Tag Archives: hugh harman

Dec. 17 – Peace on Earth (1939)

Original release date December 9, 1939.

Hugh Harman was one of the early stars in the field of animation. In fact, we talked about one of his shorts already this year, but perhaps his most famous and most celebrated is the 1939 anti-war film Peace on Earth. According to Harman, the short subject was nominated for The Nobel Peace Prize, but no such record exists of that officially happening. Perhaps it was merely in the conversation and Harman was mistaken or the record of its nomination was simply lost to time. Either way, it’s often a distinction tacked on to any conversation about the short, but in truth, it doesn’t need such accolades to justify its relevance as the short carries a very simple, relatable, and irrefutable message.

The cartoon centers around the lyric and Bible verse “Peace on Earth / Good will to men,” or as stated by Luke “on Earth, peace, good will toward men.” It came during a time when the world was moving towards another global conflict that would eventually be labeled World War II with many people alive still able to remember the first World War. It’s understandable why there would be a lot of uneasiness at that time, and Harman seemed to think that Christmas would be the appropriate backdrop for this anti-war piece. It was released by MGM in December of 1939 and would receive an Academy Award nomination, though it lost to Disney’s The Ugly Duckling. It’s certainly a bit heavy-handed, so maybe that explains why it wasn’t embraced more in the moment, but it came to be relegated as one of the best short subjects that takes place during Christmas. In my youth, Cartoon Network could be guaranteed to show it every Christmas Eve, usually late at night and possibly right around midnight, and that’s where I saw it most. Laying in my bed, unable to sleep due to the excitement to follow the next day, watching as many Christmas cartoons as I could find on television.

Not many Christmas cartoons begin with a look at a church in ruin.

The short opens with an animated title card. “Peace on Earth” is in an elegant font while shadowy men run by and a church appears to burn in the background. The camera pans across weapons of war all covered with snow and the ruins of an old church, possibly the burned out one from before. A choir can be heard singing an original composition, sort of. It’s “Hark! The Herald Angels Sing,” but the words have been adjusted to really emphasize the “peace on Earth” portion of the song. At least I think it’s original as the old audio and the fact that it’s sung by a choir can make it hard to decipher the lyrics. There are other songs out there called “Peace on Earth” that may or may not be the same or similar. Either way, it sounds lovely enough.

Sing it, boys! That’s the good stuff!

It’s a snowy, nighttime, setting and an old, gray, squirrel (Mel Blanc) is walking through town. The song is originating from a trio of carolers that appear to be red squirrels or chipmunks. They’re anthropomorphized and wearing clothes while the buildings appear to be made out of human items so they’re not giant animals like Mickey Mouse or even Bugs Bunny. The old squirrel walks with a cane, but he’s got a big smile on his face as he sings along really emphasizing the whole “Peace on Earth, good will to men,” part. He encourages the carolers in their singing and when he reaches a small house with a wreath on the door he pauses to remark how it’s a wonderful world! He sure is in high spirits.

I want to call this a cozy, Christmas, setting, but there’s really nothing Christmassy in the shot.

In a small house, a mother squirrel knits while two smaller squirrels sleep in a cradle. One is in blue pajamas and the other pink so I’m guessing they’re brother and sister assuming animals abide by the gender norms of the era. The old squirrel bursts in singing his song and the two little ones wake up instantly shouting “Grandpa!” It would appear grandpa here mated with a red squirrel at some point if the mother is his daughter. We don’t know, as she will only have one line. I have to give her credit for not getting ticked off with the old guy for waking the children.

Uh oh, it’s grandpa and he’s ready to party!

The kids and their grandfather exchange “Merry Christmas,” and all that. There’s apparently no material component to animal Christmas as the grandfather has not come baring gifts or anything, they’re just happy to see him as they jump into his arms. He waddles over to an arm chair the mother vacated for him, but she failed to remove her ball of yarn and crocheting tools and the poor guy sits on them. He pops up immediately and for a moment appears ready to lose his cool, but he just tosses the yarn aside and sits down. That little gag is basically the only physical comedy we’re going to get in this one.

Settle in kids, it’s time to talk about the apocalypse.

The whole time the grandpa squirrel has been walking around he’s been continuing the song and also just muttering to himself the “good will to men,” line. One of the children then asks their grandfather what the line means. It would seem there are no more men so the kids have no reference point for them. Well, this just means we’re going to have to have a bit of story time as old grampy squirrel tells the kids about who man was and why he’s no longer around.

It’s easy to see why they’d fear us.

How does a squirrel describe men to those who never saw them? Well, as monsters! He rises from the chair to demonstrate and all we see are the shadows of the characters on the wall, but they soon fade and are replaced with images of men. He describes them as great, big, monsters with iron pots on their heads that walked on two legs that carried terrible looking shooting irons. The image we see is of a soldier wearing a helmet and gas mask carrying a rifle. The uniform is brown and likely deliberately nondescript so as not to put the blame on what’s to follow on any one group of people, but all people.

A banner Bugs Bunny would support.

The grandfather continues to describe the man we’re looking at and mistakes the hose on the gas mask for man’s nose. As he describes them, we cut back to the little home and the two kid squirrels are a little scared. One of them expresses relief that all of them are gone and the other agrees. The grandfather then goes on to say he couldn’t figure them out and describes them as always fighting. When one argument was settled, another came up. This whole time we’re watching tanks and artillery getting moved into position and the grandfather describes the escalating hostility as so silly that vegetarians began waging war against meat eaters. We see that displayed via banners of war, another rare instance of legitimate humor in this one.

Now he’s getting into it!

He then goes on to say that one day they got into a terrible fight. Now we’re seeing those weapons of war being used, and the burning church from the intro is back as men run past it. Artillery weapons are firing, planes are dropping bombs, and soldiers are banging away. The grandfather is shown acting things out by swinging his hat and cane around in the living room and banging on a pot. He describes hearing a whistling sound, which we then cut back to the scenes of war and recognize them as bombs. The music has been steadily rising in intensity as well. There’s explosions, soldiers firing machine guns, troops running around and that same background of the flaming church shows up again. The sequence ends with soldiers at a stationary machine gun and fades to show the grandpa mimicking them using his cane as the gun and rattling it over some logs. He’s wearing the pot on his head.

The death of the last man.

The children then ask what happened next and the grandfather confirms it was terrible. Just two men were left. We see one soldier aiming from inside a trench and another waist deep in a swamp. A gun shot rings out and the soldier recoils, but before he falls he’s able to squeeze off a round of his own presumably hitting the other. The swampy soldier then sinks to his demise.

The world belongs to them now.

Among the tattered trees and desolation, the woodland critters poke their heads out. As they begin to explore the now man-less world, a mournful instrumental of the main theme plays. They soon flock to a blown out church and a younger version of the grandfather squirrel approaches a wise owl looking over a book. It’s a version of the Bible, likely the old testament, and when the squirrel asks what it says he reads aloud the commandment before him, “Thou shalt not kill.” He then flips through the pages and remarks that it seems like a collection of mighty good rules, but man chose to ignore them. He comes to rest on a page that reads, “Ye shall rebuild the old wastes.”

All right, we get it!

Upon hearing that, the other animals (which are basically all small mammals and a few birds) declare that’s what they’ll do. They’ll rebuild! They start picking up the wreckage left behind, mostly old helmets from fallen soldiers, and start building around them. The music picks up and the scene shifts to a brightly lit setting. The animals are now wearing clothes and utilizing tools to build their new society from the ashes of war. If you didn’t get the message of this short, the name of the town will drive that point home for you: Peaceville.

They fell asleep once they got past all of the killing.

The camera pans over the animals building and it transitions to a shot of the town in the present day. The choir comes back in singing “Peace on Earth” and the camera pans across the town until it comes to rest on the little house where the story is being told from. The carolers then shift to “Silent Night” and the grandpa is shown sitting in the armchair with his grandkids in his arms fast asleep. He’s finishing his story, but before he can actually finish the line “Good will to men,” the mother “shushes” him. He smiles and puts the kids back in the cradle then he hobbles his way towards the door grabbing his hat along the way and reciting over and over to himself “Peace on earth.” He leaves, though without his cane, and the camera pans back over to the mother squirrel who finally gets a line, “Sleep in heavenly peace.” The image fades to one of clouds with the words “Peace on Earth” in the center of the screen. It fades out and we see the clouds with beams of light passing through them.

The mother finally gets to do something just before the thing ends.

That’s how Peace on Earth concludes its message. It’s a nakedly obvious message, but one that really can’t be refuted. The Harman directed short is able to sidestep most politics of the day by not depicting any one army and puts the failure of war squarely on all of mankind. The mood is sort of hopeful as we see the animals come together to build their own society, but at the same time it feels pessimistic since, you know, all of mankind had to die in order for peace to be achieved. It gives the short a time capsule feel as this was likely the mood of many a person as the world was on the verge of all-out war once again. The short also offers a solution in the form of the Bible, or church, which feels a bit dated now since it seems all of the worst people are backed by evangelicals in the United States, at least. The messages are still there, but few seem interested in following the basic tenants.

There certainly are some cutesy looking animals in this one.

It’s a nice sentiment that’s baked into this one, but it’s also pretty on-the-nose. It feels like “Oscar bait,” but at least that’s reflected in the budget. The animation on this one is Disney level. I am having a hard time thinking of many non-Disney shorts that look this good. Maybe some of the early Tom and Jerry stuff or the Chuck Jones early works that were deliberately trying to imitate Disney. The characters all have that round, soft, look to them which makes them pleasant to look at while the men are done in a realistic style. Some of their movements may be rotoscoped, but it’s hard to know for certain. The backgrounds are highly detailed, though they are a bit few. Especially in the scenes of war as many are recycled and they got a lot of a mileage out of that burning church background. I suppose it’s fine though since they look good and there are only so many ways to portray a darkened, war-torn, setting in an 8 minute short. The quality of the score also matches the production quality of the images as it’s very cinematic and often intense.

The short gets a lot of mileage out of this background, but at least it’s a good one.

I don’t know if Peace on Earth is worthy of being considered for a Nobel Peace Prize, but it is a good cartoon. It does straddle the line as far as taste goes so I can see it being too much for some who might respond in a cynical fashion. And I can also see plenty of folks finding it profound. For me, my response is more in the middle. It’s a sweet little cartoon and I enjoy the visuals, but it could use some subtlety as well. As a kid, there was a shocking element to the short for me the first time I saw it when it just tosses out that mankind is gone. As an adult, it’s less shocking and on my darker days almost seems likely. As a Christmas cartoon, I think it appeals more to the devout since the religious aspect of the holiday is pretty front and center without actually mentioning Jesus. The modern trappings of Christmas aren’t present, and that’s fine. We don’t need Santa in everything.

That’s the goal. It sure would be nice to live to see it.

If you want to check out Peace on Earth, MeTV will probably air it either on the show Toon in With Me or as part of its Tom and Jerry Saturday morning block. Considering today is a Saturday, it might air this morning or next Saturday. If you can’t catch an airing of it though, it has been preserved on the Internet Archive and can be streamed there as well as in other places. It’s not hard to find and these 8 minute shorts don’t even need to be as good as Peace on Earth to make them worth watching at this time of year.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 17 – Popeye the Sailor – “Spinach Greetings”

One of the big, early, cartoon stars was Popeye the Sailor. Popeye starred in newspaper strips, radio plays, and theatrical shorts with contemporaries like Mickey Mouse and Bugs Bunny. His star has faded over the years, but few would deny Popeye’s place among the greatest cartoon stars of all-time. Come the 1960s though, Popeye and…

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Dec. 17 – The Mask – “Santa Mask”

In the world of film, 1994 belonged to Jim Carrey. On television, 1995 belonged to TV shows based on those 94 movies. Well, not exactly, since all of the shows based on Jim Carrey movies made little impact, but like yesterday’s show I’d hesitate to call today’s subject a failure. The Mask began life as…

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Dec. 17 – Family Guy – “Don’t Be a Dickens at Christmas”

So it’s come to this. We’re doing Family Guy. I don’t mean to come across as a snob or some animation elitist (after all, we already did Robot Chicken), but I don’t care for most of Family Guy. That wasn’t always the case. When the show originally aired on Fox I actually liked it quite…

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Dec. 4 – The Pups’ Christmas

The Pups’ Christmas had the very seasonable release date of December 12, 1936.

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the duo jumped to MGM in 1934 taking one of their creations with them: Bosko. Bosko isn’t exactly the most well-remembered character from that era, but for a little while, he was indeed a bonafide star. Harman continued making theatrical shorts of the character under the new banner Happy Harmonies while Ising specialized in one-offs that sometimes returned characters, and sometimes did not. One returning set of characters was a pair of puppies which debuted in the short Two Little Pups, but it’s their next appearance that we care about today which came in the 1936 short The Pups’ Christmas.

MGM’s Happy Harmonies series of cartoon shorts didn’t last long, but had a respectable output.

It is a bit of a stretch on my part to call these puppies returning characters. They look basically the same between the two cartoons as far as the general shape and model look, but the original pups were white while the two we’re about to meet are brown and black. The thought process for both shorts is essentially the same though which is to watch two, ignorant, and curious pups interact with the world around them. And for this cartoon, that world happens to be the underside of a Christmas tree full of presents. It’s a fairly simple and basic premise that lends itself well to physical comedy. There’s almost no dialogue present in the short, apart from a few lines spoken by some children, as the focus is going to be squarely on the puppies and the toys they encounter.

Time to get some toys!

The cartoon begins in typical Christmas fashion. We get a rendition of “Jingle Bells” over the standard MGM intro followed by a simple title card that fades to show the exterior of a snow-covered house as “Silent Night” filters in. Maybe some day I’ll go back through all of the Christmas cartoons I’ve consumed over the years and count the number of times “Silent Night” brings us into a short because it sure feels like there’s a lot. When the camera enters the house we find three children, two boys and one girl, as well as our two title characters lurking on the stairs. They’re all spying the goodies recently left by Santa under the tree, though while the children display some excitement, the pups show uncertainty. The kids, which are mostly just shown from the feet as the camera is locked-onto the puppies, beckon the pups to follow while also reminding them to keep quiet as they continuously bark at the sight before their eyes. The two eventually descend the stairs, but not before the brown pup gets its head stuck in the banister supports. The pup is able to yank its head out, it’s neck stretching impossibly long to do so, and the two head for the tree.

Just the first of many toys these puppies are going to have a bad experience with.

Once at the tree the pups run and bark at the assortment of packages and toys left neatly piled all around the tree. These kids seriously made out like bandits this year based on the sheer amount of stuff present. One of the boys starts fiddling with a toy train that the brown pup is suspicious of, while the girl is seated in a new rocking chair with a doll. The brown pup goes to inspect the doll and jumps when it says “Mama.” The two pups are then further startled when the toy train takes off. They run and try to hide behind a large box, but the other boy comes blasting out from behind that on a new tricycle nearly running the pair over as they dash for cover. It’s a scary world for these pups.

They’re right to be suspicious of diseased Pluto.

The pups take refuge in what is I assume one of their Christmas gifts: a dog house with a bow on it. Near the dog house is a pup-sized, fake, Christmas tree and numerous packages that must be intended for the dogs for they include dog collars and a miniature fire hydrant. The black pup seems quite please with the hydrant, but before he can even entertain the notion of taking a whiz on it he’s startled by a stuffed, polka-dotted, dog that kind of resembles Disney’s Pluto. The black dog retreats towards the dog house where the brown pup has been hiding barking all the way. The barks turn to growls as the pup slowly creeps towards the doll with the brown pup in tow. The two approach the doll with a great deal of trepidation and when the black pup stops short of it the brown pup starts pushing it. The two circle the doll nervously sniffing at it until it collapses causing the two to frantically run away and seek shelter amongst the unopened gifts.

Rudolf Ising has no problem going for the cute, so the pup gets a bonnet.

When the black pup emerges from one of the boxes it tore through it’s sporting a Native American headdress. A stereotypical Native American jingle plays in the background as the pup barks in the direction of the doll. It cuts out rather quickly as the camera pans to reveal where the brown pup is hiding. It’s in a doll stroller and it pops up from under a blanket with a bonnet on its head. The doll from earlier is positioned behind the pup and it tilts forward saying “Mama,” as it contacts the pup’s rear. The black pup jumps out of the offensive headdress to look in the brown pup’s direction as that pup bats at the doll (behaving more like a kitten now than a pup) each swat causing the doll to say, “Mama!”

This little wind-up tank is about to make this puppy’s Christmas miserable.

The black pup then takes note of the little boy once more. This time he’s winding up a tank toy. When he lets go the tank practically comes to life as the sound of drums rumble in the background. It hops and blasts the poor little pup with a shower of sparks from its cannon as it lurches forward. The tank waddles more than it rolls as it marches through the area while the black pup hides behind a large ball. Once the tank passes the pup nervously pursues it. As it sniffs at the tank, the pup gets too close and the tank whirls around and blasts it once again causing the pup to retreat into a large bass drum. Seemingly satisfied, the bird-like tank turns itself around and resumes it’s march with the top turret bouncing on a spring with each step.

Apparently the tank is allowed to be cute too.

The black pup is clearly a little miffed at the treatment it’s receiving from this toy and stalks after the tank. The tank climbs a rectangular box that’s leaning against a cubed one, and once at the top, literally jumps a gap over to the next stack of presents as this thing is clearly alive at this point. It doesn’t quite make the leap, tanks aren’t known for their agility, but is able to pull its rear end over the edge of the gift and disappear to the other side. The pup runs around and looks behind the gifts expecting to find the tank, but unbeknownst to it the tank anticipated this and pops out from around the other side. It starts shooting off sparks once again and the pup spins around to yelp and run away after taking a shot to the face.

This poor pup gets blasted a whole bunch in this cartoon.

The pup runs away and right into a small, hand accordion. It crashed through one end and emerges out the other clearly destroying someone’s new gift. It then runs and hides behind a present and now just looks plain terrified instead of curious or angry. Too bad for the pup the tank remains one step ahead of it. We see it slip past the pup, and as the pup backs away from the present it’s rear end comes to rest in a French horn. On the other side is the tank which shoots its sparks through the horn and connects with the puppy’s backside. It yelps and runs away crashing right through the gift it was previously hiding behind and emerging out the other end draped in someone’s new pajamas.

Are we supposed to just ignore the murder that took place off camera?!

The sound of “Mama” gets the black puppy’s attention and we pan over to see the brown pup is batting at something on the floor. It’s the voice box for the doll which says “Mama” each time the puppy hits it. In the background is the doll itself torn to shreds. Where are the kids during all of this? That little girl is going to be heartbroken when she finds her new doll. Judging from the volume of gifts though, it looks like mom and dad can afford to get her a new one. The brown pup stops smacking the toy and instead chooses to bark at it which causes the black pup to bark too. That dastardly tank, apparently not yet satisfied, comes up behind the black pup once more and blasts it with sparks. The black pup yelps and runs away only to collide with the brown pup causing it to swallow the voice box. Now the brown pup is confused as every time it’s butt connects with something it hears “Mama!”

Impressive vertical displayed by the tank.

The tank returns to inflict more terror upon these hapless pups. Seeing it, the brown pup takes shelter behind more gifts while we see where the black pup ended up following its collision with the brown one. It, once again, smashed through another box only this one contained boxing gloves. It emerges from the box with the gloves on its front paws. I expected the pup to then use these to bash the tank, but instead it reacts more like an actual puppy would if it found itself in such an improbable situation and starts trying to shake the gloves off. One goes soaring across the room and the tank has to duck to avoid it. Then comes the other one which the tank jumps to avoid. Now apparently mad, the tank goes after the black pup and resumes blasting it with more sparks.

Definitely the look of someone wondering why their ass is talking.

The brown pup emerges from its hiding place seemingly ready to help out the other pup, but instead chooses to sit down. This causes the soundbox to go off again and the pup spins around confused. We then go into a little dance where the brown pup keeps searching for the source of the “Mama” soundbite, but can’t find it since it’s coming from inside it. Once the pup does figure that part out, it keeps gently sitting down and popping its bum back up the second it hears the first little piece of sound. Only when the pup sits with more force does it freak it out causing it to run for another hiding spot.

Toy? Ornament? Whatever it is, this monkey is all right. Or rather, it was…

The brown pup, in its haste, crashes into another toy. And yup, I figured this was going to happen, it’s racist. The toy is a dancing black person depicted in a very offensive manner. It’s limbs flail about as it does a dance ending with a “Hey!” as it spreads its arms out wide. The bit is mercifully over in a few seconds as the pup takes off. It comes towards a monkey toy, or ornament, that is very much alive as it climbs up a string to avoid the puppy. It then slides down with a look of shock on its face, only for the barking pups to come running by once again, this time with the tank in pursuit. The monkey avoids them all, but for some reason the tank whirls around to regard the monkey up in the Christmas tree. The monkey is pretty ticked off at this point and it yells down at the tank with a bunch of unintelligible, high-pitched, squeaks similar to what Chip and Dale do at times. The tank does not take kindly to this at all and fires off a volley of sparks in the monkey’s direction catching it clear in the face and utterly destroying it. Poor, little, monkey.

There’s a surprising amount of murder in this little cartoon.

This terrible tank them goes after the pups once again. As they run away, they run into a toy airplane hangar and quickly bounce out. That’s because it’s occupied by a toy plane which comes rolling out and takes to the sky. The tank ducks under the plane, but once clear of it fires more sparks at it. The plane soars around the Christmas tree seemingly avoiding the tank which only makes it madder. The tank fires off another round with the last one being something akin to a “charged” shot. That’s the one that strikes the plane which stops in mid-air to grasp at it’s chest like it was a man shot in the heart. It then goes into a tailspin with flames shooting out the back. The pups run for cover in their new dog house seemingly shutting the tank out. It runs around in circles, but with no where to go, does the only thing it can: duck and cover.

A pile of dead toys. Toy Story never had the balls for this!

The planes lands a direct hit on the tank reducing both toys to a pile of twisted steel and springs. The pups emerge from their house to sniff at the pile, only for the tank’s turret (which is basically its head) to pop out on its spring and fire one last blast of sparks at the pups when it strikes the ground. The pups race back into the dog house, but turn around to bark incessantly in the tank’s direction. “Jingle Bells” plays in the background as we close on an iris shot and one last, somewhat joyful, yelp from the brown pup.

Well, at least the brown puppy seems happy.

And thus, the first Christmas for these two little pups is concluded. They caused a lot of mayhem as they investigated the gifts under the tree. I’m not sure what happened to the kids from the beginning. Did they go back to bed? Head into the kitchen? Or did they just watch these toys torture their little puppies with amusement? I have to believe they vacated the room since the brown pup was able to absolutely savage that doll. The destruction wrought by the pups almost makes them villains, in a way, albeit innocent ones. At least it would if not for that asshole tank. Seriously, what is that thing’s problem? One puppy sniffs your backside and you make it your mission to murder the little dog?! That thing got what it deserved, but not before it “killed” a monkey toy and a plane toy that were all just minding their own business. Why couldn’t it have killed the racist toy?!

These little pups are cute because they’re meant to be. It’s really that simple.

For its part, The Pups’ Christmas feels like a Rudolf Ising short. It’s mostly set to music and relies on the animation to depict a fairly conventional setup that doesn’t really have a plot. It’s just two, cute, puppies getting into mischief. It’s the sort of cartoon Ising does well as the animation style is very pleasing to the eye and the production values appear fairly high for this sort of thing. Probably too high for the folks at MGM since the Happy Harmonies series of shorts was ended because they routinely went over budget. I do like how the puppies are presented, even if some of their behavior felt more cat-like than dog-like to me. That detestable tank was also animated in a very amusing manner. It’s waddling and bouncing is a lot of fun, even if it appears to break a whole bunch of rules as far as sentience goes. The short begins with the puppies having exaggerated, but realistic, encounters with objects around the tree until that tank comes into the picture. From there, all of the toys basically come alive with no explanation. Not that one is necessarily needed since we’ve looked at a bunch of pictures like this in the past where toys on Christmas Eve behave like living beings. And of the ones I have looked at, this one is probably the best so far.

I definitely didn’t expect to see flames circling a Christmas tree in this one.

The Pups’ Christmas, being an old cartoon short, is not an easy thing to come by if you want to actually pay for it. It’s never been released on home video and isn’t streaming on any of the major streaming platforms even though it’s owned by Warner Home Video at this point. And I’m guessing the one offensive toy will keep it that way, unless a renewed push is made to get the Happy Harmonies series up and running. That doesn’t mean it’s necessarily hard to watch it though as Warner apparently sees no value in protecting its asset which means this short can be found streaming for free all over the place, including YouTube. Just punch it in and you’re sure to find multiple options. MeTV has also shown it in the past year, with the racist toy edited out, so chances are it will pop up this month either as part of Toon in With Me or as part of the Saturday morning Tom & Jerry block of cartoons. And if you’re a dog lover, you’ll probably find this one cute and if you just like animation there’s a lot to enjoy here. It’s nothing amazing by any means, but at a running time of less than 8 minutes why not give it a look?

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 4 – Family Guy – “Christmas Guy”

In the fall of 2013, beloved family dog, Brian, met his demise. Brian was an extraordinary dog capable of communicating in English with his family members who was often seen walking on two feet. Despite that though, he met a rather ordinary end for a dog when he was unceremoniously struck by an automobile. Life…

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Dec. 4 – A Christmas Story (1972)

For today’s Christmas post, we’re going to take a look at A Christmas Story. No, not that Christmas Story, the first one. Way before Ralphie started obsessing over a BB gun, the duo of William Hanna and Joseph Barbera brought us a story about a mouse and a dog trying to get a last-minute letter…

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Dec. 19 – The Shanty Where Santy Claus Lives

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Original release date January 7, 1933

Every year I do this I am reminded at how surprising it is that so few Christmas themed Merrie Melodies and Looney Tunes shorts exist. Disney put out several memorable ones over the years featuring their characters, but Warner Bros. mostly stayed away. Bugs Bunny would eventually get a Christmas television special in the 70s, but that was well past the age of the cartoon short.

That’s not to say Warner didn’t produce any Christmas cartoons under their two most popular banners, just that most didn’t feature the company’s most recognizable faces. The first of which, The Shanty Where Santy Claus Lives, contained no recognizable faces even though this was during the heyday for Bosko. The Rudolf Ising directed short was the first Merrie Melodies cartoon released in 1933, missing the Christmas holiday by a couple of weeks. Even though the Merrie Melodies line of shorts is often distinguished from Looney Tunes due to the presence of color (that wouldn’t come until 1934), this is a black and white film that’s fallen into the public domain.

shanty_bells

Possibly the nicest piece of animation in the short.

The short is a Depression-era cartoon, hence the name The Shanty Where Santy Claus lives. It’s not a particularly well known short as it wasn’t shown on television much given that it’s associated with a holiday and thus confined to a short window for release. Since it’s from 1933, it also doesn’t look particularly great compared with the more popular Warner cartoons and, as I already mentioned, it’s devoid of the characters the studio is known for. Despite that though, it did receive some play on Cartoon Network during the 1990s, but sometimes with alterations. I honestly can’t recall if I ever saw this one on the channel. I used to love falling asleep to the Christmas Eve programming on Cartoon Network which ran all night and mostly consisted of winter or Christmas themed cartoons. I could usually bank on seeing Peace on Earth at that time and only that time. This cartoon was probably shown as well, but I don’t remember it specifically. When viewing it now, it has an air of familiarity to it, but that could just be my imagination.

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Our downtrodden protagonist.

The cartoon begins with bells ringing and they are gorgeously animated. It then heads for ground level where the animation is less gorgeous and is accompanied by “Silent Night,” something that will become a trope in Christmas specials to come. A disheveled looking kid is drearily stomping through the snow with a floppy hat and his hands stuffed into his pockets. His exaggerated feet practically look like snowshoes. He hears singing coming from a church, but declines to enter. He perks up momentarily when he hears another commotion. Racing over to a window he looks in on a bunch of kids dancing around a Christmas tree. He then turns to the camera with a sad face as the wind howls.

shanty_santa

Listen kids, normally it’s not okay to run off with an old guy promising toys.

The boy gets caught in the gust which tosses him into the side of his shanty. The snow falls off the roof and buries him momentarily. He pulls himself up and heads inside. It’s a one-room shack with hardly anything inside, including parents. He’s rather down, even weeping, until he hears something outside. Sleigh bells herald the arrival of Santa Claus who comes bursting in singing the short’s signature song. Santa offers to take the boy with him to his shanty where toys and wonderful things await. The kid is more than eager to take old Saint Nick up on his offer and the two head outside. Santa puts the boy on the back of his sleigh before climbing in himself. He orders the reindeer to “giddy-up” and as they take off the boy tumbles from the back of the sleigh. Malnutrition has apparently not affected the boy’s speed or conditioning as he races after the sleigh and essentially outruns the reindeer to get back into Santa’s arms. This time the old man is smart enough to put the kid in the sleigh proper and the two take off into the sky.

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You are correct if you assumed Santa flew past that moon before landing in front of his shop. Maybe the first ever animated shot of Santa in front of a moon?

Santa and his team of two reindeer (the Depression even impacted Santa) make it to Santa’s shanty. And it’s hardly a shanty. The two head inside and the kid’s eyes widen to see all of the toys waiting to be delivered to new homes. Some of them are a bit…iffy looking, but we pan back to the kid pretty quickly who’s looking quite happy. He heads in further and starts playing with a kangaroo toy. When he squeezes a ball on the end of a tube it makes the little joey pop out of the pouch. Cute.

racist_jazz_band

Well, this just went wrong very fast.

The boy then turns his attention to a musical toy and….oh no, here’s our reminder this is a cartoon from the 1930s. A toy of jazz musicians is displayed and they basically all look like they’re pulled from a minstrel show. We then see a baby doll crying out for it’s Mama before tumbling off the shelf into a box of soot. It then emerges, in blackface, crying for its “Mammy” who then shows up to retrieve the toy. And we’re not done! A rag doll starts dancing as the short’s song returns with two other dolls that also look like blackface dolls. She then ditches the pair to watch on the side cheering them on with some maracas.

baby_mammy

Oh my god, it just got worse!

More toys are spotlighted including a doll that tries to blow up a balloon. She sucks in the air and turns into a woman of generous proportions who begins to sing “Shine on Harvest Moon” in what is undoubtedly a caricature of singer Kate Smith. There’s also a toy soldier on a baby bank. When the register pops open it’s, get this, full of babies. A teddy bear is shown playing a trombone and a jack-in-the-box beside it pops out and it’s thankfully not racist. The trombone keeps hitting it into a drum which is mildly amusing.

doll_dancers

Make it stop!

We then end up at the Christmas tree which has a lit candle on it. One of the toys knocks it over and soon the tree catches on fire (and you thought those giant bulbs from the 40s and 50s were a fire hazard) forcing the fire brigade into action. The toy fire brigade, that is. A fire engine races over and tries to put out the flames, but it is just a toy. We then see the boy again, the supposed main character who has apparently just been watching this whole thing and is possibly willing to let the racist toys burn, who decides he should take some action. A hose is conveniently at his feet and hooked up to a sink. He inserts the other end into some bagpipes which are just laying on the floor and runs over to the tree. He squeezes the bagpipes spraying water out of the various pipes which douse the flames. The toys cheer triumphantly and the short comes to an abrupt end.

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Kid, maybe you should just let this place burn.

I suppose when I saw this cartoon was in the public domain I should have expected some racism. Cartoonists, for whatever reason, loved these blackface gags in the 20s and 30s and really seemed to like the black figures seen here. Maybe it’s a benign reason, since these cartoons are in black and white it was an easy gag to get over, but it is what it is. When Cartoon Network aired this one it eventually edited out those parts, though I think at one point in time they were left in. Considering the short is a little over 7 minutes with that stuff intact, it must have been incredibly short without it. If you watch a lot of old cartoons, there’s nothing in here you haven’t seen before. I don’t think those images would keep this from being released as part of a collection of Warner cartoons, but it sure would earn it a disclaimer.

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Well, the fire’s out and…it’s over? Okay then.

Visually, this is an old cartoon and it shows. The backgrounds aren’t very detailed and certainly pale in comparison to what Disney was doing at the time. The characters have noodle-like limbs and their mouth movements are a bit odd. There are some twin characters that were probably just doubles of the film cells or possibly traces from one image to another as they move in perfect unison. The kid main character also doesn’t look particularly good, but a lot of effort was put into Santa who has a nice, jolly, demeanor.

As a Christmas toon, this is essentially a piece of wish fulfillment. A poor kid is not going to get to enjoy Christmas like the more well-off children will, so Santa shows up to whisk him away. It probably wasn’t something a poor kid needed to see as it would have felt patronizing. Santa is also barely in it as he just shows up to take the kid and then basically disappears once we get to his work shop. I kept waiting for him to come in and put out the fire (or destroy those racist toys), but he must have left to go find some other poor kid. There’s a lot of public domain Christmas music at play though, and the one original song works well enough.

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He’s certainly not as charismatic as Porky.

The Shanty Where Santy Claus Lives is a public domain cartoon that is quite easy to come by. Just typing the name into a search engine should produce plenty of results, or you can even just go straight to YouTube. There are various public domain Christmas VHS and DVDs that include it, and Warner even featured it on a laser disc release of shorts back in the day, but I doubt you want to go that route. Because it’s free, the quality can vary. Some claim to be upscaled to HD, but they get a blurry, smear, effect as a result. Some are very gray in appearance and there’s even some that are practically yellow. Still, you don’t have to look too hard to find one with nice enough contrast levels. I don’t really recommend it, but it is only 7 minutes so it’s not exactly much of a time commitment. It’s a shame the few gags present are mostly racist humor. The only memorable non racist gag was the baby bank, which wasn’t particularly funny either. As the first Christmas-themed Merrie Melodies short, it at least has some historical significance. Just beware of the racist stuff.


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