Tag Archives: video game cartoons

Dec. 6 – The Cuphead Show! – “Holiday Tree-dition”

Original air date November 18, 2022.

What’s next for a video game that looks like a cartoon? Why, a cartoon! Novel concept, huh? Cuphead is a 2017 video game created by Jared and Chad Moldenhauer heavily inspired by animation from the 1930s. It’s basically a hand drawn video game and a fully playable one, at that. It made waves when it was first unveiled and seemed to instantly become one of the most anticipated video games in recent memory. It attracted so much attention (and additional funding) that the Moldenhauers and Studio MDHR decided to expand upon the game from its original boss rush premise to something closer to a full-fledged platforming experience with the addition of run n’ gun levels. Upon release it received quite a great deal of praise for its animation and a lot of notoriety for its punishing difficulty. The game has since been released across several platforms and also received a downloadable add-on, Delicious Last Course, which also received a physical release alongside the main game.

Once Cuphead was a bonafide success, it was basically a no-brainer to commission an animated series. Netflix, along with King Features Syndicate, did just that with The Cuphead Show! releasing in 2022 on the streaming platform. It has since released three “seasons” totaling 36 episodes, though in typical Netflix fashion, all of the seasons were part of the same initial episode order. We’re now two years removed from the finale airing without word of another batch of episodes being ordered so I guess that’s all she wrote, but with a streaming show it’s not uncommon for years to lapse in between seasons.

Brothers Cuphead (center left) and Mugman (center right) spend most of their time getting into and out of trouble.

The show is about Cuphead (Tru Valentino) and brother Mugman (Frank Todaro), two rubber-hosed miscreants with cups for heads who get into mischief all throughout Inkwell Isles where they live. Early on, they get on the bad side of the Devil himself with Cuphead losing a game in which the cost was his very soul, so the boys have to spend a great deal of time (and episodes) avoiding the Devil at all costs. The show is animated with modern technology, the puppet-like stuff utilized by most, despite the video game being hand drawn. Despite that, it does a reasonable job of approximating the look of a hand drawn cartoon and is one of the best looking animated shows on Netflix (or pretty much any streamer, for that matter). Like the game, there are filters applied and some desaturation techniques to make the show look aged while the soundtrack (provided by Ego Plum) is appropriately jazzy. There is a throughline to the show involving the plot surrounding Cuphead’s deal with the Devil and the ghostly Chalice (Grey DeLisle) character, but for the most part episodes can be consumed in a stand-alone fashion. This helps to make The Cuphead Show! feel almost like a relic in this age of serialized story-telling, even in kids shows.

As part of the third batch of episodes, we received not one, but two Christmas episodes. This one, “Holiday Tree-dition” is the first of those two and the shorter of the two. Most of the episodes are half episodes while some are stretched out to a half hour or longer. It’s quite common for cartoons with that type of setup to devote two segments to Christmas, but with this episode we’re looking at a pretty typical running time for the show. The other one starring the Devil gets the double-length treatment.

The home of Cuphead, Mugman, and Elder Kettle is done using real assets like a stop-motion production.

The show begins with the standard intro. When I first booted this program up with my kids, I was surprised the show didn’t just use the theme from the video game, but after hearing this new intro I could see why. This one pops. It’s jazzy, bouncy, and fun and one of those intros that is rarely skipped in my house. The episode is introduced with its own lovely title card before we’re shown the outside of Elder Kettle’s home where Cupman and Mugman reside. The opening shot is done with real assets. They’re models and I assume this is an homage to what the Fleischer Studios used to do back in the day where they’d have a live-action setting and animate over it.

They’re all bundled up to go get a Christmas tree!

Inside the giant teapot we find Elder Kettle (Joe Hanna) in his cozy confines welcoming us with a jaunty Christams tune! Mugman and Cuphead are going to join in on the fun as the trio sings an original diddy about Christmas trees. It would seem getting the tree each year is a big deal in this house and as the trio sing they put on cold weather clothing, Elder Kettle grabs an axe, and they head out the door to go get their tree. I feel inclined to point out now that the inhabitants of Inkwell Isle are a mix of anthropomorphized animals and objects. Cuphead and Mugman are somewhat unique in that they have human bodies, albeit toony ones, with a cup for a head that’s filled with what looks to be milk. Elder Kettle, is just a giant kettle with rubber hose arms and legs. I don’t know if his relationship with the boys is ever explained. He’s a fatherly figure, though more grandfatherly I suppose, but I don’t know if there’s a mother in the equation here.

I fear for what will happen to these two if they don’t come back with five bucks and a tree.

Anyway, as the trio marches off to get a tree, Elder Kettle starts to drift back out of scene. Cuphead and Mugman soon notice he’s gone, and when they turn around they see him going back into the house. They run over and bang on the door and Elder Kettle answers. It would seem he’s decided that he no longer wants to be held responsible for the Christmas tree. He’s retiring, so to speak, and entrusts the boys with the task. Now, even though he was seen carrying an axe moments ago, Elder Kettle is not going to entrust the boys with actually cutting down a tree. Instead, he gives them a ten dollar bill and instructs them to go to Porkrind’s and buy one. Porkrind is going to ask for ten, but Elder Kettle instructs his boys to only offer five bucks. He seems to suggest that they’ll enjoy having some change leftover, but then also tells them in no uncertain terms that they are to come home with change so I guess he didn’t intend for them to do anything with it.

I’m starting to think that Elder Kettle stayed home because he wants nothing to do with trying to negotiate with Porkrind.

Cuphead and Mugman then head to Porkrind’s as instructed. There we see Porkrind (Cosmo Segurson) overseeing his tree lot and reenforcing that all of the trees cost ten bucks. Porkrind, if you could not guess it for yourself, is a big pig-man with an eyepatch. I guess you would not have assumed the eyepatch part, but probably the pig part. Everyone at the lot seems fine with the price, but that’s not going to stop Mugman from attempting to haggle. Cuphead stands behind him as both a supportive voice and to play “the kid” in the relationship while Mugman is like the bartering father. He suggests to Porkrind that five dollars would be a fair price for a tree and to add to the verbal suggestion he holds up five fingers. Since Mugman is a cartoon character, he only possesses four digits on each hand so he has to use two hands to do so. Plus, since he’s wearing mittens, his fingers have to rip through the mittens for added emphasis. Porkrind seems unwilling to haggle though and tells Mugman the price was ten bucks last year, it’s ten bucks this year, and he’s even willing to say they’ll be ten bucks next year. That doesn’t stop Mugman from trying as he does the typical bad barterer maneuver of just going up a dollar on his offer hoping Porkrind is willing to give a little. He does not. Actually, he ups the price to fifteen. Mugman can’t believe it, and then some little light bulb guy (Keith Ferguson) accepts the fifteen dollar offer. Mugman tries to negotiate back to ten, but there’s a problem: Porkrind is all out of trees.

We’re only a few minutes into the cartoon and Christmas is already ruined!

With no tree, but still ten bucks in their pocket, the boys decide there is only one maneuver left: cry. They throw a fit as Porkrind heads into his trailer fearing their Christmas is ruined, only for the pig-man to pop back out. No, he’s not feeling sympathetic for them or anything, instead he just suggests they cut down their own tree. Naturally, to do so they’ll need an axe. I guess going back to the house for the one Elder Kettle had is out of the question, so instead they opt to buy one from Porkrind. The price? Ten bucks!

Cuphead should not allowed to handle sharp objects.

Even though the boys managed to spend all of Elder Kettle’s money, when they were only supposed to spend five, and also still lack a tree, they seem rather happy as they march off into the woods. Cuphead is even swinging the axe around irresponsibly, but Mugman is apparently used to such as he manages to duck every swing and still keep a smile on his face. As they stroll though the woods, they walk by various trees which Mugman dismisses for pretty obvious reasons since they’re all pretty ugly. One tree which has the idyllic Christmas tree shape is dismissed as being too desperate because it was also juggling snow balls. The boys begin to feel like they’ll never find a good tree, which of course occurs just as they’re walking by a perfectly good tree.

Behold! The perfect tree!

With the tree found the only thing left to do is cut it down. This presents a problem because, like brothers often do, the two boys fight over who gets to actually wield the axe and chop this sucker down. As they fight over it, the axe gets thrown by accident and it cleanly slices through the trunk of the tree. That is a damn fine axe. You can complain all you want about Porkrind’s pricing, but at least he’s selling a quality product. The tree then falls over and lands on the boys, but they emerge from the pine looking no worse for ware. Instead, they have a different problem. The tree has started to move, and soon they find themselves running down the side of a mountain in pursuit of a runaway Christmas tree!

It’s just a little snow-covered. It’s still good! It’s still good!

The boys have little trouble in catching up with the tree, but as they run alongside it and try to jump on, something always gets in the way be it a big boulder or a random snowman popping out of the ground. Both finally make a jump for it, but they collide in midair. When the two hit the ground they’re rolling and soon end up in a massive snowball before getting smashed apart. Now they’re running, but Cuphead can’t locate the tree. That’s because it’s sliding behind them, but faster than they can run, and it takes them both out. This works out though because now they’re on the tree, but it’s still racing down the hill in an out of control manner. The good news is the hill finally ends, the bad news is that it ends in a cave full of sleeping bears.

What?

At first, the bears appear like they’ll remain sleeping and it will fall on the boys to somehow get the tree out of there quietly, but before they can do anything the bears all suddenly wake up with a roar! From outside the cave, we see the tree get tossed out. Then we hear the sound of pummeling before a bear emerges holding both Cuphead and Mugman by the back of their shorts. He gives them the boot, but they end up landing on their tree which is sliding somewhere. Cuphead remarks that those bears were pretty mad while Mugman sees an opportunity for a pun and says “Yeah, we barely escaped with our lives!” As he does so he nudges Cuphead looking for some feedback on his joke, but Cuphead couldn’t hear him.

This should give the video game designers an idea on how to punish the player.

And that’s because they’re in a sawmill! Mugman doesn’t realize it at first as he keeps repeating his joke only for Cuphead to say “What?” Finally, they notice where they are just as a bunch of wild saw blades appear. There’s a pretty menacing, personified, furnace (Dave Wasson) full of saw blades that waits for them at the end of a conveyor belt. It’s laughing too, but whatever it planned to do it either doesn’t or we just don’t get to see it because we cut to an exterior shot of the mill. It literally spits the tree out, with the boys still atop it, and they sail into the night sky past a full moon holding each other and screaming.

There’s no Santa to be found, but we’re still getting in a moon shot.

The tree returns to Earth and is once again in motion. It’s all bent and mishapen and Mugman is in some serious distress over the quality of their tree. When he declares that things can’t possibly get any worse, Cuphead responds in the only way a cartoon character can, “Wanna bet?” It would seem they’re heading for a cliff and when the tree goes off of it, it hangs in the air a second allowing the boys to scream before it drops. When it hits the ground it does so with a bounce. It pops open, like an umbrella, and returns to its former glorious shape! The boys aren’t out of the woods yet though (well, technically they are out of the woods, but you know what I mean) as the bounce and pop of the tree has basically turned it into a rocket sailing through the sky.

Cuphead appeared to get the worst of that.

At home, Elder Kettle opens the front door and wonders aloud where the boys are. That’s their cue to come rocketing in like Goofy after the ski jump! Elder Kettle is barely able to jump out of the way as the tree crashes through the front door. When he peaks his…head…into the house, we see Cuphead has crashed into the piano while Mugman landed on the stool. As for the tree, it’s right where it’s supposed to be in its tree stand in the middle of the room.

What a glorious tree!

The trio look on with awe and it immediately transitions to a decorated tree. Elder Kettle announces that the boys get to do the honor of lighting it. He holds up two ends of an electrical chord and the boys cheerfully plug it in. The tree lights up a glorious hue, but then the cable sparks. The spark travels down the chord leaving blackness in its wake until it arrives at the tree and the whole thing goes up with a puff of smoke leaving a smoldering husk behind.

Oh, well, I guess this is more fitting for them.

Once again, Cuphead and Mugman are reduced to tears. As they cry into Elder Kettle’s…waist?..the two wail that they ruined Christmas. Now is the moment where some traditional Christmas special wisdom is brought in. Elder Kettle tells the boys that Christmas isn’t about a tree, it’s about who you spend the holidays with. He adds that whatever tree they have will be just fine. Then he adds, bluntly, “Even if it is burnt to a crisp.” The trio then rejoin in their Christmas tree song and march once around the tree before standing and looking upon it together. We get an external shot of the house all lit up for Christmas and that’s the end.

This holiday edition of The Cuphead Show! is plenty fine. It’s just a fun romp about the two main characters setting out in search of the perfect tree to keep their family tradition alive and encountering problems along the way. Its a silly, absurd, sort of cartoon with a lot of fun quips and visual delights. It’s not the most inventive and it’s pretty easy to predict the next story bit as the cartoon moves along, even the non-traditional ending felt like a foregone conclusion. The only real surprise was that there was no payoff for Elder Kettle’s threats about not returning with change. I was expecting a Home Alone style ending where we hear the outraged scream of Elder Kettle looking for his five bucks before smashing to credits.

So the tree sucks, at least everything else is looking rather nice and festive.

Even if this feels almost by-the-numbers for a silly Christmas adventure, “Holiday Tree-ditions” manages to entertain with its audio and visual presentation. I really love the cast for this show and feel like they found the perfect voices for both Cuphead and Mugman. There’s also a smattering of Christmas music in the background as well as a lovely, fast-paced, instrumental version of the Christmas tree song which accompanies the duo’s journey down the mountain on their tree. The animation is really expressive and this is the sort of cartoon that rewards people like me who pause it constantly in search of good screen caps because it allows for one to appreciate all of the facial expressions in use. My only critique of the visual presentation is that maybe we should have seen Cuphead and Mugman’s condition degrade throughout the episode since they do get smacked around pretty good.

If you would like to check out this episode of The Cuphead Show! then I think your only avenue is via Netflix. I’m not sure if it’s been sold outside of the streaming giant or not. If the episode seems a bit too light for your taste, then you could always check out the other Christmas episode from the show which is much longer. Maybe we’ll even cover it here very soon…

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 6 – Silly Symphony – “Santa’s Workshop” (1932)

Back in 1929 Walt Disney launched the Silly Symphonies series of cartoon shorts. Unlike the Mickey Mouse shorts that were growing popular at the time, Silly Symphonies did not center on just one character or even a group of characters, but rather were fairly self-contained. Some shorts that became popular, like The Three Little Pigs,…

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Dec. 6 – Christmas in Tattertown

Nickelodeon in the late 1980s was a network on the rise. Cable was expanding to more and more households each and every day and Nick was able to seize the youth market almost from the get-go. Prior to that, broadcast networks dominated children’s programming, but restricted it to certain parts of the broadcast schedule. And…

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The Legend of Zelda (The Animated Series)

Title screen from the Zelda cartoon (1989).

Title screen from the Zelda cartoon (1989).

Back in the 1980’s you could not get away from Nintendo.  The Nintendo Entertainment System was flying off store shelves and Super Mario was turned into a household name.  It only made sense that Mario and other Nintendo properties would have a lot of marketing power.  There were toys, pencils, lunch boxes, cereal, soda and so on.  It was Mario Mania!  Not surprisingly, Nintendo licensed the stomper of koopas for television and it wasn’t long before kids were sitting down in front of the tube to watch the Super Mario Bros. Super Show.  Hosted by former WWF personality Captain Lou Albano, as Mario, and Danny Wells (Luigi), the Super Mario Bros. Super Show began with two in a live-action setting before leading into a cartoon.  The live-action segments are probably the best remembered parts of the show because they’re quite absurd by any standard, especially for people who didn’t live through it.  The theme song was also pretty memorable, “The Plumber’s Rap,” and the ending theme “Do the Mario!” has enjoyed a second life on youtube.

The show only ran from September 1989 to December of the same year but since it aired every weekday afternoon it spawned 65 episodes worth of content.  It would be replaced with new Mario cartoons that didn’t feature the live-action segments and were based on later games in the Super Mario Bros. series.  They would be featured with another Nintendo cartoon, Captain N:  The Game Master, as part of the Nintendo Power Hour on Saturday mornings.  Before that though, Mario was on five times a week in live-action form, and four times in cartoon form.  The cartoon was mostly based on the American version of Super Mario Bros. 2 but with some differences.  The creators wisely left out the whole vegetable tossing angle in favor of fire flowers and the antagonist of the series was King Bowser Koopa instead of Wart.  It was basically an adventure type of show where Mario, Luigi, Toad, and the Princess Toadstool would travel to different parts of the Mushroom Kingdom while foiling the schemes of Koopa.  There would often be a musical number and many episodes were parodies of popular movies and stories.  It was a very gimmicky show, like a lot of cartoons from that era, and it’s one that really hasn’t aged that well.

Remember these guys?

Remember these guys?

Now the show aired five days a week, but the Super Mario Bros. cartoon only aired four days a week.  That’s because every Friday Mario took a day off and made room for another hero:  Link.  Link, of course, is the hero of the Legend of Zelda games who was also pretty popular at that time.  The Zelda cartoon was different in tone from the Mario one.  Yes, it was still geared towards kids but it shunned a lot of the tired chase sequences and movie parodies that were commonplace in the Mario cartoon.  The show revolves around Link, the hero of Hyrule, as he defends the castle and its coveted Triforce of Wisdom from the forces of the evil sorcerer Ganon.  The show is based off of the first Zelda game with some references made to its sequel as well.  Link is pretty clearly modeled after the character illustrations from those booklets and wields the same dinky little sword he has in Zelda II.  Ganon, on the other hand, looks to be more of a concept.  In both games, he’s pictured as a big green/blue pig who does have some magical powers.  In the show, he has more of a wizardly look with an ugly pig-like face.  He’s actually more menacing looking this way, but he’s not going to get in there and mix things up with Link.  He’d rather stand back and let his minions do the fighting, who are not surprisingly incompetent.  He’s in possession of the Triforce of Power (the show makes no mention of the Triforce of Courage) and has an endless supply of Moblins and Stalfos.

Other characters include a fairy named Spryte, who is likely modeled after the generic fairies from the Zelda games.  She is kind of the Tinker Bell to Link’s Pan in that she likes Link, but he only has eyes for the princess Zelda.  Zelda appears in each episode and is portrayed in a way that probably surprised viewers at the time.  Zelda shuns the traditional princess attire and instead sports trousers and tunic much like Link.  She’s not the typical damsel in distress and seems pretty capable of taking care of herself.  She does have a snotty side, and because she’s the target of many of Ganon’s schemes, she does often require saving from her “hero.”

Zelda is not afraid to get her hands dirty.

Zelda is not afraid to get her hands dirty.

The portrayal of Link in this series is what many fans dislike about the show most.  Link, in the games, really had no personality.  Even in the modern games, he doesn’t have much of a personality so I don’t know what fans were expecting from the character, it just wasn’t this.  Link is a brash, cocky, and kind of lazy character.  He views his title of “hero” as a job and one that just gets in the way of his pursuit of Zelda.  Not an episode goes by where Link doesn’t beg the princess for a kiss, and because viewers need a reason to tune in, he never gets one.  He’s also been given a catch phrase, “Excuuuuuse me, princess!”  Some day I would like to watch the entire series and count how many times Link says that line (according to Wikipedia, it was 29 times).  The show only produced 13 15-minute Zelda cartoons, but I’m willing to bet that Link easily averaged more than two occurrences of that catch phrase an episode.  Sometimes the line makes sense, and sometimes it’s just shoe-horned into the script.  It even occurs during the opening credits.  Link may have said that stupid line more often than Michelangelo said “Cowabunga” on the TMNT cartoon, on a per episode basis.

Ganon and the two things he covets most.

Ganon and the two things he covets most.

Anyways, that aside, the show is of a better quality than the Mario cartoons, though that isn’t saying much.  In general, each episode features Ganon executing a new plan to capture the Triforce.  Some of these are more clever and entertaining than others.  There’s one where Ganon goes Robin Hood and to sneak into a magic contest, there’s another where a Zelda clone infiltrates Hyrule, and there’s even a frog prince story-line where Link finds himself the victim of a magic spell (and if you’re wondering, no, Zelda doesn’t break the curse with a kiss).  That said, there isn’t anything in the writing to this show that’s going to impress.  It’s pretty standard fare for the period.  One thing I can appreciate though is the attempt of the writers to explain a few loose ends from the video game.  Namely, how can Link carry so much crap around with him?  Apparently, he has a magic pouch that causes items to shrink down to micro size to fit in.  Throughout the series he and Zelda will often pull out items from the games like the boomerang, bow, and bombs.  Other enemies make appearances too like the octoroks and just about every boss character from the original game.  If you’re watching it to spot items from the game, you’ll have some fun with the show.

Animation wise, the show is mostly crap.  It’s not awful to look at but this is a DiC produced show and DiC liked to put out lots of licensed cartoons on the cheap.  They would get a large amount of cartoons made in a short amount of time so that the shows could go direct to syndication and exist for a few years and bounce around several channels.  I think, on average, the animation here is better than what’s in the Mario cartoons but that’s not saying a whole lot.  The audio is okay though and the Zelda theme is used throughout, which doesn’t hurt it.  Link’s voice, when he’s not saying that regrettable line, is all right.  Ganon is voiced by Len Carlson who should be familiar to fans of 80’s and early 90’s cartoons as he got around.  He uses a shrill voice for Ganon that works for this portrayal of the character.  Zelda is voiced by Cynthia Preston and I always enjoyed her voice.  I don’t really know why but I was drawn to it as a kid.  Maybe because Link sexualized her and I wasn’t accustomed to seeing that in other kid shows of the time.

She's such a tease.

She’s such a tease.

The Legend of Zelda cartoon is not something that is remembered because it’s a wonderful companion piece to the video games, it’s remembered for nostalgic purposes only and is a kind of humorous reminder of how games were marketed back in the day.  A lot of fans prefer the Zelda themed episodes of Captain N to this show because Link was more of a hero type in that show than he is here.  That show really isn’t any better on the whole as it was just another marketing tool (and all of these old cartoons are basically shunned by Nintendo today) to move video games.  This isn’t a show that most adults can turn on and digest over an hour as it’s pretty damn bad.  It’s kind of funny to laugh at, and I can say I do enjoy it more than the Mario cartoons, but if I didn’t watch it as a kid there’s no way I’m making it thru more than one episode.  The complete series was released by Shout a few years ago and can probably be had on the cheap for those looking to experience it.  Those that have never seen it would probably be better off just watching some clips on the internet as opposed to spending real money on the series.