Tag Archives: christmas specials

Dec. 10 – Family Guy – “The First No L”

Original air date December 13, 2020.

It was a week ago that we took a look at the Seth MacFarlane produced American Dad! and I remarked it had been a minute since we did an American Dad! Christmas episode. Well, it’s been even longer for the MacFarlane original, Family Guy, the show that was famously unloved, cancelled, and then brought back from the dead. It’s pretty incredible that Family Guy is now over 400 episodes in total. It’s also somewhat appropriate that we look at another Christmas episode from the show in the year 2024 as, for the first time since its revival, it feels like Family Guy may be in some jeopardy. That’s because Fox kicked it out of its Animation Domination Sunday night block and moved the show to Wednesdays. As of this writing, Family Guy has not been renewed past its current season, but that’s not unusual for the current television landscape. If Wikipedia can be trusted, the show was threatening to dip below 1 million viewers per episode when last season ended, would dropping below that merit cancellation? Basically all shows on TV are seeing gradual declines in ratings (The Simpsons dipped below 2 million for the first time in its existence during the 2023-24 season) so it’s hard to tell just what warrants cancellation or renewal these days, but a major shakeup like moving from Sunday to Wednesday is something worth monitoring for fans of the show.

When I first started doing this Christmas countdown, I had the very first Family Guy Christmas episode in my top 25. It has since been removed, though not because I dislike the episode now, I just feel there are specials out there that are better. I don’t always make it a point to check out what Family Guy is doing around Christmas, but this 2020 episode was one that I did view in its initial run and it remained in my memory because of how similar it is to the very first Family Guy Christmas episode. Any show that has been on for hundreds of episodes is bound to repeat itself, but it’s especially amusing when the subject matter is the same. In the very first Family Guy Christmas episode, Lois (Alex Borstein) does her best to make sure the family has a great Christmas only to be undermined at every turn by her useless, selfish, family. She snaps and goes on a rampage until the family can restore her Christmas spirit. In this episode, Lois is going to basically do the same thing, but the snap comes in the first act. Then we get to see the rest of the family try to have a merry Christmas without her.

A joke so good we’re going to do it twice!

The episode begins in standard fashion. No overlays of snow on the song and dance number, no dressing-up of the title. The episode begins with an exterior shot of the Griffin household sparsely covered in snow. Inside, the family is watching The Today Show which features an announcer pointing out that former host Matt Lauer is watching from outside their Times Square studio. The two hosts are shown reading off benign holiday stories while Lauer lightly bangs on the glass from outside and asks if they’re still mad at him. He was fired by the show for being a sex creep.

If they really wanted to torture Lois they would have shown her trying to get this box out of the attic. The hard part is already done.

Lois then comes down the stairs dragging a very heavy box of Christmas decorations. She’s clearly struggling with it as she swears between each movement. What she is saying is a mystery since it’s bleeped, even though I’m watching on Hulu (I guess since it’s not TV-MA they have to bleep it?). When she finally gets to the bottom of the stairs, Peter plainly remarks “That looks heavy,” but Lois just cheerfully announces that the sound of her dragging a really heavy box of Christmas decorations down the stairs can only mean one thing – Christmas! Peter corrects her and says he knew it was Christmas because the “O” in Pornhub changed into a wreath recently and son Chris (Seth Green) responds, “Same” and they share a fist-bump. Father and son bonding over their shared interest in pornography really puts one in the Christmas spirit. I feel the need to point out that Peter made a very similar observation in another Christmas episode, only it was with Instagram Porn Stars in Santa hats instead of Pornhub.

Oh man, Christmas chores? No way!

Lois then makes the announcement that she wants the family to help out with Christmas this year. Peter informs her that won’t be happening because they split everything 0 – 100, he being the zero contributor and she 100, like most couples (Peter’s words, not mine). Lois ignores him and continues to say she also wants a real Christmas present this year and not some clearance, misprint, shirt from Marshall’s. Peter then holds up a t-shirt and says, “But you love the Roling Stons,” and he has the defective merch to prove it. We’re doing a bit here. Lois again ignores him and instead hands out a list of chores for each member of the family. Peter’s rebuttal this time is he can’t do any chores because his trick elbow is acting up. He then turns to Chris and pushes a playing card out from between his forearm and bicep and asks, “Is this your card?” When Chris says it is not Peter quips “Oh no it’s worse than I thought!” Lois just keeps setting him up and Peter keeps…knocking them down?

A character getting their identity stolen from a fraudulent ATM could be the plot of a Christmas episode for some shows, but on Family Guy it can be a quick joke.

We cut to downtown Quahog which is tastefully decorated for the upcoming holiday. Peter and the kids pull into a strip mall to do their shopping. Brian (MacFarlane) asks why they’re doing their shopping here and Peter informs him it’s because the gas ran out here. Chris tells him he needs to get that gas gauge fixed, but Peter rhetorically asks him “Do you want the gas gauge fixed or a year of Quibi?” Chris, wisely, chooses the gas gauge. Remember Quibi? Crazy how dated an episode from 2020 can already feel. Meg (Mila Kunis) assures the family they can find everything on their mother’s list here, while Stewie decides this is the right moment for him to get a line in by saying this place better have Baby Yoda toys or else…he’ll probably just get something with Spider-Man on it. Peter then leads the group to a freestanding ATM and points out how dangerous and terrible an idea it is to use such things. It eats his card and he gets a phone call to which he answers “Peter Griffin. Oh, not anymore?”

One of those stock jokes that could appear in any episode. The only requirement is that Peter needs to at least mention H&R Block.

Peter leads the family into a greeting card store and announces that this is a place to look at cards while releasing tiny farts. The family does this, until Meg unleashes a more pronounced fart that the clerk (Chris Parnell” objects to announcing that this store is for tiny farts only and directs her to Lids for her big, juicy, farts. Peter then heads to an H&R Block to get what I suppose is a very early start on his taxes. He addresses the clerk (Mark Hentemann) and asks how much the H charges, then how much R charges, then inquires if R knows that H has a side thing going on with M? He then mentions the store H&M suggesting he is not entirely confident in his joke being understood. The clerk seems concerned and suggests he has no idea what Peter is talking about. Then a giant, letter, R (Rachael MacFarlane) with lipstick comes out of an office and asks if H is back yet? Then H (Ralph Garman) enters wearing a designer shirt purchased at a fraction of the price with lipstick on the collar. R accuses H of cheating on her and H suggests he wanted to get caught and we suddenly have a suicide joke as R blows her brains out. H drops to his knees wailing “Why? Why?” A letter Y then emerges from the bathroom and asks, “What’s up? I was just taking a pee” Then a letter P pops in and says, “Someone called?” Peter then looks at the camera and informs the audience that sometimes the writers let him write his own skits. It’s an attempt to save this half-cooked idea of a joke, but doesn’t exactly redeem it.

Never count out Peter Griffin!

We then return to the Griffin house and Lois is watching CBS This Morning with Charlie Rose lurking outside. It’s the exact same joke as the Lauer one, only now it’s Charlie Rose. The family enters the house noticeably empty-handed. Lois is pissed and starts listing off all of the stuff they were supposed to either purchase or put out. Peter assures her he has everything under control and then takes off. Time passes and it’s night time. The Griffin house is now covered in snow and the family is inside enjoying a quiet moment by a roaring fire. Peter then enters dramatically with a big tree at his side. Lois runs over and gives him a hug. As she tells him she loves him, the word “Peter” just keeps repeating. We dissolve to find it’s Lois calling his name while beating on the window of the family station wagon while Peter sleeps in the driver’s seat.

A chance to get some more characters some face-time.

Lois demands to know what’s going on as Peter wakes up. He explains he fell asleep after rubbing one out to Madonna’s “Santa Baby.” He then announces that tonight’s “Date Night” has been cancelled due to lack of interest. Lois storms back into the house irate that no one is stepping up and helping her out with Christmas like she wanted. She directs her anger at Brian claiming he’s supposed to be the smart one and punctuates it with a “Bad dog!” He whimpers on the floor like an actual dog – I do always find it amusing when Brian behaves like a dog would. Lois then demands to know who got candy cane all over the couch and Peter begins to mimic Brian by whimpering on the floor. Lois declares she’s had it and will be leaving the family for Christmas to spend it in Cabo with her cousins. Quagmire (MacFarlane) then cartoonishly just pops in thinking she’s leaving Peter, but she corrects him. Then Mort (Johnny Brennan) shows up in a manner identical to Quagmire thinking that Lois plans to ruin Christmas by covering over the town’s decorations. This excites him on account of him being Jewish. When Lois corrects him, a deaf woman (Marlee Matlin) pops in to inquire if she’s doing deaf jokes. Lois says no to the deaf jokes and the woman has to break the news to the classic character Greased-Up Deaf Guy (Mike Henry), who also just pops into the house unannounced. Peter then corrects them and says “I think we are doing deaf jokes, at this point.”

There’s a lot of anger in that boy.

We next find the Griffins seated on the couch in front of the TV without their matriarch. Lois has seemingly followed through on her threat to spend Christmas in Cabo with family so Peter decides that to get revenge they’ll delete all of her favorite programs from the DVR. Chris announces that he would like to be the one who gets to delete The Crown, claiming his mother never watched it and was just stockpiling all the episodes on the DVR preventing him from watching Modern Family. Again, crazy how dated something from just a couple of years ago can feel. When Chris tries to delete The Crown he’s just confronted with a never-ending assortment of prompts confirming that he actually wants to delete the very prestigious show. This eventually leads to a prompt that tells Chris that he actually can’t delete the program so he rips out the cable box and smashes it on the floor in a fit of rage. We then hear the television impossibly announce “We now return to The Crown,” even though television stopped doing that 30 years ago, if not more. Some unintelligible British voices filter out of the TV and Chris is forced to confess he kind of likes it. Peter says the same and adds “It’s because I’m trash and I love how fancy it is.”

Thank goodness the dog is here to prevent Peter from murdering his children.

Meg is the one who points out that none of this will help them save Christmas. The kids turn to their father for advice, but his only suggestion is for everyone to go kneel in front of the holes he dug for them suggesting a murder-suicide is on the table. Brian emerges removing a baseball bat from Peter’s hands and tries to convince everyone they can handle this. Peter just announces his Plan B, which is to take opiates and listen to records. We cut to him drooling in his lounge chair listening to some bad jazz or something. The camera zooms out to reveal Stewie and Brian standing next to him with Stewie announcing, “It’s been four days.”

Lois didn’t really go to Mexico, she just wants to punish her family with her absence and watch them unravel from a cheap motel. Fiendishly clever!

We next head to the outskirts of town to check-in on Lois. She is not in Cabo as she threatened, but actually at a cheap motel that’s high enough in elevation that she can view her family through the window with binoculars. After remarking just how good her binoculars are, she spies Peter bringing in a very dead tree into the house and the family looking excited by it. She suspects that she’ll get a phone call any minute now from them begging her to come back and save Christmas. While she waits, she decides to relax on the bed and turns on the TV. A voiceover (John Viener, I think) coming from the TV welcomes her to the hotel and announces their stationary is the best in the industry for recording suicide notes. More suicide jokes – hooray! Lois announces her plan will work perfectly and intends to “Wait like a cobra.” This is the spot for a traditional Family Guy cutaway gag of a Cobra (Alec Sulkin) waiting for his table at the bar. A waitress (Rachael MacFarlane) asks if he would like her to bring his drink to his table for him and he replies that he would and points out his lack of hands. This might be the worst cut-away gag I’ve ever seen on this show.

Poor Peter. It’s so hard being a white man in 2020 New England.

Back at the house, everyone is outside putting up the decorations. Peter announces it’s time to put out the 2020 version of their decorations and then begins listing off the figurines he’s placing in a manger scene: ethnically accurate baby Jesus, Father Mary, Mother Josephine, the three genderless wise people on their scooters, Tig Notaro (for some reason), and the Little Drummer Them. He then adds, “Because, God forbid, we call a boy a boy.” Chris tries to confront his dad on his apparent transphobia and he erupts shouting “I don’t like what the world is! I’m white! When’s it going to be our turn?!” This does feel pretty authentic for the Peter character. Brian tries to calm him down, but Peter doesn’t see how that’s possible without “the woman who normally takes care of all of this.” He either doesn’t appreciate Lois to the point where he can’t remember her name, or he’s so mad at her that he doesn’t even want to address her by her name. Both seem plausible. Brian asks if he means Lois and he just refers to her as the redhead with the voice. He then starts tossing decorations over his shoulder as he goes through them remarking how she would put them up until one of the kids points out that he did it.

Now this is a true Christmas miracle!

The family turns to look at the house and the decorations are shown to have miraculously landed precisely where they were supposed to. Peter declares it perfect as the whole family basks in the festive glow of the holiday display. His cell phone then goes off and it’s Quagmire. He requests Peter dim the lights because he’s presently in bed “with a three and light isn’t doing her any favors.” We then cut to Lois in shock as she views the family’s accomplishment. She is then interrupted as the letter H from earlier mistakenly enters her room with his side piece, M. He sees Lois and then apologizes adding, “We’re excited because my wife just killed herself.” Why are we returning to this joke?

Just because it’s Christmas doesn’t mean the show is going lay off Meg.

It’s time for a holiday montage! Set to an instrumental version of “Deck the Halls” that’s heavy on saxophone, we find the Griffin family in their living room as Peter holds up a holiday movie: Christmas with the Kranks. He inserts it into the DVD player and we then see the family relaxing with the glow of a fire cast on them. We zoom out to see that Peter actually set the movie on fire. As someone who has seen the film, I approve. We then check out Peter hanging the stockings. The kids nod in approval before Peter hangs up the last one which is for “Dad’s gym friend Emilio who he goes to Greece with every summer.” Apparently, Peter is a closet homosexual who cheats on his wife – I suppose that explains his disinterest in her. We pan out and Emilio (presumably) is revealed to be standing behind Peter in just his boxer shorts. He gestures to Peter who playfully waves him off to the shock of his children. It’s now time for Christmas dinner and Peter is preparing to cut the ham. As the camera moves across the table it’s revealed that there is a live pig in one of the chairs. Peter reacts with surprise and runs to the oven only to find he mistakenly cooked Meg instead of the pig. Whoops!

The only thing Lois has accomplished is showing the family that it can thrive at Christmas without her.

Time to check-in on Lois once again. She is aghast to find the family having a snowball fight in the front yard. Tom Tucker (MacFarlane) and a news van are even onsite to document this. Lois then observes the family standing hand-in-hand while Peter says “I love you,” to his kids, but in slow-motion. Lois suggests the kids better not return the sentiment in slow-motion as well to emphasize her horror so of course they do. “That’s it,” she shouts as the camera zooms in on her rage with a rack focus technique so that she can inform us that she must stop Christmas! She’s interrupted by the sound of a fart from the room next to hers. She pounds on the wall and shouts “What do you think this is? A Lids?!” The logo for the store is superimposed over the screen while the announcer voice chimes in with “Lids: come get a camouflaged Knicks hat and let one rip!” The clerk from earlier told Meg to go fart in Lids. Did someone have a particularly bad experience in a Lids? I don’t get it. I don’t think I’m supposed to.

You just can’t take the “Mom” out of Lois, even when she’s trying to be bad.

Well, there is only one place for this story to go. Lois shows up at the house decked out in Grinch attire. Before she can get down to business, her cab driver (Viener) has to bid her farewell while sharing his unprompted racial stereotypes about people from Turkey. She enters through the chimney intent on ruining Christmas, but then spies all of the dirty dishes left out. Lois does the dishes and then tells herself she won’t even think about the grocery situation, but then of course she open the fridge to find it nearly empty. We cut to her coming through the back door with two bags of groceries, but now she’s dragged in mud so she has to mop the floor. Once finished with that she seems ready to resume (well, start) ruining Christmas, but then she tells herself not to think about checking the washer to see if they left the wet clothes in it without transferring to the dryer. Of course she checks and finds what she expected and remedies that situation like she did the others.

They’ll both never speak of this again, it would seem.

With the clothes properly sorted, we can finally go into the “You’re A Mean One, Mr. Grinch” parody segment we all expected. It’s an instrumental version of the song and as it plays Lois creeps around miming the Grinch from the far more famous television special. There aren’t really any jokes as she just does exactly what the Grinch does, though she does pause to do a hideous version of the Grinch smile so there’s your joke. As she stuffs up the tree, she’s interrupted by a little girl asking “Santa Claus?” Well, actually, it’s Stewie and he’s dressed like little Cindy Lou Who from the special. He asks why Santa is taking the tree, but Lois just responds by asking why he’s in pigtails and a little girl’s nightgown. Stewie, realizing he’s in over his head, just suggests they both forget what they saw tonight and heads back up the stairs.

You know, this whole time I’ve definitely been asking myself, “What’s Quagmire doing at Christmas?”

We now head outside and the house looks to be in disarray now that Lois has effectively stolen Christmas. We see her creeping down the sidewalk with all of the Christmas stuff as the show decides that now is the right moment to check-in on Quagmire. He’s all alone in his house and remarks how he dislikes being alone on Christmas so he whips out his phone and calls someone named Joan. He asks if he has a payment due on his Discover card. Based on what follows, we can assume that Joan asked if he’s alone on Christmas and Quagmire denies it. He says he’s with his very large family, but she asks him for names. We don’t actually hear anything from Joan, just Quagmire’s responses, but he basically repeats all of her questions so we don’t have to guess. He lists off obvious fake names (Bloofus and Klunt) for his kids and when she doesn’t believe him he starts smashing stuff around his house and blaming the kids. She doesn’t buy it and Quagmire is forced to hastily retreat from the conversation and hang up. I’m guessing the episode came in a little short and Quagmire was called on to fill some time.

Is this the part where they join hands and sing?

The next morning, the family rises to find that Christmas has been stolen. They’re pretty shocked, but Peter has a solution: everyone kneel in front of daddy’s pre-dug hole. That’s his solution for everything! Brian then tells Peter this is all his fault for getting rid of the Ring camera. We jump back via cut-away to Lois entering the house wondering who crapped in front of their door. She pulls out her cell phone to check the Ring camera, but Peter slaps the phone out of her hand and smashes it. He tells her that whoever it was probably had no choice because their family was using all of the bathrooms.

Lois may have failed to inflict misery upon her family, but at least she taught them to appreciate her.

Lois is shown arriving via cab, and before she enters the house she puts on a sombrero and poncho to play up the ruse she was on vacation. The family is watching a Tony Bennett (RIP) Christmas special and we see Tony badly singing “Jingle Bells” and falling asleep mid song. The bit continues with an announcer saying to stay-tuned for a duet with Willie Nelson. We then cut to the two of them asleep. They wake up and start performing different songs. They’re both very old. Lois enters the home and Peter welcomes her back by pointing out he cleaned and bought groceries, but unfortunately Christmas was stolen. Lois has to feign shock, but then is really surprised when she finds out that not everything was stolen. It turns out, they got her a present, but since they didn’t think she’d be home for Christmas it was kept upstairs. The kids retrieve it and Lois is forced to read the card out loud. It’s played straight and thoughtful, but the gag is that it’s going to just go on and on. She has to read the inner card, the back, and even some stuff hidden by a black light while sad music from This is Us plays. I’ve never watched the show so I don’t know if the sad music is authentic, but whatever.

I bet you saw this coming.

Lois is moved to tears and finally opens the gift to find a misshapen bowl. Meg tells her they all took a pottery class and made it for her. Despite the bowl looking terrible, it affects Lois. This is the part where the narrator comes in to inform us that Lois’ heart grew three sizes that day complete with overlay as seen in The Grinch. We then smash cut to Lois unconscious in a hospital bed because your heart tripling in size is actually a bad thing. The doctor (MacFarlane) is there to tell us she’s lucky to be alive, and then soon leaves the scene allowing the family to all hug Lois while Peter declares it the best Christmas ever! The narrator returns to inform us that Lois is happy this medical emergency covered up her crimes. We’re told Lois never came clean and instead their Muslim neighbor was arrested for the crime and deported back to Turkey. Another voice chimes in, “See? What did I tell you? Always Turkey!” It’s the voice of Lois’ cab driver from earlier who shared his views on race unprompted with her.

This episode basically had to end with another double-up on a past joke. It’s clearly something the writers are fond of.

We’re not done yet! We return to the Griffin house and everyone is seated in the living room by a replaced Christmas tree. Peter says he’s glad to have Lois back so he doesn’t have to keep doing dishes and buying groceries, much to her annoyance since it was Lois who did those things. The family then challenges her on her alibi and asks her to come up with names for the cousins she was supposedly visiting the whole time. Predictably, she hastily comes up with the same names Quagmire did earlier: Bloofus and Klunt. She even says she thinks she hears them upstairs. She runs upstairs and we stay with the rest of the family as they listen in on Lois narrating the carnage being spread by Bloofus and Klunt. She smashes a diorama Meg made which was due the next day and also Stewie’s aquarium containing the fish you have to feed so damn much and they die anyway. Stewie is apparently buying this charade as he remarks, “Fricken’ Klunt, man.” She then gets to Peter and his discreet box of pills. He races upstairs, but can’t beat “Bloofus” to the toilet who flushes them away.

Lois just wanted some help around the holidays and is basically punished throughout the episode for that.

And that’s how Lois stole Christmas and got away with it! Well, she did get hospitalized as a result of her scheme and I bet the resulting medical debt was crippling to a family like the Griffins, but she still technically got away with it. I like this one as a companion to “A Very Special Family Guy Freakin’ Christmas” as it’s a 2020 take on that 2001 episode. The show and the depiction of the family has changed so much since then. They’re basically all worse people, though really only Peter and Lois are on display in this episode. The kids are mostly window dressing and Brian is still in his role of arbiter and moral compass. It’s still a familiar premise of underappreciated mother figure getting the shaft at Christmas. Only Lois tries to combat this with subterfuge and is basically punished for it. Just not all the way punished since her family is basically none the wiser. Though they do border on accusatory in that final scene, but then appear to accept Bloofus and Klunt.

There are some good jokes here and some not so good ones. Family Guy is a show that tries to overload its running time with as many jokes as possible. It’s quantity over quality. If I’m being honest, the strategy doesn’t work too well here as there’s a lot of groan-inducing jokes. And this particular episode apparently either didn’t know which ones were going to land, or felt that a bad joke could be improved by repetition. We return to the stupid joke with the personified letters as well as the discarded television show hosts. The observational humor the show tries for with the ATM machine is just okay, while Peter’s insecurity via the nativity scene was decent. The suicide jokes were numerous and even American Dad! loves those in their Christmas episodes so I guess it’s a MacFarlane thing? I liked the repeated gag of Peter’s suicide solution, but not so much the rest.

If they wanted to make an image creepier than the original then mission accomplished!

If you are a fan of Family Guy then I think this episode lands as “just okay.” The show has better Christmas episodes like its inaugural one and “The Road to the North Pole.” Those are the only two I watch each year and if it weren’t for “The Road…” being an hour long I’d have covered it in this space by now. Instead, I did the one that parodies The Grinch because I am a sucker for that. In terms of Grinch parodies though, this one isn’t that great because it just doesn’t use the opportunity to make a new joke. We just get a visual gag of Lois trying to smile like the Grinch and Stewie being confronted by his choice of evening wear. The Quagmire bit that followed was pure throw-away too, but I guess we needed it to setup the final scene.

If you would like to watch “The First No L” then the easiest way to do so is via Hulu or Disney+ depending on where you reside or subscription plan. Family Guy still airs in syndication as well for you cable subscribers and this episode is likely being shown somewhere this December. If you, however, only have room in your schedule for one Christmas episode with the Griffins, then you can probably do better than this one.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 10 – Simpsons Roasting on an Open Fire

Today, we return to my best Christmas specials of all-time list with television’s first family: The Simpsons. The Simpsons are the brainchild of series creator Matt Groening who allegedly came up with the idea as a spur of the moment one when he needed something to pitch to the Fox Network. He essentially based The…

Dec. 10 – A Chipmunk Christmas

Alvin and the Chipmunks is one of the oldest, family-owned, pieces of intellectual property left in the world. And it might not be for much longer as the franchise is reportedly up-for-sale and has been since last year, but as-of this writing nothing has been agreed upon. The Chipmunks date back to the 1958 novelty…

Dec. 10 – It’s a SpongeBob Christmas!

For December 10, we are returning to the theme of this year which is to revisit the best of the best. When I originally ranked my favorite Christmas specials, I had the recently released It’s a SpongeBob Christmas! ranked at #19. The years have been kind to this throwback Christmas special as last year I…


Dec. 9 – South Park – “Merry Christmas, Charlie Manson”

Original air date December 9, 1998.

It was a few years ago that South Park creators Trey Parker and Matt Stone gave an interview to Entertainment Weekly in which they picked their favorite and least favorite episodes of the long running show. I couldn’t find an active link for that interview, but it’s covered in various other places on the web and part of the reason why is because the two shared a somewhat controversial take on the first three seasons of the show: they stink. Parker went so far as to say he wishes those first three seasons could be permanently erased from existence. They did select one season two episode as being one of their favorites, but it was the Terrance and Philip episode that was basically a giant troll job by the show (viewers tuned in expecting a resolution to a cliffhanger, only to get an episode about two Canadians who fart a lot). Even though the first three seasons are pretty juvenile and raunchy for the sake of being raunchy, it must not be that aspect that Parker and Stone take umbrage with since they’re still sticking with that Season Two stinker.

Despite what the creators think, I think there’s plenty of good stuff to be found in the early days of South Park. I would agree it’s not as consistent and there probably are more duds in those seasons than what followed in the next three, but that’s hardly atypical for any long-running show. The Simpsons needed to figure things out in its first three seasons too before hitting a stride that wouldn’t let up for several years. South Park had a similar run and long-time fans like me probably feel like the show fell off at some point. As reliant on being “random” and offensive as the first three seasons were, other later era South Park episodes became so fixated at parodying something in the news that they often felt forced.

Season Two of South Park can be a bit of a slog at times. I like some episodes in it, but even back in the 90s it felt like the show lost a little steam during the second batch of episodes. And who could blame it? South Park struck hot and Comedy Central demanded more episodes while the parent company set its sights on a feature film. Parker and Stone, responsible for the bulk of the writing, direction, and voice acting, were working on a television show and a movie simultaneously. The writers on The Simpsons described a similar situation as being truly exhausting when that show made a movie to the point where most never want to do it again, and that was a movie with about a dozen writers.

Perhaps then it comes as no surprise that the show’s second Christmas episode isn’t the most beloved. Is it the show’s worst Christmas episode? Honestly, it might be, though part of that depends on how much you like the musical that follows in Season Three. It’s an episode that takes a somewhat generic Christmas plot about someone finding the true meaning of Christmas, and applies it to a truly wretched human being. That’s the sort of stuff early South Park did for shock value as who wouldn’t be taken aback watching the convicted murderer Charles Manson sing a Christmas carol? It’s about as subversive as making a Santa-like being a literal piece of shit, and now we’re going to turn another piece of shit into a Christmas devotee.

Stan’s mom won’t let him go to Nebraska with his friends because…it’s Christmas? Near Christmas? I don’t know.

The episode begins with the conventional, Season Two, opening. When the song is over, we find young Stan Marsh (Parker) in his living room in the midst of an argument with his mother (Mary Kay Bergman). Stan has been invited to travel with his friends to Nebraska where Cartman’s grandmother lives for the weekend. Stan’s mom understandably doesn’t want him to go since it’s the holidays or something (it’s hard to pinpoint the exact day here), and looks to her husband for some help. Only she phrases it poorly and instead directs her son to ask his dad if it’s okay and Randy (Parker) predictably doesn’t care and says it’s fine. Stan’s mom still says “No” so Stan tells her off and heads for his room. Once there, he grabs his backpack and mutters how he doesn’t need his stupid family and exits out the window.

Ah, the annual South Park Christmas Elephant Parade!

Outside Cartman’s house, Kyle (Stone) and Kenny (Stone) are being dropped off by their parents as they apparently got the okay to travel to Nebraska with the Cartmans. Kyle’s family doesn’t care about it interfering with Christmas since they’re Jewish while Kenny’s family is just hoping he can smuggle home some turkey for them. Stan then shows up to the surprise of the other boys who somehow found out he couldn’t go, or they just expected his mother to say “No.” Stan, understandably, wants to get moving so he just heads straight for the car. Cartman then goes to hop into the front seat, but finds Kenny already there which pisses him off because he’s a spoiled little piece of shit. He tries to tempt Kenny to vacate the shotgun position by saying there’s a sale on orange jackets down the street and also by claiming there’s an elephant parade taking place. When neither works, Cartman pulls a dollar out of his pocket and tosses it like a kid playing fetch with a dog. That works and Cartman smiles at himself for his fast thinking and also calls Kenny a poor piece of crap. As the car pulls away, an elephant parade can be seen taking place in the background.

I don’t think Stan and Kyle thought this whole thing through. Kenny, on the other hand, just wants a hot meal.

With the car in motion, it dawns on the kids to ask how long it’s going to take to get there. Cartman’s mom, Liane (Bergman), informs them it’s about six hours to grandma’s house and the kids are immediately dismayed. Cartman’s mom suggests they could pass the time by singing and Stan enthusiastically responds in the negative to that idea, but Cartman and his mom just start singing “Over the meadow and through the woods to grandmother’s house we go,” as we head to a break. When the break is over, we find out 4 hours have passed with Cartman and his mom just singing the same two lines over and over. Kyle starts to quietly ask them to please stop, but since they can’t hear him he just kicks Cartman’s seat so hard it sends him into the dashboard. Neither he nor his mom realize what happened and they blame it on the road while the boys in the backseat are relieved for the momentary silence. I’m left to wonder what’s in this for Stan and Kyle? Surely they can’t imagine a trip with the Cartmans to Nebraska is going to be something special.

Mr. Hankey better be careful, he’s really infringing on Santa’s racket.

Cartman’s mom announces they’re about to enter Nebraska and when they do the background goes from snow to brown crops and a slow, twangy, banjo, theme enters. The boys are unimpressed, but Cartman’s mom tries to explain Nebraska’s local agriculture until her son rudely tells her to shut up. The boys soon have their attention sapped away by a billboard advertising Mr. Hankey at a local mall. Apparently, the events of last year’s Christmas special have raised his profile considerable so Mr. Hankey isn’t just a Christmas icon in South Park, but the whole country. The kids all want to go and Cartman’s mom is happy to inform them that Cartman’s grandma lives near that particular mall. Cartman then asks his mother why his grandmother has to live so far away? He doesn’t like driving six, god, damn hours to get a present and would rather they just stick grandma in a nursing home close to them. His mom tells him they need to get him out of his grumpy mood and she knows the best way: through song! The two begin singing their awful song again, much to the chagrin of the boys in the backseat.

Cartman’s great grandmother mistakes Kyle for Cartman. This hits home because my own great grandmother did this to one of my friends. She at least didn’t smell like piss.

The long ride finally ends and the boys practically run out of the car to get away from Cartman and his mother’s singing. Unfortunately for them, things aren’t really going to get any better. Cartman goes racing up to the front door shouting “Grandma!” over and over. A large, old, man who basically looks like Cartman answers the door and soon Cartman’s grandma (Bergman) appears as well. She informs him that she got him a present and the little boy starts rubbing his hands together. When she says it’s inside, he shoves her out of the way and off the stoop and barges in. The rest of the crew follows and Cartman’s mom introduces the boys to the Cartman family. They basically all look like Eric Cartman, just older and fatter. Great Grandma Florence (Parker) then hobbles over and mistakes Kyle for Eric and gives him a big hug. He manages to wriggle away and informs Stan she smells like pee and vitamins.

Eric got a shirt for a present. I’m sure he will be very appreciative.

With the introductions out of the way, it’s time for Eric’s present. His grandma hands him a box and he rips into it only to discover it’s a shirt. His grandma tells him she thought it would look really good on him, but Cartman is not to be consoled. He angrily cries out that he drove 9 hours through butt-fuck nowhere for a god damn shirt! He then tells his mom grandma has gone senile and demands that she be stuck in a nursing home! No one reacts to Cartman’s outburst though as they seemingly all enable his awful behavior. I do question the wisdom of his grandma though to get him a shirt for Christmas. My grandmother was always keenly aware that kids do not want clothes, she she would give us the clothes first and then the toys. Maybe Cartman’s grandma knows he’s a little piece of shit and this is a troll job.

It’s just an entire house full of Cartmans. Stan and Kyle definitely didn’t think this through.

We hard cut from that to a dinner scene. All of the Cartman’s are seated along a long table, including Eric who is in his new shirt. Cartman’s grandfather mentions how the holidays are a time for family which Stan angrily objects to. When they ask him why he says his family is dead! Cartman’s mom apologizes to Stan for the death of his family while Kyle is smart enough to ask a follow-up question to which Stan replies “they’re dead to me,” which should clear things up a bit. Eric, meanwhile, can’t believe he got a shirt for Christmas and his mom apparently made him wear it to dinner.

Meet Uncle Howard. We don’t know why he’s in prison, but it sure seems like he’s been there awhile.

Cartman’s mom then asks Kyle if he wouldn’t mind holding Grandma Florence’s catheter bag at dinner. He is understandably repulsed by this and the bag is quite full. Normally, people just strap those things to their leg or something. Cartman’s grandfather (Parker) then draws attention to the fact that everyone is present, including Cartman’s Uncle Howard (Parker) appearing live via satellite from prison. The boys are pretty surprised by this and Cartman confirms he does this every year. His grandma remarks to Howard that he looks good and he just shouts back “No I don’t!” He’s probably right. Cartman’s cousin Elvin, a toddler who has a taste for Fudgsicles, throws his tasty treat at the TV seemingly not supportive of his uncle being here. Cartman’s grandma then asks her mother, Flo, if she could say “Grace.” Flo responds, “God damnit, why the hell do I always have to say ‘Grace’? If one more person asks me to say ‘Grace” I’ll be like, ‘Hey!, I’m not saying ‘Grace,’ and if you ask me again I’ll kick you straight in the nuts!'” She holds up a fork in a threatening manner for added emphasis, and when her rant is over Cartman just says “Amen,” and the rest of the family follows. They all dig in and start eating like savages, which the boys can scarcely believe. Jimmy, the family dog, then starts begging beside Grandpa who goes into a “No Jimmy, that’s my pot pie,” echoing a familiar refrain we’ve seen in the past with Eric. The whole family joins in telling Jimmy that’s Grandpa’s pot pie all in the same Cartman way. Stan confesses he doesn’t know how much more of this he can take. Meanwhile, Kenny is seen stuffing food into a paper bag.

Hey look everybody, Uncle Howard is home! And he brought a friend! And his friend is…oh…oh God, no…

That night, we find the boys asleep in the basement. Kyle wakes up screaming and when the others ask what’s wrong he says he had a nightmare that he was trapped in a house full of Cartmans. When Stan tells him that he is trapped in a house full of Cartmans he resumes screaming. His screaming is interrupted by a crashing sound. Stan pinches Cartman to make sure he isn’t dreaming, then to be sure Kyle punches him in the face to doublecheck. Eric is getting pissed off and then Kenny punches him too. The boys soon realize they’re not alone and Eric turns on the light to find it’s Uncle Howard. He apparently busted out of prison which the boys think is pretty cool. He tells them not to let the rest of the family knows he’s there and informs them that they’ll be hanging out in the basement with them. When Eric asks who “they” refer to by asking if he has a turd in his pocket (a zinger he’s used before), his question is answered by another fellow entering through the window. He’s a haggard, bearded, man with a swastika carved into his head and a prisoner number of 06660. He introduces himself as Charlie Manson (Parker) and we get some thunder and lightning for dramatic effect.

The Cartman tantrum is hereditary.

The next morning, Manson is itching to get out and raise some Hell, but Howard cautions him to relax and just watch some TV. He sits down and turns on It’s a Wonderful Life, only it’s a little different. The one scene we’re treated to is George (Parker) admonishing Mr. Potter calling him a little bitch and asking if he’d like to suck it? The boys wake Cartman up, who sleeps in his Beefcake tanktop, because they want to go to the mall to see Mr. Hanky. They all head upstairs and Cartman asks his Uncle Stinky (Parker) if he can take him and his friends. Stinky, and the rest of the family, are all heavily invested in a football game and when Cartman insists that the elder Cartman take them he’s told “No” and to “Respect my authori-tay!” This is the Code of the Cartmans as Eric doesn’t challenge his uncle and instead walks off angrily muttering about him and his god damn authority.

Sticky bun, anyone?

A news bulletin interrupts the football game and it’s to inform the public that Charles Manson is at large. It’s interspersed with actual footage of Manson while the news anchor (Stone) implores the public to punch his face in and kick his ass if they see him, and then call the police. When the bulletin is over the rest of the family finds out that they missed an incredible comeback in the football game causing them all to shout out “Lame!” In the hall, Eric’s grandma asks him if he can look after cousin Elvin for a bit as a favor to her. Eric just sighs and demands ten dollars and his grandma gives in without another word. Downstairs, It’s a Wonderful Life is nearly over and it’s not making Charlie feel any more in the spirit of the holidays. Quite the opposite, actually, as he sees Christmas as just another attack on him. The boys enter and Cartman brought his uncle and accomplice some sticky buns. They’re pretty happy to have them as the boys lament their current situation. When Charlie finds out about it he volunteers to drive the boys to the mall on account of the fact that he wants some action. Kyle tells him “Good for you,” while Howard thinks it’s bad a idea. Charlie will not be swayed though and he tells the boys he’ll hotwire the car and take them. Stan is a bit apprehensive about trusting this guy, and it’s become clear the boys have no idea who he is, while Cartman tells him he needs to start trusting people.

This is sure to end well.

In the driveway, we’re treating to “The Dance of the Sugar Plum Fairy” as Charlie hotwires the car and the boys all pile in, including Cartman’s cousin Elvin. Meanwhile, back in South Park Stan’s parents have realized he’s missing. Stan’s mother is pretty certain where he is, but Randy tries to caution her that maybe he just ran away or got kidnapped or something. She picks up the phone and calls the Cartman house where Cartman’s mom answers. She’s surprised to hear from Sharon Marsh since Stan told her she was dead. She confirms that Stan is with her though and Sharon hangs up telling the family they’re going to Nebraska!

Eric has a way with kids.

At the mall, the boys are stuck in a very long line to meet Mr. Hankey. Manson is just standing there with them too seemingly unafraid to be out in a very public setting wearing a prison jumpsuit and sporting a pretty hard to miss swastika tattoo. Kyle is super excited to see Mr. Hankey again, while Cartman notices that he’s also adertised to be appearing at another nearby mall. He questions how he could be in two places at once, but Kyle isn’t swayed and dismisses it as magic. Kenny is shown just staring at Manson who in turn is staring at him. He asks the boy if he would like to head to a more secluded section of the mall and Kenny can be heard saying through his coat, “Okay!” The two walk off and Stan announces that he really likes Charlie. Elvin then realizes he’s finished his Fudgsicle and starts crying. Cartman, having no idea what to do, grabs a club like object and bashes him over the head. It works as he stops crying, but one of his eyes is drawn as a circle instead of a dot and he’s no longer making any sound. Cartman actually looks a bit concerned.

Ever wonder what the Grinch would look like if he was a big piece of shit?

In a not so secluded area of the mall, Charlie is giving Kenny a sermon of sorts on the subject of his ruthlessness. He sounds like he’s about to go on a rampage, but then gets distracted by another Christmas special. It’s How the Grinch Stole Christmas, only all of the characters have been replaced by poop. It’s the part where the Grinch is shoving the tree up the chimney and is interrupted by little Cindy Lou Poo. I could see the estate of Dr. Seuss not appreciating this beloved, children’s, classic getting represented as shit onscreen, but they let Mike Myers play The Cat in the Hat so I have no sympathy for them.

He may not be the real Mr. Hankey, but he’s sure done his homework.

Back in line, it’s now Kyle and Stan’s turn to meet Mr. Hankey. They’re lead to Hankey’s throne by a woman (Toddy Walters) in an elf costume with smears of poop all over her. It’s pretty gross, though hopefully it’s just makeup. The boys are rather surprised when they meet Mr. Hankey (Dian Bachar) and find he’s adult-sized. It’s clearly a human in a costume, but the boys need to prod a bit before confirming such. When they finally unveil their skepticism in full, the kid in the costume tells them it’s just an act and there are a bunch of Mr. Hankeys like him at every mall in the country and to just go with it. When he adds that Mr. Hankey isn’t real, it sets Kyle off. He mimics his own mother with a “What! What! What!” and hops up to unmask the imposter. A group of children (one of them being Craig for some reason) are all shocked to find out that this man is posing as Mr. Hankey. A riot breaks out as the kids start trashing the place. One little girl (Bergman) calmly informs her mother she’ll never forget her lies. This is some heavy trauma, right here. The kids start setting the set to fire while some security guards can be seen nonchalantly remarking “They’re rioting again.” I think one adult may be dead.

What’s Craig doing at a mall in Nebraska?!

At the electronics store, Charlie and Kenny are watching the end of the Grinch show. It features the Grinch Poo carving the roast poo so I guess they’re cannibals or something. Charlie finds the ending touching because the Grinch started off evil, then became good. Before he can reflect further, a wall is smashed in by some Police vehicle that looks like it could have come from RoboCop. A bunch of riot cops stream in and are soon overrun by angry children. The kids get tear-gassed and mayhem ensues. Kyle and Stan then rejoin the others seemingly oblivious to everything going on around them. Kyle is still fuming over the Hankey situation, while Charlie has a new tattoo to show off. He was so touched by the holiday special that he had his swastika converted into a smiling face. Cartman seems to think it’s cool, surprisingly, and Elvin somehow got another Fudgsicle and seems to be fine now. Then some cops finally notice that Charles Manson is among them and everyone is forced to run while Cartman and Elvin lag behind for obvious reasons. They make it to the car, but the cops give chase and even open fire on the vehicle containing children. Cartman is shocked while Kyle is still just pissed off about the fraudulent Mr. Hankey.

Is this an OJ joke? Feels like every overhead car chase shot is an OJ joke.

At the Cartman house, everyone is still watching TV when news breaks about Charlie Manson’s run from the law. Grandma notices the car on television being driven by Manson resembles her husband’s, but doesn’t take it a step further. In the car, the cops are gaining on the boys until Elvin tosses his Fudgsicle out the window. The cops cry out “Fudgsicle!” and try to avoid it causing a pile-up to Elvin’s delight. The someone screams out the name of a harmless object only for it to lead to mayhem is a common joke for South Park (“Peeps!”). Even with Elvin’s assistance, there are still a ton of cops after them. Charlie pulls the car into the driveway of the Cartman residence and Grandma is outside to greet them for some reason. He barks at her to get in the house as the cops come flying in.

Uncle Howard isn’t messing around anymore.

When Charlie and the boys get inside, the family is shocked to see Charles Manson. Howard emerges from the basement to more surprise and also sporting a shotgun. Everyone is fairly calm about the whole thing and Grandma is even happy to see her son. The cops form-up outside along with a news crew as they demand that Charlie Manson come out so they can shoot him. Another cop has to correct the one on the bullhorn that they won’t shoot him, or he’s just telling him to say that while they fully intend to shoot him. The Marsh family then arrives and Sharon marches right up to the cop with the horn and demands to know if this is the Cartman residence. When he tells her that it is, she grabs the bullhorn and starts screaming at Stanley. Everyone in the house looks at him nervously with the convicts even expressing some relief that they aren’t him right now. When Sharon finishes her tirade there’s a still frame of the exterior of the house and we hear Stan call meekly from inside “Sorry!”

Thanks, Uncle Charlie.

Howard is trying to form an escape plan while Charlie would rather watch Christmas specials with the family. He also calls out Howard for pointing a gun at his mother and Howard expresses confusion about this new attitude being displayed by Manson. Howard’s dad tells him he can try to escape out the bathroom window on the back of the house. They’ll have to move quickly as the cops have promised to storm in and create a bloodbath after one of the cops finish counting to 100 marshmallows. The two head for the bathroom, but are surprised when Stan tries to join them. He wants to flee from his parents and Howard doesn’t really have time to discuss it so he tells him it’s fine if he wants to come along. Charlie, on the other hand, sees the error for what it is. He talks about his old family, the Manson Family, and how they weren’t really his family. He encourages Stan to go back to his family because they love him otherwise why would they drive nine hours to Nebraska? Stan is convinced and he thanks “Uncle Charlie” with a hug. Howard just implores him to move it, but Charlie informs him that he will not be running away this time.

Kenny survived the first Christmas episode, but not the second.

Charlie returns to the living room and apologizes to the Cartman family who are all still seated in front of the TV seemingly unbothered by all of this. Charlie tells them he intends to surrender and asks if anyone has a white flag they can wave. Outside, we see the cops as they’re nearly ready to march on the house, but the front door opens. A white flag appears and it’s being held by, you guessed it, Kenny. The lead cop (Stone) shouts out “He’s holding a white flag!” as they all take cover and open fire. Kenny is riddled with bullets prompting Charlie to remark, “They killed the little orange coat boy.” Kyle finishes it off with a “You bastards!”

Where did this kid between Kyle and Cartman come from? And where’s Elvin?

The house empties with everyone holding their hands up, even Howard who apparently decided not to try and flee. The cops approach and Charlie lets them know he’s surrendering. Howard too, though he doesn’t seem too happy about it. Charlie is then allowed a moment to explain what he’s learned, that the holidays are a time for happiness. This resonates with Kyle who decides to get over the whole Mr. Hankey thing while Stan seems to come to appreciate his family more, or something.

Looks like old Chuck found the spirit of Christmas.

Now it’s time for Charlie to sing a song. Remarking he feels like he’s in his own Christmas special, he breaks into an original. The chorus is basically “Happy Holidays,” and everyone joins in. He ends the song with “Happy Kwanzaa too, from me to you!” The cops arrest him, and Charlie understands he deserves it and that he belongs in prison. Grandma remarks it was nice to see Howard while his dad tells him to watch his ass in prison (you didn’t think we were getting out of here without a prison rape joke, did you?). Howard tells him he always does and then thanks Eric for all of his help. Cartman sarcastically thanks him for being a great role model. Randy announces they should forget about what Stan did and head home and Sharon agrees. Stan is pretty excited by this news until his dad says they’ll punish him after the holidays. Newscaster Robert Pooner (Parker) reports that everything appears to be all wrapped up here, and rather than insert another insensitive message from a sponsor (a running gag with the news broadcasts in this episode), simply offers up a “God bless us, everyone.”

Back to jail for you, Manson.

We cut to find Charlie back in prison surrounded by other prisoners. He’s reading from a book, one of his own he apparently finished writing, and reflecting on what he’s learned this holiday season. When he closes it we can see an actual picture of Charles Manson on the cover and the smiling face tattoo has been added to his forehead. When he asks the other inmates what they think one tells him it sucks just like all his other books. We get a quick glimpse of them on a shelf, one of them being “Are You There, God? It’s Me, Manson.” Charlie gets into bed and wishes the others a Happy Holidays, but they tell him to shut up. After the lights are out, there’s a commotion. Charlie turns the lights back on to see the entire Cartman clan, plus the boys, as they all cry out “Merry Christmas, Charlie Manson!” You know what follows as they break into “Hark! The Herald Angels Sing,” with Eric Cartman sounding very loud and terrible. They sing until Stan turns to Kyle and finally acknowledges that, “Dude, this is pretty fucked up right here!” It’s a Christmas tradition!

Merry Christmas, Charlie Manson!

That is how the episode ends. Parker and Stone decided to take real world mass murderer Charles Manson and insert him into his own Christmas special, just as the character recognized. He was obviously selected because of his name being similar to Charlie Brown and he was also still alive at the time of the episode’s creation. As the writers pointed out, it is a pretty fucked up premise and that’s the point. There isn’t a message here that anyone can be reformed or that Christmas has special healing powers for the soul, it’s just weird to see an actual murderer being the subject of a Christmas special. I think that’s why they had the TV announcer be so hostile towards Manson so that we, the audience, wouldn’t think Parker and Stone liked the guy or something.

Well, Charlie got to have a merry Christmas in the end. That’s good?

That’s the plot for basically the second half of the episode. The first chunk is the Cartman family. I can see the humor in imagining that Eric Cartman comes from a family where everyone talks and acts like him to some degree. He’s just even more selfish, but otherwise the same. I have no idea why Stand and Kyle wanted to go along with this and I can only assume Kenny did for the free food. It felt like the episode could have done more with the Cartmans. We don’t really know any of them, and the boys being trapped in the house could have been a plot all its own. Instead, we got the mall detour. I guess they wanted to make sure to include Mr. Hankey in some form and provide Kyle a distraction from all of the ridiculous stuff going on with Manson and Uncle Howard. The episode was clearly counting on indifference from the boys as being a driver for humor in this one. It works to a certain degree, but I’m kind of over it once it becomes clear they have no idea who Charles Manson is.

The resolution of the plot is basically pure Christmas cheese. There isn’t really a twist to it other than the main benefactor is real world villain, Charles Manson. There’s humor to be found there, but it’s basically all shock value. Once that wares off, the viewer is basically just watching a mediocre Christmas special come the final act. Albeit one that does kill an eight year old boy in a savage manner, but that’s every episode of South Park in this era.

The Cartman family is basically all just like Eric. They just want to eat salty snacks and watch TV and could not be bothered to care about anything else.

All that is to say that yes, this Season Two Christmas episode of South Park isn’t anything special. It’s mostly a one-trick pony and that trick doesn’t hold up on repeat viewings. It does feel like a real outlier among the other Christmas episodes and that’s partly due to the setting being so unique. I suppose it’s that uniqueness that keeps me from passing it over when I rewatch the South Park Christmas episodes every year. If you want to take it in, you may be able to catch it on cable this month or you could view it on Max. This episode is also on the complete second season DVD release as well as the Christmas Time in South Park DVD that’s probably close to 15 years old by now. One advantage of watching it on Max is that the bleeps have been removed while they were in place for the DVD releases.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 9 – Hey Arnold! – “Arnold’s Christmas”

Come 1996 the Nicktoons were an established brand. Launched in 1991, Nickelodeon had tremendous success with the likes of Rugrats and The Ren & Stimpy Show and soon more shows followed. Nickelodeon seemed to be a bit stingy with their in-house shows when it came to renewals as when a network looks to renew a…

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Dec. 9 – The Smurfs Christmas Special

If the 70s were defined by Scooby Doo when it came to Hanna-Barbera, then the 80s belonged to The Smurfs. The little blue creations of Pierre Culliford, better known by his pen name Peyo, had an animated series that basically spanned the entirety of the 80s totaling an insane 258 episodes. And once the 80s…

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Dec. 8 – Prep & Landing: Operation: Secret Santa

Original air date December 7, 2010.

Last year, Prep & Landing was given the prestigious slot at The Christmas Spot of Christmas Day. I try to reserve a really good special for the big day each year and Prep & Landing is one of the best. In fact, I have declared it the 9th best Christmas special of all-time. That’s no faint praise and I suppose that means it’s a good thing that Disney wasn’t content to make Lanny and Wayne, the Christmas Elves, one and done. The original special debuted in 2009 and hot on the heels of that was the short Operation: Secret Santa.

The first instance of Prep & Landing was produced as a half hour television special. It’s sequel was not. Coming in at a tidy 7 minutes, Operation: Secret Santa is more like a theatrical short than a television special. I don’t know why they took this approach. The sequel that’s actually a half hour special arrived in 2011 in Naughty vs Nice. Did they fast-track the shorter one to have something ready for 2010? Maybe, but a seven minute short still takes a lot of work and given the short window in which all of them were released (not to mention the other short, Tiny’s Big Adventure, which is even shorter than this one by a lot) it stands to reason that development was taking place concurrently. This special doesn’t require a lot of backgrounds or new assets and maybe Disney just figured they could combine it with one of their many other shorts of a similar length to fill out a half hour of television. Regardless, it was only an issue for one year as once Naughty vs Nice arrived in 2011 there was a reliable hour of television content for ABC pushing Operation: Secret Santa to physical media and digital.

In the first Prep & Landing, we were introduced to Wayne (Dave Foley) and new his partner Lanny (Derek Richardson). The two elves are part of the prep and landing team which is tasked with getting a house ready for Santa’s visit. Wayne was in a rut and not really feeling the job after 227 years, but by the end of the night he and Lanny basically save Christmas for one kid and it restores his faith in his job. In this short, the stakes are lower and there’s no real internal conflict. Wayne and Lanny are going to be put to a different task, but one that takes advantage of their skills. And the job is coming from an unlikely source.

You didn’t forget about Magee, did you?

The short begins with an image of a cozy fireplace at night in a very scenic home which is just used to display the title card. There’s no big intro or anything since this is a short one, or a “Stocking Stuffer,” as it’s branding would indicate. We’re then shown an exterior shot of Santa’s work shop at the North Pole while some text over the screen informs us that it’s December 21st like this is some episode of 24 or something (it was 2010). We soon find our leads, Lanny and Wayne, as they’re walking in a shadowy hallway and discussing a meeting through whispers. Lanny seems especially on edge, but both jump when Magee (Sarah Chalke) emerges from the shadows. She tersely informs them of their tardiness and quickly gets to the point. She is merely the facilitator of this meeting as it’s not with her, but someone else. Someone in a big sleigh, with a red coat, and white gloves.

Everybody is really on edge to start this one.

Magee rings a little bell and the robed one returns with the same. As Wayne and Lanny begin the long walk to the chair, Magee lets Wayne know that if he doesn’t come back from this she’s claiming his snowmobile. This is some heavy stuff! The two elves approach nervously likely anticipating a face-to-face with the big boss, Santa Claus, but are surprised to see who their real contact is: Mrs. Claus. It would seem their trepidation was unwarranted, as Mrs. Claus (Betty White) quickly shows us that she’s a kind woman and not someone to be feared. She gives the boys some hot chocolate and goes into why she summoned them. She needs to call upon their special skills to retrieve an item for her, an item that’s being kept in Santa’s own personal office.

I don’t need a fancy cookie to tell me that guy is asleep.

What do you do when Mrs. Claus requests a job of you? You do it, of course! Wayne and Lanny take the intel Mrs. Claus relayed and head out for Santa’s office. She let them know that he takes a nap everyday just before 3 o’clock so that’s their chance, but he only takes a very short one so the window is tight. As the two approach the chimney to Santa’s office, Lanny is clearly unnerved and unsure about this one. Wayne gives him a pep talk, the old stuff your worries in a hat bit (I thought it was a sack?) and the two begin their descent down the very long chimney. They go via cable with their night vision goggles on. At the bottom, they find a roaring fire which they quickly extinguish. Wayne can see that Santa is asleep at his desk and the two enter. Even though the room is very well lit, they still keep their goggles on. We get some nice espionage music from Michael Giacchino and the sequence is very reminiscent of the first special right down to Wayne using his gingerbread man device to note the lack of stirring creatures. The two start sneaking around and Lanny looks up at the clock which show it’s currently 2:45. The minute hand then jumps five minutes and the coocoo function engages!

Well this took a dark turn.

Santa (W. Morgan Sheppard) jumps from his desk as alert as if he had never been sleeping. Immediately, Lanny and Wayne are discovered. He picks up a sheet of parchment which contains the worst punishment imaginable: The Naughty List. Their names are jotted down, they’ll be on it forever, and Wayne can only faint in response. Santa shoves a lump of coal in Lanny’s hands, then his pants fall down for added shame. We cut quickly to Lanny getting kicked out the door and into the snow where he’s forced to take shelter in an igloo. Freezing and clutching his knees, it would seem there’s nothing left for hm to do except wait for the icy hand of death to claim him. That’s right, Lanny is doomed. Or not, as he quickly snaps out of it and we find out he’s just having a minor panic attack at the base of Santa’s desk.

I love these ceramic trees. I actually have a Disney one in my house, but it kind of sucks.

Wayne grabs his own head and sends Lanny a signal to resume putting his worries in his hat. Lanny just responds he thinks his hat is leaking. They move on and synchronize their watches to Santa’s clock. They have five minutes to pull this off. Wayne takes out the “doohicky” Mrs. Claus gave them which creates a 3D projection of a ceramic Christmas tree. There’s audio as well from the old gal informing them this is to be found on a shelf nearby. The elves locate it, but they have to lock it in position to advance further. Wayne is unsure of what to do, but he remarks he was never very good at trimming the tree which seems like a little motivational bait for Lanny to take. It works, as Lanny realizes that since it’s a tree it should be oriented so that the most festive side is facing out. He spins the tree parts into place and a soft click indicates that what he did was a success.

With how on edge these two have been this whole time I’m starting to wonder if they’re expecting to uncover some weird secret Santa sex dungeon.

The tree lights up and on Santa’s desk, a button emerges. It’s red and glowing – what do you do with a red and glowing button? You press it! Wayne and Lanny climb up onto the desk and push the button. The desk rumbles and shakes and the two elves do their best to hide amongst the clutter in case Santa wakes up, but the look of concern on their face suggests they know they’re boned should that happen. The floor opens beneath the desk and the whole thing descends down into the basement, or rather, Santa’s secret work shop.

Instead it’s more like Santa’s junk storage.

All fear of getting caught seems to melt away at the sight of the work shop. Some lights automatically flicker on and we can see some of Santa’s other wardrobe such as robes of green and a longer red. We hear the voice recording of Mrs. Claus in the ears of the elves explain the nature of this work shop, how it’s basically just a place for Santa to basically tinker and get some alone time. She also gets to try out some material as she warns the pair to watch out for a giant nutcracker. Naturally, Lanny bumps into it and Wayne has to help him keep it from falling over. Mrs. Claus goes on to explain it used to be in their foyer and she’d bump into it a lot suggesting it should have been called a hip-cracker. Her joke doesn’t get a response from Lanny or Wayne, better luck next time Mrs. C.

A little gift exchange is in order.

Mrs. Claus directs the boys to a pile of what she describes as “manly clutter.” The target, a small, ornate, box, is indeed amongst such clutter. It’s on top of a bunch of more conventional boxes with several more on top of it. Getting it out without making a sound is going to be like playing a game of Jenga, but apparently these elves are pretty good at Jenga. The two elves play Batman and fire off their grapnel guns into the ceiling. Then, both dangling by their belts, Wayne informs Lanny they’ll be using the Gift Exchange maneuver. Lanny seems enthusiastic as Wayne basically gives him a slap on the behind to get him swinging. As Lanny swings towards the clutter, he grabs a gift from the top. Wayne then swings in and pulls out the target. Lanny quickly swings in behind him and slots the box he grabbed into the spot vacated by the target. Piece of cake.

I thought about doing a suspended train or monorail in my kid’s room when he was little. Yeah, didn’t happen, but I bet it would have looked cool!

Or not. Unfortunately for Lanny, the force of shoving the replacement box into place caused the whole pile to shift slightly backwards. It contacts a switch which activates a toy train, the track for which is suspended from the ceiling. It’s pretty cool actually, but as Wayne congratulates Lanny on a task well done he’s struck by the train and knocked onto the top of it. Lanny snaps out of his momentary high and out from his wrist springs his mini saw. Normally, this is used for trimming a tree to accommodate presents under it, but now it’s used to slice the cable holding him from the ceiling. Lanny drops onto the track and chases after Wayne. Meanwhile, Wayne comes to after some momentary grogginess to see that the box they’re after is stuck in front of the train and is getting pushed down the tracks. A bend is coming up which is right in front of Santa’s desk. Wayne runs across the top of the train and jumps, too late. The box falls and Wayne soars through the air after it. He catches up to it, but a lot of good that did as he’s currently on a path that will see him land in Santa’s beard.

Save him, Lanny! Save him!

Lucky for Wayne, he’s got Lanny! Lanny jumps off the track after him, grabs Wayne, and fires off another grapnel. The two swing out of harm’s way and Santa’s beard stirs ever so slightly due to the rush of wind as they pass over him. They’re not quite out of harm’s way though, as they have to swing back. Lanny lets go of Wayne and the cable and they both tumble onto Santa’s desk in a somewhat sloppy manner. He still doesn’t wake, but with only 15 seconds left on their timer Lanny requests permission to panic. Wayne grants him that as he presses the button, but the desk is moving way too slow for them to have any hope of getting out of there undetected.

Come on, Lanny, you’ve made it this far without a “leak,” you can do it!

The desk reaches the top floor, but there’s only five seconds for the elves to go back up the chimney. As they run, Lanny announces they’re out of time. Wayne has one final trick up his sleeve though: a snowflake shuriken! These guys are armed with saw blades and shurikens? Seems a bit extreme for a couple of Christmas elves, but I’ll allow it. Wayne tosses the snowflake at the clock striking the second hand and knocking it back another five seconds. He catches the shuriken as well so this guy is pretty damn talented. The two quickly flee up the chimney and drop their little fire sparkle on the logs causing it to burst into flames. The clock hits three, and a little figurine pops out to ring the quietest of bells. Santa jolts from his slumber seemingly refreshed by his cat nap and none the wiser about what took place in his secret work shop that afternoon.

If you were wondering (I really wasn’t, which is a bit strange), it’s a wooden wheel.

We cut quickly to Mrs. Claus opening the box the two elves retrieved as they look on. Inside is an old, worn, wooden, wheel. Mrs. Claus explains that this thing has been tucked away for ages, but she finally found the toy it goes to. We cut to December 25th, 09:00 hours, and a bunch of elves are watching Mrs. Claus give Santa his Christmas present. We can only see the elves while Santa and the Mrs. are shadows on the wall. Turns out, the toy is a little wooden duck. It was the first toy Santa built and he sounds pretty emotional upon receiving it from his wife. Lanny, with moist eyes, nudges Wayne and remarks, “Mission accomplished, partner.” Magee then leans in to say she really wanted that snowmobile as we iris out.

And the wooden wheel belongs to this duck. I’m guessing there really weren’t any stakes here, just Lanny and Wayne potentially blowing Mrs. Claus’ surprise for Santa.

Operation: Secret Santa is a fun little Christmas cartoon. The production values are on par with the longer special that came before it, it’s just a lot tidier. It’s also a cartoon willing to let us just enjoy the Wayne and Lanny pairing. There’s no drama there, they’re happy to be working together, and they have a somewhat unusual task to perform. It makes sense though and is an extension of the original Prep & Landing which shined a light on how the job of Santa and his elves is a bit like a spy movie. This just leans full into that by having the Christmas Elves essentially steal something, rather than help to deliver a present. And if you want to portray the elves as sneaky, little, thieves, they need an altruistic task.

These specials are committed to not showing us all of Santa, though we see quite a bit of him in this one. Mrs. Claus cannot be shown about the neck.

Enter Mrs. Claus and her wish to get something from her husband’s work shop without him knowing. We can poke holes in this, of course, like why didn’t she just do it herself when he’s out delivering presents? She is old so maybe she didn’t think she was physically capable of getting that box. And since she knew where the thing was, maybe it indicates that she’s tried. No matter, it’s a lot more fun to watch Lanny and Wayne swing and sneak about to accomplish the task. They get to demonstrate their skill for the camera and the fake out was pretty fun too. It all leads to a syrupy sweet ending, but an appropriate one. It’s not long enough for the viewer to get all that invested in the object the elves are after and the structure of the short also allows it to move very quickly. It’s faster than its 8 minute run time, but it works pretty well. It’s a shame we haven’t received more.

Lanny is overselling this one a bit, but it’s a fun little cartoon.

Operation: Secret Santa was a cute little short when it came out. Now, it’s a nice little palette cleanser if you’re watching all of the Prep & Landing specials in a single session. They’re a little weighty, dramatic, and there are some actual stakes in them. This one, by extension, is far more low stakes. There’s a bit of tension, but it becomes clear that nothing save for the clock can wake Santa. After the fake-out, it pretty much feels like clear sailing, and that’s okay. We don’t need every holiday special to put Christmas in crisis and it’s also nice that we get to just like and enjoy Wayne when the longer form specials are not so accommodating.

If you want to check out Operation: Secret Santa the easiest way to do so is via Disney+. The short has also been released on physical media a couple of times, once as part of a collection of other Disney shorts and also on the Prep & Landing Blu Ray which includes the rest. Disney+ has kind of made that release superfluous, but it is definitely worth buying if you want a physical back-up.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 8 – The Looney Tunes Show – “A Christmas Carol”

I’ve been known to be a bit critical of Warner Bros. for not creating more Christmas shorts. The most notable one is Gift Wrapped starring Tweety while Bugs Bunny and Daffy Duck basically had to wait until after the Golden Era to give Christmas a whirl. And those weren’t really that great. Low key, the…

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Dec. 8 – The Soulmates in The Gift of Light

It was around Labor Day of this year that Will Sloan (@WillSloanEsq) took to Twitter to uncover the origins of an image that had confounded his girlfriend and him for the past five years. It was actually a return plea as he had posted the same image 3 years prior. The image in question was…

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Dec. 7 – The Cuphead Show! – “A Very Devil Christmas”

Original air date November 18, 2022.

I told you we would probably take a look at the other Christmas episode from The Cuphead Show!, though maybe you expected a buffer. I considered it, but why not pair them up just like the creators and Netflix already did? This second Christmas episode comes right after the first. Titled “A Very Devil Christmas,” it feels more like a typical Christmas special from an animated series. It’s extra long, has a different approach to the production of the episode, and tells a story that takes place on Christmas Eve involving devils, elves, and Santa.

Wait? Devils?! Yes, this one, as you could have probably guessed based on the title, stars The Devil himself. The Devil is the main villain for the video game and show and he gets to star in his own stand-alone episode for Christmas. It’s rather unconventional for a show to make the star of its Christmas episode Satan himself, but The Cuphead Show! isn’t always typical so why should its Christmas episode be? Plus, we got the one starring Cuphead and Mugman out of the way already opening the door for The Devil to take center stage.

Ready for some wholesome Christmas entertainment starring The Devil?!

And it’s a great move. The Devil, played by Luke Millington-Drake, is a fantastic character. The portrayal here reminds me of one part Futurama‘s Robot Devil and one part Family Guy‘s Stewie Griffin. Millington-Drake and Dan Castellaneta (who plays the Robot Devil) almost seem to be using the same affectation for their respective characters. It’s fun. It gives The Devil this somewhat stuck-up persona, but also with a certain element of childishness as well. He’s a brat and that makes sense for a cartoon devil who is unlikely to be shown flaying the flesh from the bones of the damned. And in this episode he is going to be very childish indeed. The Devil is going to set his sights on a toy choo choo. He wants it for Christmas, but he has some issues with The Naughty List he will need to address if he hopes to receive such a gift. It’s pretty much a true solo outing as well as Mugman will not be featured at all and there’s just a brief instance of Cuphead. This is The Devil’s Christmas and he is going to soak up the spotlight.

Just a taste of what The Devil has to offer.

The episode begins with an original composition. It’s a rather idyllic piece of holiday scenery of people (well, what passes for people in this universe) walking through a downtown area. The snow is falling, people seem happy, and there’s lots of winter activities taking place. And there’s also The Devil. He’s dressed for the cold with a festive scarf, though aside from that he’s completely naked. He’s at the park leaning on a large tree and observing the goings on. With a wistful smile he lets out a contented sigh and taps the ice on a nearby pond with the tip of his trident. It creates a crack which runs through the ice to a group of individuals ice skating in a circle holding hands. The crack spreads around them and the ice gives way plunging them into the cold, cold, water.

He’s a real showman.

The Devil lets out a giggle and breaks into a song titled “Brings Out the Devil in Me.” And it’s a song all about how Christmas brings out the best in people, but it brings out the worst in him, which is why he loves it! As he sings, it’s treated sort of like a montage of chaos The Devil spreads about town. Some of the stuff is harmless pranks, like photo-bombing a family portrait, while other stuff may actually cause fatalities. His final act, and the big finale of the sequence, is he winds up a little toy soldier that waddles into traffic, pops the tire of a car that strikes it, which causes that car to crash into the giant town Christmas tree setting it ablaze. The Devil gets to preen in the streets while the fire department races to put it out.

The Devil and Sammy Sandwich agree: being nice sucks an egg!

The delightful toot of a toy train snaps The Devil out of his moment of joy. It’s coming from a nearby store window and he races over to it, shoves the little brats who were standing there first out of the way, and presses his face to the glass to take it in. It’s a modest little train, an engine and two cars, but it’s self-propelled and quite charming. The Devil simply adores it, but his concentration is broken by the cries of another child. This boy, Sammy Sandwich (Dave Wasson), is a literal sandwich and he’s begging his mother for a train, but he mostly just wants a spaceship for Christmas. His mom (April Winchell), a submarine sandwich, seems irritated at the requests of her son and we get to hear about how Sammy didn’t get anything last year. He was on The Naughty List, the mere mention of such perplexes The Devil, for gluing his sister’s face to the floor. Sammy pleads that he’s been nice this year so he should get something, but the conversation is over. The Devil, who was rather happy with how awful this child sounded, quietly asks him as his mother is leading him away about this whole Naughty and Nice List business. The kid gives him a quick rundown, letting him know that he detests having to be nice, leaving The Devil with something to think about.

Henchman is right to be afraid.

In Hell, The Devil’s minions are all seated at a long table debating something or other. Henchman sits near the head of the table and there’s also the character of Stickler (Andrew Morgado), a blue-skinned demon with a nasally voice who exists just to remind The Devil about things he doesn’t want to hear about. Stickler is in the midst of complaining about someone always eating his lunch out of the community refrigerator, but none of the little imps are coming clean. Henchman (Dave Wasson), who is a round, purple, imp much larger than the rest, remarks that despite living in a fiery Hell hole, they should all exhibit good manners. The debate is ended by the arrival of The Devil who takes his position at the head of the table. He asks of his minions what it would take to get someone like him onto Santa’s Nice List. Everyone goes quiet and most adopt an expression of fear. The imp beside Henchman tries to quietly ask how their boss even came to know about the list, but before Henchman can answer The Devil nukes the little imp to oblivion. The Devil then asks Henchman to explain why he withheld such information from his boss. He has to carefully tell him that he didn’t think it was his kind of list on account of him being evil and all. The Devil takes offense and when he asks in return if he’s saying that he can’t be evil and on The Nice List at the same time Henchman just remarks, “Well, yeah.” The Devil just puffs out his chest and turns away from the table seemingly intending to prove them all wrong. And since it is Christmas Eve, there is only one person who can get him onto The Nice List at this hour.

Oh! I’ve seen this before!

The Devil taps his trident on the floor and disappears in a puff of purple smoke. The scene shifts to an exterior shot of Santa’s Workshop at The North Pole. It’s done with a physical model, but there are elves (voiced by Wasson, Grey Delisle, and Cosmo Segurson) animated over it as they ride atop reindeer or walk to the shop itself. It’s also clearly an homage to the Silly Symphonies short Santa’s Workshop as it’s staged almost exactly the same way as the first shot in that classic short. The elves even appear to be modeled after the same from it. The elves are all singing (an original composition titled “The Elf Song”) and working with cheer to make Christmas happen until Santa (Fred Tatsciore) enters. He also resembles the Santa from that short and he’s an appropriately jolly fellow. He encourages his minions to keep up the good work before disappearing into his office.

Even The Devil gets a thrill out of sitting on Santa’s lap.

Once there, Santa finds himself face to face with The Devil himself! Seated at the big man’s desk, The Devil addresses him as Nicholas and lets him know that he’s here to put in a request for Christmas. Santa seems to have no idea who he is and even remarks that he’s a hairy boy. Santa, being the good-natured sort that he is, invites The Devil to whisper in his ear what he wants for Christmas. The Devil is surprised, but also a little disappointed and asks him, “Aren’t you going to…you know?” as he gestures towards the ground. Santa realizes what he wants and pulls up a stool so that The Devil can sit on his lap and whisper to him properly what he wants for Christmas. He does so and Santa thinks he says “Too too,” but The Devil corrects him that he wants a choo choo. Santa laughs and tells him it won’t be a problem, but he just has to do one thing first: consult The List!

For The Devil, this is like that feeling you would get when handing over a bad report card to an unsuspecting parent.

Santa looks over his Nice List while The Devil stands off to the side looking rather anxious. Santa seems almost embarrassed that he can’t find his name and asks him to confirm it. The Devil tells him it’s “Devil,” which Santa assumes to be a surname. When he can’t find that he asks to know his first name which he responds is “The.” Makes sense. Santa still can’t locate it, and there’s a good reason for that obviously. He then opens up The Naughty List and practically jumps out of his suit. Not only is The Devil present there, it’s number one! He’s been number one on that list since time began! This won’t do and Santa has to firmly tell The Devil he won’t be getting that too too, I mean, choo choo for Christmas. The Devil, feeling sad, sinks into Santa’s chair as a sad violin plays. Santa can’t bare to see another being in distress, even if he is The Devil, and makes him an offer: if The Devil can be nice until midnight, he’ll give him his too too. Choo choo.

The man has a drinking problem. Don’t meet your heroes, kids.

The Devil enthusiastically agrees to Santa’s proposal and heartily shakes his hand. He vows to be nice and prove to Santa that he’s worthy of that choo choo. With another puff of smoke, he vanishes back to town with confidence and bravado. Almost immediately, a little old mouse woman (Winchell) asks him if he can spare some change. The Devil recoils with an “Ew!” and blasts the little, old, women with his trident murdering her on the spot. We smash cut to an angry Santa demanding to know what happened from behind his desk. The Devil can only offer that he was off to a good start, which Santa points out was about ten seconds. He stands and grumpily remarks that he needs a drink. He walks over to a globe and it opens up revealing what you probably expected: cookies and milk. He pours himself a glass and tells The Devil that he’s likely to remain on The Naughty List forever. The Devil erupts with anger at this suggestion complete with a wall of flame behind him. Santa just shakes his head with a “tisk tisk” and adds “Threatening Santa,” to the list of naughty behavior exhibited by The Devil. At that point the horned one collapses at Santa’s feet. Groveling over his too too (Santa has to correct him this time), he begs him to give him another chance. Santa tells him there is one other way onto The Nice List, but it comes at a cost. The Devil is willing to do anything.

Nothing bad will come of this.

We cut to outside the work shop, but we can hear chanting from within. Inside, the elves are all dressed in robes like druids as they prepare an ancient ritual. A circle has been created on the floor of the darkened workshop fashioned out of peppermint sticks. One of the elves then leads The Devil into the circle, smiles at him, and departs. They all toss back their hoods to reveal lit candles and Santa enters, in a hooded, red, robe, and begins a new chant. Up until this point, they have just been chanting “Fa la la la” in a monotone fashion. Now it sounds more like Latin which the subtitles say is “Decatus, seasonem, holly jolly om.” Google says that simply translates to decadence season. Santa stops chanting and his eyes glow a light blue. He blows some sparkly dust at The Devil which blots out all of the candles. When the dust dissipates, the light returns and the elves return to their traditional song as they filter away with Santa seemingly gone. The Devil is left standing in the circle, confused, left to remark “What the heck was that?!”

Could it be another Disney homage?

The Devil returns to his throne room in Hell left to feel the whole trip north was a waste of time. As he looks at his nails, his hand begins to swell. It looks like a surgical gloves that’s been inflated and soon his other hand does the same. The Devil is quite alarmed and even appears to be in some pain as he drops to the floor. There’s a cut which just shows The Devil’s shadow on the wall as he writhes and contorts. He ends up at a vanity, clutching it as his cheeks enlarge, a white beard sprouts from his chin, and his flesh rips apart to make room for a big, red, coat. When the transformation is complete, The Devil can only look at himself, the now spitting image of Santa Claus, and exclaim “Ho ho ohh no!”

Why Mr. Devil, that is a very different look for you!

The Devil is left to stare at his new visage in the mirror in horror. His only thought is to get back to The North Pole and make Santa fix this. Before he can get his pitchfork though, some imps pass by still complaining about stolen lunches. The Devil, understandably not wanting anyone to see him, has to duck for cover. He sneaks his way into the throne room, but before he can get his pitchfork, Henchman enters with the vacuum. The Devil tries to duck for cover behind the throne, but he’s spotted. Initially, Henchman thinks he’s in the presence of the real Santa, but once he gets a closer look at this Santa he realizes it’s actually The Devil. And, once again, his first inclination is wrong as he thinks his boss has been Santa this whole time, but The Devil has to correct him and explain the situation. When Henchman asks (what we’re likely all wondering) why The Devil doesn’t just create a choo choo with his magic, The Devil angrily corrects him that creating an object for himself is not the same as receiving it as a present. That’s basically what this is all about: The Devil, having never been the recipient of a gift, wants one for Christmas.

The big guy you were expecting?

The Devil is forced to return to The North Pole and he takes a very excited Henchman along with him. When they get there, they find the elves are loading the sleigh and singing their working song once again. Upon seeing Devil Santa, they all exclaim with glee “Santa!” and move in for a hug or something. The Devil is grossed out and starts pushing them away with the handle of his pitchfork, so at least he’s not stabbing anyone. He tells them that he’s not Santa, he’s looking for Santa, but he’s soon interrupted by a loud and drawn out, “Ehmmm!”

Does every immortal being have a Stickler among their underlings?

It’s Stickler, only it’s not Sitckler, but an elf that looks, talks, and behaves exactly like the Stickler we know from Hell. This one steps forward to inform The Devil that he is, in fact, now Santa Claus which means he needs to undertake all of Santa’s Christmas Eve responsibilities. The Devil has no interest in doing that, but Stickler tells him that he must. In fact, if he does not deliver all of the presents to children on The Nice List by midnight he’ll not only never be on The Nice List himself, but be stuck as Santa Claus for all eternity. When he says that, the camera zooms in on The Devil’s face while the word “eternity” echoes in his brain. Only, it’s not an echo, as when the closeup ends we see Stickler is just repeating the word over and over for dramatic effect until The Devil barks at him to knock it off.

He’s just here to help.

Unbothered, Stickler resumes informing The Devil of the other conditions he must satisfy this evening. There’s a list of rules and rule number one is reciting the reindeer roll call. The Devil has no idea what that is, but Henchman is happily willing to inform him of the proper roll call and receives applause from the elves upon finishing it. Rule number two is that Santa must remain jolly at all times and must never lose his temper. As Stickler informs The Devil of this, he’s wagging his finger at him which causes The Devil to explode with rage. He blasts Stickler into nothingness with his pitchfork, realizes that it was a bad idea, then simply undoes it by tapping the end of the pitchfork on the ground. Once returned to the world of the living, Stickler simply moves on to rule number 3 which is that every kid on The Nice List must receive their present. The Devil reluctantly accepts this with a “How many kids can their possibly be on The Nice List?” Stickler lets the list unfold in response. It rolls across the floor, out onto the balcony, off the balcony, and then over all of the hills in the background. The Devil just explodes in fiery rage again declaring that he will burn someone, but Henchman douses his flames with a bucket of water. A soggy Devil sullenly thanks him for the reminder about remaining jolly.

That’s gonna be a problem…

We’re not done, as there is a rule number four which is that Santa must consume all cookies and milk left out for him. Henchman cheekily replies that it shouldn’t be a problem and shakes The Devil’s belly like a bowl full of jelly prompting him to inform him “Do. Not. Touch!” Henchman recoils in fear while Stickler takes The Devil by the hand to tell him the final rule: all presents must be delivered by midnight. The Devil dismisses the hand of Stickler and continues onto the sleigh to the roar of applause from the elves. The Devil arrogantly informs Stickler it won’t be a problem, but once out of sight he confesses to Henchman that he can’t possibly fulfill all of these tasks and that he fears being stuck like this forever! Henchman reassures him that everything will be fine and encourages his boss to go out and deliver those presents. Unfortunately for The Devil, he doesn’t even know the solution to the first rule. Instead of calling out the reindeer by name, he simply demands that they fly in a threatening manner. The reindeer, in a way, do as they’re told, but not before first detaching from the sleigh. With the reindeer gone, all hope appears to be lost, but The Devil has one friend he can turn to.

He’s no Rudolph, but Henchman gets the job done.

This is now a one-imp open sleigh as Henchman giddily takes the place of the reindeer to pull the sleigh through the sky. I guess it’s not a big deal that he couldn’t get rule number one down since Stickler said nothing. Henchman giddily leads The Devil to his first house. He approaches the chimney and deposits the presents down it without much care prompting Henchman to remind him to be more gentle. He takes the suggestion in stride before trying to squeeze down the chimney itself. It doesn’t go well so Henchman reminds him to use his pitchfork. The Devil does and materializes by the Christmas tree inside. There he drops the soot-covered gifts under the tree and then turns to the milk and cookies. He devours them with glee before returning to the sleigh feeling rather triumphant and orders Henchman to take him to the next house.

So many moon shots!

Tchaikovsky’s “Trepak” ushers in a montage of The Devil delivering gifts to the many houses on his list. Things do not go as well as the first house. He falls off a roof and gets tangled in Christmas lights causing himself to get electrocuted at one house. At another he gets mauled by dogs while another features a whole litter of kittens expecting gifts. They have all left out their own plate of milk and cookies which The Devil is now far less enthusiastic about consuming. We then go into a sequence of quicker shots. The sleigh flies past the moon in one direction, we get a little scene, then it flies past going in the other direction. There may be a record number of moon shots in this one. All the while there’s The Devil continuing to eat cookies and it’s clearly getting harder and harder to eat any more. During this, we do get a couple of cameos. A gift is delivered to the corpse of Telephone (Wasson) who had his soul taken from him by The Devil in, I believe, the very first episode. The gift is his soul and he springs back to life in triumph upon receiving it. We also see Sammy Sandwich who gets his spaceship. His sister, who is still glued to the floor, gets some glue dissolver.

I know what The Devil is getting for Christmas: Diabetes.

When the montage is over, The Devil is left groaning on the sleigh covered in crumbs and his belly massive and overstuffed. Henchman is there to offer encouragement as they’re nearly done. He’s looking forward to the part where The Devil gets to call out “Merry Christmas to all and to all a good night,” upon completion of their work, but The Devil insists that he won’t be saying that. He then asks how many houses are left? Henchman consults the list and is happy to inform his boss that only one remains. His smile is soon replaced by a grave expression, but whatever is bothering him he doesn’t relay to his boss.

The last house on the list belongs to him!

The Devil soon realizes why his henchman may have been wary about this last stop and that’s because he can see it through the clouds: the home of Cuphead and Mugman. This immediately causes the flames to rise once more prompting Henchman to remind him of his jolly requirement. They land on the roof of the massive kettle and Henchman immediately starts trying to pump his boss up. He reminds him that he’s Santa and that every kid on The Nice List deserves a present, even Cuph—. The Devil cuts him off before he can finish that sentence remarking that if he even hears the name of Cuphead he’s going to throw up.

And to add further insult to injury, The Devil has to give Cuphead the thing he wants most!

The Devil disappears in a puff of smoke and reappears in the living room of Cuphead and Mugman. If you watched the previous episode, or read yesterday’s entry here, then you’re not wondering why Cuphead’s tree looks the way that it does all burnt to a crisp. The Devil hates that he’s here and wants nothing to do with this final house. He really wants nothing to do with it when he finds out that the gift he’s supposed to leave for Cuphead is the very same train that he himself wants! The Devil almost can’t bring himself to do it. He contemplates simply stealing the train for himself. Yeah, that will teach Cuphead a lesson and shouldn’t naughty children be taught lessons? Even hard ones like not getting what you want at Christmas?

Just take it!

The Devil’s contemplations are interrupted by a sound like the coo of a dove. It’s little Cuphead (Tru Valentino)! All dressed in his cute red pajamas wondering what Santa brought him. The Devil tries to play it cool, but he’s clearly uncomfortable. Cuphead remarks that he wasn’t sure if Santa was coming and then adds he hasn’t always been nice this year. When he says it’s hard to be nice all of the time and is looking for reassurance on the subject, The Devil practically breaks down with a “You have no idea!” and stuffs his face with milk and cookies in response. Cuphead then adds that even if he wasn’t good enough to get a present this year, just meeting Santa has made this the best Christmas ever. The Devil is flattered, and sort of ashamed, and he finally agrees to give Cuphead his present. He can’t bare to look at him though as he dangles the train out with his back turned. Cuphead has to pull rather firmly, and thank Santa more than once, before he can finally pry it loose. He’s pretty much overjoyed though and The Devil will have to live with the knowledge that he contributed to his mortal enemy’s best Christmas ever. As he hears the train give out a toot, it’s almost enough to make The Devil take it back, but instead he sadly walks over to his pitchfork to prepare to leave, but before he can, Cuphead has one final message: Merry Christmas, Santa. He sighs in return, and replies with the same, before vanishing.

Did all this niceness pay off?!

On the roof, Santa Devil looks dreadful. Henchman carefully asks how it went in there and The Devil only sighs in return. He’s practically doubled over by the sleigh when he confesses how awful it felt to do something nice. The realization then sets in – The Devil did something nice! Henchman pulls open the list and goes to the bottom. The two stare for a moment, but when nothing happens a sadness overtakes them. Then the list glows! Magically, the name The Devil appears at the bottom in big, bold, cursive, letters! The two clasp hands and jump up and down with glee as Henchman cries out “You did it!” The Devil announces that it’s time to return to The North Pole – there’s a choo choo with his name on it just waiting for him there!

Well, look whose back.

The two return to the work shop and are greeted by a mass of cheering elves. Even Stickler Elf is seen clapping, though his facial expression never changes. The Devil drinks it all up and even receives a compliment from Stickler Elf. He begins to boast about how when he sets his mind to something he can do anything, and as he does Henchman notices a change taking place. He calls out attention to the swirling, blue, mist gathering about The Devil which encircles him like a Christmas tree. When the dust tree pops, The Devil is himself again! The mist then swirls a short distance away and soon materializes Santa Claus looking just as he did before the weird ritual from earlier.

Time for the fat man to pay up!

At the sight of the real Santa, Henchman looks like he’s about to burst. He keeps his cool though as Santa congratulates The Devil on a job well done. He even declares it a Christmas miracle that he was able to deliver all of the presents in time. Now, it’s time to collect as The Devil informs Santa he’s ready for that choo choo now as he rubs his hands together. Santa laughs and says he’s receiving something that’s better than a choo choo. The Devil falls for this and his eyes swell at the thought of something better than a choo choo only for Santa to inform him that his gift this year is the joy of being nice!

The Devil may be pissed, but I think Henchman just had the time of his life.

As you can imagine, this does not go over well with The Devil. Not at all. He does his exploding fire thing as he declares the idea stupid. He points to Santa and his elves and calls them all stupid before announcing to Henchman that they are leaving. As he drags Henchman away, the imp waves happily shouting “Bye Santa!” The two disappear in a puff of smoke to return to Hell. Honestly, I think The Devil took that better than any of us expected. Santa, on the other hand, looks hurt as he turns to Sitckler Elf and shrugs. The elf returns the shrug and we fade to black.

Oh to be miserable on Christmas, is there no worse a fate?

The blackness is interrupted by the opening of a refrigerator. The camera is placed inside the fridge and we see The Devil’s sullen face staring in. There’s a bag marked “Stickler” and The Devil pulls a sandwich out of it answering the question of who has been stealing everyone’s lunch. He begins consuming the sandwich as he slinks over to his throne and drops into it. He puts his head in his hand and bemoans his plight, how even when he does what he’s supposed to he still doesn’t get what he wants. Oh woe, is The Devil!

The Devil gets his happy ending after all!

A tooting of a train horn breaks the sound of sad music. The Devil’s head pops up to behold a toy train right there in his throne room! It’s not the train he wanted, it’s even better! It’s a larger train, a ride-on, and it has four cars instead of two! The Devil is overjoyed and magics up an engineer’s uniform and hops into the center of the circular track declaring that this train makes an even better noise than the one he wanted! He jumps on the first car and rides around the track in triumph. The camera zooms out and we can see behind the throne. Henchman is there, covered in soot with a bunch of tools and some instructions strewn about. He has a look of happiness on his face as it’s clear he’s the one who got the train for The Devil. He says “Merry Christmas, boss,” as this one fades to black.

Such a sweet little demon.

And that is how The Devil had a merry Christmas! It’s such a farcical concept on its face: Satan wants a choo choo for Christmas and is willing to help Santa in order to get onto The Nice List. I suppose some would find that immediately distasteful – Satan, and Santa?! The character of The Devil is so charming and funny that we forget about how insane a premise this is almost immediately. Even his outbursts are played for laughs, though he definitely murders some folks in this one (that poor, little, old mouse) for no real reason other than he’s just a bad guy. I suppose if you want to find a moral in this one, it’s that Christmas can bring out the best in anyone. Even The Devil.

The animation is top notch even if it’s not hand drawn. I love the many expressions we see from The Devil and Henchman throughout their night. The town looks lovely with this Christmas coating upon it, almost Rockwell-esq. The music sprinkles in some public domain stuff, mostly from The Nutcracker, but also makes liberal use of its own original compositions. Composed by Dave Wasson and Ego Plum, the two originals are unmistakably Christmas tunes even if they don’t directly adapt a more well known song. The cartoon is also not long enough for us to get sick of them and aside from their first instance in the show, they’re mostly confined to instrumentals. I love the homage to Santa’s Workshop and I was repeatedly dazzled by the many, many, moon shots in this one.

The Devil does get a happy ending, but on the way he was made to suffer. Perhaps nothing was more painful than making his most detested foe happy on Christmas.

And it’s funny! This is one of the funniest and most entertaining Christmas specials I’ve had the pleasure of watching. It’s not even reliant on the viewer being familiar with The Cuphead Show! as pretty much everyone knows who The Devil is. It certainly helps to be familiar with it when the scene does shift to take place in the home of Cuphead, but knowing who he is and why the tree looks as it does only adds a little to the scene. For newcomers, they can easily understand that ordinarily The Devil and Cuphead are at odds with each other and that’s pretty much all you need to know. The cartoon does have to cheat a little in that scene for every gift we saw up to that point was fully wrapped. For Cuphead’s house, they’re all unwrapped so that The Devil can see that Cuphead is getting the toy he covets himself. They could have just had it fall out of a box or something, but I’m not bothered by it. It’s basically one of the few nits I can pick with this one, and I had to hunt for it.

If you can’t tell, I really like this Christmas special from The Cuphead Show! It is high on my list of modern Christmas specials alongside Prep & Landing, Duck the Halls, and the DuckTales Christmas episode “Last Christmas!” Coincidentally, all of those are Disney creations and this cartoon, while not made by Disney, references a classic Disney short within it. If you have never seen this one I recommend you check it out regardless of whether or not you’re familiar with Cuphead or The Cuphead Show! It’s streaming on Netflix, which is full of other Christmas episodes and specials from other properties, so it’s not a bad one month sub for Christmas season if you ordinarily are not a subscriber. I plan to watch this one again before the holiday arrives – toot toot!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 7 – Fox’s Peter Pan & the Pirates – “Hook’s Christmas”

When two billion dollar organizations butt heads, it can be hard to know who to root for. Take Disney, somewhat of an “evil” overlord when it comes to content, which seemingly owns everything these days and likes to throw its weight around when it comes to copyright claims. And then there’s Fox, owned by the…

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Dec. 7 – Santa Claus is Comin’ to Town (1970)

In 1964, Arthur Rankin and Jules Bass unleashed a Christmas Classic upon the world in the form of Rudolph the Red-Nosed Reindeer. The special basically put the company on the map and put it on the path to holiday domination for decades to come. Despite that, few of the specials that followed Rudolph truly hit…

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Dec. 7 – Bedtime for Sniffles

Not every Looney Tunes or Merrie Melodies star had to be inherently funny. Sure, most of them were and that’s often what many cartoon enthusiasts will point to the Warner catalog of cartoons as having over Disney, but it wasn’t some hard and fast rule. That’s why when a guy by the name of Chuck…

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Dec. 6 – The Cuphead Show! – “Holiday Tree-dition”

Original air date November 18, 2022.

What’s next for a video game that looks like a cartoon? Why, a cartoon! Novel concept, huh? Cuphead is a 2017 video game created by Jared and Chad Moldenhauer heavily inspired by animation from the 1930s. It’s basically a hand drawn video game and a fully playable one, at that. It made waves when it was first unveiled and seemed to instantly become one of the most anticipated video games in recent memory. It attracted so much attention (and additional funding) that the Moldenhauers and Studio MDHR decided to expand upon the game from its original boss rush premise to something closer to a full-fledged platforming experience with the addition of run n’ gun levels. Upon release it received quite a great deal of praise for its animation and a lot of notoriety for its punishing difficulty. The game has since been released across several platforms and also received a downloadable add-on, Delicious Last Course, which also received a physical release alongside the main game.

Once Cuphead was a bonafide success, it was basically a no-brainer to commission an animated series. Netflix, along with King Features Syndicate, did just that with The Cuphead Show! releasing in 2022 on the streaming platform. It has since released three “seasons” totaling 36 episodes, though in typical Netflix fashion, all of the seasons were part of the same initial episode order. We’re now two years removed from the finale airing without word of another batch of episodes being ordered so I guess that’s all she wrote, but with a streaming show it’s not uncommon for years to lapse in between seasons.

Brothers Cuphead (center left) and Mugman (center right) spend most of their time getting into and out of trouble.

The show is about Cuphead (Tru Valentino) and brother Mugman (Frank Todaro), two rubber-hosed miscreants with cups for heads who get into mischief all throughout Inkwell Isles where they live. Early on, they get on the bad side of the Devil himself with Cuphead losing a game in which the cost was his very soul, so the boys have to spend a great deal of time (and episodes) avoiding the Devil at all costs. The show is animated with modern technology, the puppet-like stuff utilized by most, despite the video game being hand drawn. Despite that, it does a reasonable job of approximating the look of a hand drawn cartoon and is one of the best looking animated shows on Netflix (or pretty much any streamer, for that matter). Like the game, there are filters applied and some desaturation techniques to make the show look aged while the soundtrack (provided by Ego Plum) is appropriately jazzy. There is a throughline to the show involving the plot surrounding Cuphead’s deal with the Devil and the ghostly Chalice (Grey DeLisle) character, but for the most part episodes can be consumed in a stand-alone fashion. This helps to make The Cuphead Show! feel almost like a relic in this age of serialized story-telling, even in kids shows.

As part of the third batch of episodes, we received not one, but two Christmas episodes. This one, “Holiday Tree-dition” is the first of those two and the shorter of the two. Most of the episodes are half episodes while some are stretched out to a half hour or longer. It’s quite common for cartoons with that type of setup to devote two segments to Christmas, but with this episode we’re looking at a pretty typical running time for the show. The other one starring the Devil gets the double-length treatment.

The home of Cuphead, Mugman, and Elder Kettle is done using real assets like a stop-motion production.

The show begins with the standard intro. When I first booted this program up with my kids, I was surprised the show didn’t just use the theme from the video game, but after hearing this new intro I could see why. This one pops. It’s jazzy, bouncy, and fun and one of those intros that is rarely skipped in my house. The episode is introduced with its own lovely title card before we’re shown the outside of Elder Kettle’s home where Cupman and Mugman reside. The opening shot is done with real assets. They’re models and I assume this is an homage to what the Fleischer Studios used to do back in the day where they’d have a live-action setting and animate over it.

They’re all bundled up to go get a Christmas tree!

Inside the giant teapot we find Elder Kettle (Joe Hanna) in his cozy confines welcoming us with a jaunty Christams tune! Mugman and Cuphead are going to join in on the fun as the trio sings an original diddy about Christmas trees. It would seem getting the tree each year is a big deal in this house and as the trio sing they put on cold weather clothing, Elder Kettle grabs an axe, and they head out the door to go get their tree. I feel inclined to point out now that the inhabitants of Inkwell Isle are a mix of anthropomorphized animals and objects. Cuphead and Mugman are somewhat unique in that they have human bodies, albeit toony ones, with a cup for a head that’s filled with what looks to be milk. Elder Kettle, is just a giant kettle with rubber hose arms and legs. I don’t know if his relationship with the boys is ever explained. He’s a fatherly figure, though more grandfatherly I suppose, but I don’t know if there’s a mother in the equation here.

I fear for what will happen to these two if they don’t come back with five bucks and a tree.

Anyway, as the trio marches off to get a tree, Elder Kettle starts to drift back out of scene. Cuphead and Mugman soon notice he’s gone, and when they turn around they see him going back into the house. They run over and bang on the door and Elder Kettle answers. It would seem he’s decided that he no longer wants to be held responsible for the Christmas tree. He’s retiring, so to speak, and entrusts the boys with the task. Now, even though he was seen carrying an axe moments ago, Elder Kettle is not going to entrust the boys with actually cutting down a tree. Instead, he gives them a ten dollar bill and instructs them to go to Porkrind’s and buy one. Porkrind is going to ask for ten, but Elder Kettle instructs his boys to only offer five bucks. He seems to suggest that they’ll enjoy having some change leftover, but then also tells them in no uncertain terms that they are to come home with change so I guess he didn’t intend for them to do anything with it.

I’m starting to think that Elder Kettle stayed home because he wants nothing to do with trying to negotiate with Porkrind.

Cuphead and Mugman then head to Porkrind’s as instructed. There we see Porkrind (Cosmo Segurson) overseeing his tree lot and reenforcing that all of the trees cost ten bucks. Porkrind, if you could not guess it for yourself, is a big pig-man with an eyepatch. I guess you would not have assumed the eyepatch part, but probably the pig part. Everyone at the lot seems fine with the price, but that’s not going to stop Mugman from attempting to haggle. Cuphead stands behind him as both a supportive voice and to play “the kid” in the relationship while Mugman is like the bartering father. He suggests to Porkrind that five dollars would be a fair price for a tree and to add to the verbal suggestion he holds up five fingers. Since Mugman is a cartoon character, he only possesses four digits on each hand so he has to use two hands to do so. Plus, since he’s wearing mittens, his fingers have to rip through the mittens for added emphasis. Porkrind seems unwilling to haggle though and tells Mugman the price was ten bucks last year, it’s ten bucks this year, and he’s even willing to say they’ll be ten bucks next year. That doesn’t stop Mugman from trying as he does the typical bad barterer maneuver of just going up a dollar on his offer hoping Porkrind is willing to give a little. He does not. Actually, he ups the price to fifteen. Mugman can’t believe it, and then some little light bulb guy (Keith Ferguson) accepts the fifteen dollar offer. Mugman tries to negotiate back to ten, but there’s a problem: Porkrind is all out of trees.

We’re only a few minutes into the cartoon and Christmas is already ruined!

With no tree, but still ten bucks in their pocket, the boys decide there is only one maneuver left: cry. They throw a fit as Porkrind heads into his trailer fearing their Christmas is ruined, only for the pig-man to pop back out. No, he’s not feeling sympathetic for them or anything, instead he just suggests they cut down their own tree. Naturally, to do so they’ll need an axe. I guess going back to the house for the one Elder Kettle had is out of the question, so instead they opt to buy one from Porkrind. The price? Ten bucks!

Cuphead should not allowed to handle sharp objects.

Even though the boys managed to spend all of Elder Kettle’s money, when they were only supposed to spend five, and also still lack a tree, they seem rather happy as they march off into the woods. Cuphead is even swinging the axe around irresponsibly, but Mugman is apparently used to such as he manages to duck every swing and still keep a smile on his face. As they stroll though the woods, they walk by various trees which Mugman dismisses for pretty obvious reasons since they’re all pretty ugly. One tree which has the idyllic Christmas tree shape is dismissed as being too desperate because it was also juggling snow balls. The boys begin to feel like they’ll never find a good tree, which of course occurs just as they’re walking by a perfectly good tree.

Behold! The perfect tree!

With the tree found the only thing left to do is cut it down. This presents a problem because, like brothers often do, the two boys fight over who gets to actually wield the axe and chop this sucker down. As they fight over it, the axe gets thrown by accident and it cleanly slices through the trunk of the tree. That is a damn fine axe. You can complain all you want about Porkrind’s pricing, but at least he’s selling a quality product. The tree then falls over and lands on the boys, but they emerge from the pine looking no worse for ware. Instead, they have a different problem. The tree has started to move, and soon they find themselves running down the side of a mountain in pursuit of a runaway Christmas tree!

It’s just a little snow-covered. It’s still good! It’s still good!

The boys have little trouble in catching up with the tree, but as they run alongside it and try to jump on, something always gets in the way be it a big boulder or a random snowman popping out of the ground. Both finally make a jump for it, but they collide in midair. When the two hit the ground they’re rolling and soon end up in a massive snowball before getting smashed apart. Now they’re running, but Cuphead can’t locate the tree. That’s because it’s sliding behind them, but faster than they can run, and it takes them both out. This works out though because now they’re on the tree, but it’s still racing down the hill in an out of control manner. The good news is the hill finally ends, the bad news is that it ends in a cave full of sleeping bears.

What?

At first, the bears appear like they’ll remain sleeping and it will fall on the boys to somehow get the tree out of there quietly, but before they can do anything the bears all suddenly wake up with a roar! From outside the cave, we see the tree get tossed out. Then we hear the sound of pummeling before a bear emerges holding both Cuphead and Mugman by the back of their shorts. He gives them the boot, but they end up landing on their tree which is sliding somewhere. Cuphead remarks that those bears were pretty mad while Mugman sees an opportunity for a pun and says “Yeah, we barely escaped with our lives!” As he does so he nudges Cuphead looking for some feedback on his joke, but Cuphead couldn’t hear him.

This should give the video game designers an idea on how to punish the player.

And that’s because they’re in a sawmill! Mugman doesn’t realize it at first as he keeps repeating his joke only for Cuphead to say “What?” Finally, they notice where they are just as a bunch of wild saw blades appear. There’s a pretty menacing, personified, furnace (Dave Wasson) full of saw blades that waits for them at the end of a conveyor belt. It’s laughing too, but whatever it planned to do it either doesn’t or we just don’t get to see it because we cut to an exterior shot of the mill. It literally spits the tree out, with the boys still atop it, and they sail into the night sky past a full moon holding each other and screaming.

There’s no Santa to be found, but we’re still getting in a moon shot.

The tree returns to Earth and is once again in motion. It’s all bent and mishapen and Mugman is in some serious distress over the quality of their tree. When he declares that things can’t possibly get any worse, Cuphead responds in the only way a cartoon character can, “Wanna bet?” It would seem they’re heading for a cliff and when the tree goes off of it, it hangs in the air a second allowing the boys to scream before it drops. When it hits the ground it does so with a bounce. It pops open, like an umbrella, and returns to its former glorious shape! The boys aren’t out of the woods yet though (well, technically they are out of the woods, but you know what I mean) as the bounce and pop of the tree has basically turned it into a rocket sailing through the sky.

Cuphead appeared to get the worst of that.

At home, Elder Kettle opens the front door and wonders aloud where the boys are. That’s their cue to come rocketing in like Goofy after the ski jump! Elder Kettle is barely able to jump out of the way as the tree crashes through the front door. When he peaks his…head…into the house, we see Cuphead has crashed into the piano while Mugman landed on the stool. As for the tree, it’s right where it’s supposed to be in its tree stand in the middle of the room.

What a glorious tree!

The trio look on with awe and it immediately transitions to a decorated tree. Elder Kettle announces that the boys get to do the honor of lighting it. He holds up two ends of an electrical chord and the boys cheerfully plug it in. The tree lights up a glorious hue, but then the cable sparks. The spark travels down the chord leaving blackness in its wake until it arrives at the tree and the whole thing goes up with a puff of smoke leaving a smoldering husk behind.

Oh, well, I guess this is more fitting for them.

Once again, Cuphead and Mugman are reduced to tears. As they cry into Elder Kettle’s…waist?..the two wail that they ruined Christmas. Now is the moment where some traditional Christmas special wisdom is brought in. Elder Kettle tells the boys that Christmas isn’t about a tree, it’s about who you spend the holidays with. He adds that whatever tree they have will be just fine. Then he adds, bluntly, “Even if it is burnt to a crisp.” The trio then rejoin in their Christmas tree song and march once around the tree before standing and looking upon it together. We get an external shot of the house all lit up for Christmas and that’s the end.

This holiday edition of The Cuphead Show! is plenty fine. It’s just a fun romp about the two main characters setting out in search of the perfect tree to keep their family tradition alive and encountering problems along the way. Its a silly, absurd, sort of cartoon with a lot of fun quips and visual delights. It’s not the most inventive and it’s pretty easy to predict the next story bit as the cartoon moves along, even the non-traditional ending felt like a foregone conclusion. The only real surprise was that there was no payoff for Elder Kettle’s threats about not returning with change. I was expecting a Home Alone style ending where we hear the outraged scream of Elder Kettle looking for his five bucks before smashing to credits.

So the tree sucks, at least everything else is looking rather nice and festive.

Even if this feels almost by-the-numbers for a silly Christmas adventure, “Holiday Tree-ditions” manages to entertain with its audio and visual presentation. I really love the cast for this show and feel like they found the perfect voices for both Cuphead and Mugman. There’s also a smattering of Christmas music in the background as well as a lovely, fast-paced, instrumental version of the Christmas tree song which accompanies the duo’s journey down the mountain on their tree. The animation is really expressive and this is the sort of cartoon that rewards people like me who pause it constantly in search of good screen caps because it allows for one to appreciate all of the facial expressions in use. My only critique of the visual presentation is that maybe we should have seen Cuphead and Mugman’s condition degrade throughout the episode since they do get smacked around pretty good.

If you would like to check out this episode of The Cuphead Show! then I think your only avenue is via Netflix. I’m not sure if it’s been sold outside of the streaming giant or not. If the episode seems a bit too light for your taste, then you could always check out the other Christmas episode from the show which is much longer. Maybe we’ll even cover it here very soon…

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 6 – Silly Symphony – “Santa’s Workshop” (1932)

Back in 1929 Walt Disney launched the Silly Symphonies series of cartoon shorts. Unlike the Mickey Mouse shorts that were growing popular at the time, Silly Symphonies did not center on just one character or even a group of characters, but rather were fairly self-contained. Some shorts that became popular, like The Three Little Pigs,…

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Dec. 6 – Christmas in Tattertown

Nickelodeon in the late 1980s was a network on the rise. Cable was expanding to more and more households each and every day and Nick was able to seize the youth market almost from the get-go. Prior to that, broadcast networks dominated children’s programming, but restricted it to certain parts of the broadcast schedule. And…

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Dec. 5 – Back to the Future – “Dickens of a Christmas”

Original air date November 23, 1991.

In 1985, a little film called Back to the Future debuted in theaters. Starring Michael J. Fox and Christopher Lloyd, the story about a modern day teenager going back in time 30 years to encounter his parents when they were teens was an instantly timeless tale. It spawned two sequels which were shot back-to-back and they too have weathered the test of time and emerged quite favorably. It’s a film franchise that definitely has every right to be in the conversation of best movie trilogies of all-time. And since the basic premise is so relatable in any era, it’s a franchise that lends itself tremendously well to more sequels or even a reboot.

Except that ain’t gonna happen. Creators Robert Zemeckis and Bob Gale have taken the stance that there will be no sequels or reboots as long as they’re around. The two wisely retained enough degree of control that they have this kind of sway when it comes to future films. And then there’s the unfortunate reality that Fox was diagnosed with Parkinson’s disease making his return as Marty McFly very unlikely if not impossible. I have no idea what happens when Zemeckis and Gale are no longer with us, but for now there will be no Back to the Future Part 4 or a new school reboot like Back 2 the Future.

And that’s fine. Creators should have that kind of sway and if they don’t want to hand over their property to the Hollywood reboot machine then that’s their right. Most fans of the franchise seem to be of like mind anyway, though if you’re disappointed then that’s okay too. Reboots, or long delayed sequels, from my experience are usually not very good. The thing is, their existence doesn’t erase what came before. If a reboot is bad I either don’t watch it or move on after a single viewing. What I don’t do is take to social media and complain about some new movie ruining my childhood or destroying the legacy of Property X. Reboots and sequels do none of those things.

The two Bobs may have said “No” to more movies, but what they didn’t say “No” to was an animated series. That may seem odd, but I’m guessing when the cartoon came up they weren’t sure if they were done with the franchise yet. Plus, what harm can a cartoon do? It’s for kids, it will make some money, maybe sell some toys, and after it’s aired it probably vanishes into the abyss of forgotten media. Only they couldn’t have predicted the Internet and what it would make possible nor the rise of entire shows existing on physical media. The kids of the 80s and 90s were practically raised by television so no show was allowed to be forgotten for very long.

The main cast (left to right): Verne, Clara, Doc, Marty, Jules

The Back to the Future animated series debuted on Saturday mornings in the fall of 1991 (well, technically late summer, but fall TV programming). Returning from the film franchise is Christopher Lloyd who reprises his role as Doc Brown, only not in the way you may have expected. I guess he didn’t want the voice acting paycheck and instead opted to film some live-action segments introducing the episode and closing it. Usually, he’s working in his garage or something. Bill Nye is also on-hand to do some experiments and inject an educational component as well. For the actual cartoon, Brown is voiced by Dan Catellanetta and he’s the patriarch of the Brown family. The show takes place after the third movie, so he’s married to Clara (Mary Steenburgen who apparently did want that voice acting check) and father to boys Jules (Josh Keaton) and Verne (Troy Davidson). Marty (David Kaufman) is still hanging around and attending school, though he’ll graduate from Hill Valley High and go on to college. Each episode basically takes this crew and throws them somewhere in time where they’re certain to encounter a descendent of Biff Tannen (Thomas F. Wilson, also returning from the films) who is up to no good.

It’s really a solid premise for a weekly show so long as you don’t mind Doc Brown deciding to screw around with time once again. It’s easy to integrate an educational component and we have built-in lore thanks to the film franchise. And unlike cartoons such as RoboCop or Rambo, this one is actually based on a franchise kids might actually be allowed to watch. The show only ran for two seasons with each totaling 13 episodes so no syndication deals for Back to the Future. That meant this one did kind of go away for awhile, but like everything, it’s been found. During that first season we got a Christmas episode. As you can tell by the title, this is going to be a variation on A Christmas Carol, but since we’re talking time travel here, it gets to do something other than a direct parody or adaptation. Instead, think The Real Ghostbusters if you’re familiar with that show’s Christmas episode (and if you’re not, we got you covered).

The show begins with a re-recording of “Back in Time,” so no Huey Lewis for the kids. The opening is composed of what appears to be unique animation as opposed to clips, which is always a plus. It does feature the gang tangling with a dinosaur though which is actually kind of a bummer because the episode is unlikely to be as exciting as that adventure probably was. Full disclosure upfront, I’m watching this online and the pics are going to be bad because it’s not available for streaming officially anywhere. I thought I was going to be able to watch it on Peacock, but apparently not. The episode begins with Doc Brown who is presently working under the DeLorean. I question if this is actually Christopher Lloyd since we can’t see his face. He sets up the episode by remarking about a summer that was really hot and they used the time machine to basically escape it. That’s where our cartoon begins.

I apologize in advance for the quality of these images.

It would indeed appear to be hot, as Doc suggested, as Clara is seen carrying a basket outside. Verne comes running into the kitchen (still wearing a coon skin cap even though it’s oppressively hot) and tries to nab a cookie from the cookie jar. He’s intercepted by his father, who he didn’t notice at first because he’s suspended from the ceiling. Doc tells his boy that he specifically forbade him from consuming more baked goods. He has to sound like he’s of a higher intelligence so he can’t just say “No more cookies.” The kid takes off, disappointed, and Clara comes in with a basket of what Doc thinks are prunes. They’re plums, but it’s so hot they’re basically becoming prunes. Clara snaps at him because it’s so damn hot and also because Doc has left greasy footprints all over the ceiling. He assures her that once he’s finished installing the ozone-friendly, freon-free, cooling device he’ll clean up. The irritated expression on her face suggests to me that she’s heard similar lines before that did not bear fruit. Jules then enters with an egg that has become hard boiled, essentially repeating the plum to prune joke, but now with poultry.

I wish whenever my family got into a fight we could just go back in time to solve our problems.

We cut to a monster movie featuring a bootleg Godzilla. The picture is a bit, shall we say thin, and that’s because it’s a projection coming from Marty’s hoverboard. He’s zooming through the streets of Hill Valley on that thing while watching a movie. He’s basically predicted modern day distracted driving, just on a device time has yet to truly invent (those hoverboards they sell at the store should be banned for false advertising). And since he is distracted, and this show strives to be somewhat educational, he crashes. First into Ein who was enjoying a swim in a kiddie pool and then into the home of the Browns apparently destroying the cooling device the doc was trying to install. Everyone starts yelling at each other until Doc calms them down. He notes that they’re “at each other’s trachea,” and Marty reacts with, “Yeah, and soon we’ll be at each other’s throats.” A good language joke, though wasn’t Marty always pretty smart in the movies? Clara remarks it’s because it’s hotter than the dickens, which gives Doc an idea. In order to beat this heat they need a little Christmas spirit!

Nice threads. Even Ein gets a cute little hat and scarf.

We’re then whisked away to a snowy cityscape. As the title of the episode implies though, we’ve gone back in time to the 19th century. Some carolers are singing “Good King Wenceslas” on a street corner until the time machine zaps into view high in the sky. They quickly change their line to making a remark about not believing what they’re singing. The Brown family, and Marty, take refuge atop a nearby building. Once out, Doc uses a device to zap some period appropriate clothing onto everyone, though not until he first hits them with period inappropriate clothing for a gag. Once concluded, young Jules requests to look after the keys to the DeLorean, which Doc shows some apprehension about because he’s using an old family heirloom, a watch, as a key fob. Jules insists he needs to demonstrate how responsible he’s become and Doc relents. Obviously, something unexpected is going to occur when it comes to the watch.

What is up with this guy’s nose? It’s like he’s from a different show.

Doc then asks Marty if he likes the view and Marty confirms that he does. And that’s because he’s being a little perv and peeking at some girl strolling through the streets. You would think after running into his mother and all of these other descendants that he’d maybe be a little gun-shy about eyeballing a woman in the past. She’s probably a relative. Marty is so keen on getting a closer look that he actually falls off the building. The idiot somehow manages not to die though and the rest of the family find him in the snow-covered street. He ducks into a toy store after the girl and the Browns catch-up just in time to see the girl smack Marty across the face. Doc then spies the toys inside and is captivated. In order to get a closer “gander” he heads inside and picks up one of the toys with glee. The clerk comes over (he looks like a rodent for some reason) to ask if he likes it and Doc replies that he does for he had one as a boy. The clerk is profoundly confused because, as you may have guessed, he just invented the thing that morning.

Of course Biff is Scrooge.

Outside, the boys are just staring through the window like a couple of creeps when some shady looking character sneaks up behind Jules and picks the watch out of his pocket. Verne notices him almost immediately and alerts his brother. Verne wants to tell their dad right away, but Jules is reluctant to and decides to give chase. Ein notices them run off and lets out a bark which alerts Doc and Marty that the boys have taken off. They too give chase leaving Clara in the store to witness the entrance of the next character. You probably could guess it, but it’s this era’s version of Biff. And it would appear he will be assuming the role of Scrooge, though his name is still Tannen. He apparently has done business with the clerk here who owes him a mortgage payment which is an hour late. The penalty for such? Debtor’s prison! Some cops with this Ebenezer Tannen arrest the man and his wife and as they’re leading them away Tannen takes note of Clara. It would seem he likes the woman, calling her comely, and makes a pass. She shoves him away into a bunch of toys which only enrages him. He starts calling for the police to arrest her too. It would seem Clara has made a powerful enemy and these cops are plenty crooked.

Probably unwise to chase blindly after thieves into their menacing looking hideout.

We catch-up with the boys who find themselves in a dark alley. They spy the kid who swiped the watch as he’s heading up a long, rickety, staircase into a dilapidated looking building. The kids race up there, but are soon met by a bearded fellow named Murdock who seems eager to dispose of them. After an act break, we find the boys suspended upside down and bound with rope. The kid who stole the watch seems sympathetic to them while his boss suggests he’s going to dispose of them. The thief thinks maybe these boys could be pickpockets like him, but Verne gives him a “No way, Jose,” channeling his inner Michelle Tanner at the mere thought of being a crook. It takes his brother to remind him that going along with such a thing may get them the watch back. If he’s trying to be discreet he’s doing an awful job, but Murdock appears to not overhear. He asks the two if they’ve ever stolen anything before and Verne just responds with, “Cookies!”

Back in the old days, there weren’t cameras everywhere contributing to a constant state of surveillance. Instead, carolers kept a detailed log of all that transpired.

Outside, Marty and Doc collide in the street having been unable to locate the boys. Ein soon follows knocking them over, and when they all get to their feet they discover that they’re back where they started only now the toy shop is closed and there’s no sign of Clara. Doc notices some carolers in the street and asks them if they know what happened to the shop owner. They reply in song to the melody of “We Wish You a Merry Christmas” as they recount what transpired. Doc is alarmed to hear the name Tannen, but rather proud of his wife when he finds out she clobbered him. He then asks about the boys and it would seem these folks have been keeping a close watch on everything that’s happened as they recount their tale. These folks are a very convenient plot device. Marty then asks if they know where they may find the pickpocket and demands they respond without song. The lead conductor tells him the kid’s name is Reg (as in short for Reginald, or Reggie) and he hangs out at the Hog’s Head Tavern. Doc announces he’ll go after the boys and tells Marty to go see about Clara as he runs off into the night.

This old timer is his own biggest fan. That guy in the back is grumpy because he’s had to hear the same joke countless times at this point.

We’re taken to the prison where Clara, the shop owner, and his wife are being lead to a cell. The guard tells them it’s semi-private, which is a joke because the cell is jam-packed with people. Clara asks the first old man she sees how long he’s been there. He tells her that when he came in he was wrinkled, drooling, and absent most of his teeth which is true of is appearance now. He then adds that he was a baby and he has a good laugh at his own joke. At least the people in here have been able to hold onto their sense of humor. Meanwhile, Doc has located the tavern in question and with him is Ein. Doc enters with his canine companion to find a rather unsavory looking bunch in attendance. He nearly gets darts lodged in his head when he mistakenly steps in front of a target. The man playing the game is irritated, but when Doc whips out some cash in exchange for information he becomes far more friendly.

Why was some guy walking around with a stinky sock in his coat pocket?

It’s time to check-in on the boys as Murdock and his companion have taken them to a shopping district. It’s probably the best place for a pickpocket to be on Christmas Eve and Murdock is giving them a lesson in thievery. He sends Reg out first as a demonstration and the kid nabs what must be a dozen watches with lightning speed. It’s now Verne’s turn and he spies a fellow with a large overcoat. He reaches into the massive pocket, but it’s so deep he falls in. He comes out and the man appears none the wiser, but when Verne returns to the others we find that he only managed to steal a smelly sock. Murdock makes the crack that his first try stinks, and Verne seems to agree. Just then, the guy Verne stole from (I think) has his pants fall down. That’s odd, since no one stole a belt, but he calls for the police and assumes he’s been pick-pocketed. Murdock tells the boys not to worry and act casual, then he has them all run. Way to play it cool, Murdock.

The only thing missing is a lightbulb over his head.

Marty is shown coming upon the debtor’s prison. He knocks on the big door to get the guard, or warden, or whatever’s attention and announces to him that the queen herself just pardoned Clara Brown. The guard is unmoved and informs Marty that the only one who can pardon the folks in here is Ebenezer Tannen. Marty asks how many people has Tannen let go and the guard responds with the expected number: none. Marty concludes he’ll have to sweet talk old Tannen, but the guard just tells him he’s wasting his time and refers to Ebenezer Tannen as a real “Scrooge” – hah, he said it! Hearing that just gives Marty an idea.

Don’t worry, boys, daddy is here to save you! Maybe.

Back at the hideout, the boys are being made to scrub the floors while Murdock announces he needs to rest his thinker on account of being the mastermind of the operation is hard work. He then smacks his head on a door frame and is alarmed to see another man has entered the hideout. It’s Wilkins, who is the man Doc paid for information back at the tavern and he brough the Doc with him. He tells Murdock that Doc claims to be a friend of Reggie’s, so Murdock calls for the lad. When Reggie tells him he’s a stranger to him, Murdock accuses Brown of being a cop. Doc seems particularly horrified at being likened to a cop, which is pretty amusing. The two men aren’t buying it though as they eye him with evil intentions as we hit another act break.

I mean, it’s not a bad idea.

It’s time we see what Ebenezer Tannen is up to. He’s in his nightgown and cap and preparing for bed when he hears a voice calling to him. He throws open the shutter of his window to find Marty, draped in a black robe, and atop his hoverboard. He announces to Tannen that he’s the Ghost of Christmas, which just confuses Tannen as he asks which one – past, present, or future? Marty wasn’t prepared for that, but since this is a 23 minute show and we’re past the halfway point, Marty tells him “All of the above.” He then tells him he’s hear to save his soul and he grabs Tannen by the wrist and hauls him out into the night sky. He then politely requests that he keep his arms and legs inside, though since he’s not actually in anything this joke makes no sense.

No Breath Right strips back then, just Breath Right jabs.

At the hideout, Murdock is taking that nap he was so looking forward to while Wilkins sleeps nearby. In another room, Reggie and the boys are asleep on the floor, that is, until Reg elbows Jules in the ribs to tell him to pipe down (he was snoring). With all three awake, the boys start asking Reggie about his life with them wondering why his father makes him sleep on the floor. Reggie almost laughs in response at the suggestion Murdock is his dad and explains that he’s just some guy that provides food and a roof over his head so long as he keep stealing watches. When the kids point out that stealing is wrong (they’re so persuasive) Reggie just remarks that stealing is better than being placed in a juvenile work camp and I have to agree. Though the whole sleeping on the floor thing sucks. He should steal a bed.

I’d probably have the same reaction if I walked into my father suspended from the ceiling. Though considering how this episode began, maybe he shouldn’t be so surprised?

It’s time to see how Marty is doing as he brings Tannen to one of those mentioned work camps. There they find children slaving away on Christmas Eve and it’s enough to make Tannen cry. No, not because he feels any sort of pity for the children, but because he just remembered an eight-year-old who owes him money. This is going to be a long night, Marty. We quickly jump back to the hideout where Jules apparently has an idea. He informs Reginald (as he calls him because he speaks with proper English like his father) that they may have a way for him to get out of this life he’s leading if he were to only help them retrieve the stolen keys. Reggie apparently needs no convincing and agrees to do so. He retrieves the watch and keys and hands them over to Jules prompting Verne to declare him lucky. I think he really wanted to see his brother get in trouble. As Jules starts walking out assuring Verne he always had the situation under control, he cries out “Father!” when he nearly walks into his old man. It seems Doc was tied up along a rafter and upon hearing his son cry out he wakes up and slams his head into the beam. Jules quickly unties him and when Doc hits the floor with a thud Murdock finally wakes up only to see the kids and the “copper” running off. Wilkins wakes up, slams his head into the ceiling (Murdock did the same), and remarks “We have to find a taller hideout” before too giving chase. I figured all of those head bumps were leading to something, though I don’t know that the payoff was worth it.

Gimme those nuts! That’s literally the line from the show. You can’t convince me they weren’t making a balls joke.

In the city streets, a poor family sits crowded around a fire cooking a meager meal of chestnuts. Marty and Tannen happen upon them, but when Marty points out how this family has nothing but a few, meager, chestnuts, Tannen just tackles the father demanding some of the nuts. Marty takes to the sky and grabs Tannen and hauls him off leaving the mother to remark to her little child that Marty is an angel. The father scoffs at the thought for the supposed angel left his nuts all strewn about. I think the writers enjoyed getting to use the word “nuts” so liberally.

All wrapped up in a soggy, salty, package.

Doc and the boys are seen running through the streets with the bad guys hot on their heels. They happen upon the Hog’s Head, once again, only to find it closed. That doesn’t stop them from barging in and when the maid cleaning up the place objects, Doc just hands over a wad of cash to “Cover the damage he’s about to do.” They run off into the tavern while Murdock and Wilkins arrive. The maid is further angered to see more people as Doc taunts them from…the ceiling? Oh yes, those magnetic anti-gravity shoes or whatever they were called just had to reappear. Doc is on the ceiling and preparing to give these scallywags a lesson on Newton’s first law of motion: A body at rest will remain at rest while a body in motion will remain in motion. Doc then unleashes a bunch of pickle barrels from the ceiling which collide with Murdock and Wilkins. The resulting collision leaves them all wrapped up somehow which the police, who soon arrive, appear to enjoy. It’s a good outcome, save for the fact that Doc left shoeprints all over the ceiling and wall. The maid angrily hands him a mop and bucket and demands he clean it up giving Doc a chance to look at the camera with a glum expression.

Obviously, we’re going to need to see Scrooge dance on Christmas Day or it just wouldn’t be Dickens.

Marty has apparently had enough as he returns Ebenezer Tannen to his chambers. Marty remarks he’s shown Tannen stuff that would make The Terminator cry getting in a topical reference for its time. Before Tannen can even respond, a device falls out of Marty’s robes and lands on the floor. It’s the projector he had on his hoverboard and it’s still showing the monster movie. Upon seeing the projection of this Godzilla like being, Tannen is immediately shaken! He begs Marty to spare him from the monster’s wrath and Marty informs him only if he releases everyone in debtor’s prison and also clears all debts. Tannen frowns, but agrees, and we cut to a scene of all of the prisoners joyously racing out the front gate. As the former prisoners stream into the streets, the shop owner and his wife come upon Tannen who is now dancing and singing in the streets with a wreath around his neck. They can scarcely believe what they’re seeing, but Tannen instructs them to call him Eb from now on and vows to lead a better life. That monster movie worked way better than I would have expected.

Looks like Reggie gets a family for Christmas. Good for him.

Now that all of the wrongs have been righted, it’s time for a merry Christmas! The Brown family (and Marty) are celebrating with the toy store owners. Reggie has been adopted by them and he’ll be able to work in the store now. As for the poor, downtrodden, family that had nothing but a few chestnuts to eat, well, we don’t know. I guess they’re still in the gutter because they are no where to be found. Everyone seems happy though, and even Tannen comes barging in with a Christmas goose, but upon seeing Marty he realizes he’s been tricked. Marty runs and Tannen gives chase only to collide with a cart full of figgy pudding (I guess we can’t do manure jokes on Saturday morning network television) and is left laying in the street. The carolers return to basically tells us what happened and Tannen ends it by saying he hates it, it being the pudding he’s covered in. Or Christmas. Or both! I would have thought he was going to say “Bah! Humbug!” but maybe that was too obvious? The camera pans to the sky where the DeLorean is passing by. Doc gets to finish the song by singing “And a happy new year,” only for Verne to correct him that it’s actually an old year. “Not for long,” cries his dad as the DeLorean jumps forward in time, back to the future!

It’s not shit, but I guess figgy pudding is the next grossest thing one could be covered in?

That ends the cartoon portion. The episode goes back to Doc under the DeLorean who tells us the family still returns to London each year to see how everyone is doing. He sets up an experiment about potential and kinetic energy which is demonstrated by a young Bill Nye. When that’s done, we return to Doc for one final gag where it seems he’s been stretched out some how. It’s at this point we finally see his face and I guess it is Mr. Lloyd. He makes a crack about the car being a stretch DeLorean and then tells us he’ll see us again in the future. A very un-Christmassy conclusion.

Back to the Future the TV series is a pretty mediocre cartoon from the 90s. Well, I am judging it on this one episode which is admittedly unfair, but I also did watch it a bit as a kid and that was pretty much my opinion then too. I didn’t stick with this show week in and week out and I fell off pretty fast. I’m not sure I even made it to this episode, though I did get a few of the Happy Meal toys. As such, I couldn’t justify buying this thing on physical media hence the awful screen caps. This blog isn’t monetized, after all. The video I watched was cropped and rotated slightly in addition to just being kind of lousy quality. It could be a VHS rip, as the show was released on VHS, which would explain the quality. Or it was intentionally made to look bad so as to avoid a copywrite strike.

This poor family is presumed dead.

As a Christmas special, this is merely okay, just like the series as a whole. I give it credit for taking Dickens and putting a different spin on it. Scrooge-Tannen was pretty easy to see from a mile away, but his part of the story was really quite minimal. In fact, there was just too much going on for this episode to really land in any meaningful way. The boys had their story wrap in surprisingly simple fashion while Marty and Tannen only had three brief scenes. The episode didn’t bother to keep tabs on Clara once she was locked-up which is probably for the best considering the one joke from the jail was pretty bad and there was just no time. There wasn’t even enough time to give that homeless family a happy ending. I can’t think of a children’s show where such a family was just left to dangle like that. Doc is running around tossing money around like it’s nothing and he can’t find time to give those people some of that cash?

If forced to say something positive though, I will say I enjoyed the voice cast. Thomas Wilson, in particular, is great in the role of Tannen. Actually, I liked all of the Tannen scenes and I wish we got more of them. The resolution was actually clever, not so much the monster movie thing (though that was clever too), but I just liked how he didn’t really learn a lesson. He only cleared the debts because he thought he was about to be consumed by a giant beast. Once the fraud was revealed, he was clearly back to being the same asshole he always was and probably returned to being. At least for one Christmas everyone involved got to enjoy themselves debt free.

Despite that, the more I ponder this one the more I dislike it. It’s not that funny, though not offensively bad with the material. The stakes never feel that high even though they probably should given the plight everyone finds themselves in. We don’t spend enough time with the store owners or Reggie to really care about them and their ending. It’s just a bunch of stuff that happened at Christmas. The animation is average and I’m not a fan of the character designs. Despite my somewhat negative take, if you want to watch it for yourself then you have some options when it comes to physical media. The show is available on its own, in seasons, or as a massive set with the film trilogy. If you don’t own the film trilogy, then hey, maybe go for that? Or you could watch some bad quality options online in the usual places. I felt like the one I watched was the best, but there are more available which all do their own thing to the audio and video. Those are probably your best options as you don’t need a time machine to know that this thing isn’t likely showing up on a streaming platform, officially, anytime soon.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 5 – A Flintstone Christmas

It’s the fifth of December so that means we are returning to one of the 25 Greatest Christmas Specials (as decided by me because it’s my blog) to take a deeper look than what was done some 8 years ago. When I re-evaluated my Top 25, one of the biggest fallers was A Flintstone Christmas.…

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Dec. 5 – A Garfield Christmas

This year, I’m bringing back a feature from last year where I take another look at, what I consider to be, the greatest Christmas specials ever made. I explained my reasoning for doing this in prior posts, but in short, the first time I looked at some of these specials I did just a short…

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Dec. 5 – Pluto’s Christmas Tree

Today we’re doing the second look-back to one of the best Christmas specials ever conceived, as chosen by yours truly, and it’s one of my all-time favorites: Pluto’s Christmas Tree. Despite being titled Pluto’s Christmas Tree, this Jack Hannah-directed cartoon short from 1952 is actually considered a Mickey Mouse cartoon. Mickey apparently had it written…

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Dec. 4 – Doug – “Doug’s Secret Christmas”

“Doug’s Secret Christmas” premiered December 14, 1996 as a primetime special on ABC.

Last year, I made an effort to get to a lot of the Nicktoons that I had yet to cover. My initial thinking when I started doing this Christmas blog was to try and avoid the specials that had been covered in depth many times over. Then I realized that, hey, if you want to post about 25 Christmas specials a year you really can’t be picky. Plus how many people really want to read about mega babies and chuckling critters who reside in the woods? And it was on December 4th last year that we talked about Doug, the somewhat quiet original Nicktoon that ran for 52 episodes before leaving the network. Doug was supposed to be the big hit, but it lagged behind Rugrats and The Ren and Stimpy Show among the first trio of Nicktoons. I’m guessing Rocko’s Modern Life eclipsed it as well when that showed up a year later. It’s hard to say why Nickelodeon thought so highly of Doug initially to the point where they expect it to be more popular than the other two shows. Maybe because it’s adults that are in charge at any given network and Doug’s coming of age whimsy speaks to an adult more than a show about babies?

Whatever the reason, Doug still had a solid run and I knew plenty of kids that liked it, even loved it. When creator Jim Jinkins entered into a contract to produce the show for Nick the contract was for 65 episodes to be ordered as seasons of 13 episodes. If Nick failed to order all 65, he was allowed to take the show elsewhere. He also retained ownership of the character and, like the other early Nicktoons, was able to run the show via his own production company. Nickelodeon seemed to learn a lot from those initial shows and would retain more control and ownership in the future, but it was a good deal for Jinkins and it allowed Doug to eventually be sold to The Walt Disney Company.

Pretty much everyone is back with only a slight redesign.

That’s how we ended up with Disney’s Doug (and in some places it’s referred to as Disney’s Doug). After a hiatus of over two years between new episodes, Doug made his debut on ABC’s Saturday morning television block in September of 1996. The show was a direct sequel seeing Doug enter middle school (I thought he was already in middle school?) with all of his usual friends. Most of the cast was able to return, save for perhaps the most important member in Billy West as Doug. The show would last another 65 episodes while also spawning a movie. It seems to be generally accepted that the Disney version of Doug is inferior to what we got with Nick. I checked out the new version as a kid when it premiered, but didn’t stick with it. It felt similar, but different, but more than anything I think I had just moved on from Doug. The low stakes and slice of life programming just wasn’t my thing at that point as I found myself aging out of Saturday morning television. Once X-Men was done not long after, so was I.

Now, nearly 30 years later, I’m ready to take another look at the Disney version of Doug. The first season included a new Christmas episode which I had never seen until now. I definitely didn’t stick with the new show long enough to make it there and I actually never even knew another Doug Christmas episode existed until very recently. For me, this is like finding hidden treasure, though it could only be considered such if it’s actually good. Considering this is Doug we’re talking about, I’d be surprised if it’s awful. Doug is what I’d call a high floor kind of show. It may rarely impress, but it’s almost never bad.

That’s a pretty good Grinch parody.

The Disney version of Doug begins a lot like the old one. The song is new, but still very much Doug. And since the show had a new production company, it looks a little different, but still Doug. The lead character received only the most basic redesign in that he has long sleeves now instead of short ones, but he’s still rocking that green vest. Now, if this is the first episode of the Disney version of Doug that you’ve ever watched, you might initially think it looks a lot different. That’s because the episode opens on Doug’s neighborhood looking quite…toony?

Doug?! As the Grinch!

That’s because it’s a Grinch parody! There’s a narrator (sounds like Doug’s dad, Doug Preis) speaking in rhyme as a shadowy figure with an animal companion descends Doug’s chimney. It’s Roger (Chris Phillips), the town bully, only he resembles the Grinch. And with him is his cat Stinky who has a lone antler atop her head a-la Max. He’s here to steal Doug’s Christmas, only there’s a problem: it’s already been stolen! He looks around and finds no tree or decorations of any kind. The interior of the house is drawn and colored to resemble a home from the classic television special and the creative team a pretty nice job. When Roger-Grinch looks around to find out who stole Christmas first, it’s revealed to be Doug himself! He’s all grinchified as well and we fade to black on this shocking revelation!

That’s more like it.

That’s when the title of the episode is presented in the same manner as the Nicktoons version with Doug coming out of a door to turn a light on revealing the show’s logo. Porkchop, Doug’s dog and star of his first Christmas special, comes in with a gift and reveals the title of today’s episode. The episode proper begins with Doug at his journal telling us about Christmas in his town, Bluffington. Right off the bat, I must say I can barely tell the difference between Thomas McHugh and Billy West as Doug. I’m a little surprised by that because I remember noticing as a kid, but I was definitely watching way more Doug back then. Doug basically lists out what people around town do for Christmas including his old pal, Skeeter (Fred Newman), who is addicted to Christmas specials (I can relate). We get a quick cutaway of him sitting down with his family to watch one and I’m expecting another parody of a classic television special, but instead we get a meta joke of Skeeter watching the first Doug Christmas episode. I approve. We also see Mr. Dink (Claude Nicot) who, as you may have expected, is setting up a very extravagant, very expensive, display. A woman walking by stops to check out the Santa he’s setting up, but it pops up from the ground and says “Hubba, hubba,” instead of “Ho, ho, ho,” which offends the woman.

Doug gets meta on ABC.

As for the Funnie family, their traditions seem pretty ordinary. As Doug tells it, he starts putting up decorations in his room the day after Thanksgiving and I guess the rest of the family does as well. On the 20th, they put up the tree and the lights go up outside on the 21st. The 22nd is the last day of school, stockings go up after that, and on Christmas Eve they visit Grandma Funnie’s house for fruitcake. Before all of that can happen though, Doug informs us he must create The List! That would be the Christmas list of things Doug wants, always a major focal point of a kid at this time of year.

I wonder how long he’s had this book?

Doug sets out to seemingly discuss this list with others in the house. As he does, we see his mom and sister (both voiced by Becca Lish) go over breathing exercises in the living room. Apparently, Doug’s mom is pregnant and the baby is expected in about a month. I think that has been a season long arc for the Funnie family. In the den, Doug finds his dad (Doug Preis) who has something on his mind. Doug wants to talk presents, but dad would like to have a man-to-man conversation that he’s been putting off. He picks up a book which is all about the old birds and the bees. Apparently, Mr. Funnie would like to talk about how he and his mom made this new sibling that’s about to enter their lives. He reads from the book and doesn’t even insert Doug’s name where he’s supposed to instead just saying “Blank’s Name.” Doug stops him before things can get any worse and lets his dad know he’s learned all of this in school already. Doug even gladly explains what sex is (he’s even allowed to say the word), but the audio drops and there’s a clear indication of time passing. The two emerge from the den with Doug’s dad sheepishly rubbing his head and thanking his son for the lesson adding they left some stuff out when he was in school. Poor Mrs. Funnie…

They still fight like kids. That must be exhausting.

With the “lesson” concluded, Doug’s dad has some bad news for his son. With the baby coming, Santa isn’t going to have much time for presents and Christmas. Doug looks glum and tries to hide his list behind his back when his dad asks about it. He plays it off as a list of baby names, but sister Judy is there to snatch it from him and laugh at his suggested “names” of in-line skates and dirt bike. She runs up the stairs while Doug gives chase prompting dad to remark to his wife, “Ready to start this all over again?” She responds by throwing a throw pillow at him (so that’s what they’re for).

The new school is a monument to Beebe. I guess if that’s what it takes to get funding from a rich guy in town then so be it.

It’s the next day at Beebe Bluff Middle School, a school literally constructed in the shape of Beebe’s profile. It would seem another ongoing plot of this first season is the construction of the school which wasn’t quite ready for its first day. I think the joke here is they made sure to have the Christmas lights up, while Doug still doesn’t have a rear wall to his locker as he spies a construction worker when he opens it. Beebe (Alice Playten) approaches Doug in the hall to inform him that her family is going away on some SCUBA trip for Christmas and she needs someone to feed her fish (I guess they give the housekeeper the week off, or maybe they travel with all of their staff). Roger walks by and announces that he’d happily do it on account of the fact that they’re neighbors (Roger’s family won the lottery and now he’s rich). Beebe counters she knows he’d feed her fish…to his cat! Doug agrees to do it and they’re interrupted by Fentruck (Newman), the foreign exchange student from the fictional Yakistonia. He’s one of those characters that exists for us to laugh at, “He’s funny because he’s different!” It’s not mean-spirited though, nor is it really well thought out as Fentruck explains Christmas in his country is basically just Halloween. Doug is polite about it all, but Roger comes over to basically tell Fentruck he’s an idiot because what he described is not Christmas. They don’t really use this as a teaching moment as Roger is just left to utter a one-liner, “How international?” as the two walk off.

Doug finds nothing funny about the Funnie family Christmas tree.

We next check-in with Doug as he’s heading home. On the way, he stops by the tree lot of one Mr. Chestnut (I’m not sure who is doing his voice, the credits on this show are terrible) who apparently knows him from last year or does something else in town the rest of the year that puts him in contact with Doug. He speaks with a southern drawl and remarks that Doug got his best tree last year (he probably says that to all of his customers) and asks what’s he going with this year? Doug tells him he’s just stopping by and will come back with his dad in a little bit to get a tree. As he walks home, he imagines he and his family decorating the perfect tree. Only when Doug gets home he doesn’t find a family waiting to go grab a new tree and instead spies some little, tabletop, half-finished tree. Doug can barely speak he’s so shocked as his dad explains that, with the baby coming, he didn’t see any reason to make a big fuss out of the tree. He hands Doug what I assume are the instructions to finish setting up the tree as he and his mom leave for some birthing classes leaving Doug all alone to construct this monstrosity.

I know the last day before school vacation is usually pretty loose, but this is taking things to another level.

It’s now the last day of school and Doug isn’t letting this whole tree business bring him down too much. He still has some hope that it could be the best Christmas ever, because why settle for just a good Christmas? As he heads out for school, we see that Mr. Dink is still messing around with his Santa display. Now it’s talking like a pirate instead of cat-calling the neighbors. At school, Fentruck is providing everyone with a look at a traditional Yakistonian Christmas which involves him dancing in a white sheet while everyone eats cotton candy and bobs for apples. Roger basically thinks Fentruck is trying to pull a fast one on them and, for once, I think I agree with the school bully. This is absurd.

It’s the waffle iron of Skeeter’s dreams.

After school, Doug and Skeeter engage in what Doug describes as traditional last minute shopping at the mall. Doug is looking for a gift for Patti (Constance Shulman), the girl he longs for, but he can’t find anything he likes. Skeeter, on the other hand, has his eyes on a Christmas Tree waffle iron. Apparently, his dad would make the family tree-shaped waffles ever Christmas, until Skeeter used it to create a bunch of trees for a diorama. The waffle iron did not survive the battle, as he puts it. He wants to get this one for his dad, but he doesn’t have the funds. Doug happily offers up his money, though we don’t hear any specifics which is probably smart as it will help keep the episode timeless, to a degree. Even though they’re shopping at a mall, which is pretty dated in some parts of the world. Skeeter is delighted and vows to pay Doug back as soon as he can, only there’s one problem now.

Don’t mind Doug, he’s just cooking some ears.

Doug is broke. He loaned Skeeter all of his money so he could get that waffle iron for his dad and now he’s left with just sixty-three cents to spend on Patti. Hopefully she likes gumballs. Doug, of course, did not let Skeeter know about this detail so he’s not one of those types who is going to then guilt trip someone he just helped out. This is Doug, who is one of the most selfless cartoon characters around. He’s also resourceful and decides he’ll just make something for Patti. We’re treated to a little montage of Doug basically doing some arts and crafts which involve some sculpting and baking. He had previously been looking at earrings at the mall and it would appear that he’s decided to make some instead. When they’re ready, he pulls them out of the oven and retreats to his room. Along the way, his mom asks who is going to finish the tree which Doug left unassembled save for the base. As he walks by it he derisively refers to it as a fuzzy TV antenna.

Earrings that look like ears. That Doug is one clever boy.

The next day is Christmas Eve and it’s Doug’s last chance to see Patti before she leaves for the holidays. They meet-up at the ice cream parlor in town where Doug gives her the gift he made: earrings of little ears. It’s quirky, it’s clever, I approve. Patti seems to as well. She gives Doug his gift, but on the condition that he can’t open it until Christmas. That’s…odd, but okay. They soon part ways, no kiss for Doug or even a hug, as Patti needs to get home and Doug needs to feed Beebe’s fish. We are then shown these fish which have their own indoor pool and eat steak. It would appear that Beebe’s fish are actually piranhas so I’m puzzled why she thinks Roger’s cat would ever be a threat to them. Speaking of, Doug pauses to look out the window at Roger’s mansion where a big Christmas Eve party appears to be going on complete with…clowns? You do you, Roger.

This is Doug’s idea of a good old-fashioned Christmas.

Doug heads for home and on the way passes by fellow schoolmate Chalky’s (Preis) house. He’s like the jock character and he’s playing football with his family in the front year. They’re all in a big pile, save for Chalky, who asks Doug if he wants to get in on this action? Doug politely declines saying he has to get home, but as he nears home it’s starting to hit him that this Christmas isn’t going to be a special one. This triggers Doug’s imagination as he ponders what it would be like to be coming home to a real old-fashioned, family, Christmas. And in Doug’s mind, that’s a cozy log cabin where his dad talks like Bing Crosby. The house opens up like a stage performance and some performers skate around a tree. I kind of recognize the vocalist, I think he was a Ringo Star parody in the original series, though he doesn’t sound anything like the Beatle. If it is his him then I guess his voice is still being provided by Preis.

I guess this interaction exists to show us that even the nerds are down with Christmas.

When Doug snaps back into reality, he is once again trying to convince himself a good Christmas is still possible. He then runs into the twins, Al and Moo (Eddie Korbich). They’re both covered in Christmas lights and when Doug asks them if they’re afraid of getting shocked one of them (I have no idea which is Al and which is Moo) indicates that he is indeed getting shocked. They both have questions about Mr. Dink’s Santa, but also questions about why Doug’s house doesn’t feature any holiday decorations? They seem to assume that Doug’s parents are some kind of holiday haters. Do Jewish people not exist in Doug?

Doug is finally getting a little ticked off with his family and their attitude this year towards Christmas.

Doug returns home and finds his mother and Judy watching television. He asks about going to grandma’s, but his mom stands up somewhat uncomfortably and says they won’t be going this year. Doug’s dad is still at the mall (he’s a department store photographer so I guess he works there) and Judy adds that their mother is in no condition to travel this Christmas. She also sees this as an opportunity to complain about men as she’s a bit of a dated character type – the killjoy feminist. Her convictions are immediately undermined when she asks her mom to get her some coco while she’s up. Doug angrily announces he’ll be in his room.

Well, it’s certainly an improvement over the tree his dad bought. And who can complain at that price?

Once there, we see Porkchop is either sorting cards he received or really procrastinating on his own Christmas cards. Doug is left to ponder that without lights or a tree can they even call it Christmas? He imagines what Christmas morning will be like with his family sitting around the kitchen table in silence until his dad remembers to wish them a merry Christmas from behind his newspaper. Doug doesn’t want that kind of Christmas so he heads out to Mr. Chestnut’s tree lot. He gets there just in time as he finds Mr. Chestnut cleaning up. When he inquires about a tree, he’s informed that he’s only got one left. It’s a small, diminutive, tree, but one that’s far healthier in appearance than what Charlie Brown settled on. When Doug asks how much, Mr. Chestnut tells him it’s free. A more cynical show would have him jack the price up on account of it being Christmas Eve, but this is Doug and Doug is a nice kid who people are happy to treat with the same kindness he radiates.

I can’t tell if he’s embarrassed to be declared the world’s greatest dog or if this is a fake smile implying he hates the mug.

It’s on the way home from the tree lot that Doug and Porkchop vow to have their own, secret, Christmas. They setup the tree in Doug’s room and exchange gifts on Christmas morning. Porkchop got Doug another journal (he can always use more of those) while Doug gifted Porkchop a world’s best dog mug. I can’t tell if he likes it. Doug then turns on the radio and tries to stay positive as we hear a Christmas song which the DJ announces is a dedication to Doug Funnie from his pal…Doug Funnie. Okay, now this is starting to get sad.

Time to meet the little Dirt Bike.

Doug’s attempts at optimism have now run out. He asks aloud where is everyone? And no one answers. He leaves his room to look around the house and finds it empty. His parents aren’t in their bedroom, nor is Judy in hers. The phone rings and Doug answers. It’s his dad who is at the hospital. He tells Doug that “something happened,” but doesn’t elaborate. He seems very serious, even grave, and we cut to Doug walking down a hospital hallway with his dad still perplexed and sounding fearful about what’s going on. Despite that, we know what’s up as it turns out Doug’s mom had the baby. In the rush of everything, they just treated Doug like Kevin McCallister and forgot all about him. Doug enters his mom’s room to meet his new baby sister. He and Judy are surprised when their dad tells them that they decided to use the names they both came up with. Meet Cleopatra Dirt Bike Funnie! The older siblings can only faint in response.

I’m more than done with this B plot.

And of course, Doug is going to get a happy ending. The Funnie family hosts a Christmas party at their house, it’s just a few days late. A lot of people seem to show up, including Skeeter’s family. His dad thanks Doug for the waffle iron, while Roger and Fentruck resume this runner about Yakistonian Christmas. Fentruck, dressed as a vampire, is listening to Roger explain Halloween. When he then explains what Christmas is, Fentruck basically tells him that’s Yakistonian Easter. Roger just drops to the floor and starts throwing a tantrum. Let’s move on.

“It’s not such a bad little tree.”

Doug, seated with his family on the couch, declares they should make this an annual tradition. And by this he means his parents having another baby which earns him a throw pillow to the face from someone offscreen. Judy then chimes in to announce that they’ve run out of diapers, but Doug cheerfully volunteers to run out and get some. As he’s grabbing his coat, Patti approaches with the gift she had given to Doug. It would seem in all of the chaos of the Funnie Christmas, Doug forgot to open it. He notices Patti wearing the earrings he made her and she says she likes them because it looks like someone made them. Doug blushes and says that’s because he did and starts to go into his money problems, but Patti stops him as she doesn’t want to get all mushy and literally says “Shut up and open your present.” Inside is a scarf which Pattie knitted for Doug. He’s touched because apparently Patti hates knitting. It’s not that great since it gets narrow at the end because she ran out of yarn, but Doug doesn’t care. He even gets a hug from Patti. I bet he wishes he wasn’t wearing sweatpants right now.

Come on man, the girl is practically throwing herself at you. Make a move!

Doug and Porkchop then run off into the Bluffington night in search of diapers for little Cleo. He’s sporting his new scarf, naturally, and runs by Mr. Dink who is taking down his decorations (why isn’t he at the party?). Mr. Dink wishes Doug a happy new year while Doug returns with a “Merry Christmas.” It’s at that point, predictably, that Dink’s Santa finally says “Ho. Ho. Ho.” with Dink remarking, “Oh, now you get it right!” Doug then pauses at the next street corner so he can look up at the sky and shout “Merry Christmas everybody!” The camera zooms out to an aerial view of town and we fade to black.

And in the end, Doug gets a merry Christmas. Did you expect anything less?

“Doug’s Secret Christmas” is basically what I expected. It’s a quiet, low stakes, affair with just the right amount of sweetness. It’s a lot different from the previous Christmas special which actually had very high stakes as Doug found his dog on death row. I’m glad they went for something less intense this time. It is a predictable episode as I’m guessing everyone expected Doug’s mom would have the baby by the time it was over. What is less predictable is that our main character never gets spiteful. He shows no hint of resentment towards the baby at all during the episode even though his family is basically allowing the unborn child to ruin Christmas. I would add his dad is pretty bad at managing everything because surely he still could have taken his son to get a tree? It’s understandable though that their belts may have been tightened with the incoming child, but kind of odd to still hear his dad refer to Santa. Maybe he was just being cute? He is the same guy who didn’t think his middle school-aged son knew about sex. I’m guessing the show didn’t want to blow the whole Santa thing since kids were likely to watch this so I’ll forgive them that.

I was a bit surprised that by the time we get to the actual secret Christmas the episode title is referencing that it’s almost over. Doug and Porkchop essentially have a failed secret Christmas and then find out the baby is here. The whole episode moves both methodically, but kind of briskly, because we’re waiting for the premise to kick-in, but the show is in no rush to do so. It does help to setup the ending and I like a holiday episode that covers the run-up to Christmas along with the holiday itself. I liked the subplot of Doug helping Skeeter which lead into his gift for Patti. It’s an example of the show still moving quickly because that potential crisis is averted almost immediately and Patti is happy with her gift. The only subplot I continuously rolled my eyes at was the one with Fentruck and Roger. I just don’t find that type of humor funny. I’m not offended by it because the show isn’t really mocking another culture, I just don’t buy Roger getting all worked up about it. Who cares? It’s just a lazy Yackov Smirnoff joke.

Doug is easy to root for since he’s not after a toy or something, he just wants to have a nice, family, Christmas. That’s not too much to ask.

“Doug’s Secret Christmas” keeps the art style of the first Christmas special by making sure Doug is dressed for the occasion. Such minor details are something I appreciate in animation because who would wear shorts at Christmas in a cold climate? Doug is all bundled up and appropriately so. The town is pretty well decorated and I very much enjoyed the introduction done in a Chuck Jones style. It doesn’t really make a whole lot of sense upon reflection, Doug didn’t steal Christmas, but I guess it’s a lot more engaging to have Doug be the Grinch. It’s not like they could have a baby Grinch. Well, I guess they could have, but it probably would have really confused people and changed the whole tenor of the episode. I also found this to have pretty much the same feeling as the original series. Maybe just toned down a little? Skeeter doesn’t make any weird noises and the only weirdness really comes from Fentruck. I guess Beebe having piranhas is odd, but it’s just a visual joke as we’re left to ponder what kind of fish a rich girl like her would have. They could have been anything extravagant, I suppose.

All that is to say that I can safely recommend “Doug’s Secret Christmas” for anyone who has enjoyed an episode of Doug, be it on Nickelodeon or ABC. I think I actually prefer it to the more popular Christmas episode of Doug as that one is uneven for me. It’s a very serious story, but it’s not really handled in a serious enough manner. Plus it tortures poor Doug and Doug is a character I don’t want to see in abject misery. He can face hardships, but lets not dangle the death of his dog over his head for an entire episode. This one doesn’t do anything spectacular, but it’s an enjoyable watch. The high floor Christmas special.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 4 – Doug – “Doug’s Christmas Story”

Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first…

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Dec. 4 – The Pups’ Christmas

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…

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Dec. 4 – Family Guy – “Christmas Guy”

In the fall of 2013, beloved family dog, Brian, met his demise. Brian was an extraordinary dog capable of communicating in English with his family members who was often seen walking on two feet. Despite that though, he met a rather ordinary end for a dog when he was unceremoniously struck by an automobile. Life…

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Dec. 3 – American Dad! – “Season’s Beatings”

Original air date December 11, 2011.

It feels like it has been a minute since we took a look at an American Dad! Christmas episode. The show can be counted on to produce such an episode almost annually and often times the Christmas episode is among the best of the season. 2024 is also the year we had to say goodbye to actor Martin Mull. It’s possible you don’t immediately conjure up a role for Mull upon hearing his name, but he’s definitely one of those “Hey, it’s that guy!” type of actors that most have encountered. He seemed to get a lot of work in TV in the 90s and I can’t think of a program he was a part of that wasn’t better off for having him. And, to no surprise, he’s great on this episode of American Dad!.

Included a couple of years ago as one of the top Christmas specials of all-time was the season seven episode of American Dad! titled “For Whom the Sleigh Bell Tolls,” so it only makes sense that we return to American Dad! with the season eight episode “Season’s Beatings.” We’ve gone out of order with the show as I wanted to jump ahead to the sequel episode of “For Whom the Sleigh Bell Tolls” with “Minstrel Krampus,” so now I’m here to rectify that.

American Dad! is old news around here so I’m not going to make the usual preamble in this space, just know that you’re getting a subversive Christmas special. It’s not going to be for everyone. I hesitate to use the word “edgy” because it’s too often relied on and seems to be a favored descriptor for those with bad takes, but this episode is probably on the edgier side since it’s going to deal with the main character trying to murder a kid at Christmas. He’s the antichrist though so it’s okay! Still, if your idea of a good Christmas special is something like an episode of Full House or The Little Drummer Boy then this probably won’t be for you.

Roger is here to whip up some good old-fashioned eggnog!

The episode begins in conventional fashion with no Christmas theming added to the opening title. Lame. Once over, we at least are immediately treated with an exterior shot of the Smith household all decked out for the holidays with a fresh blanket of snow. Inside, Francine (Wendy Schaal) and son Steve (Scott Grimes) are making cookies while Roger (Seth MacFarlane) is mixing up a batch of his special eggnog. Steve scolds him for taking so long with the ‘nog and Roger assures him it’s almost ready, but it just needs a final test. His slurred speech would suggest he’s already tested the drink extensively, but just to be sure he pulls out a cage containing two rats. He offers a ladle full of the stuff to a brown rat who sniffs it before taking a few licks. It immediately starts screaming and tares off the head of the other rat in the cage with it. After making out furiously with the severed head, the rat dawns it like a headdress and runs in circles until it stops to vomit out blood until it collapses and explodes sending rat pieces flying. I told you this wasn’t the sort of Christmas special for everyone.

The eggnog may feature some side effects…

After Roger declares his eggnog perfect, Stan (MacFarlane) enters the room with exciting news: Father Donovan is putting on a Christmas pageant at the mall all about the life of Jesus! Fran asks if he’ll be trying out and Stan smugly announces that he’s sure to land the lead role of Jesus for the play because he’s the most devout member of the congregation. Roger drunkenly laughs about the concept of Christianity, referring to it as his favorite deadbeat dad story (comparing it to the real song “Biological Didn’t Bother” by Shaq) as he slurs his speech and somehow manages to not fall off of the stool he’s standing on. Stan angrily slams down the pamphlets he was holding and demands that Roger not insult his religion. Roger, rather calmly, gathers up his jewel encrusted “pimp cup” and stumbles over to Stan as if he’s about to offer some retort, only to point out that Stan as a pimple under the skin of his chin that’s likely to reach its apex in about two weeks. He then saunters off into the living room.

She sure is flexible.

In the dimly lit living room, Hayley (Rachael MacFarlane) and her husband Jeff (Jeff Fischer) are cuddling on the couch watching TV. Hayley asks her husband if everything is all right noting that he cried a lot more than usual during sex this morning. Jeff sits up and announces that he wants to have a baby. He feels they have a lot of love to give plus he also feels broken inside and kids are sure to fix everything! Hayley wants nothing to do with being a mother declaring she has no maternal instincts and only animal ones. She lists off eating and pooping as such instincts and casually tosses in a “laying on the ground ahead of a storm” which she immediately demonstrates by walking around in circles and curling up on the carpet as thunder booms outside. She punctuates the joke by scratching her ear with her foot.

Not the role Stan was anticipating.

At the mall the next day, some parishioners are setting up for the play while Father Donovan (Martin Mull) looks on with a lit cigarette casually placed between his fingers. Stan comes into frame to enthusiastically confirm that he’s willing to play Jesus in the play, but Donovan shoots him down immediately. Stan can’t believe it and points out that he’s the most devout member of Donovan’s flock, but Donovan just laughs him off and informs him the role has nothing to do with devotion – it’s all about the abs, baby! Jesus is shredded, and Stan is, well, not. Stan tries to convince him other wise by laying on the cross that’s being worked on at the moment, but it snaps in half under Stan’s weight causing the female worker who was painting it to declare, “Now what am I going to burn on my ethnic neighbor’s lawn?” Father Donovan assures Stan he has the perfect role for him and holds up a red jacket and pants. Stan thinks this is a reference to Fireman Jesus, but Donovan confirms for him that he wants him to play Santa. To try and convince him how great a role is he produces some Bratz dolls that Santa gave him – for free – last Christmas! He then darkly adds that he can’t believe this is the suit Earl died in.

The Smith family has added a new member, and he’s an orphan! Maybe this will be a wholesome Christmas special after all?

Back at the Smith home, we see Jeff’s van pulling into the driveway and then cut to the living room. Jeff has an announcement to make – he’s adopted a son! He has named the little guy (who I would guess is 2 or 3) Nemo, after his favorite character from his favorite book: the novelization of the movie Finding Nemo. Hayley is outraged that Jeff went and did this while Francine is shocked and delighted. She can’t believe she’s a grandmother and felt her only chance at becoming one was if Steve got raped by a confused lesbian. She runs to Nemo and scoops him up covering him with kisses. Jeff says he wanted a son to carry on his legacy – his Suburu Legacy, so maybe this is going to be a running joke with him. Hayley is confused because adoption should be a lengthy process and asks Jeff how he pulled this off. He’s dumbfounded and chalks it up to an end of month clearance event while adding that the orphanage seemed real eager to get rid of this kid. Nemo then walks over to Hayley who backs away declaring “Eww, get it away from me!” He grabs her hand and nuzzles it which triggers Hayley’s maternal instincts to kick in times ten. She starts sobbing uncontrollably and wraps Nemo up declaring him her baby. Aww! Stan then comes down the stairs in full Santa costume and demands to know who Nemo is. Francine declares they’re grandparents, and he just responds, “Steve was raped by a confused lesbian?”

“Don’t worry about it.”

Back at the mall, Stan is apparently not playing Santa in the play, he’s just playing the part of Santa for the mall. There’s a kid sitting on his knee and Stan curtly asks him what does he want? The kid, in a deep, gravelly, voice, replies with “Umm, let me think about it?” Upon hearing how deep his voice is, Stan demands to know if he’s even a little boy, but the guy just tells him “Don’t worry about it.” After telling him he can’t be here, the not kid says “Come on, I waited in line let me just sit here a minute.” Stan doesn’t agree to that and tells him to get off, but the not kid assures him he’s almost done. When Stan asks what he’s almost done with, he just responds “Don’t worry about it.”

I’m sure Stan will have a rational reaction to Roger landing the role of Jesus.

The performers in the pageant then enter and Stan declares he has to see this. Tossing the not kid from his lap, Stan hurries over to the stage to find out who is playing Jesus. It’s Roger, who is wearing a wig and a loincloth and has some impressive abs on display. Stan is outraged to find Roger as Jesus and demands to know why he would want to do this. He says that Stan made it sound like a big deal and notes it gave him an excuse to work on his abs and his…savior bulge, as he gestures to his groin. Stan can’t believe it and when he finds out that Roger is also drunk he loses it. He punches Roger in the face and climbs on top of him to rain blow upon blow upon this false idol. Roger gets away momentarily and crawls to one of the female performers. He doesn’t ask her for help though, just calls her ugly. He’s definitely not Jesus material.

Looks like I was wrong.

We return to the Smith home as Stan pulls into the driveway. Inside, Nemo has Jeff’s hat on which I’m assuming everyone finds cute. Hayley is filming him and still sobbing uncontrollable prompting Francine to remark that her “bitch crying” is ruining the home movie. Stan then enters still in his Santa suit only now it’s covered in blood. Francine jumps up and asks him what happened. His cover? He was sitting on the bus next to Courtney Love and she sneezed. Even if that were believable, it’s ruined by good old television which Jeff points out as a news story covering the beating at the mall is played. Stan insists it’s not what it looks like and that he was defending Jesus while the anchor describes the beating as an unprovoked attack on Christianity. It’s not helped by the soundbite of Stan shouting at Roger as he wails on him “You can’t play Jesus you lazy, wine-loving, bisexual!” We then pull out from the TV to reveal a female priest is watching the coverage. She picks up the phone which cuts to another priest type doing the same and this goes on until it reaches the pope who asks “Are you watching this shit?”

Very wrong.

Stan insists to his family he wasn’t slandering Jesus, but Roger. The news then alerts the viewing audience that the mall Santa has been identified as none other than Stan Smith. The phone rings immediately and Steve answers informing his father that it’s Father Donovan, and he sounds punitive. We cut to the church where Stan is having a face to face with Donovan who has some bad news: he’s being excommunicated from all of Christianity. Stan can’t believe it and asks how he can get back in. Donovan tells him there are only three ways: find the Holy Grail, kill the antichrist, or donate ten million dollars to charity adding that’s how Jared Fogle from the Subway ads got back in (this episode was made before Fogle was arrested and jailed for being a pedophile so this joke reads quite dark now). Stan points out that he can’t do any of those things, but Donovan can only offer his apologies. He demands that Stan turn in his badge and he apparently does have a gold, Christianity, badge that he places on Donovan’s desk. As he goes to leave, Father Donovan calls out to him to wait! He doesn’t have anything to add, he just wants Stan’s opinion on if he should grow a mustache or not further asking, “What do hookers like?”

Klaus doesn’t get a line this entire episode, but at least he looks cute.

The only thing for Stan to do is go home and cry in front of his family about being excommunicated. Roger is still nursing his injuries from his encounter with Stan at the mall (and really seems to be taking it all in stride, probably because he achieved orgasm during the fight which he confirms to Steve) while Klaus, the goldfish, can be seen wearing an adorable little Santa hat in his fish bowl. Steve tries to suggest to his dad that he just get a new religion and Francine remarks it worked for Mohammed Ali and thinks he changed religions, and his name, to Kareem Abdul Jabar. No, Francine, those are two different people. Stan doesn’t want to change religions, so he just sobs instead.

That’s quite the discovery, Stan.

In his office, Stan is grabbing all of his kitschy religious items and tossing them into a box. As he does, he cries some more until his wails are interrupted by little Nemo who comes walking into the room doing the same. Stan seems to have taken to his new grandson better than I would have guessed as he picks him up and goes in for some snuggles. He then notices a mark on the boy’s head. It reads 6…6…2, phew! Wait! Below the 2 is a “+4” and then under that is the number 666! Nemo is the antichrist! Roger then enters with one of those tins filled with caramel corn. He claims to Stan that he made it just for him, but there’s a card on it indicating it was a gift to their neighbors Terry and Greg from someone named Trevor. We then get a quick cutaway of the pair looking for the gift under their tree while an angry Trevor, who thinks they regifted it, looks on. Trevor declares that they’re worse than Connor and everyone, including Trevor, gasps at the outburst. Connor must be pretty bad. Back in the study, Stan tells Roger to forget the corn because he has found a way back into Christianity and all he has to do is murder his grandson! And I thought they were bonding.

I’d call Father Donovan out on this boast, but I’m afraid he’ll try and prove it.

It’s nighttime and Father Donovan is pulling up to the Smith house in a car that features a license plate which reads “12 Inches.” Sure, buddy. Donovan enters the house and Stan shows him Nemo’s mark as the kid sleeps in a crib in the living room. Donovan tells Smith that he better make sure he knows for certain that Nemo is the antichrist before he kills him. Apparently, he’s made some mistakes in the past. Roger and Jeff then enter the house with Roger remarking that was some of his worst caroling, but best tagging, ever. We get a quick cut to someone’s garage door which features an image of Santa and what looks like strippers. Stan informs Jeff that he needs to take them to the orphanage where he got Nemo so that he can find evidence that proves he’s the antichrist so he can kill him. Jeff just says “Okay,” either not grasping what’s going on here or he just doesn’t care. Roger tells Stan to give the cutest orphan a crisp bill of some kind and the ugliest one a…he backhands Stan for dramatic effect. Stan then informs Roger that he’s coming too since he got him into this mess. Roger is fine with that, but informs everyone that before he can go anywhere he needs to…wipe…better. Gross.

This probably doesn’t bode well for the priest.

Outside the burned down remnants of the orphanage, an old groundskeeper is there to tell the gang the place burned down last week, the day after Jeff adopted Nemo. He also shares with them that was the day he got his cholesterol test results back which no one seems to care about. The group split up and look amongst the wreckage for any clues they can find about Nemo. Only Father Donovan seems to have found anything as he looks over a manilla folder and calls Stan to tell him to meet him outside. As he waits for the others to come out, a crow observes Father Donovan pacing back and forth. Its eyes glow red and we cut back to Nemo who is playing with blocks with his mother. His eyes glow red and then in slow motion he knocks his little block tower over which causes the orphanage to shake and collapse on Father Donovan.

This is probably something the orphanage should have shared with Jeff.

Stan and the others race outside seemingly avoiding catastrophe, but Father Donovan is not so lucky. His torso is sticking out of a pile of flaming rubble. He tells Stan he can’t feel his legs and asks if they’re okay. We pan over to see the man’s severed legs on fire prompting Stan to deadpan “They’re fine.” Donovan hands over what he found which is Nemo’s file confirming that he is indeed the son of Satan with a jackal for a mother. There’s even a nice family portrait of Nemo, a jackal, and a Satan that resembles Tim Curry from Legend. It’s at this point that Jeff realizes that Nemo spelled backwards is Omen, but Roger is quick to point out that doesn’t make sense since Jeff was the one who named him. They choose not to dwell on it as Father Donovan outlines what it means for Nemo to be the antichrist. He tells Stan that he needs to retrieve the sacred daggers from the Vatican as they are the only items that can kill Nemo. When Stan asks if he’s sure, Father Donovan says “Yes, I read it on Wikipedia.” He then goes into a long history on musician Jon Bon Jovi which he also read about on Wikipedia. As he does this, he’s clearly struggling to breathe, but he manages to finish the lesson before finally passing. Stan informs Jeff and Roger that they need to hurry to the Vatican, but Father Donovan wakes up and continues his history lesson. His last words are “Kenny…Loggins.” Stan seems afraid to say anything else in fear that it will prompt Father Donovan to share more last words. Godspeed Father Donovan. I hope there are hookers in Heaven waiting for you and they don’t care if you have a moustache or not.

Something tells me Steve will not enjoy this.

Our next scene reveals that Stan has apparently managed to utilize CIA resources to get a plane and head to the Vatican. Stan calls home to let his family know what’s going on and he gets Steve. Steve immediately starts to share the results of his latest eye exam, but Stan obviously doesn’t care. He just blurts out the Nemo is the antichrist. Steve pauses, looks annoyed, then resumes sharing the details of his exam. At the next pause, Stan just shouts what they’re doing and passes on a warning to beware of Nemo before hanging up. Steve, clearly agitated, puts the phone down only to be startled by the presence of his nephew on the couch beside him. Nemo’s eyes glow red once more and Steve shivers beside him until his eyes turn red in response. He drones that he is here to serve him as his buddy Snot (Curtis Armstrong) enters the house. Steve’s head spins around with a snapping sound and Snot rightly is freaked out and makes a hasty retreat.

What did Seth do? I don’t think I want to know what Andy Dick did.

Stan, Roger, and Jeff arrive at the Vatican. Roger is already bored and complaining of thirst while Stan ignores him and outlines the plan. They need to gain access to the catacombs in order to find the daggers they seek, but when they arrive at the gate the two guards inform Stan he’s not allowed to enter. We get a close-up shot of a flier of banned persons. One is Jared from Subway with an “OK” stamped over him. Stan is there and below him it looks like maybe Christian Slater and Andy Dick? The one that looks like Slater might just be Seth MacFarlane, I don’t know. It is! When the camera zooms out we can clearly see his name below. Odd that they didn’t include it in the frame for the close-up. Anyway, Stan informs Jeff and Roger that they’ll have to retrieve the daggers, but Roger doesn’t want to. Stan then asks him why he can’t just assume a persona that’s eager to do this? Roger likes the suggestion and morphs into Roland Chang – Super Positive Asian! He basically wears a wig and smiley face hat and gets slanted eyes. It’s kind of racist? Roger is certainly not PC.

We know what this means…

The catacombs are pretty creepy as we see Jeff and Roger walk amongst some dusty, old corpses. Roger tells Jeff to be on the lookout for the daggers and empty boxes since he has a friend that needs boxes in preparation for a move. A rat emerges from a hole in the wall to spy the pair and its eyes immediately turn red. We cut back to Nemo who is seated in a highchair with a sippy cup and army men splayed before him on the kitchen table. His eyes in turn glow red and he removes the lid to his cup and dumps it upon the army men. In the catacombs, Roger asks Jeff if he does coke and gets no reply so he just says “Yeah, me neither.” Suddenly, a rush of water comes surging in and Jeff and Roger are forced to try and get to safety. Roger manages to get onto a ledge, but the water sweeps Jeff away. Roger cries out, “Jeff!” in response to this only for Jeff to shout back “What?”

That is just a fantastic nut shot. Look at how the eyes go cross.

We then see Roger emerge from a floor vent into an ornately decorated sanctum. A group of cardinals, or bishops, or whatever they’re called are just standing around a bit surprised to see a super positive Asian fellow emerge from their basement. Roger has to break the bad news to them that they have a bit of a moisture problem in the basement. He then spies the ceremonial daggers right there on the wall! He informs them he can prepare an estimate for repairs, but then just kicks the first bishop in front of him right, square, in the nuts. We cut to Stan waiting outside as Roger comes running out shouting “We’ve got the daggers Jeff died run, run, run!”

Well, at least in this state Steve should be more helpful when it comes to stringing lights and such.

We now return to the Smith household where Hayley is tossing a football with Nemo while Steve looks on speaking in tongues. Francine is on a ladder and hanging lights when she scolds Steve to stop speaking in Aramaic – it’s a dead language. Stan and Roger come speeding in and Francine demands to know where they’ve been. Stan asks her if she got his message, but as illustrated by Steve crawling around on the roof in some kind of a reverse crab walk pose, she did not. When Stan points out that Nemo turned Steve into an apostate of Satan, Francine confirms he’s been a pill all day. They also find time to slip in casually that Jeff is dead which shocks Hayley. When Stan tells her that they have to kill Nemo, he tries to use Steve like a club of sorts to telekinetically beat back Stan. Francine still doesn’t buy into this and just thinks Steve is hungry. She tells him she just made a Trader Joe’s run and lists off a bunch of digs at Trader Joe’s ending with something about a mushroom flatbread pizza that smells like nutsack.

Get ready for an extended brawl as our main character tries to kill a toddler!

Hayley, despite all of this, isn’t willing to let her father murder her son. She grabs him after Stan gets tossed into the ladder Francine was on forcing her to grab onto the lights to stop herself from falling. Roger leaps into action to stop Hayley from taking off, but Francine comes inadvertently swinging in and knocks Roger to the ground. The lights end up causing a fire which provides a distraction for Stan to grab Nemo and run. Hayley tackles him through the living room window of Terry (Mike Barker) and Greg’s (MacFarlane) and they roll around their house destroying a bunch of stuff in the process. Stan kicks his kids out of the house, but Nemo uses his telekinetic powers to throw Stan through the ceiling. He dangles for a second, then falls and resumes chasing after Nemo. Terry realizes this is the perfect opportunity to destroy some figurines of Greg’s he hates so he awkwardly swats them off an end table, well after the Smith’s have vacated their home, and does a pretty poor job of acting like it was an accident.

Did we really need to mock the blind here? This one was a little too dark for me to be funny.

Back outside, Hayley pounces on her dad and demands he not harm her Satan baby indicating she’s accepted the reality of the situation, but still would prefer to not have her son murdered. A menacing looking dog leaps to Nemo’s defense so Stan pulls out his gun and shoots it. A blind man then wanders over asking if they’ve seen his dog, Clancy. Hayley and Stan don’t move or say a word and just let the poor guy pathetically call out for his service dog while receiving no response. He decides to move on, and is promptly run over for his efforts. That was just unnecessarily cruel.

It’s all come down to this. Is American Dad! really going to show toddler murder on network television?!

With the blind man dead, Hayley and Stan resume their brawl only to be interrupted by Steve. He jumps on his father, still speaking in tongues, but Roland is here to put him down! He sprays Steve with some bug killer that causes him to fall off and act like a spider that just died. Roland tells Stan now they can kill that boy together and punctuates his optimism with a hearty thumb’s up. Stan grabs the daggers while Nemo tries to flee through the backyard. He uses his mind powers to chuck a charcoal grill at Stan, but Roland grabs him and pins him to a patio table. Stan goes in for the kill, and misses Nemo stabbing Roland in the hand. Roger immediately snaps back into his standard persona and begins to insult Stan, but then has to remind himself that’s not who Roland is and instead offers words of encouragement. Stan regathers the daggers and looks to try again, only for Hayley to pull his own gun on him. He gives her one look, then decides to kill the kid.

Don’t worry, this isn’t The Wizard of Oz.

The screen goes white as we hear the sound of a gunshot. We’re at the hospital and Stan is waking up in his hospital bed surrounded by his family – including Jeff! If you’re thinking this whole episode was a dream, well you’re wrong. All of that stuff really happened, and Hayley did shoot Stan! It’s not explained how Jeff survived, he just did. Nemo was not murdered, but the family has good news regardless. Turns out, Roger’s pimp cup from act one was actually the Holy Grail so Stan has been readmitted into Christianity! As for Nemo, Hayley sent him somewhere far from Stan where he’ll be safe. We then cut to someone tucking little Nemo into bed – it’s Sarah Palin (Schaal). She offers up some encouragement about sleeping in the White House soon and then leaves the boy because her new issue of Highlights magazine has arrived. With his new mother gone, Nemo pops out from under the covers. He takes off his onesie pajamas, which are covered with crosses, and puts them on upside down. He then speaks in a shrill voice threatening Stan Smith that he’ll see him at the Rapture! His head spins around and he vomits a whole bunch while a voice over lets us know that Baby Antichrist wants to wish us a Merry Christmas! The screen is then covered in green vomit and the credits roll.

Merry Christmas to you too, Baby Antichrist!

I told you it wasn’t going to be one of those warm, fuzzy, Christmas episodes. American Dad! knows how to deliver the subversive, and since its main character is a devout Christian it makes it pretty easy to craft a Christmas special. There are probably some uncomfortable images in this one for those who take their religion seriously, but there isn’t much here truly mocking Christianity. Father Donovan isn’t really a wholesome take on a priest while the suggestion that anyone with money can buy their way into the good graces of the Pope could certainly be taken as a jab at the faith. On the other hand, Donovan did say “charity” when mentioning how Stan could pay his way out of trouble so it’s not like he was enriching any one person had he been able to go that route.

Sarah Palin jokes were pretty dated in 2011. They’re even more so now.

No, what’s really the aim of this episode is just to fashion a Christmas episode around a grandfather seeking to kill his newly adopted grandson. That’s pretty messed up, especially because Stan seems completely fine with the whole thing. Then again, Nemo is pretty clearly the antichrist and I suppose a good Christian would want to kill such a creature. And it’s not as if Nemo had been around all that long. I find it funny, and the episode is chock full of Christmas theming which I do so enjoy. We get lots of decorations and fun Christmas outfits for most of the family. I definitely could have used a bit more of Father Donovan so I was a bit sad to see him killed off about halfway through, but at least he didn’t overstay his welcome. The Palin joke at the end wasn’t very good. They insulted her intelligence with the crack about Highlights magazine, but it’s a pretty toothless joke. And Nemo did leave us with a taunt, but he would not return. There’s even a later Christmas episode about The Rapture, but no Nemo. I guess he’s still biding his time up there in Alaska, but he should probably ditch Palin and hitch himself onto another wagon if he wants to get into Washington.

Bless you, Father Donovan. Hopefully, you’re in a better place.

Should you wish to partake in this non-traditional Christmas special the easiest way to do so is via Hulu. If you’re outside the US, then Disney+ will have it. TBS is still the cable home for American Dad! and you can probably find this one playing throughout the month there as well. It’s not my favorite American Dad! holiday episode, but it’s up there. Maybe even number two, so I give it a strong recommend with the caveat that it’s not for everyone. Now let’s all strive to be a little less like the antichrist this holiday season and a little more like Roland Chang – Super Positive Asian!

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 3 – Animaniacs – ‘Twas the Day Before Christmas

Children’s cartoons often take to Christmas when the season rolls around. The holiday is usually ripe for parody or just direct adaptations so it’s easy for the writers to kind of phone it in. What’s not customary is for a cartoon series to feature two dedicated Christmas episodes in a single season! That’s what Animaniacs…

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Dec. 3 – Popeye the Sailor – “Mister and Mistletoe”

Last year for the Christmas Spot we took a look at the 1960’s TV series Popeye the Sailor and its Christmas episode “Spinach Greetings.” There are a lot of Popeye fans in the world and my assumption is that most would not put Popeye the Sailor above the theatrical shorts that helped catapult Popeye to…

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Dec. 2 – Dinosaurs – “Refrigerator Day”

Original air date December 11, 1991

Nothing puts one in the Christmas Spirit like carols about the refrigerator. Or so Dinosaurs would have you believe. Not that Christmas is actually mentioned at all in today’s special because it takes place in a setting on Earth millions of years before the Christ in Christmas was born. Back then, the sentient beings of the world celebrated a different sort of holiday and it was one centered around the refrigerator. Think about it for a second – the refrigerator really is an amazingly transformative invention. Prior to its creation, there was no way to keep food from spoiling when the outside temperature was above 50 degrees or so. People would have root cellars where they would store things like apples and cheese in the winter because they were hearty. Apples could be turned into apple sauce or pie while cheese would spoil from the outside in. Those moldy parts could be discarded, or consumed if you like that sort of thing. That’s why in a society that apparently doesn’t really worship a god a refrigerator can seem like a truly miraculous thing.

Dinosaurs was an ingenious idea that lead to a pretty great show.

On this blog, I tend to stick with cartoons when it comes to the daily Christmas post, but it’s not a hard and fast rule. And Dinosaurs is kind of like a live-action cartoon. It was often compared (sometimes negatively) to The Simpsons during its heyday and it’s fairly apt. Both shows are sitcoms that just go about the whole medium thing different. Where as The Simpsons is a bonafide animated production, Dinosaurs is a costumed one with advanced puppetry. The show was created by Mike Jacobs and Bob Young and receiving a “developed by” credit is the infamous Jim Henson. Henson died before the show’s premiere, but it’s he who is credited with the idea of doing a sitcom about a family of dinosaurs. The costumes for much of the cast are very similar to what the company made for the Teenage Mutant Ninja Turtles films. You basically have an actor in a big, rubber, suit, with animatronics built into the face that are then operated by a puppeteer. I can’t imagine how miserable these costumes must have been to wear, but the technology on display is truly amazing. These characters are as alive and expressive as most sitcom stars and the show became an overnight success when it debuted in 1991.

The Sinclair family is a fairly typical family of four at the beginning, but made five before the first episode ends.

Dinosaurs was considered an expensive production, but despite that it ran for four seasons totaling 65 episodes, an important number if syndication was going to be in its future. It’s also a show that has become infamous since it left the air because the final episode basically kills everybody off. I mean, it’s a show about dinosaurs – how else could it have ended? The Sinclair family doesn’t literally die, but the ice age is essentially about to begin and it’s pretty bleak. Their doom was brought about by their own society’s ills and in that regard it’s even less of a surprise the show ended in such a fashion. Dinosaurs is a sitcom and a funny one at that, but it’s also a pretty biting satire of 90s culture. The show was very critical of war during a time when most of the country was consumed by Gulf War patriotism and the show even tackled religion in a pretty savage way for network television. In my experience, the show burned bright and faded quickly with most only remembering it for the baby and his infamous “Not the mama,” routine, but once the show hit Disney+ I gave it a complete rewatch and was kind of blown away by how well it holds up.

The enduring image from the show.

If you are new to the show, Dinosaurs is about the Sinclair family. Earl (Bill Barretta as the suit actor, Stuart Pankin the voice) is a typical sitcom dad in that he’s a blue collar worker with a mean boss who just wants to be left alone when he’s not on the job. He’s not stupid, but he is pretty ignorant which leads to some stupid decisions. His wife, Fran (Mitchel Young-Evans, Jessica Walter) is the typical moral center of the family and a stay-at-home mother to a pair of teenagers, Robbie (Leif Tilden, Jason Willinger) and Charlene (Michelan Sisti, Sally Struthers). Both kids have pretty typical teenaged problems dealing with popularity, the opposite sex, puberty, and so on. In the very first episode, Fran lays a surprise egg which hatches into Baby Sinclair (a more conventional puppet operated by Terri Harden and Kevin Clash with Clash providing the voice) who basically throws their world for a loop. Earl and Fran, already having teenaged children, certainly weren’t looking to start over with another baby, but life is funny like that.

This will be Baby’s first Refrigerator Day.

“Refrigerator Day” is the 12th episode of the show’s second season. It originally aired on the ABC network on December 11, 1991. The episode begins with everyone in the Sinclair household decorating for Refrigerator Day. Basically, it looks like Christmas with a different name. Fran has just finished baking a traditional mold pie while Baby asks his grandmother Ethyl (Brian Henson, Florence Stanley) what Refrigerator Day is. She dryly informs him she already told him, but he asks if he was listening. The humor in this show is very much in-line with The Muppets. Ethyl explains that before there were refrigerators life basically sucked. Fran chimes in as well, but the whole thing is lost on Baby who doesn’t understand their explanation, but does perk up when Charlene mentions it includes lots of presents.

Instead of having to introduce a new item to the home and decorate it, the dinosaurs just trim-up their fridge. It’s a sound method.

Robbie asks his dad if he’s basically going nuts on gifts this year and Earl is happy to tell his son that he indeed is. He gets in a dig at his own expense when he points out that it’s easy to blow all of their money on presents with his salary, but he’s in a very jovial mood so his dead-end job as a tree pusher isn’t going to bother him. He does bring up the dreaded Refrigerator Bonus, so you know he’s either not going to get one or its going to be miniscule. He reaches into that holiest of appliances, the refrigerator, to pull out a snack. It’s a living, small, mammal which gives the show an almost Flinstones vibe as most of their food is seen alive first and is often sarcastic. Fran comes over to lecture him about the true meaning of the holiday. And wouldn’t you know, it’s basically all of the same stuff as Christmas with the noted exception that this holiday is preceded by two days of fasting. Fran snatches the little vermin away from Earl who also gets to make a fat joke at the expense of the megalosaurus.

We jump to later in the day and Earl is on the job. His friend and co-worker, Roy (Pons Mar and Julianne Buescher as puppeteers, Sam McMurray voice) is puzzled by Earl’s lack of lunch who is then forced to explain the whole fasting ritual. Roy, being a bachelor, doesn’t have a wife to enforce such things. Earl isn’t too bummed though, because he soon hears the summons of his boss B.P. Richfield (Leif Tilden and Steve Whitmire, Sherman Hemsley) which can only mean one thing: bonus!

“Toddy.”

Earl heads into his boss’s trailer in a very good mood which is unusual for him as heading into the boss’s trailer is usually a terrifying experience for Earl. Richfield is apparently in the Refrigerator Spirit as he’s decorated his trailer with lights and tinsel and even installed a fireplace so his workers could come in out of the cold. He offers Earl a hot toddy and even takes time to remark what a funny word “toddy” is. Earl is very much enjoying this as his boss produces three envelopes. They each contain a Christmas bonus and when he asks Earl to guess which one is his he surprises him by saying “All of them!”

Now that’s the Richfield we know and love (?).

If this all seems too good to be true it’s because it is. Earl is having a pretty sad fantasy about getting love and respect from his boss, which is shattered by the screams of said boss to get in his trailer. The actual trailer is just as cold and miserable as usual. No fireplace, no hot toddy, no offers of an embrace, and perhaps not unexpectedly, no bonus. Earl actually gets handed four pencils, not to keep, but to sharpen. When he prods his boss about a bonus he’s met with an angry stare and confirmation that there is none. They do a little Looney Tunes bit where Earl tries to say there will be one, while Richfield says otherwise, but Earl being a dinosaur and all has never seen a Bugs Bunny cartoon so he doesn’t know how to turn the argument around in his favor. When Earl protests that he depends on the bonus, Richfield tells him that’s why he isn’t getting one. When you expect a bonus, it’s just salary. When Earl tries to tell him that he isn’t expecting one now, Richfield just remarks, “Good! Now you won’t be disappointed!” As Earl leaves dragging his tail behind, Richfield tells him not to tell anybody else about the no bonuses this year. He wants to tell them himself and describes it as a little holiday treat. I love Sherman Helmsley as Richfield, he is just so damn good at being a terrible boss.

At least Earl doesn’t try to hide his lack of a bonus from his family.

If you’re worried that this means we’re about to embark on an A Christmas Carol like plot involving Richfield then worry not. He’s beyond hope. Instead, Earl heads home with the bad news. We first find Charlene and Robbie preparing more decorations while watching TV. There’s a commercial about celebrating Refrigerator Day by giving paint which Robbie finds distasteful, but Charlene seems more open to Refrigerator Day commercialism. It’s followed up with a holiday greeting from the We Say So corporation about deregulation and corporate freedom. Wow, does it ring true in 2024. Following that is when Earl enters to summon the family to share the bad news. At first, Baby won’t let him share the bad news as he keeps interrupting to talk about his new found love of Refrigerator Day which involves drawing a refrigerator, drawing on the refrigerator, drawing on the walls, etc. Earl is finally able to get it out that he’s not getting a bonus and that they’re broke. Charlene sees no problems here because Earl already bought the presents. When her mother points out that they have no money to pay the bills she still fails to see a problem. Earl tries to reassure everyone that they’ll be okay. It’s the holiday season and everyone is more charitable at this time of year and more willing to wait for their money.

Avert your eyes, dear reader, it’s too gruesome!

We smash cut to the family’s refrigerator getting repossessed in front of a distraught Earl. Larry the repo dinosaur informs him he’s half a day late with his payment so the fridge has got to go. Earl tries appealing to the guy by pointing out his children and that it’s Refrigerator Day. Baby has even latched into his leg, but his mother pulls him away. Larry informs the family that his boss demands that they take the appliance that leaves the biggest mark and puts them under the most pressure, hence why the fridge goes. Earl refers to the guy’s boss as an evil man, which Larry confirms also while adding that he did give them all a nice holiday bonus. With the fridge gone, Earl is left to confront his own failure. He declares himself lower than dirt and despite his family trying to console him he announces that this will be the worst Refrigerator Day ever!

Earl is not coping well.

Earl rises the next morning and, out of habit, saunters over to where the refrigerator would normally be. When he discovers it gone, he becomes delirious and basically starts sobbing. The rest of the family retreat to the living room where Fran shares an idea she has with her kids: they take the presents back to the store, get their money back, and use it to buy back their fridge! Charlene is so disgusted by the suggestion that she can’t even form a proper analogy to describe what it would be like to have no presents on Refrigerator Day, but one look at their father singing to himself while holding ice trays is enough to convince the others. It’s here we find out that the concept of returning purchased goods to a store is a completely foreign concept in dinosaur society. Fran acknowledges it’s an odd thing to do, but thinks they have to try. Meanwhile, Earl seems to be getting even more delirious and cries out that they’re starving. Fran reminds him that they’re fasting, but Earl points out that fasting is a choice. They have no food and therefore are starving. He’s pretty logical when he wants to be.

These two just can’t wrap their heads around the idea of returning bought merchandise.

We next find the family at Kave Mart, a pun that is generic enough to still work today, but is obviously a pun on K-Mart which no longer exists or barely does. Fran and the kids carry in their wrapped gifts and approach a clerk about returning them. He seems puzzled, but says okay and tells them to just put them whereever. When Fran explains that she also wants her money back he gets real confused. He calls in his co-worker Hank to try and figure this out. It’s basically a very straight-forward discussion on logic: why would a store, which already has enough product, buy back its own merchandise? And why would someone like Fran try to sell something without making a profit? This is what it’s like to have a discussion with a libertarian. The two clerks get a bit angry with Fran thinking she’s trying to pull a fast one before declaring that the only way they would be willing to buy merchandise would be if they paid wholesale. Fran reluctantly accepts despite the protests of Robbie who rightly points out that they’ll get practically nothing for these items. What kind of fridge could they possibly get selling these items back to the store for far less than what they paid?

Refrigerator Day is saved?

A Styrofoam cooler, that’s what. We smash cut to the not-fridge while Ethyl takes a gander as Fran informs her mother it was all they could afford. Earl enters to wish everyone a happy Refrigerator Day, but in a very gloomy manner. He informs them he wanted to give them the presents he bought, but it seems they’ve been stolen so he’s going to head to the garage to hang himself. Fran intercepts Earl’s suicide march to tell him the gifts weren’t stolen and they returned them to the store to buy back their fridge. Earl can hardly believe it and nearly becomes overwhelmed with emotion, until he sees the new fridge. He’s back to feeling suicidal as he apologizes to Baby for ruining his first fridge day and implores him to take a whack at his dome with a pot as he so often does. Baby declines which makes Earl feel like an even bigger failure. Ethyl is there for him though as she strikes him across the belly with her cane reminding him that she’ll always be here for him, “Fat boy.”

And now Earl’s own son has rejected the proposal of inflicting violence upon his skull. Could this day get any worse?

It’s at this point that Fran feels inclined to remind everyone what Refrigerator Day is all about. She reminds them all the day is for them to reflect back on their ancestors who have nothing and appreciate all that they have today. She tries to throw it back at Earl by declaring them blessed, but he’d still rather head to the garage and hang himself. Fran stops Earl to inform him that they are going to do the annual Refrigerator Day pageant. Earl replies, “At the risk of sounding immature – I don’t want to!” and stamps his feet. Fran pushes past him to say then they’ll do it without him as the kids follow along behind her. I’m finding it hard to believe that teenagers would go along with a family pageant, but they are a different breed from me.

Now here’s a custom I can do without.

We cut to Ethyl reading from a book, “And now it can be told…the True Story of Refrigerator Day.” It’s essentially a parody of A Visit From Saint Nicholas/Twas the Night Before Christmas. Come to think of it, that’s what this holiday is lacking. A cosmic being who spreads presents and good cheer. Actually, the story is more like the first Thanksgiving complete with pilgrim-like costumes. Earl reluctantly takes part while the rest are fairly enthusiastic. We learn the story of the holiday is that the patriarch of this story heard a voice demanding he build a box that’s cold inside. The dinosaurs stopped migrating and constructed their box. They do, and the family has a little, prop, fridge for their story. As its told, to make it cold they were going to toss it in a lake, until the daughter discovered it had an electrical plug. The play ends with the family singing a “Fridge Carol” that sounds like “The Feast of Stephen.” It’s a crazy holiday, but when you get right down to it, Christmas is pretty wacky too. And don’t get me started on Easter!

It’s a Refrigerator Day miracle!

Performing in the pageant has done wonders for Earl’s mood. He declares his love for the pageant while someone is at the door. It’s the guys from Kave Mart! They’ve brought back their fridge and all the presents from before. Refrigerator Day hadn’t been stolen, it came just as before! Actually, there was no change of heart or visit from three ghosts. The store just figured out that a return policy like the one Fran proposed is a huge, money-making, idea and to buy off the Sinclair family from claiming credit for it they’re being bribed with their old refrigerator and gifts. Earl even gets his bonus and the store also installed snow machines on the roof for ambience. All they have to do is sign away all rights to the return policy idea which Earl is happy to do.

With everything all wrapped up in a neat, Refrigerator Day, package, there’s nothing left to do but celebrate. The children gather around the refrigerator while Earl and Fran reflect on what they have. The image is framed like a greeting card with the cast and crew of Dinosaurs wishing us all the happiest of Refrigerator Days!

The Sinclairs get a happy ending, but they’re also swindled out of a million dollar idea.

It’s not exactly Christmas, but it’s just Christmas with a different name. Dinosaurs took a conventional plot, oddly one also utilized by The Simpsons which Dinosaurs was sometimes accused of ripping off, but they found a way to turn it on its head. The concept of a return policy is completely off the wall in this consumerist society. The world of Dinosaurs is one dominated by We Say So which basically has a monopoly on everything. Do they own Kave Mart? Probably. The bit at the store is great and the show has several expertly crafted cuts to drive home its own brand of satirical, sometimes dark, humor.

It’s that dark humor that can possibly rub some the wrong way. We have multiple suicide jokes and the Richfield character is truly detestable. I find it all pretty damn hilarious, but that’s just me. The characters emote really well and this episode contains a rare additional set in the form of the department store. The one criticism I have of the show is it often takes place in very familiar locations, but that’s because new sets are really expensive. The extras, like the clerks and repo man, are basically stock costumes that get used and reused constantly throughout the show. Sometimes they change up the voices and sometimes they stick with the same ones. It’s almost like a fourth wall situation where the dinosaurs are just actors in this show we’re watching and they play the roles expected of them.

Every Christmas episode should end with a faux greeting card.

Dinosaurs is a terrific little 90s gem of a series. If you remember it somewhat negatively as “The Baby Show” then know that your memories are inaccurate. While Baby was a breakout star, he wasn’t relied upon to do a lot of heavy lifting outside of an episode here and there. It really is a family sitcom, but one that’s not at all sweet or mild and it really leans into the satire. It has a lot of Muppets-styled timing with some of the jokes, but it’s far more focused and lacks that intentional corn of its more famous predecessor. If you have never watched it definitely give it a try especially if you’re a fan of other Jim Henson productions. It’s a pretty unique show and it’s all available on Disney+ so it’s pretty accessible by today’s standards. And remember, while you’re drinking down your nogg and opening presents, think about those who made our refrigerator possible and thank them. If you want to know their names, go check Wikipedia or something. I’m busy decorating for Refrigerator Day.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 2 – Justice League – “Comfort and Joy”

In 1995, Warner Bros felt it was a big enough entity that it could launch its own broadcast television network. Dubbed The WB, it would try to compete with the big four of ABC, CBS, NBC, and Fox, but never really achieved that level of success which is why it no longer exists. The strategy…

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Dec. 1 – Mickey’s Orphans (1931)

Original release date December 5, 1931.

It’s December 1st and you know what that means – time for Christmas specials! Not to “well, actually,” myself, but the Christmas special viewing season began before today in my house as it’s annually the day after Thanksgiving. What you may call Black Friday, I dub the start of the Christmas Special Season. And this year, it’s a shorter than usual one since Thanksgiving occurred on the 28th of November which is the latest the holiday can take place which means we have less time than usual to squeeze in some favorite seasonal viewing.

Not that any of that has any impact on this year’s edition of The Christmas Spot. It’s always 25 days of 25 festive topics which most often take the form of a holiday special walkthrough. It’s actually been years since I did something other than a holiday special on one of the 25 days of Christmas (sorry Family Channel/ABC Family/Freeform/Whatever you’re called now, I’m stealing your bit) – will this year change that? I don’t know! I just know I have my work cut out for me.

It’s always a Mickey Mouse cartoon, never Mickey and Minnie. Poor Minnie.

To kick things off this December I am righting a wrong. It was many years ago I made a post about Christmas specials staring Mickey Mouse. You know that guy, right? He’s often celebrated as the first global cartoon star following his debut in 1928. I have no idea if that is accurate or not, there were a lot of cartoon characters that came before Mickey, but when you’re a company as big and powerful as The Walt Disney Company and you’ve lasted longer than many of your competitors you basically get to write your own history. I think we can all agree that Mickey is pretty damn popular and recognized around the world even to this day as the brand ambassador of a mega-corporation. He’s even still starring in current Christmas specials and probably will continue to do so long after many of us expire.

Oswald got to do Christmas first where he tried to bring Christmas to some poor kids. Only in his cartoon, it was the home of the children that got wrecked, not Oswald’s.

Back when I did that post though, I failed to mention Mickey’s first ever Christmas cartoon: Mickey’s Orphans. Released in 1931, it stars Mickey (Walt Disney), Minnie (Marcellite Garner), and Pluto and features the characters taking in some orphaned kittens (mice taking care of kittens – how absurd) on Christmas. The Wikipedia entry for the cartoon states it’s a remake of an Oswald the Lucky Rabbit cartoon (that guy who was famous before Mickey) titled Empty Socks. Well, I’ve watched Empty Socks and I don’t see how it could be classified as a remake. That cartoon features Oswald playing Santa for some orphans (who also happen to be feline) and they’re basically brats and they actually end up burning down the house. This one has the orphans coming to Mickey’s house and, yes, they’re pretty destructive. I can see how the Oswald short influenced this one, but calling it a remake seems like it goes too far.

This being a short from 90+ years ago, it should come as no surprise that it’s in black and white and the audio and visual quality isn’t exactly pristine. Mickey cartoons are often cited as being technically great, but not as entertaining as the stuff from Warner Bros or even the later cartoons from Disney staring Donald Duck. As someone who has watched a lot of cartoons from that era, I can mostly go along with that. Mickey cartoons tend to feature a lot of just singing and dancing. There are some that are quite entertaining though, and on a technical level even the oldest ones can often impress in some way. Mickey became more of a bland every man character much later into the 30s when he could play off of his more comedic sidekicks, Donald and Goofy. In ’31 he was allowed to be a bit less polished, more of a rascal, though this being a Christmas cartoon in which he takes in orphans don’t expect a whole lot of that stuff. He’s actually just going to roll over and take it in this one.

This individual isn’t even going to bother with the church, apparently.

The cartoon begins with a robed figure walking through the snow at night. The wind is howling and it’s whipping the individual’s ragged clothing around. The figure is carrying what looks like a picnic basket with its right arm. It’s a nice shot that doesn’t rely on a repeating background and “Silent Night” is helping to set the mood as a somber one. The individual then comes to a warmly lit house and we hear Minnie Mouse before we see her. The individual looks through a window to find Minnie playing “Silent Night,” but not singing it (she just keeps saying “La la la” because I guess she has trouble with lyrics), at a piano. I think? I don’t know, it has two large pedals that she’s working over. Nearby, we see Mickey decorating the Christmas tree. Each time he places an ornament we hear a little chime. He grabs two candy canes and then taps the ornaments in time with the music. We pan over to see Pluto asleep by the fire. He’s looking well fed as he snores.

I guess two mice can be parents to a cat. Why not?

Outside, the ragged figure runs over to the front door and lays the basket down in front of it. The person picks up a bundle from inside it, kisses it, then places it back in the basket and rings the doorbell. They take off as Mickey opens the door. An eager Pluto runs out and returns quickly with the basket. He sniffs at it, and from inside pops out a little kitten. Pluto doesn’t seem thrilled, but Mickey happily scoops up the little fella and brings it over to Minnie. She thinks it’s adorable, though it’s oddly hostile towards Mickey as it bites him on the finger. He’s such a good-natured man-mouse though that he laughs it off. Meanwhile, Pluto is still sniffing around that basket and soon another kitten pokes its head out and whacks him on the nose. Then an impossible amount of kittens burst forth!

That must have been some kind of magic basket to fit all of these kittens in it. Maybe they have a future as a gang of clowns?

The kittens soon overrun the place swinging on clocks, bouncing on pianos, and pulling on poor Pluto’s ears and tail. Another kitten has displaced the couple’s parrot in its cage while another group ride a chandelier like an amusement park ride. Mickey gets his tail tied around his ankles and there’s a long shot of the kittens just going nuts in the living room. To their credit, Mickey and Minnie seem unphased by all of this as they continue to smile. Minnie whispers an idea into Mickey’s ear, who in turn does the same with Pluto. The two soon depart, but not before Mickey grabs a deer mount from the wall. I wonder what they could be up to?

Hey! It’s food or a fashion accessory, not both!

With Mickey gone, it means Minnie has to look after all of the kittens. One needs help blowing its nose while another is tugging her skirt and seems anxious about something. I thought maybe it dirtied its diaper, but apparently the little tyke is just hungry. Minnie does what any responsible adult would do and gives the hungry toddler a candy cane. The little cat licks it all over then starts strutting around using it like an actual cane. That thing is going to get real gross real fast.

There was no way Mickey was going to star in his first Christmas cartoon and not play Santa.

Minnie then takes a seat at the piano once again. The pedals have strangely disappeared. She starts playing “Jingle Bells” which is apparently Mickey’s cue to come bursting through the front door. He’s dressed like Santa Claus and being pulled on a sleigh by Pluto who’s sporting the deer head like a helmet. Mickey is whipping him, which seems a bit cruel, and he’s apparently enjoying it since he has that same big, dopey, grin plastered on his face. When the sleigh comes to a stop, Mickey hops off with a big sack of presents, but the little monsters don’t even wait for him to start handing out gifts. They run him over and all dive into the sack. Each one comes running out with something until there’s nothing left, just a final kitten clutching the sack itself. It stops to ask Mickey, “Are you Santa Claus?” Mickey smiles and nods and the kid responds by blowing him a raspberry and tugging on his beard so hard that he topples over. Ungrateful brat!

This doesn’t even resemble playing anymore, they’re just hacking stuff to bits.

With the gifts distributed, the children return to their path of destruction. A series of them start a marching band and some have actual instruments while others are just banging on household items. The music is livelier now too and kind of sounds like it could be a version of “Ain’t We Got Fun.” Whatever it is, it doesn’t sound Christmassy. A bunch of the kids somehow got ahold of saws and hammers and we get to see them destroying Mickey and Minnie’s furniture. A bunch are also smashing other objects with more conventional toys while a trio of kittens wielding pop guns use them to break some stuff and blast Mickey in the bum. Meanwhile, the construction crew of kittens has moved on from the living room to the piano and they’re hacking that thing up. I guess they weren’t a fan of Minnie’s playing?

Mickey got to enjoy himself for maybe three seconds.

More destruction ensues as the kids smash windows and basically anything else of value in the house. A kitten comes riding by on a train (did you ever hear how Walt loved these things? Of course there’s a toy train in this picture) and smashes into Mickey. He does a flip and ends up seated on the caboose. He waves to Minnie as they drive by and she’s up on a sofa like she’s trying to escape the carnage, but the two happily wave to each other like their house isn’t getting demolished. I guess Walt pays them well. The kitten conductor drives the train under an end table so the back of Mickey’s head smashes into it and knocks him from his perch. Another kitten is shown shooting Pluto in the butt with a toy canon and when the dog runs into the wall the deer head he was wearing pops off and lands on his butt creating some weird chimaera of a creature that frightens the kid.

That’s…unsettling.

Mickey seems like he doesn’t know what to do, which just makes him more of a target. A kitten operating a toy steam shovel uses it to scoop coals out of the fireplace and drop them down Mickey’s pants. He starts hopping around which alerts the kitten fire brigade to come to his rescue. Two kittens come riding in on a toy fire truck and blast Mickey in the butt. He enjoys the relief it brings and just sort of stands there soaking it all in. Quite literally. On all fours. It’s an odd sight to be sure.

Oh, what a lovely tree! Surely those orphans will appreciate it!

Minnie then gets everyone’s attention with a little horn. She’s standing by a curtain and Mickey comes over to help her reveal what’s behind it by playing a drum. After a vintage drum roll, the curtain is pulled back to reveal the Christmas tree. It’s quite a lovely sight as it’s full of ornaments and lit with several candles. These things must have been extreme fire hazards back in the day. The kids all cheer and then attack! The tree has some more gifts under it, but the kittens cover the tree by climbing all over it and as they disperse what’s left behind is a standing, old, stick. Mickey and Minnie can only look on with shock and awe and for the first time there appears to be a twinge of sadness on their faces.

This is the shot we go out on. I don’t think it’s going to be a merry Christmas for the Mouse family.

If you think this is where the kittens realize they’ve been a naughty bunch and have treated these mice poorly, think again! Nope, there is no moral here as that’s the end. Mickey and Minnie can only stare at what’s left of their tree and are left to ponder what their Christmas might have been like if these wretched orphans hadn’t been dumped on them.

What a weird cartoon. It is similar to the Oswald short I mentioned coming in as in both some orphans just act like rotten kids and there’s no comeuppance for them. They just spread destruction at Christmas and that’s it. We’re supposed to laugh at their wickedness, I suppose, and that’s enough. We’re not really supposed to care about Mickey and Minnie and what’s left of their house. I suppose making sure orphans are in a safe environment at Christmas is something to aspire to. Minnie and Mickey’s physical possessions aren’t really that important, but these two take these kids into their home, go to great lengths to give them a special Christmas, and get nothing in return. It’s definitely not the kind of cartoon you would see starring Mickey Mouse in 2024.

Mickey is Mr. Nice Guy in this one, but he just gets crap for it.

There isn’t a whole lot to this one. There are some visual gags, but they’re not inventive or creative. It’s just kids being destructive in pretty standard ways. Mickey’s makeshift Santa entrance had a little cleverness to it, but it’s not like he used household objects to create toys like Grampy did in Christmas Comes But Once a Year. Visually, it’s a nice looking black and white short. Disney has always been on top of the animation game and that was true back then just as it so often has been throughout the decades since. The music is probably all public domain stuff. There’s a few Christmas numbers, and I think I even heard Beethoven, and it’s fine. There’s almost no dialogue save for the little kitten asking Mickey if he’s Santa and a few remarks by Minnie. The audio always comes across as more dated to me than the black and white visuals and that’s true here.

Mickey’s Orphans is a pretty unremarkable Christmas cartoon from the famous mouse, which is probably why it’s quite forgettable. There weren’t any scenes from this used in the broadcast of Mickey’s Christmas Carol like we saw with On Ice and Mickey’s Good Deed. Like a lot of what makes up the legend of Mickey Mouse, it mostly just gets credit for being first and not much else. Still, at only about seven minutes it’s hardly much of an investment of your time if you want to check it out. It can be found on YouTube and other free streaming platforms with ease as Disney isn’t very protective of its old black and white cartoons. If you want to own it then that’s a different story. This was released in the Walt Disney Treasures line on the very first Mickey Mouse in Black and White set, but it’s now long out of print and quite expensive. It’s also the only set I didn’t buy back when they were more affordable and that’s because these cartoons can be hard to sit through. Do I really want to spend all of that money just to say I own them even if I’ll never watch them all? The answer has, so far, been “No.”

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 1 – Christmas Comes But Once A Year (1936)

We’re back with another year of The Christmas Spot! And to kick things off this year we’re taking a look at a bonafide Christmas Classic. Christmas Comes But Once A Year may not be the household name that Rudolph and Frosty are, but for Gen X and millennial kids it’s probably familiar because it was…

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Dec. 1 – 35 Years of The Christmas Tape

Welcome back to another year of The Christmas Spot! This year we’re kicking things off with a post I’ve been sitting on for a few years now. When I utter the title “The Christmas Tape,” I’m curious what comes to the minds of readers. It sounds both generic and specific and I suspect a few…

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Dec. 1 – Frosty the Snowman

Welcome back, lovers of Christmas, to the 7th edition of The Christmas Spot! If you missed the introduction a few days ago, we’re doing things a little differently this year. Yes, you’re still getting a dedicated write-up each day through Christmas about a beloved or not-so-beloved holiday special, but this year we’re also going retro…

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