidays occurring around this time, it’s just that Christmas is my jam and I want to share my enthusiasm with all of you.
For this year, we’re turning things over to an animated sitcom that has become fairly reliable when it comes to Christmas. American Dad! premiered after the Super Bowl in 2005 and immediately found itself in the shadow of Family Guy. That’s because the show is co-created by Family Guy creator Seth MacFarlane and at the time it premiered it was being billed as the Family Guy replacement. This was during the hiatus for Family Guy following its cancellation, though the show would eventually return. As such, it felt like many Family Guy fans were immediately dismissive of American Dad! because it wasn’t the show they wanted. They wanted more Family Guy, not an imitation. You would think things would improve following the revival of Family Guy, but instead fans of that show once again seemed to look down on American Dad! as now that their beloved show had returned, what need of this new one did anyone have?
Which was unfortunate, because American Dad! had very little in common with Family Guy. I suppose it resembled Season One of Family Guy to a point as both shows were influenced by the classic sitcom All in the Family. While Family Guy only borrowed from that show a little, American Dad! was practically a reimagining of that program in animated form. The show was co-created by eventual show-runners Mike Barker and Matt Weitzman and once the pilot was basically sold to Fox, MacFarlane backed away as he was soon pulled back into Family Guy duty. The show was conceived as a liberal’s answer to the Bush era political climate of the time. The conservative leading man, Stan Smith (MacFarlane) would be positioned opposite his young adult daughter Hayley (Rachael MacFarlane), a college-educated liberal, and rely on the conflict inherent in that relationship for several plots. Stan was presented as boorish and unfailingly patriotic, and as a member of the CIA he took national security very seriously to the point of suspecting anyone with brown skin as being a terrorist. Hayley was often the voice of reason, though also saddled with the usual college stereotype of being lazy and more interested in getting high than actually working to promote change in the political landscape. She would be paired with a boyfriend turned husband, Jeff Fischer (Jeff Fischer), that Stan hates which is basically the same relationship Archie Bunker had with “Meathead” in All in the Family.
Eventually, the show found a niche and relied less on the Stan/Hayley dynamic. The rest of the family would play a more prominent role in furthering stories. Francine (Wendy Schaal) is portrayed as a stay-at-home mom and is the caretaker of the house and kids. She began life in the show as being a stereotypical conservative ideal, but over the years has developed her own quirks and failings, making her feel like a more fleshed-out character. Son Steve (Scott Grimes) has been molded into being Stan’s opposite ideal for a son. He’s a geek who likes comics and Dungeons & Dragons, but also is emotionally Stan’s opposite as he’s sensitive and comfortable with expressing his “non manly” emotions. As is the case with all MacFarlane shows, there’s a talking animal and in this one it’s a goldfish named Klaus (Dee Bradley Baker) who is a former German athlete trapped in the body of a fish. He’s mostly just there to make observations and the family often ignores him. By far, the big breakout character of the show is definitely Roger the alien (MacFarlane), who saved Stan’s life years ago and as reward is being kept safe from the government in the Smith household. He begins the show as an Alf knock-off, but the writers eventually found another role for him and that’s as an alien of many personalities. He often leaves the home in disguise and will even live other lives as he devotes himself to the roles he plays. He’s also literally the show’s worst character as he’s a sociopathic narcissist and will do whatever it takes to get what he wants. In that aspect, he somewhat resembles Cartman of South Park fame.
For what Wikipedia considers the show’s third season (it’s complicated), a Christmas episode was commissioned. It would be the first of several, as the very conservative Stan and his family naturally lend themselves well to the holiday. The episodes have become some of the show’s finest as they’re pretty big in spectacle and only seem to grow more and more outlandish. There would be a continuity established as well as the Smith family becomes the enemy of Santa. Because the show’s broadcast schedule is a bit erratic, not every year brings with it a new Christmas episode, but it’s certainly something I look for each year.
Since I have never covered American Dad! before in one of these countdowns, it would seem the best place to start is with that first Christmas special. “The Best Christmas Story Never Told” premiered on December 17, 2006. Some places consider that Season 3 of the show, though it would appear it’s production Season Two. Writing of the episode is credited to Brian Boyle with staff writers Laura McCreary and Erik Durbin also receiving credits. Boyle is also executive producer on the series, but has received a written by credit on several other episodes, including the 2014 Christmas episode “Dreaming of a White Porsche Christmas” which interestingly is similar to this one as it presents an alternate reality for Stan at Christmas.
While I do think American Dad! is quite different from Family Guy, it does amuse me that this inaugural Christmas episode begins the same way as Family Guy’s first Christmas episode. The whole family is gathered in the town square for the annual lighting of the town Christmas tree. Stan is quite jubilant about the whole thing, while Roger is face-down in the snow and booze (and vomit) since Christmas makes him feel like a failure. It’s here Roger’s origin is retconned a bit, possibly for the first time, as he reveals he’s been on Earth for over 40 years. In other words, he had a lengthy existence before meeting the Smith family. Stan doesn’t care and implores him to acknowledge the holiday. When it’s announced the lighting has been cancelled at the last minute due to the town being unable to celebrate a secular holiday on town property, Stan gets angry as a crew moves in to demolish the place. Stan rages it’s the liberals and atheists telling them how to celebrate their holiday, and when a passerby tries to reason with Stan, Stan laments he can’t wait for The Rapture. As Stan tells them they’ll be left behind, Francine tries to smooth things over by telling the other family they’re free to use their pool after they’ve been raptured, provided it’s not boiling. Francine then suggests they go to church instead and Stan dismisses that suggestion on account of church being boring. He then declares he needs to go someplace where he can learn the true meaning of Christmas – the mall!
Stan contentedly looks on as his kids sit on Santa’s lap and ask him for toys. He remarks that this is what Christmas is all about and as he does so the show decides to use a regrettable slur for little people and even has Hayley, who should know better, use it casually as well. The kids then implore their father to get something for Roger for Christmas, but Stan doesn’t want to since Roger isn’t Christian. Roger has no say at the moment for he’s passed out in a baby stroller. Stan then takes sight of The 99 Cent Depot and decides he can spare a buck for Roger.
Stan heads to the register and asks for one of the store’s wares. The clerk hands him a cassette of disco’s greatest hits from 1974-1980 and Stan deems this satisfactory. When the clerk tells him it costs $1.07 due to taxes, Stan suggests they change the store’s name, but the clerk points out that’s not his decision. Stan smiles and is satisfied with that response, but when he wishes the clerk a “Merry Christmas,” (you know where this is going) and gets a “Happy Holidays” in return his mood changes. Angry, he demands that the clerk acknowledge his holiday, but the same excuse about the sign is not enough to sway Stan this time. He pulls out a gun to demand action and we cut to Stan being tossed outside by security. When he calls back to remind them he had a gun, a gift-wrapped gun is tossed to him.
At the Smith household, Stan is still visibly outraged by the “liberals” who are destroying Christmas. The family tries to reason with him, but he’s more than a little stubborn. Stan then rhetorically asks the family who is to blame for all of this, and they respond with exhaustion in their voices because this is something Stan must remind them of often, Jane Fonda. Apparently Stan blames Ms. Fonda for spreading liberal ideas through her protests against the war in Vietnam and it’s not something he’s about to let go of. A ring of the doorbell gets Stan’s hopes up momentarily as he thinks carolers have arrived. He opens the door to the costumed group, but finds out they’re only here to spread awareness of the Holiday Rapist and hold up a flier. This is the tipping point for Stan as he demands they refer to him as the Christmas Rapist. He slams the door and sets to destroying the festive decorations in the house, including tossing most of them through the living room window. Steve begins to cry that Daddy destroyed the toys Chinese kids made for him while Francine scolds Stan for his behavior. She tells him he’s sleeping on the couch tonight which Stan tries to protest by pointing out the now missing window and the presence of the Christmas Rapist on the loose.
Stan is shown sleeping on the couch (in his suit, for some reason) looking a bit cold when a woman materializes beside him. She’s quite fairy-like I suppose, and when she wakes Stan he snaps open his eyes and shouts “Holiday Rapist!” and dives behind the couch before quickly correcting himself with “Christmas Rapist.” The woman then explains, in a faux British accent, that she’s the Ghost of Christmas Past (Lisa Kudrow) and she’s here to help Stan lean the true meaning of Christmas. He soon brightens up and the ghost takes him all the way back to 1970.
There the two peek into the Smith home where a young Stan is opening his Christmas presents. Stan is amazed that they’re really back in 1970 and the woman reassures him by mentioning how things are different. One of those mentions is Jane Fonda, who is presently filming to movie Klute nearby causing Stan’s eyes to narrow in a menacing fashion. He then takes off running, much to the bewilderment of the ghost, who just calls for him to come back, dropping the accent. When he doesn’t obey, she just starts grumbling to herself about how this is her first turn as Past and she already screwed it up. Apparently, she used to be a Tooth Fairy. She then reveals to us her name is Michelle, and mentions she should have just stayed with some guy named Chad.
Stan is able to track down the filming location for Klute and watches as Jane Fonda (uncredited, but sounds like Wendy Schaal) is filmed feeding a cat, and then herself. She explains her decision to eat the cat food to the director which just irritates Stan even further. Stan is grossed out and remarks “You are so dead,” to himself.
Back in the present, Michelle appears in Francine’s room and splashes her with water in order to wake her up. She explains to Francine what happened, and when Francine gets mad Michelle asks rhetorically if she blames mothers who lose their kids at the mall. When Francine gives her an “Are you serious?” look in response, Michelle answers the question emphatically herself with a, “No! No, you don’t!” Realizing what Stan is up to, Francine reluctantly drags herself out of bed and heads for the bathroom. When Michelle expresses her impatience, Francine tells her she isn’t going back to that filthy decade without some Purell.
Filming wraps for the day and Stan keeps close as Fonda retreats to her dressing room accompanied by Donald Sutherland (Chris Diamontopoulis). It’s while watching these two interact that Stan realizes it was Sutherland who put those liberal ideas into Fonda’s head. He then corrects himself that Fonda isn’t his target and that he must instead kill Donald Sutherland! Sutherland immediately confronts him as he was apparently standing beside Stan, but he’s a bit clueless and asks Stan if he’s here to give Fonda her massage. Stan decides that he is indeed here to do just that remarking that it would be rather nice to do so. Sutherland then leaves him to it and as Stan closes the door to Fonda’s dressing room we hear him announce his arrival and tells her to finish her cat food.
Stan then follows Sutherland and Fonda out to a restaurant, Elaine’s, but is prevented from entering since he’s not on the list. He then goes around the back to sneak in with the restaurant staff while stashing his gun in his pants. Once he disappears inside, we see some waiters come out for a smoke break. One of them is clearly Roger in disguise. When the other waiter asks if he got the part he tried out for he replies, “No, they were looking for someone more flesh-colored with a nose.” The other waiter tells him to give up on his dreams and leaves him. As Roger sits dejected, he notices something in the snow. It’s the disco tape that fell out of Stan’s jacket before he went inside. When Roger reads the title he announces it’s from the future! And since he’s an alien from outer space, he deems that plausible.
At the restaurant, Stan is finishing up in a restroom when a hairy-looking dude emerges from a stall. Stan notices the man is smoking marijuana, and Stan admonishes him for doing so. The guy doesn’t seem bothered by it, and goes on to introduce himself as Marty, Marty Scorsese (Grimes). When Stan begins to gush and says he loves his films, Marty is shocked and assumes Stan has seen his film of a guy shaving. Stan is amused, but then assures him he’s going to be great, but that he’ll never win an Oscar if he’s hooked on drugs. Marty agrees, and starts humorously removing all of the drug paraphernalia on his person which includes many bags, joints, and even a bong in his pants. Stan is touched, and the two have a nice, men’s room, hug.
Meanwhile, Michelle has overshot her magic and taken Francine back to the Jurassic period. They observe some cute little dinosaurs running past before a T-Rex eats them causing the two to scream before Michelle gets them out of there. You can’t play around with time travel and not show a dinosaur at some point.
Feeling quite satisfied, Stan returns to the task at hand: killing Donald Sutherland. He spots Sutherland and Fonda having dinner and when Sutherland suggests Fonda get involved in politics, he offers to talk about them over a drink at “my place.” Stan counters as he pulls out his gun with, “Let’s talk about it over your brains. Maybe all over the place?” Before he can pull the trigger, and before anyone seems to notice him, Michelle and Francine appear and pull him aside. The two express their anger with Stan, and when Francine says they won’t allow him to kill Jane Fonda, Stan corrects them to point out he’s now targeting Sutherland, the lanky, Canadian, Kiefer-spawning bastard! That doesn’t matter much to Michelle and Francine as they’re not about to let Stan murder anyone and they quickly take him back to the present.
Or do they? When the trio arrive, they find the Smith living room looks different. It’s drab, with cinderblocks for furniture and Communist posters on the wall. When Francine calls out for Steve and Hayley, a Russian man comes down the stairs firing a shotgun at them. They quickly run out into the street and find the country is now under the dominion of the Russians! Michelle gets to turn all glowy and dramatic as she informs Stan that he destroyed America! Francine then pauses to pee beside a car as she’s been holding it in since the 70s.
Michelle then does some sleuthing on some tablet she has to try and figure out what happened. She knows Stan did something, but he insists he did nothing that would change the past. She has him go over what he did while in 1970 and when he gets to the part about meeting Scorsese in the bathroom Michelle gets a hit. It seems by getting Scorsese off drugs, he never went on to make Taxi Driver. And since he didn’t make Taxi Driver, John Hinckley never became obsessed with actress Jodi Foster and thus never attempted to impress her by assassinating President Reagan. Since Reagan didn’t survive an assassination attempt, he lacked the good will to beat back Mondale in the presidential election of 1984 and upon becoming president, Mondale would hand the country over to Russia. Stan then realizes that in order to stop Russia from overtaking America, he needs to travel back to the past and film Taxi Driver. When Francine objects to point out how crazy that conclusion is, Michelle steps in to say Stan is right as she’s apparently just as crazy as he is.
As those three set out to right Stan’s wrong, we check-in on Roger who’s about to make his first million selling disco songs to Clive Davis. He’s been milking that cassette he found like Biff from Back to the Future Part II and having a good time of it. He celebrates his fortune by heading to a nightclub and shouts at the sky for his mom to see him now! He then tells her to stop looking while he snorts some cocaine, and then tells her she can look again as he resumes dancing.
On the set of Taxi Driver, Stan is watching as Robert DeNiro (Diamantopoulis) rehearses. DeNiro is talking to himself in the mirror and Stan objects. He instructs DeNiro to talk at himself in the mirror and not at the mirror, which DeNiro finds absurd and quits. Francine is pissed at Stan for driving DeNiro away, but he assures her it’s fine since they only need Hinkley to fall for Jodi Foster. Michelle, once again, goes along with Stan who is now delighted he can make Taxi Driver with the leading man he thinks would be best: John Wayne.
At a showing of the finished film, Stan, Francine, and Michelle find John Hinckley in the audience and observe him watching the film’s climax. In it, Foster’s character is tied up and about to be set on fire by Native Americans doing an inflammatory dance routine. Wayne shows up in his cab and emerges, old and fat and with a mohawk under his traditional cowboy hat. He shoots all of the Native Americans and rescues Foster as a boom mic comes into the shot and knocks over a background, indicating they shot and edited this thing rather poorly. When it’s over, Francine immediately starts asking Hinckley what he thought and when Francine suggests that Foster was pretty hot he acts disgusted. Realizing their plan failed, Michelle identifies one last resort.
In 1981, Regan is staying at the Hilton and he’s about to be shot. Only now, he’s not. Meanwhile, high above Roger is partying away when his phone rings. It’s someone named Larry, who informs Roger his last album only sold 90 copies and that disco is dead. He’s broke. Roger can’t believe it and when he asks how he could be broke when he has a bunch of investments and race horses, he then says “I thought you were feeding them?!” indicating there was some confusion over what to do with the race horses once purchased. Roger then tries to kill himself by jumping through the window of his penthouse, but that glass is pretty damn thick and he just gets knocked out.
At ground level, Michelle has spelled it out for Stan that in order to save Christmas (remember, this is a Christmas episode) he needs to shoot his idol, Ronald Reagan. Stan insists he can’t do it, but he’s reminded he needs to do it if he wants Christmas back. Stan reasons they could learn Russian and be happy, though he also laments he’ll probably miss a lot of elevators at first while he learns how to say “Hold the door,” in Russian. He then reminds Francine that they’ll be fine as long as they’re together as a family, indicating that maybe he has learned the true meaning of Christmas. Or at least one of them. Michelle then informs him there’s no guarantee Hayley and Steve exist now, and if he really wants to save Christmas and his family, he’s going to have to shoot Reagan. Stan reluctantly agrees, and when Michelle reminds him that he just has to “wing him” Stan laughs and thanks her for reminding him indicating that he was probably going to shoot to kill.
As Reagan is shown leaving the hotel. Stan makes his way through the crowd like a crazy person. He pulls out his gun and then starts shouting “Merry Christmas!” over and over as he opens fire. The screen goes white and then fades to reveal Stan and Francine asleep in their bed. Francine wakes up and immediately wakes Stan who runs to the window and opens it. He sees a paper boy outside who looks almost exactly like the kid on the cover of Paper Boy for the Nintendo Entertainment System. When he asks the kid what day it is, he responds that it’s Christmas and Stan then barks at him to get off his lawn!
Downstairs, Stan has boarded up the broken window and re-setup the mangled tree. The gifts are re-wrapped and Hayley and Steve come down the stairs overjoyed to see that Christmas is back. Roger then comes into the room drunk explaining that Christmas reminds him how he created disco and then lost all of his money. The family laughs at him and then Stan is summoned into the kitchen by Michelle. There she thanks him for bailing her ass out by giving him a gift. He opens it to find a shiny, new, Glock. Michelle says she had just enough time to hit the mall last night for it, and when Stan questions how she got it so fast apparently bypassing the waiting period, she reminds him that he only shot Reagan. He never hit James Brady, and thus there was never passage of The Brady Bill which means guns are as easy to buy as a stick of gum. Stan is delighted and mugs for the camera with a “Best Christmas ever!”
This is a pretty great early episode of American Dad! Stan is very much the conservative whack-job throughout and it’s obvious that the absurd War on Christmas notion is what drove the writers to craft this plot. It’s also possible they worked backward from the premise of what if Stan had to shoot his hero in order to save Christmas? The show is jam-packed with jokes as almost every sentence Stan utters is a joke of some kind. They’re just understated jokes, which is one of the main differences between American Dad! and Family Guy. Family Guy seems to rarely trust its audience with knowing what is and isn’t a joke and everything is practically screamed at the audience. American Dad! is far more confident, and while it does get absurd and thrust things into the forefront at times, it rarely feels obnoxious.
Since Stan is essentially an easy target, there are some jokes in this episode that could be considered easy, maybe even lazy. Even with those though, the show goes the extra mile to add a spin to make them seem less conventional. A perfect example is Stan’s argument with the clerk over his holiday greeting. The episode makes a point of demonstrating that Stan can be agreeable and even sympathetic to the plight of the working man who has to do as he’s commanded when the clerk makes the comment about not being able to change the name of the store from The 99 Cent Depot to The $1.07 Store to account for tax. Stan accepts that, but he can’t accept the kid saying “Happy Holidays” even though he’s directed to by his boss who can and probably will fire him for saying anything else. And because Stan’s a maniac, it has to escalate to Stan pulling a gun for added comedic effect.
If the episode did begin with the premise of Stan shooting Reagan to save Christmas, then the writers also did a good job of making that happen. While American Dad! mostly behaves like a sitcom, it’s not afraid to get fantastical and do some crazy stuff. Granted, so many shows have done a variation of A Christmas Carol or It’s a Wonderful Life that weren’t particularly crazy, but it’s still quite a leap to have your characters time travel. This show will get way more fantastic in that regard, but this episode is largely able to rise above the notion of being an adaptation of that holiday classic without really feeling like one. Normally I hate to give time to anything that indulges in the trope, but American Dad! makes it work quite well.
The only downside with this episode is that it’s actually pretty light on Christmas. It begins festive enough, but once we jump back in time it’s actually easy to forget that this is a Christmas episode of American Dad! It manages to hang onto its premise though and that’s Stan needing to learn the true meaning of Christmas, which the episode defines as basically family time. It’s actually a surprisingly warm conclusion for a show not afraid to do cynical or dark endings. Of course, there’s a touch of the show’s cynicism in the ending since Stan has created a world in which guns are even more accessible. This probably isn’t my favorite Christmas episode from this show, but it’s definitely a good measuring stick for all of them. And since I’ve managed to avoid American Dad! (not intentionally, it just happened that way) while doing this countdown for years now, you can safely assume it will return next year as there’s a lot more I can turn to.
American Dad! currently airs on both TBS and Cartoon Network almost daily. As a result, you should have no problem finding an airing of this episode at some point this month, and probably more than once. And if cable isn’t your thing, the show is streaming on Hulu and also available on physical media and for digital purchase all over the place. This should be an easy one to find and it comes recommended.