Tag Archives: 1990’s cartoons

The Ren & Stimpy Show: Seasons 1 & 2

51KRQ4AZ4SL._SY300_It’s probably safe to say that there has never been a more controversial Nickelodeon show than Ren & Stimpy. Conceived by John Kricfalusi and his team of writers/animators at Spumco, The Ren & Stimpy show was a throwback to the days of Tex Avery and Chuck Jones when cartoons didn’t need a message or contain any sort of educational content. Beyond the format, there were numerous controversies behind the scenes as well as Spumco was slow to deliver new episodes and John K. was constantly fighting with the censors at Nick over the content of his show, eventually leading to his firing with Nickelodeon/Viacom still holding the rights to the characters. Because of this, seasons 1 and 2 of The Ren & Stimpy Show are easily the seasons held in the highest regard by cartoon fans as they’re the only two series creator John K. worked on. The show would last another 34 episodes after John K’s firing and would eventually be revived in the new millennium when the rights reverted back to Kricfalusi as the short-lived Adult Party Cartoon. Kricfalusi’s right-hand man, Bob Camp, remained onboard with Nickelodeon and there were some good episodes released in season 3 and beyond, but the best was definitely contained in the first two seasons.

Ren & Stimpy was another take on the venerable cat and dog genre of comics and cartoons. The two were designed to play off each other with Ren being the smart, cunning, and less conscionable one, and Stimpy the dim-witted, good-natured character. There was no continuity from one short to the next allowing Ren and Stimpy to hold-down whatever kind of job fit the mood of the short, live in any part of the world, or just plain exist in a more ridiculous version of reality than the next. Sometimes they lived in a house, sometimes a trailer, sometimes a tree, though usually they were poor and sometimes even homeless (as was the case in the pilot). Spumco’s addition to the genre was more gross-out humor, more surrealist imagery, and just out and out lunacy. Save for perhaps Marvin The Martian, most Loony Tunes shorts occurred in reality with anthropomorphic characters. There were different rules for physics, and firearms certainly never functioned as intended, but there did seem to be clearly defined rules. The Ren & Stimpy show shunned such rules. Ren, in particular, seemed to lack a definite form as his face and body would constantly change shape to suit the scene. Expression was important to John K. and his characters often exhibited new and interesting expressions, with Kricfalusi allegedly demanding his animators not repeat expressions in subsequent cartoons. The backgrounds often lacked form and were more interested in surrealism. The pilot, “Big House Blues,” is probably the best example of this. Whether it was by design or to keep costs down, I’m not sure, but it added a unique dimension to the show.

Backgrounds weren't always clearly defined and often used to evoke a certain emotion.

Backgrounds weren’t always clearly defined and often used to evoke a certain emotion.

Aside form the presentation aspects, The Ren & Stimpy Show differentiated itself from other programs of its day and past with its own brand of humor. Violence was a staple of the program with Ren often getting irritated with Stimpy and resorting to slapping him across the face while berating him for being a “fat, bloated, eeeediot!” Even the characters would react to a situation in a violent fashion with their eyes bugging out impossibly far and their brain smashing through their skull. The show also delighted in poking fun at its audience by creating parody commercials for children’s products that really weren’t that far off from the real thing (I bet 90% of the viewing audience wanted some powdered toast). There was also plenty of gross gags throughout the show. The gross humor is probably what the show is remembered for best over 20 years since its debut. If it wasn’t Stimpy’s hairballs making you gag, it was the close-up still shots of characters like the fat lady from “Fire Dogs.” These hyper-detailed, unanimated sights, were another unique feature of the show often utilized to show just how ugly the world of Ren & Stimpy was. There was plenty of scatological humor as well surrounding used kitty litter or even Stimpy’s personified fart.

It should be pretty obvious at this point that The Ren & Stimpy Show was not for everyone. For those of us who grew up with Bugs Bunny and Daffy Duck, it wasn’t such a radical departure but the inclusion of the gross elements turned off a lot of the older generation. Kids like gross stuff though, well, some do. I was probably the right age when the show premiered for it to leave an impression on me. Sometimes the humor was over my head, and it took me several years to notice the not-so-subtle homosexual innuendo between the main characters, but for the most part I got it and it worked for me. And now when I re-watch it, it’s almost better because a part of me is surprised at just how much made it to air and how Ren & Stimpy couldn’t exist in today’s world. Seasons 1 and 2, in particular, hold a special place in my heart. I watched the show until the end, but these episodes are the ones I remember the best and the ones I enjoyed the most. If I were to make a top ten list of my favorite Ren & Stimpy cartoons, all ten would likely come from this set.

The show often utilized highly detailed still shots to illustrate gross imagery.

The show often utilized highly detailed still shots to illustrate gross imagery.

The first DVD release of The Ren & Stimpy Show took awhile to arrive, and when it finally did it was greeted with a mixed reaction. Not because of the episode selection though. Sorted in their original air date order, the episodes span the best of the era. There’s “Stimpy’s Invention” and its memorable “Happy, Happy, Joy, Joy” sequence. There’s the visit from Ren’s cousin Sven and the absurdity of that ending. The trilogy of Commander Hoek and Cadet Stimpy are here as well, along with other notable episodes such as “Rubber Nipple Salesmen,” “Fire Dogs,” and “In the Army.” This set basically could be titled the John K. era, and while John K. proved with the Adult Party Cartoon that he didn’t exactly possess the golden touch, the show was at its best when he was in control and voicing Ren. His Ren is a little more sinister sounding than Billy West’s, who voiced Stimpy and would voice Ren for season three and beyond (he also voiced him in a couple of season two episodes, though I am not certain why). The show embodied those surrealist elements more freely under John K’s watch and following his departure the show focused in more on the gross aspects. It lost a little bit of its soul, but I suppose that should have been expected.

The show created other stars other than just Ren and Stimpy, probably none no bigger than Powdered Toast Man.

The show created other stars other than just Ren and Stimpy, probably none no bigger than Powdered Toast Man.

This DVD set’s biggest selling point was the inclusion of the original pilot and the infamous “banned” episode, “Man’s Best Friend,” starring George Liquor. Emblazoned in bold letters on the cover of the DVD is the word “UNCUT” designed to grab the attention of any who see it. What isn’t explained, is that the word only applies to a select few episodes. By the time this DVD was created, Ren & Stimpy were airing on the Spike network in conjunction with the new Adult Party Cartoon. The Adult cartoon was cancelled almost immediately, but Spike continued to air what it dubbed the “Remastered Classics” of old Ren & Stimpy cartoons. Unfortunately, the television landscape had changed and Spike demanded more time for commercials so these remastered classics were less remastered, and would have been more appropriately titled as edited for time. These new masters served as the basis for most of this set and some things were lost. “Ren’s Toothache” seems to be the biggest casualty as much of Stimpy’s oral hygiene sequence is missing, which was an excellent example of the show’s use of sound effects to create an uncomfortable reaction. The other big victim is “Haunted House” and its removal of the insane Bloody Head Fairy. Basically, the cover is a lie and a pretty cheap trick to attract attention. It’s for that reason I actually waffled on buying this set until recently when it was down to around ten bucks. I don’t regret my purchase, but it still bugs me that many of these episodes have been edited and aren’t the episodes I saw as a kid.

At least we now have “Man’s Best Friend” and didn’t have to resort to the internet to view it. It’s not the best episode of Ren & Stimpy, but it’s a solid B+ affair with perhaps the show’s most violent sequence. It’s also nice to finally see the unedited version of “Big House Blues” and the full scenes we’ve been seeing in brief clip form during the show’s opening sequence for years (specifically, Ren drinking from a very gross looking toilet). There’s some bonus content in the form of a brief documentary on the show’s creation and around half a dozen commentaries. Because the show was only a half hour, this set is the type you can basically blow through in a weekend, but it will be a pretty good weekend.


Gargoyles: Season 2 Volume 1

Gargoyles_DVD_2The cover of the DVD release of Gargoyles Season 2 dubs it as Volume 1 of the second season.  At first glance, that may seem like a greedy way to release a show to DVD, but that is not the case.  A common practice of children’s animated television was to order 65 episodes as early in the life of the series as possible to make the programming eligible for syndication where more money could be made off of it.  I say “was” because I’m not sure if that is still the case with numerous cable outlets now providing a lot of the entertainment these days.  Gargoyles was not originally broadcast on cable though, which is why season 2 is 52 episodes long, which following the 13 episode first season, gets the series to 65 total episodes.  Sometimes networks are so confident the show will be a hit they go right from the pilot to a 65 episode order.  This was the case for the still popular Batman:  The Animated Series which featured a pretty bankable star in Batman, but Gargoyles was an all new intellectual property so Disney opted to go for a trial run with the first 13 episodes before going all in.

The process of large season orders seems like a win for fans of the show.  After all, a 52 episode season would theoretically allow for a new episode every week for an entire year, though this wasn’t the case for Gargoyles since it was an afternoon program.  It does usually mean shorter wait times between new episodes, but things can get a little erratic since the season will usually begin airing while a lot of episodes are still in production.  There’s also the other downside to a large season such as this which is these episodes need to get produced quickly, and more people are needed for production and story-writing.  The first season of Gargoyles was a tight, neat collection of episodes with high-quality animation for television.  Season 2 sometimes has the feel of “too many cooks in the kitchen” and episodes become more stand-alone in nature.  The animation is still among the best when Gargoyles is compared with its contemporaries, but there are some drop-offs and it’s apparent that the show had multiple teams for animation.  Some episodes feature sharp lines and tight animation while others are more rounded and toon-like with characters often making over-exaggerated gestures (those familiar with X-Men likely have an idea of what I’m talking about).  Which one looks best is a matter of taste though (I prefer the harder look for this program) at least, with the overall animation quality usually pretty strong from episode to episode.

There are some pretty interesting plot twists to find in season two.

There are some pretty interesting plot twists to find in season two.

Inconsistent animation is expected when a show requires a large amount of episodes be produced, but my main concern for Gargoyles was how the writers would respond when tasked with filling so many hours.  The first season largely operated in a serial format with each episode tied to one overall plot.  Some felt more stand-alone than others, but all plots were referenced at one point or another and the overall quality of the story-telling was quite good.  I knew season 2 would have to feature more stand-alone episodes, but thankfully very few feel like throw-away or filler episodes.  Many of these one-shots still contain plot devices that have repercussions on the episodes to follow, such is the case with the conclusion of the episode “The Mirror” when Demona gains a new power.  Many others choose to introduce new villains or allies that will pop up in later episodes, as is the case with the characters Doctor Sevarius and Jeffrey Robbins.  In short, the structure of the show remains rewarding for longtime fans.  This does come at the cost of making the show a little harder to jump into at any point for newcomers, but since it’s no longer on television, this is really no longer a concern.

There are many stand-alone episodes, but there’s also no shortage of multi-part arcs.  The first half of season two contains the four part “City of Stone” and the three part “Avalon.”  Both are heavily reliant on flashbacks as it seems one goal for season 2 was to flesh out the villains even further, specifically Demona and MacBeth.  We learn about their history together and how Demona has survived the centuries and remained largely the same in appearance.  In season one, we the viewers were basically left to assume that gargoyles are extremely long-lived given that Demona was not affected by the Masgus’ spell like the others, but we learn in season 2 that is not the case.  There are lots of other recurring characters in season 2 such as The Pack, Tony Dracon, Derek Maza, Coldstone, and of course Xanatos.  Xanatos is still primarily an adversary of the Manhattan Clan, but he’s also an unlikely ally in several episodes.  One could even suggest that the writers go to this well a bit too often, but such is the case when 52 episodes have to be written in a short amount of time.  Still, I like the role Xanatos plays on this show of the equal opportunist who has his own agenda that isn’t always clear.  By the end of the first half of the season viewers, and even Goliath to some degree, have mostly caught on to Xanatos and the game he plays making me wonder what role he’ll play going forward (as I honestly can’t recall from my days of watching this as a kid).  Xanatos is also paired this time around with Fox, of The Pack, as his love interest which is a rather interesting dynamic.

Now where have I seen that dress before?

Now where have I seen that dress before?

Another part of the plot the writers seemed eager to explore in season 2 was the relationship between Elisa and Goliath.  Elisa was Goliath’s main confident, along with Hudson, by season one’s end and he (as well as the other gargoyles) clearly feel a strong sense of protection with her.  In season 2 it’s becoming more obvious that they have a stronger bond than just friends.  Sometimes the show is pretty obvious about it, but for the most part they let it go unstated and attempt to keep things subtle.  It has a nice progression throughout.  Disney fans will also particularly enjoy a scene from the episode “Eye of the Beholder.”

Gargoyles was never a series afraid to introduce characters, and many new villains are brought into the fold in season 2.  New allies, as well.  A pet peeve of mine with X-Men was always how the writers would tease a new character joining the X-Men but would never go through with it.  Towards the end of season 2, the writers chose to add a new member to the clan.  To better introduce this character, the writers shrink the cast down to just Goliath, Elisa, Bronx, and the new-comer for the unofficially titles World Tour episodes.  These episodes spill over into the second part, and series creator Greg Weisman actually bumps up one episode from the second half, “Kingdom,” to serve as the final episode in this collection.  This final episode takes place in New York and we get to see what the rest of the clan is up to with Goliath missing.  This is probably something Weisman regretted not doing originally, as when these aired we went 10 episodes without seeing the other characters which seems much too long.  The World Tour will continue well into the second half though I do not suspect any other episodes were re-arranged as no one affiliated with the show had any say in the release of volume 2, that I know of.

The relationship between Demona and MacBeth is fully revealed in season two.

The relationship between Demona and MacBeth is fully revealed in season two.

Gargoyles:  Season 2 Volume One largely carries over the quality of the first season and only enhances the show’s reputation as one of the better animated programs from the 1990’s.  Season One is probably superior when judged on quality, but the second DVD release for the series obviously boasts more content.  The release itself is also much nicer and includes some bonus features in comparison with the bare-bones season one release.  Unfortunately, season two did not meet the sales expectations of Disney and volume two was never commercially released until just recently.  Volume two is even more sparse than the first season release, and is currently only available to members of Disney’s Movie Club.  I’m not a member of that club, but did find out Buena Vista has an ebay account that basically specializes in selling these exclusives and was able to get one from there.  I don’t know if they restock or not, but that is definitely the best bet for those who want a copy as the secondary market is a little inflated right now.


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