Tag Archives: kathy najimy

Dec. 12 – King of the Hill – “Pretty, Pretty Dresses”

Original air date December 15, 1998.

The 2024 edition of The Christmas Spot has been a year in which we return to a show we haven’t talked about in a little while. Today’s subject is certainly one such show as we’re heading back to Arlen, TX for a Christmas episode of King of the Hill. Up to now, the only episode of the long-running Fox sitcom included on this countdown was covered back in 2020. This episode has been on my list ever since, if not longer, and is one of my favorite episodes from King of the Hill. It does take place at Christmas, though it’s perhaps not as full of the holiday as some other King of the Hill holiday episodes. What it lacks in Christmas cheer it certainly makes up for with a heaping helping of one Bill Dauterive (Stephen Root).

Bill is one of my favorite characters from the show even if he is one of the saddest. He’s a very depressed man and it all stems back to his divorce which took place before the events of the show. It took several episodes to figure out just how pathetic Bill is, but this episode is going to capture it well. When I think of Bill and the word “pathetic,” I think of him eating spaghetti off of his counter and taking a swig of sauce right from the jar to wash it down. Remember the show Step by Step and the Cody character who would pour milk in his mouth, squirt the chocolate syrup in after, then shake his head all about before swallowing? That was ridiculous and just stupid funny (to an eight year old, anyway), something TGIF featured a lot of. Bill’s spaghetti meal is similar in construction, but almost believably pathetic. I’m pretty sure I imitated the Cody milk trick as a kid, but it would never occur to me to do the same with Bill’s spaghetti.

Nothing sums up how pathetic a man Bill is than this right here.

“Pretty, Pretty Dresses” puts Bill’s mental health at the forefront. I suppose this one comes with a bit of a trigger warning as Bill is suicidal and it is played for laughs. It’s similar to how Moe would be portrayed on The Simpsons, only with Moe there was really no one caring about him to talk him down. Bill does have people who care about him. They don’t really take his suicidal actions with 100% seriousness as some of the actions by Bill are pretty, well, pathetic. That’s the word of the day, apparently. He probably lacks the conviction needed to go through it and it’s the classic “cry for help” we sometimes hear about. I’m also no psychologist and while I’ve had my share of bad days I’ve never gone to a place even remotely close to what one would call suicidal. In other words, this isn’t the sort of stuff that is likely to bother me, but it might bother you. It’s also just dawning on me that I have quite a few animated sitcoms in the countdown this year and just about all of them have a suicide joke. That’s admittedly a bit weird, but maybe not that surprising considering the darker side of Christmas. The most famous Christmas movie of all time even dabbles in suicide so maybe we should be blaming Frank Capra?

Bill is sad, and no one in his life is well-equipped to respond to that fact.

The episode begins with the usual suspects standing in the alley drinking a beer. Hank, Bill, Dale, and Boomhauer look as they do so often in the show, and then Bill just starts sobbing. As he cries, a very jolly, instrumental, rendition of “Sleigh Ride” comes in as Bill continues to sob and his friends continue to ignore him by just staring blankly straight-ahead. This smashes to the intro and when that ends we go right back to the alley. Bill gets ahold of himself and very plainly remarks, “I love Christmas.” Then he continues with the sobbing and we find out that it was at Christmas time his wife, Lenore, left him. He tries to convince himself it was the best thing that ever happened to him, but he just goes back to sobbing. Bill heads home leaving the others behind. Hank (Mike Judge), being the better friend of the three, remarks out loud that he’d like a cookie and can always count on Bill to have cookies in his house. This is his cover to go check on Bill because these men could never admit to one another that they care about each other.

One gets the impression that if Lenore was dead instead of just gone this would get even uglier.

Hank enters the house to a sad scene. There’s a very dead tree in the corner with Lenore’s stocking on it and a bunch of wrapped gifts with her name on them beneath it. Some must be old from when she left, but there also appears to be new ones as Bill was apparently in the middle of wrapping his toaster. Bill enters the room and is surprised to see Hank and starts hiding gifts and shoving the very dead tree in a closet. Hank awkwardly asks if these are all gifts for Lenore and Bill proudly admits that they are and he suspects that she’ll appreciate his saving them when she comes back. Hank then tries to level with his old friend, but he can barely get a word out before Bill starts to whimper. Hank can’t bring himself to do it and just remarks that stranger things have happened. Bill cheers up and thanks him before confirming with Hank that he’ll be attending dinner at their house through the holidays. This is apparently a thing the Hills do each year so that Bill isn’t alone.

Maybe having Bill over dinner every night won’t be so bad?

We are then treated to one of those dinners. Peggy (Kathy Najimy) is excited about a Christmas party they’re hosting and Bill decides to awkwardly steer that subject into a conversation about break-ups. He reminds Luanne (Brittany Murphy) about her dead boyfriend and how it can be hard to find someone else as he reckons there was only one person meant for her. This disarms Luanne and Peggy immediately tries to steer the conversation back to the party and asks Luanne to help out hosting it, but she’s still reeling from Bill. Bobby (Pamela Adlon) is happy to volunteer to host the party, so Bill brings up the girl who dumped him a few episodes prior and he too looks defeated. He then brings up a high school boyfriend of Peggy’s, Cecil, but she insists she didn’t even like him. Bill just reminds her matter-of-factly that she did, but he didn’t like her.

Oh Hank, this should be the least of your concerns when it comes to Bobby.

The next morning, Bobby is serving breakfast which Hank seems to be uncomfortable with (“Shouldn’t you be doing this, Peggy?”), but like a lot of things with his son, Hank is just going to have to roll with it. Peggy is just happy to have an appetite following last night’s dinner and makes a comment that suggests Bill is like that at every dinner. Bobby remarks that he could live without him, which Hank objects to. He takes the time to remind the two that he set Arlen High School’s single season rushing record in football and Bill was his lead blocker. A running back who forgets his frontline is the person Hank could live without, not Bill, and leaves the table without touching his bacon and eggs saying “Shame on you two.”

The addition of a pet has only made things worse. Of course, it’s not helping that the pet is an iguana.

We cut to another dinner scene and Bill is playfully feeding someone off camera that the Hills seem to find…disturbing. When the camera centers on Bill we see that he’s brought an iguana to dinner which he has named Lenore, naturally. Hank carefully asks Bill if the store was all out of puppies, but Bill insists that iguanas are the new trendy pet. He’s trying to get the thing to eat what looks like a carrot and insists that he’s just shy (and it does sound like this is a male iguana that he’s named Lenore) and is probably nervous with all of the new faces. He looks to his right and stares at Luanne as he says this and she picks up on his social cue to ask if she should leave to which Bill responds simply, “Thank you.” He then opens up what looks like a pill bottle and dumps a cricket onto the table. The rest of the family is shocked, but Bill says “Don’t worry, it’s dead.” It then wriggles a bit and everyone gasps as Lenore jumps on the table and scarfs it down.

Dear God, someone might see Hank in his boxer shorts!

That night as Hank and Peggy get ready for bed, Peggy lets Hank know that this thing with Bill has gone far enough. She doesn’t want him at another meal of theirs, but Hank insists that he thinks Bill seemed happier so maybe things are getting better? Peggy just refers to the iguana (which she mispronounces) as a cry for help, but before their argument can go any further they’re interrupted by the door opening. Hank immediately cries out to Luanne to knock first, but it’s Bill. He apparently had a nightmare where Lenore returned and kidnapped Lenore and drove off with him while he chased after the car until his teeth fell out. He informs Peggy that she was there too then requests to sleep on their couch. I was ready for him to ask about sleeping at the foot of their bed. Hank just says “Yes, Bill,” and once the door is closed Peggy delivers an ultimatum, “I’m giving you twenty-four hours to get me out of that man’s dreams!”

Very normal behavior.

The next day, Hank and Bill are pounding beers in the alley with Lenore. Bill chucks an empty into his cooler, pats his belly, then turns to Hank and says “Shall we?” Hank awkwardly delivers the news that he’s not welcome at dinner tonight. Bill takes the news rather well, even adds that he prefers to eat alone, though he’s not exactly convincing anyone of that. The Hills have a nice dinner without Bill, while Bill eats his pathetic spaghetti meal off the counter I talked about earlier. He really chugs that meat sauce. We cut back to the Hills and Hank is apparently pitching a movie to his family about propane that would involve Clint Eastwood. He does a bad Eastwood impression then turns to the family for approval. Bobby, his ever reliably enthusiastic son, tells him it’s a great idea. They all laugh and we see Bill is watching sadly from the street.

Does this count as an attempt?

Bill takes a ladder out of Hank’s open garage, and as he walks off, it gets caught on some string lights and he inadvertently pulls them down. Or he always intended to leave a mark since this gets Hank’s attention from inside. He’s irritated to find his ten foot ladder missing and immediately accuses Dale, then Bill, then Dale again. He then takes his longer ladder (I guess a 12 footer) and heads up to the roof to fix the lights. From there, he sees Bill across the way on his own roof. He asks him what he’s doing and Bill just casually tells him he’s up there to kill himself. He then goes to jump, but instead awkwardly rolls off the side of the house grasping the gutter. He dangles a moment, then the gutter breaks and he falls to the ground below. It’s important to note that Bill’s house is a ranch. Even if he jumped, he’d be at almost zero risk of killing himself. Hank still cries out in horror when Bill falls though as he’s a good friend.

Nancy looks concerned, but it’s probably for show. Hank seems to be the only one who gives a damn about Bill.

The neighborhood is now gathered in front of Bill’s house to discuss what to do with him. In the background, we can see Bill on his own stoop with his arm in a sling so he apparently got hurt a little bit in his fall. Peggy acts like she’s going to say something mildly profound when she says “You know who I feel sorry for the most in all of this? Bill.” Yeah, no kidding, Peggy. She suggests he see a psychiatrist, but Hank snaps “He’s suicidal, Peggy, not crazy.” Hank seems to think they just need to keep a constant surveillance of Bill until he snaps out of it while Dale (Johnny Hardwick) thinks he’s too far gone and they should sit back and watch the bloodbath. Hank is not about to let that happen and lays out the Bill Suicide Watch schedule for all to hear and adhere to. And since it’s nighttime, Hank is up first.

It’s electric, Bill.

Hank leads Bill back into the house and suggests that Bill get to bed. Bill remarks that all he does is sleep and suggests that maybe he’s preparing himself for The Big Sleep. Hank shudders and goes into the kitchen for a beer. Bill declines one on account of beer being a depressant which causes Hank to angrily snap at him, “Don’t go blaming the beer!” As he goes into the fridge to get himself one, Bill comes in and sticks his head in the oven. Hank ignores him as he heads back into the living room then calls over his shoulder to remind Bill it’s an electric stove. When he says that it’s still pretty hot, Hank relents and yanks his head out of the oven and deposits him on his bed face first. Hank is trying to get him some pajamas and is surprised to find silk ones in Bill’s drawer. Bill refuses to go along with this so Hank is basically forced to dress him, then brush his teeth for him, and then he has to sit beside the bed while Bill sleeps. Only Bill isn’t sleeping! He’s just waiting for the right moment to resume his suicide attempts and when Hank nods off he does just that…by trying to slam his own head in the drawer of his nightstand. Hank wakes up with a “Damnit, Bill,” and is forced to take the drawers away while Bill tumbles out of bed.

Bill has lost all ability to function within society.

It’s the next day and we see Bill is on his couch. He goes to get up, but he’s soon ordered back down. It’s Dale’s watch, and he isn’t taking any chances as he sits in front of Bill with a shotgun. Bill just asks to go “tinkle,” but Dale informs him “Not on my watch.” The humor here is Dale is threatening a suicidal person with death so I suppose if the audience wasn’t convinced that Bill’s suicide attempts were lacking conviction they should be now. We then cut to Bill at a bar called Uglys because it’s now apparently Boomhauer’s (Judge) turn. He’s slow dancing with a woman while Bill looks on from the bar looking sad. He remarks to the bartender that he and Lenore used to come here and watch other couples dance indicating that they were never very much in love. He gets up real close on one couple who is making out at the bar, whimpers, then runs out crying. He runs straight into the road intending to have a tractor trailer truck be his end. It’s just careful editing though and when the camera zooms out we see the truck make a harmless left turn as it was more than a full block away from Bill. Boomhauer then appears to just angrily grab Bill by the arm and drag him back inside.

Dale isn’t about to wait and see what Bill left him in his will.

We next see Bill seated on his couch with his head down from a distance. The camera is in the kitchen and it pans to reveal that Hank, Dale, and Boomhauer are having a little conference about their friend. Dale insists he can’t keep doing this because it’s not in his nature to care about others while Boomhauer remarks it’s all “Work. Bill. Work. Bill,” and suggests that it’s making him want to put a bullet in his own head. Hank doesn’t really put forth any argument to try to keep them onboard with Operation Keep Bill Alive and instead says that he’ll take over all shifts, if he can clear it with his boss. He then calls out Dale for wearing Bill’s silk pajama top under his shirt, but Dale sees no harm in doing so since Bill’s as good as dead anyway.

If it’s any consolation, Hank, it’s the end of the year and Bud Strickland doesn’t seem like the sort of boss who lets his workers rollover vacation time year-to-year.

Now, we head to Strickland Propane, Hank’s place of employment, to see how his time off request goes. We find him in the office of his boss, Bud Strickland (Root), as he starts into his request. Bud thinks Hank is requesting time off to get ready for the party he’s hosting, and since he invited their whole client list, he seems to think it’s a good idea. Poor Hank can’t lie to his boss though, and clarifies it’s for a friend and even categorizes it as a matter of life and death. Strickland doesn’t care, and just tells Hank to have the secretary zero-out his vacation days which elicits another, “Damnit, Bill,” from Hank. We then cut to Hank and Peggy at their kitchen table where Hank is bemoaning his current state. He tells her that Bill tried to drown himself in the toilet earlier and then asks her if she can find him a date? Peggy starts into trying to make an excuse for why she can’t since she’d have to invite a woman over and not tell her anything about Bill and Hank just thinks this is Peggy outlining a plan. He thanks her and walks away in what is basically a repeat of the dinner scene between Bill and Luanne. It’s still funny though so I’ll allow it.

Pay no mind to the iguana piss on his uniform, ma’am.

And who did Peggy find to join them for dinner that night? Why that would be Mrs. Tobbis (Janet Waldo), perhaps the stuffiest looking woman character one could draw. She is visibly angry to be at dinner under false pretenses. To Bill’s credit, he put on his old military uniform and looks nicer than usual, but he still brought Lenore who is nestled on his shoulder. He informs Mrs. Tobbis that he isn’t allowed to have a knife at the table because he’s in the middle of killing himself. Tobbis doesn’t even comment on that and instead accuses Peggy of setting her up with this man against her will. Peggy tries to reason with her by saying Bill is a collector of exotic reptilia and she collects throw pillows – they’re practically the same! Tobbis admits to having a few pillows, but justifiably doesn’t see what that has to do with her being there. Bill then asks her if she likes iguanas and she informs him, in no uncertain terms, that she does not calling the thing filthy. Bill takes the criticism lightly and suggests they all could use a bath which is Lenore’s cue to pee all over his shoulder. Bill just dabs at it with a napkin and says “When it’s your own.”

The only thing Bill had left just ran out the window on him.

Mrs. Tobbis informs Bill that he is a gross man so Bill does the expected and proposes to her! Tobbis is rightfully aghast at the suggestion while Luanne shrieks with glee like she’s witnessing something truly romantic going on. Bill starts clinging to her and she demands someone get her coat – for the love of God! Ladybird then enters, the Hill family’s dog, and once Lenore and her lock eyes the iguana goes into flight mode. It scampers down the table and out an open window prompting Bill to cry, “Lenore! Don’t leave me!” As he goes out the window to chase down his pet, Peggy decides now is the right time to tell Mrs. Tobbis that she’s already given Bill her phone number. That poor, poor, woman.

This is the point where Hank runs out of patience with his old friend. Honestly, it took him longer than I would have expected.

Hank goes outside and observes Bill searching through his bushes and even his mailbox for the iguana. He then goes inside, I guess because he thinks the reptile might have went home, and once inside we see Dale emerge from behind the house carrying Bill’s television. Hank yells at him, but Dale insists that Bill would have wanted him to have it. When Hank points that Bill is still alive, Dale just returns with a “Nitpicking ain’t gonna bring him back.” We head inside the house to find Bill searching under couch cushions as Hank enters. Bill grabs onto his legs begging his friend to help him search for Lenore, but Hank has had enough. He gives Bill the dose of reality he declined to give him earlier in the episode. He tells him that it’s his fixation with Lenore that is his problem and she isn’t coming back. To emphasize this he also throws the presents at the wall and stomps on them. Thankfully, he didn’t find the toaster and they were all clothes so it’s not much of a mess. Bill cries out at first, but then just looks shell-shocked. Hank sees this change as an improvement and even thinks Bill is fine. His demeanor shifts and he’s quite happy as he tells Bill he was worried for a bit since he was acting so crazy. Bill can only say “Yes,” in a monotone fashion when asked if he’s all right as Hank leaves. Once out, Bill slumps against the wall and slides to the floor defeated.

Something isn’t right here…

The next morning, Hank is getting what looks like a leftover pork chop out of the fridge while proudly telling Peggy how tough he had to be with Bill. Peggy actually seems worried about Bill, but Hank is not since he asked him twice if he was okay. He then sees Lenore just hanging out on top of the fridge and, rather calmly, just notes it. He brings Lenore over to Bill’s house and lets himself in. As he walks into the kitchen he puts Lenore down for he spies a woman hanging clothes in Bill’s backyard. He angrily goes out the slider and demands to know what she’s doing in Bill’s backyard, but a very, bad, female voice returns “Why Hank? Don’t you recognize me? I’m Lenore!” She turns around and we see that it’s Bill in a long dress and woman’s hat. She (he?) adds that she’s just washing her dress for Hank’s big party which causes Hank to gasp, yet again.

If Hank was at the end of his rope with Bill the night before he is now well past it.

After an act break, we find Hank demanding Bill knock it off. Bill insists that he’s Lenore, though he has trouble keeping his voice high enough to produce his “Lenore” voice. “Lenore” insists that she’s returned because she loves Bill “sooo much!” Hank can’t wrap his head around this one and brings it back around to football. He points out how Bill blocked for him when he set the single season rushing record, but that he also had to help himself by hitting find the running lanes. He says he’s blocking for Bill now, but Bill isn’t even playing the same game. Feeling he needs a sport to complete the metaphor, he just suggests Bill is playing some sort of crazy tennis. As he storms off, “Lenore” just thanks him for coming by and says “See you at the party!” Hank spins around to tell Bill that no, he is not allowed at his party, before walking off. Lenore-Bill isn’t dismayed though and just smiles to herself and notes she was already invited. Technically, Bill was already invited, but not Lenore, though Bill isn’t really in a state where he can be reasoned with right now.

It’s a nice dress, and Bill did coordinate the shoes rather well.

Hank, Dale, and Boomhauer are drinking in their favorite alley, once again, when “Lenore” comes strolling in. She’s ditched the hat, but has a very nice yellow dress instead. Lenore asks if any of these gentlemen can spare a beer for a lady and you just know that Dale cannot go along with this. When Bill insists he’s Lenore, Dale challenges him to produce Bill. “Lenore” says that Bill is in the house and offers to go get him to which Dale responds, “I’m skeptical that you could, but yet intrigued that you may.” Lenore leaves to get Bill and Dale just turns to Hank to remark that Bill has been acting weird as if he thinks no one else has noticed. Hank doesn’t even dignify this observation with a response. Lenore then returns with a sweater and a beer and says that Bill was busy wrapping presents. Then she takes a sip of her beer and does the usual “Yep,” but in the high, Lenore voice. Hank can’t do this and walks off.

Now Hank, don’t go taking out your frustrations on the potatoes.

Hank is shown massacring a potato that he’s supposed to be peeling. Peggy remarks that he’s peeling in anger and Hank confirms as much. He’s pretty sore about blowing his vacation days on Bill and in the process reveals that he had to actually help bathe the guy. Peggy is sympathetic to Bill’s plight remarking that the only way he could get over Lenore was to become her, then adds it must be a psychological thing – a classic Peggy-ism. Luanne admits she isn’t qualified for such a determination, but suggests that what Bill needs is closure adding that’s what her dead boyfriend’s angel told her. No one seems willing to touch that, but Peggy loves the suggestion and decides to invite the real Lenore to the party! Hank seems skeptical while Luanne is just worried that the two might show up in the same dress which would just be a disaster.

This is sure to go over well.

It’s now the evening of the Christmas party we’ve been hearing so much about. The Hill house is hopping and Hank is ladling out punch to his boss. Bud informs Hank that all of their clients have showed up tonight describing them as big fish and little fish and tells Hank it’s his job to pull him out of any conversations with the little fish. Hank tells his boss they should treat all of their clients like big fish and Bud just tells him that’s a good thing to say to the little fish before walking off. Then Bill, as Lenore, enters and everything seems to stop. Bill is wearing a purple, shoulder-less, dress and hat and upon entering Bud demands to know “what that is.” Hank just says he ordered a Santa and that there must be some mistake as he goes over to order Bill to leave. Bill just does what he’s been doing lately and insists he’s Lenore, will not be leaving, and is here to mingle. She then goes over to a table and pours herself a glass of wine while her inner Bill causes her to pick up a beer as well.

If you were hoping to catch a glimpse of the real Lenore sadly this is as close as the episode gets.

Peggy answers the phone in the kitchen and it’s the real Lenore on the other end. She shouts to Bill that Lenore is on the phone and he looks shocked. We don’t hear anything Lenore says, just Peggy’s reaction to whatever it is she is telling her, and it becomes clear that Lenore isn’t coming. Desperate, Peggy asks Lenore if she could just speak to Bill and send her love, but that’s clearly a nonstarter. Lenore hangs up, and Bill hangs his head in sorrow. With tears streaming down his face and his hands trembling, Bill tries to top off his wine glass while the other party goers look on with actual venom in their eyes. Bill turns to face them with his tear-stained face and is told to go back to Hollywood and that this isn’t the Democratic National Convention.

Why Hank Hill, aren’t you just full of surprises?

Hank has left the room at this point seeming to abandon his old friend. When it looks like things are about to get real ugly, Hank reemerges. He’s wearing what I assume is one of Peggy’s dresses and tells everyone enthusiastically, “Yeah, it’s one of those kind of parties!” Dale is both hurt and confused because this wasn’t on his invitation and he asks Hank if he gave Bill a special invitation? Bill just screeches in as high a voice as he can probably go for everyone to stop it before storming out. Hank gives chase while Peggy tries to smooth things over by asking who is up for Boggle, but no one seems interested.

This is Bill having a breakthrough. You’re just going to have to trust me on that.

Hank catches up with Bill out in the alley and tries to play by his rules. He tells Bill that he’s Lenore and he doesn’t love him. Bill still tries to insist that it is he who is Lenore, but Hank just keeps laying into him. He tells him that he’s lazy and no good. Then he adds how they fight all day and all night and that even the neighbors can hear giving us some more insight into how terrible a marriage they had. Bill has not dropped his Lenore persona and is trying to reason with Hank, bargaining, really. Obviously it’s not working, so Bill instead gets angry. He’s pretty upset that he never even got a “Dear John” letter and turns things around by yelling at “Lenore” and insisting he’s worth more than that. He tells her to leave and Hank responds by removing the dress signifying that Lenore is gone.

Merry Christmas, Bill.

Bill says nothing, just removes the dress and shoes he’s been wearing. He must have been practicing to be able to walk so well in those heals. Standing in his shorts, Bill remarks to Hank that he hit rock-bottom there. Hank just confirms that he did and Bill responds that there’s no where else to go but up. Hank agrees and wishes his friend a “Merry Christmas” as the two turn to look at the stars. The camera repositions in front of the two who are just smiling as they look at the neighborhood all covered in Christmas lights. In the background, we see Dale emerge from his house in a purple dress. He sees that Hank and Bill have ditched their own and quickly turns around before the two spot him.

I think Bill looked better in a dress than Dale.

And so ends a Christmas special unlike any I can think of. It’s a pretty complex plot as we go from the uncomfortable reality that is supporting Bill around the holidays, to suicidal Bill, to Bill as Lenore, and ultimately a resolution. I said upfront that it wasn’t the most festive Christmas episode out there, but it never lets the holiday become irrelevant to the plot. It’s always there in the background and we even get to see some festive attire on the main cast during the party scene. I find it amusing that the first Christmas episode of King of Hill involved Hank losing his sight due to mental trauma and here in the second it’s Bill losing his sense of self and becoming his ex. That is, if you believe him. I think the show is pretty clear that Bill knows what he’s doing the whole time. He’s probably more in control than he lets on, but at the same time, he’s also out of answers and willing to try something drastic in order to cling to the memory of his wife.

Oh Bill, we love to watch your pain.

Bill is a very sad man, but one played for laughs. The show is very careful with his portrayal here so that I think we can feel bad for him while also laughing at him. He needs help, but as Hank observed, he also needs to help himself and he’s basically unwilling to do that. Maybe turning to a pet was actually a start, though naming the pet after his ex-wife undermined that. A huge amount of credit needs to go to Stephen Root who is so wonderful as Bill. It’s one of those voice performances where uninformed people are surprised to see who the actor is behind the role. He must be appreciated by Mike Judge given the role he played in Office Space, and like a lot of this cast, it would be hard to imagine anyone else playing Bill as well or as convincing as Root.

I think we witnessed Bill come real close to getting murdered.

What it comes down to with this episode of King of the Hill is are you able to find humor in suicide and depression? If you can’t that is understandable and you will want to avoid this episode of King of the Hill. I think it arguably gets a little darker during the party when it looks like Bill is about to get lynched for presenting as a woman. Transgender rights weren’t as forefront in 1998 as they are now, but this episode did air just over two months after the murder of Matthew Shepard. King of the Hill rarely shows the ugly side of Texas when it comes to such things. Usually, the show delights in playing against expectations, but in that scene they presented a gathering of people who almost all seemed united in wanting to inflict harm on a biological male who dared to identify as a woman. It reads a lot heavier than maybe the show intended.

Even so, I think this is a very funny episode of King of the Hill. I find Bill’s halfhearted attempts at ending his life harmless and the reactions of those around him are also pretty damn amusing. It’s not a typical holly, jolly, Christmas episode, but it does have a happy ending and no one is irreparably harmed. Well, maybe Mrs. Tobbis. It was a real dick move on the part of Peggy to offer up her phone number to Bill. If you want to catch this episode, it’s currently streaming on Hulu with the rest of the series or on Disney+ depending on your location or subscription. If physical media is more your thing then it’s also available with the rest of Season Three on DVD.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 12 – Regular Show – “The Christmas Special”

I have a pretty tremendous blind spot for most animated shows produced between 2005-2015. If it was a show animated and marketed at adults, then I might have checked it out. If it was a show created primarily for kids and not based on some existing IP I knew from my childhood then I almost…

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Dec. 12 – A Very Venture Christmas

This one has been a long time coming. One of my all-time favorite television shows is The Venture Bros., but it’s a show I really haven’t spent much time discussing on this blog. I guess because I view it as contemporary, even though the pilot premiered almost 20 years ago now. For most of this…

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Dec. 12 – Bob’s Burgers – “The Bleakening”

All right, we’ve been at this for a few years now so you probably don’t need much of a primer on Bob’s Burgers, right? The animated sitcom which is shockingly in its 12th season (shocking because it still feels new to me) has become a reliable spot for Christmas fun each and every year. The…

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Dec. 12 – King of the Hill – “The Unbearable Blindness of Laying”

Original air date December 21, 1997

After yesterday’s horrid feature, I feel that today calls for a Christmas special that’s actually good. And in order to satisfy that desire, I’m heading for Arlen, Texas for our first look at a special from the animated sitcom, King of the Hill. Back when King of the Hill premiered on the Fox Network in 1997, creator Mike Judge was basically known for one thing: Beavis and Butt-Head. The dimwitted pair of Gen-Xers were often misunderstood by the general public. Most saw it as a stupid show and not as the parody it was. That was also partly due to kids like me watching the show and actually viewing the titular duo in a positive light. If they liked a band or music video, then it must be cool, even though the whole premise of the show was that these were a pair of losers worthy of mocking.

The lazy way to describe the premise of King of the Hill is to say Judge took his character Tom Anderson from Beavis and Butt-Head and gave him his own show, only now he had a new name: Hank Hill. And while the two characters certainly share a similar voice, King of the Hill is very much a conventional sitcom about how one family continues to adapt to an ever-changing world. It’s surprisingly open-minded as I think most turn to Hank Hill as some sort of beacon for conservative thought, but the man is far more nuanced than just some redneck Texan. He certainly possesses some prejudice and strong opinions on masculine matters, but he often reacts in a positive manner when he’s shown his point of view is wrong. And the things he remains stubborn on, like the virtues of propane or his preference for beer, are often inconsequential.

King of the Hill was pretty successful from the get-go. It premiered in May of 1997 with the usual small order of episodes for a first season, but was quickly picked up. The second season would premiere a mere four months after the series premiere and it’s in that second season the show would give us its first Christmas episode. “The Unbearable Blindness of Laying” is a pretty funny episode and it might be the show’s best Christmas episode. I know a lot of people like the Season Three episode “Pretty, Pretty, Dresses” and maybe we can look at that one next year, but I’m still pretty attached to this one. This episode is yet another episode of the show where Hank is forced to adapt to a pretty significant change in his world. His mother, long since divorced from his father, is going to show up for Christmas with a new man in tow. And to make things just a bit more complicated, he’s Jewish. Hank isn’t an anti-semite or anything, but he’s often awkward when forced to deal with something he’s unaccustomed to. I also wanted to pick this episode because it features a guest starring role from the late Carl Reiner, who was unfortunately one of 2020’s victims. It’s hard to feel bad for someone who passed away at the ripe old age of 98, but 2020 was such a shitty year that it would have been nice if Reiner could have made it to 2021.

The episode begins with a twangy, instrumental, rendition of “I Saw Mommy Kissing Santa Claus,” which is the perfect song to choose considering what the plot has in store for us today. All of the folks in the neighborhood are out stringing lights in celebration of the coming holiday. As a denizen of the north eastern part of the US, it’s always a little funny for me to see Christmas in a warm environment. Hank (Judge) is finishing up with his lights when wife Peggy (Kathy Najimy) approaches. Hank is making sure the colored lights are in their proper order as Peggy questions why he’s not excited to see his mother. Hank corrects her that he is excited to see her, it’s been two years since they were last together, but he’s nervous about meeting her new boyfriend.

Hank’s memory of how his father treated his mother.

As Peggy and Hank wait for Hank’s mother, Tilly (Tammy Wynette), at the airport gate, Peggy tries to get Hank to warm up to seeing his mom with a new man. Hank is clearly traumatized from his youth when his father treated his mother like a footrest. We even get a cut-away of Cotton Hill (Toby Huss) literally using Tilly as a footrest in the kitchen while she scrubs the floor. He can’t imagine why she would sign-up for more of the same as he apparently can’t fathom his mother finding a man who treats her well. Tilly then emerges from the the connecting tunnel carrying two pieces of luggage which irritates Hank immediately. Tilly then shakes his hand, two-handed style, which unnerves Hank who is not one for public displays of affection as he tells his mother one-hand only.

The Hills meet Gary.

Tilly’s boyfriend then comes strolling in from the restroom (“You flush it and where does it go?”) and goes right into a much bigger display of affection. Reiner voices him as the stereotypical old Jewish man, which makes sense since Reiner himself is an old Jewish man. He embraces Peggy and kisses her cheek and goes for a big hug with Hank. Hank is clearly unnerved, but Tilly’s boyfriend, Gary Kasner, isn’t going to back down or allow Hank’s obvious discomfort to sway him.

At the Hill residence, Hank informs his mother and Gary of the expected sleeping arrangements. Gary is to sleep on a cot in son Bobby’s room, which prompts Tilly to ask if Hank is uncomfortable with she and Gary sleeping together. Hank assures her it never entered his mind until she said something, and now he can’t possibly think of anything else as he heads down the hall to presumably setup the cot.

When times get rough, turn to your buds and suds.

Outside, Hank drinks beer with the rest of the nieghborhood: Dale (Johnny Hardwick), Bill (Stephen Root), and Boomhauer (Judge). Hank is venting about Gary, and when he says the man’s full name Dale questions if he’s German. Hank corrects him that he’s Jewish, and there’s an awkward silence before Dale demonstrates that he’s surprisingly receptive. Hank is mostly suspicious of the guy because of the luggage thing and the fact that he won’t eat steak after having a bypass, noting his boss gets an annual bypass and eats steak every day! This gets Bill and Dale discussing sacred animals to certain faiths, prompted by Bill first mistakenly thinking cows were sacred to Jews, ending with Bill rationalizing that he can’t follow a religion that restricts his diet. There are ways to get into Heaven, but if that’s one of them then Bill wants no part of it!

Bobby, the budding comedian, finds a role model of sorts in Gary.

Inside the house, Gary and Bobby (Pamela Adlon) are getting ready for bed as Gary will be sleeping on a cot in Bobby’s room. Bobby notes that he and Gary have the same build, which feels like the start of a subplot where Bobby and Gary become kindred spirits. Gary agrees with Bobby’s assessment and Bobby asks him if he’s a war hero like his biological grandfather. Gary replies he’s not, though he spent a lot of time on a submarine in Korea which prompts Bobby to ask about toilets on a submarine. Gary laughs and remarks, “You, I like.” Bobby has apparently never heard anyone phrase “I like you,” in such a manner and concludes it’s funnier to say it that way, but in a very nonchalant, deadpan, manner. It also causes Bobby to think everyone from Arizona, where Gary and Tilly traveled from, speaks like Gary.

Hank is then shown tossing and turning in bed. Apparently, he is so bothered by the presence of Gary it’s affecting his sleep, even though he successfully managed to get Gary and his mom into separate rooms. We see time pass from 11:00 to 1:20 and at that point Hank gets up. In the living room (or den, or whatever) he finds Gary sitting on the couch eating something he found. Gary is happy to see Hank as he wants to know what this “delicious cutlet” he’s eating is. Hank tells him it’s chicken-fried steak and Gary suggests he’ll count it under chicken, since he’s allowed to eat that. He then tells Hank to sit down and suggests they have a talk.

Hank’s “favorite” TV program.

Hank, obviously a bit uneasy about this situation, does as suggested and takes a seat beside Gary. Gary starts by saying Hank’s mother means a lot to him and begins to weave a tale about lonliness in the senior years that Hank cuts off quite quickly by turning on the TV. He tells Gary his favorite “program” is on and what comes on is some TV preacher curing hiccups. Now it’s Gary’s turn to be uncomfortable as he asks Hank, rather carefully, if he believes in this stuff and Hank is fully committed to the lie to get Gary to shut up as he insists he’s not to be disturbed while watching his favorite program.

Love is in the air.

The next morning, the Hills are getting ready to go watch middle school basketball. Bobby is annoying Hank with his “Arizona speak” while Luanne (Brittany Murphy) is insistent they get there before tip-off so she knows which basket belongs to which team. Hank asks his mother if she wants to come along, but she declines. The Hills leave and Gary pops into the kitchen. The sight of Tilly in her robe has Gary feeling a bit frisky after spending the night apart and Tilly seems receptive to his advances.

Oh, my!

In the car, Hank asks Peggy if she remembered to bring the novelty foam finger for the game. She replies in the affirmative, but Hanks keeps escalating the questions: “Does it say number one on it?” “Yes, Hank.” “The basketball one?” “Ugh.” Hank turns the car around because this finger is obviously very important to the middle school basketball game experience. When Hank gets back in the house, he finds the finger on the couch, but hears an odd noise coming from the kitchen. He remarks to himself (in his head) that it sounds like the dryer is on, but his mother’s robe and Gary’s pajamas have been strewn about in the living room. Hank then peers into the kitchen and a look of horror spreads across his face. We’re then “treated” to numerous close-ups and cuts of two, old, wrinkly, bodies going to Pound Town. We see Gary’s USS Trout II tattoo, his pacemaker scar, lots of veins, a few smiles, with the camera lingering on a medical alert bracelet which glistens in the morning sunlight.

Hank backs away from the scene, shaking. His pupils have retreated from each other and we then see Hank’s perspective as the den starts to fade away into nothing. Hank stumbles outside groping for the car. He gets in and tries to start it up, but fumbles the keys. Peggy then realizes her husband is blind! Bobby, ever the comedian, uses this as an opportunity to try out some Gary-speak with a “Blind, he’s gone now!”

Hank’s googly eyes on display.

Hank and Peggy visit an optometrist who concludes that there’s nothing wrong with Hank’s eyes and it doesn’t appear as if he’s had a stroke. He then accusingly asks Hank if he poked himself in the eye, and Hank is adamant he did not. At this point, one of Hank’s pupils is looking down and the other is looking up which is a distracting, but funny, visual that will persist for the remainder of the episode. Peggy is a bit delirious and starts demanding the doctor use some of the fancy machinery she sees all around them to fix Hank’s eyes, even insisting he use some laser in the corner. The doctor says “All right,” but Hank shouts over him. It’s a line delivered with such subtlety that I missed it the first time I watched the scene. Hank then asks if it’s possible to lose your sight after seeing something terrible. The doctor then talks about hysterical blindness and gives a couple of books on the subject to Peggy. He then tells Hank the only way to cure it is to confront what he saw, then adding in a line about when Hank is ready to admit he poked himself that he should come back and get fixed right up.

On the car ride home, Peggy confronts Hank about what he saw. Hank says he can’t tell her lest he lose his voice. Peggy keeps prodding and Hank finally relents. He can barely get it out, but he tells her he saw his mother and Gary in a compromising position. Peggy initially laughs at him, then tells him to get over it referring to him as a big baby. Hank tells her it’s not that easy then asks her how she’d feel if she saw her mother in the arms of a 65 year old man wearing nothing but a submarine tattoo on the kitchen table? Peggy then turns dark and angrily says “I eat breakfast on that table.”

When the two get home, Gary, Tilly, and Bobby are waiting out on the lawn. Hank says he poked his eye and it should get better. When his mom asks “What about the other eye?” he makes up a story about the other eye compensating for the damaged one by shutting down. Gary is confused and remarks he never read about a sympathetic eye condition in any of his psychology magazines which prompts Hank to suggest he read the Ten Commandments. Only Hank is gesturing to a wall and confusing Gary. When he asks “You want I should come over there?” Bobby lets out a chuckle as he picks up more “Arizona speak.”

Lady Bird! No!

In the house, the boys are over watching TV and plenty eager to give Hank a hard time about poking his eye. Hank is wearing the foam finger still as that’s now his guide when he walks around. Bill is really laying into Hank, only his zingers are terrible. He makes a “ring ring” sound and tells Hank the phone is for him and hands him his boot. Hank tries to score one on Bill by throwing the boot back at him, but misses. And worse for Hank, he was holding onto the dog’s, Lady Bird, leash and she bolts after the shoe.

In the kitchen, Bobby and his grandma are rolling dough for cookies when Peggy walks in on them. She freaks out seeing the two prepare cookies on the now defiled table and sweeps everything off of it. Tilly lets out a “Peggy!” while Peggy just starts washing the table and matter-of-factly asks if anyone wants to make cookies.

Poor Hank is then shown shaving, and being a real Texas man he uses a blade, and he’s impossibly bad at blind shaving. He manages to shave off a sideburn and nick his face before giving up. He puts some toilet paper on his cut face, only he doesn’t tare it off of the roll so when he stumbles out he has a rather long trail following him. He notices it and lets out a sigh, then tells Jesus that what he really wants for Christmas is his sight back. He then adds he’d like a wrench set too, but that’s more for Santa. Gary witnesses the whole ordeal and has a rather sad expression on his face.

That poor tree is unaware of the danger it’s in.

Later that morning the family is celebrating both Hanukkah and Christmas. Bobby blows out the candles and everyone claps while Hank is kept in the dark over by the tree. He then takes it upon himself to do his usual task of handing out the presents. He picks up the first one and asks if anyone requested something “square” from Santa. He then tosses it in the general direction of everyone saying it’s for Bobby. Of course it’s not and Luanne sees it’s for her and tries to get it from her cousin’s grasp, but Bobby insists it’s now his. He opens it to find a nightgown and indicates he’ll enjoy wearing it when he’s older. Hank then reaches for another one and ends up pulling the tree out from under itself.

The family is then shown seated on the floor beside the repaired tree as Gary hands out the gifts he and Tilly brought. Peggy gets a book about comedians and when she shouts to Hank we see he’s seated in the corner by himself, apparently asleep, though Peggy’s yell wakes him. Gary then says they got another mink coat for Hank and he and Bobby share a laugh. Gary does apologize as he assumes the bit is getting old, suggesting this has been going on for awhile, and Hank sarcastically thanks him for turning his holiday into a Woody Allen picture. He then stands up and says he’ll wait in the truck until it’s time for Peggy to drive him to his dad’s house for Christmas dinner. As he stumbles out the door with his foam finger, Peggy assures Gary that Hank didn’t mean what he said. She then heads outside to confront him, only to find Hank with his foot stuck in a bucket. She tells him he needs to go back inside and face what he saw if he wants to get his sight back. Hank is in no mood and just replies by asking if she’s going to take him to his dad’s now.

I think most viewers expected it would come to this.

We cut to the truck on the road and Hank is relieved to be out of that house away from his mom and Gary. Naturally, this is when we find out that Peggy isn’t driving, but Gary. Hank is rightly confused when Gary responds by asking where they’re going. Hank demands he pull over so he can ride in the bed of the truck, but Gary insists he’ll be more comfortable in the cabin. He then narrates what they’re seeing as Hank gets progressively more and more agitated until he’s literally shouting “Shut up.” To Gary’s credit, none of this phases him as he’s determined to get Hank out of this funk.

The pair eventually arrive at Cotton Hill’s (Toby Huss) home in Houston. When Cotton answers the door he says “You’re late.” Hank says it’s good to hear his dad’s voice, and this time I think he’s serious since he’s probably sick of hearing Gary’s. Cotton asks if he’s still blind, and then slugs Hank in the gut for confirmation. “Either you’re still blind or slow. I’d believe both.” He turns his attention to Gary, and Hank refers to him as his driver. Gary gives Cotton his name, and Cotton reacts angrily to the name “Kasner.” At least he sounds angry, but he always does. He then says “Happy Hanukkah,” and tells Gary he served with one of his “tribe” in the pacific. He says his name was Brooklyn and asks Gary if he knows him. A bit confused, Gary says “I know a Brooks….stein,” which is good enough for Cotton who insists that’s the guy!

Cotton tells Hank they need to go get a tree. Hank tries to place his hand on his dad’s shoulder as a guide, but Cotton rebuffs him, “I didn’t fight off a horny bunker full of privates so you could cop a feel!” They aren’t going far anyway, as Cotton just grabs his shotgun and shoots down a skinny little tree in his yard.

Old shin-less Cotton is one of the show’s funniest characters. The writing is good, but what really makes him work is the performance of voice actor, Toby Huss.

Inside, Hank and Cotton are eating what looks like TV dinners. Hank is trying to talk about the holidays in a nostalgic manner, but no one cares. Cotton instead tries to make small talk with Gary, which is how he finds out that Gary is seeing Tilly. Cotton is surprised to find out anyone would want Tilly in a sexual manner, remarking she was too old for him when he got rid of her. He thinks he’s being helpful by telling Gary she’s spent, but Gary stands up for his woman and insists he doesn’t talk about her like that under penalty of getting his ass kicked! Cotton may be a piece of shit, but he has an odd moral code about him. He respects Gary for standing up for his woman and announces he’s backing down from a physical confrontation, though he does slip in a “One man’s trash is another man’s treasure.” Gary then tells Hank he’ll wait for him in the truck.

Gary is shown in the truck as Hank stumbles out the front door. He gets out of the truck to help Hank to the passenger side door and tells him he didn’t have to leave early on his account. As the two pause to hear Cotton screaming for his eggnog, Hank sighs and says, “No problem.”

I can’t get enough of Hank’s blind eyes.

The two pull off the highway and Hank remarks they can’t be home yet. Gary says he’s taking him somewhere to get his eyes fixed. Hank tells him he’s already seen a doctor, but Gary corrects him by saying they aren’t talking medicine, they’re talking faith. Hank gets uncomfortable as Gary leads him into a building, worried his god will be angry with him if he sees him in another god’s temple. Gary tells him he’s not taking him to a temple, and if you haven’t figured it out yet, they’re seeing the televangelist Hank insisted hosted his favorite show. Gary confesses he knows how Hank lost his sight, and while he’s not flattered that he made Hank go blind, he’s understanding. Hank then finally realizes where they are when he hears the preacher’s voice.

Who wouldn’t want to spend Christmas here?

The preacher (uncredited, but it sounds like Toby Huss) is giving a sermon about Jesus working on his birthday as he surveys the crowd. Hank, even though he doesn’t actually like this church, is touched that Gary would do something nice for him, even though he’s been a jerk to Gary. Gary tells Hank he did it for his mother, because he’s fond of her. Hank then allows himself to suggest maybe it’s not the worst thing in the world for his mom to be involved with Gary. Gary gets a big, dopey, grin at the sound of that and poor Hank can’t see the incoming hug until it’s too late. He reacts with his usual gasp. He then returns the hug, though only one-handed.

The blindness fades, and old Gary comes into view.

The preacher continues his sermon and states that Jesus can heal the blind. Gary calls out to him to heal Hank and the guy saunters on over. When he asks Gary if Hank is his son, we get the sappy, predictable, “I’d like to think, maybe one day,” and Hank returns the gesture with a slightly less enthusiastic, but still mostly warm “I guess that’s an all right way of thinking.” Then, just like magic, Hank’s vision returns and he even smiles when Gary comes into focus as the priest winds up to smack the blindness away. Hank catches him by the wrist and proclaims he can see! The preacher of course takes all of the credit.

Bill never stood a chance.

As Hank and Gary pull up to Hank’s house, the boys are waiting outside. Dale calls out, “Hey Hank, how’s the weather? Oh wait, you’re blind!” continuing their poor performance in shit-slinging. Bill adds a “Hey Hank, you’re not wearing any pants.” As the two chuckle, Boomhauer is the only one to take notice of Hank emerging from the pickup with a rather large stick in his hand. “He’s got his sight, man, run!” The three scatter as Hank chases after them, easily shoving Bill to the ground, as the credits roll to an instrumental, twangy, rendition of “We Wish You a Merry Christmas.” We’re then treated to an additional scene during the credits in which Hank declares this the best Christmas ever. It’s mostly a vehicle though for Carl Reiner to make food munching noises as Gary gives Bobby advice on how to mix foods and reasons it’s okay for him to eat so much since it’s Christmas. The last line is the cliché “Are you gonna eat that?” from Gary.

The logical ending.

This is an entertaining Christmas special, and it even throws in some genuine sentimentality to please the Christmas traditionalists out there. I like how the episode tries to setup its southern cast for a bigoted, anti-Semitic, reaction on a few occasions, but instead uses dramatic pauses to make a different joke each time. Bobby mistaking Gary’s Jewish-isms as “Arizona Speech” is also pretty funny, and as a B-plot it only exists for a couple of quick jokes and isn’t meant to steal the spotlight from the main plot.

And the main plot of Hank losing his sight due to seeing his mother getting nailed on his kitchen table is a pretty damn funny way to go about telling a Christmas story. A lot of Hank’s reactions to the actual business are rather predictable, but Mike Judge’s performance as Hank is still so humorous and straight that it works. I was surprised by how far the animators took that particular scene as it’s almost gratuitous, but it also adds to both the humor and the horror for Hank. Gary is a character that’s easy to write since he’s basically a stereotype, but Carl Reiner brings a genuine warmth to him which helps sell it. Admittedly though, I’m a little tired of Gary by the time this thing ends. And to top it off, we get a little dose of Cotton in this one too. He is repulsively funny, and his brief appearance might be the funniest sequence of the episode, outside of the sex scene.

I do enjoy those exterior Christmas shots.

Ultimately, this is a funny Christmas episode of a well-made sitcom. It wisely doesn’t try to force the other characters into the plot in any meaningful way preferring to keep the story focused on Hank and his predicament. It’s a good enough episode that I’m a bit remorseful that Cartoon Network no longer airs King of the Hill. The show does air on some cable networks, but the easiest way to see this episode is to stream it on Hulu. It’s also available on DVD, and unlike yesterday’s Christmas feature, it is worth a watch this holiday season.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

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