Tag Archives: solar opposites

Dec. 23 – The Nostalgia Spot Christmas Special Countdown #31 – 22

We’re kind of setting fire to the whole Christmas thing with some of the selections today.

We’re into the final days! Yesterday, we took a look at one of the most wholesome and pure Christmas specials around in The Snowman. Today, we’re mostly looking at the polar opposite. I’m talking crass, gross, adult animation with some gentle stuff to round things out. This is a tough area of the list as we’re talking about the best of the best. I’ve also ranked the top 25 on two occasions now and there’s a temptation to mix things up, but I don’t like change for the sake of change. As a result, this might not be full of surprises from here on out if you’re familiar with my previous rankings, but we still have a few to get to that were unranked in 2020 when I last did this. One such show is batting lead-off for us today and it’s one that probably doesn’t have mass appeal.

31 – Solar Opposites – A Very Solar Holiday Opposites Special

What is going on here?!

Solar Opposites is a show about a family of aliens who flee their home world to Earth with the goal of terraforming it to suit their needs, but the pull of Earth culture seems to slow down their mission as they grow comfortable with life on the blue planet. This special released on Hulu in 2021 is the sort of Christmas special that really wants to crap on a lot of more popular stuff. Chief among them the movie Jingle All the Way. I think I’m on record as saying that movie is terrible so it doesn’t bother me that the plot is centered around how bad it is, but Solar Opposites doesn’t stop there. We also get shots of one of the characters having sex with Clarice from Rudolph the Red-Nosed Reindeer and plenty of blood, guts, and gore. So what makes it good? Shock value? No, it’s the willingness to have the characters embrace the holiday like only a mad man with an extensive blog on the subject can relate to. This one is all about getting that big, Christmas, boner and then feeling like it’s not good enough. The plot literally causes the main characters to lose their Christmas spirit though sci-fi means, but sometimes in life we can all relate to the feeling of it being Christmas, but not feeling like it is Christmas. And it’s really, really, funny if you like this sort of thing. Not every joke lands, but the volume is there.

30 – South Park – Woodland Critter Christmas

This looks like a nice wholesome Christmas special…

If Solar Opposites is too crass for you then I’m afraid it doesn’t get any better with the South Park episode “Woodland Critter Christmas.” This one was much talked about the second it aired. The first act paints it as a very by the numbers Christmas special starring a bunch of talking animals. Stan is the central figure and he finds them tiresome and it seems like that’s going to be the joke – an unwilling participant in a crappy Christmas special. Then the swerve comes in. Stan helps vanquish a mountain lion that was plaguing the cute, little, critters only to find out that mountain lion was the only thing standing in-between humanity and the birth of the antichrist. The critters are revealed to be a pack of Satan-worshipping mongrels who celebrate immediately with a blood orgy, and the rest is history. It almost doesn’t matter what follows because the episode peaks there with that bit of shock humor. And if that isn’t something that would make you laugh then this very clearly isn’t the Christmas episode for you. I do admit, it’s not as good on repeat viewings as the reveal is a huge part of the episode’s success, but it holds up better than I would have guessed. And if you have had to endure something like The Chucklewood Critters, the climax of the episode is pretty cathartic.

29 – King of the Hill – The Unbearable Blindness of Laying

Hank has seen some thing.

Those first two entries are probably the most perverse of the entire list so you can now exhale if you want something a little more family friendly, though this episode of King of the Hill isn’t quite that. This is the episode where Hank’s mom brings her new boyfriend with her for Christmas at the Hill residence. When Hank forgets his novelty foam finger in the house while on the way to the big game, he returns to witness a horrible sight – his mother getting plowed on his kitchen table by the new boyfriend. The shock of such a sight causes Hank to lose his sight and he has to try and keep it under wraps. He, of course, can’t and then has to come clean about what caused his blindness. His inability to accept his disability and also to just communicate with those around him leads to lots of awkward and humorous situations throughout the episode. It’s the type of humor King of the Hill handles well, but the catalyst for the plot is what really helps it to land.

28 – Shrek the Halls

Prepare to meet Ogre Claus.

Less adult, but still gross in parts, is Shrek the Halls. I’m not much of a Shrek fan. The movies are a little much for me. I can appreciate the fractured fairy tale approach to the original, but can’t really tolerate the soundtrack and the visuals have not aged well. To my surprise, what has aged well is this Christmas episode produced basically in tandem with the third film in the franchise. It builds off a solid premise of Shrek, being an ogre, having no concept of Christmas and trying to figure it out for the benefit of his young family. Only he’s a bit embarrassed by his lack of Christmas knowledge and has to contend with Donkey, who he finds supremely annoying (we all do). Shrek’s little family Christmas turns into a big, unwanted, party that ends in disaster and the ogre has to learn a lesson about what family really is. It moves along at a nice pace and since it was produced with the third movie the production values are actually quite high. The usual voice cast is present and I think everyone is here. I confess I don’t remember anything about Shrek the Third. I also think these characters just work better in a short format. No one is able to overstay their welcome so a very obnoxious character like Donkey is able to remain funny as opposed to annoying. I think Shrek is poised to make a comeback in the not too distant future, but I have a hard time believing it will be as good as this little half hour Christmas special.

27 – The Simpsons – Grift of the Magi

Homer gets to play Grinch in this one which is something he’ll do again in a more obvious manner in a future episode.

This episode of The Simpsons comes after the show’s golden era, but every time I return to it I think I like it a little more. I considered ranking it higher, but I’m sticking with #27 which is no slight. This one begins like a conventional episode where the kids are stuck inside leading to a humorous situation that results in Bart breaking his coccyx. Confined to a wheelchair, Bart has trouble going to school because Springfield Elementary isn’t up to code forcing the school to turn to the mob for help (in reality, the mob forces itself onto the school). This causes the school to go bankrupt and then the Christmas element enters. First via a school play to coax the miserly Mr. Burns into making a donation that fails, and then via a toy company that takes over the school to use it as a testing ground for new toy ideas leading to the creation of Funzo. The episode just keeps rolling from there as there’s no B plot, it’s just one joke after another. It’s a pretty entertaining and unexpected ride with a terrific resolution. It just continues to make me laugh year after year and it’s a no doubt top 3 Simpsons Christmas episode. I just can’t bring myself to rank it above what I consider to be the top 2.

26 – A Flintstone Christmas

I love Fred’s design as Santa, even if it is weird seeing him in boots.

Don’t confuse this placement of The Flintstones one spot ahead of The Simpsons as me saying The Flintstones can even hold a candle to the more recent series. I just have a real soft spot for this hour long special that arrived in 1977. I used to look forward to catching this one on Cartoon Network annually because something about it just works for me, even if I’m not much of a fan of the franchise. This is basically an extended version of the episode “Christmas Flintstone” where circumstances are altered, but mostly it just gets Barney into the mix. Santa falls off of Fred’s roof and hurts his ankle meaning Fred has to fill his shoes. Literally. Barney gets to ride along as Fred’s elf and the pair need to make all of the deliveries for Santa and make it back to Bedrock for a work Christmas party or else Fred risks getting fired. Not only does it recycle some of the plot of a prior episode, it also recycles songs from the Hanna-Barbera production A Christmas Story. I guess the thinking was that special wasn’t a big hit, but why let the songs languish there? The pacing isn’t perfect, but I enjoy the ride and it’s still one I have to come back to every year.

25 – The Simpsons – Marge Be Not Proud

There are so many all-timers in this one when it comes to jokes.

Just sneaking ahead of “Grift of the Magi” is this story about a mother and her son. This is a low key Christmas episode of The Simpsons, though don’t mistake that for unfunny. There are some all-timers in this one like everything surrounding the fictional video game Bonestorm and the ending with Lee Carvallo’s Putting Challenge. In between all of that is Bart stealing a copy of the video game he covets and getting caught, nearly keeping it from his parents, and getting caught again. Marge is left to wonder if her little boy is no longer her little boy while Bart just really wants to make it up to his mom, but the wound he inflicted is just going to take some time to heal. It’s the type of Christmas episode that will make you want to call your mom when it’s over and it gets me every time. Now, buy me Bonestorm or go to Hell!

24 – Bob’s Burgers – Christmas in the Car

The Belchers have big, seasonal, problem.

The best Bob’s Burgers Christmas episode takes place mostly in the family wagon. Linda, unable to contain her enthusiasm for Christmas, put up the tree too early and we get a wonderful montage of her doing so, then having to redo it because it dies. By the time Christmas Eve arrives the tree is well past dead and a fire hazard, but you can’t Christmas without a tree, Bobby! So, the family piles into the car and heads out on Christmas Eve to get yet another tree. Meanwhile, the kids are plotting to set a trap for Santa Claus which snares their buddy, Teddy, who had to go to their house to turn off the oven when the search for a tree stretched too long. Bob runs afoul of a large truck leading to a road rage incident and the Belchers suddenly fearing for their lives. There’s a great guest spot by Bobcat Goldthwait and some nice payoff with a couple of episode-long jokes. My only issue with this one, and it’s one I can’t really hold against it, is that it outs the Santa myth via an exchange between Bob and Tina where he discovers she still believes in Santa Claus. I say I can’t hold it against it because this isn’t a show aimed at kids, but that one, quick, exchange has kept me from sharing this one with my kids. I’m pretty sure they don’t believe anymore, but they haven’t admitted it and I have yet to cop to anything so we’re just all comfortable living a lie for now. When that lie is out in the open, we’ll come together as a family and watch “Christmas in the Car.”

23 – Rudolph the Red-Nosed Reindeer

Baby Rudolph is so damn cute.

Okay, now we can move onto some more traditional Christmas special fair and it doesn’t get much more traditional than Rudolph the Red-Nosed Reindeer. This one is pretty much thought of as one of the original Christmas specials. Mr. Magoo beat him to it, but I don’t care for that one (hence why I’ve never looked at it for this thing) and he hasn’t exactly passed the test of time. The Rankin/Bass stop-motion special has been airing annually since 1964. It’s an institution at this point. You really don’t need me to tell you what it’s all about because you have probably seen it many, many, times. You also already know if you like it or not and right now you’re either thinking I have it too low or too high. I’m not sure how many would actually say it’s in the top 25, but way in the back like I am. And this one is largely carried by nostalgia and tradition, but I do still enjoy it when I sit down and watch it, just only once a year for me. A lot of the other ones up here I’ll watch multiple times because I’m a Christmas junkie, but Rudolph is one and done, but that is also partly because it’s an hour long. It’s an endearing story and the deer puppets hold up better than a lot of the other ones from Rankin/Bass. I’ve already said plenty. It’s a classic – let’s move on.

22 – Frosty the Snowman

This is some evil shit right here.

Did you know that there are several Frosty the Snowman specials that air around this time of year, but this is the only one that’s a Christmas special? Frosty’s Winter Wonderland, Frosty Returns, The Legend of Frosty the Snowman – these all do not mention Christmas at all and nothing suggests that they take place anywhere near Christmas time. It’s fine since the original song isn’t really a Christmas song either, it’s just a wintery song about a snowman coming to life. Rankin/Bass made it a Christmas thing and thus we associate Frosty with the Christmas holiday. This special is another that has endured. It’s pretty much this and Rudolph these days when it comes to network TV. ABC pushes the modern Disney stuff, and some of that is quite good, but only Frosty and Rudolph remain from when I was a kid (and my parents, for that matter). And I love this one. It’s got some great performances, a fun little story, and even a little sadness. I still say the darkest moment in any Christmas special would be what happens offscreen in that green house. Karen literally had to watch her friend melt to death. Does melting hurt? Can Frosty feel pain? We don’t know, but that must have been torture for both. Professor Hinkle, frankly, got off easy in the end.

And that does it for today. Tomorrow, we continue this countdown with 11 entries because it felt weird to end the thing with a top 11 as opposed to a top 10. Just what made it into the top 21? Well, you could probably spoil it for yourself by going back and seeing what I had to say in 2020, but I recommend you don’t. It’s more fun that way.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 23 – CatDog – “A Very CatDog Christmas”

Last year, I made it a point to go through the vast majority of the Nicktoons Christmas specials I was at least somewhat familiar with. My cut-off was basically 1996 which coincided with the premiere of Hey Arnold! That was when I started to fall off of Nicktoons and Nickelodeon in general. I was entering…

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Dec. 23 – Bugs Bunny’s 24-Carrot Holiday Special

Let’s try this one more time for 2023 – can we find a good Looney Tunes Christmas special? And more importantly, a good Bugs Bunny one? We’ve looked at two already that were merely okay. Nothing terrible, but hardly holiday classics. For our final go at this, I’m feeling a little more optimistic and that’s…

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Dec. 23 – Bluey – “Verandah Santa”

When it comes to The Christmas Spot, I have very few rules. I definitely favor animated Christmas specials, but that’s not some rule I’ve created for myself. The programs don’t have to be all ages, they don’t have to be “nice,” and they certainly don’t have to be any good as I’ve looked at an…

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Dec. 16 – A Very Solar Holiday Opposites Special

Original release date November 22, 2021

Yesterday, we talked about South Park and its very first holiday special from the late 90s and today we’re talking about the Trey Parker/Matt Stone of the 2010s – Justin Roiland. Roiland was able to hook-up with Dan Harmon in the mid-2000s which put him on the path to comedy writer and actor, usually of the more crass nature. His break-out came with the Adult Swim program and prior Christmas Spot feature Rick and Morty which is basically the South Park of today. It pushes the envelope, it’s very creator-driven, and like Parker, Roiland handles a large chunk of the voice cast.

Likely due to the success of Rick and Morty, Roiland found himself being courted by Fox to produce an animated sitcom for their network. That basically fell through when Fox decided to get out of content creation with the Disney sale, but in the interim Hulu came in to throw money Roiland’s way. The end result was Solar Opposites, a very Rick and Morty styled show that Roiland developed alongside former Rick and Morty showrunner Mike McMahan. There’s the thought that Harmon is the stabilizing force on Rick and Morty that keeps Roiland in check when he really wants to go off the rails, so the main draw of Solar Opposites for me when it was announced was to see just where Roiland would go without Harmon.

The answer is not as far as you may have thought. Solar Opposites is a fine show, but definitely a less focused one when compared with Rick and Morty. It works in the streaming model as it’s the type of show I’ve found I can just toss on when I’m not really feeling like investing in anything I’m overly attached to. The characters are designed to be fairly unlikable and the plots can be a bit nonsensical so there’s no requirement to pay much attention to the show’s continuity. There is a show within the show that takes itself more seriously and it does become more of a focus in the more recent seasons, but even that is pretty easy to jump into. It’s funny, but also absurd, and the sci-fi elements are still very much a huge presence in the program.

The aliens: (left to right) Korvo (holding Pupa), Terry, Yumyulak, Jesse

Solar Opposites is about a family of aliens that had to flee their own world. Korvo (Roiland) is the leader and the only one who seems to place any sort of value on their mission to terraform Earth so their species may rise again. He despises Earth and basically everything on it. Or at least he claims to, but there seems to be plenty here he does enjoy. Terry (Thomas Middleditch) is Korvo’s evacuation partner and is sometimes portrayed as a mate. Unlike Korvo, he seems to like Earth culture and enjoys indulging in it and all of its pop. He’s also the designated pupa specialist as each evacuation group from their home world was issued a pupa (Sagan McMahan) which will one day grow to gargantuan proportions and terraform the Earth, basically destroying all sentient life in the process. They are joined by their individual replicants, Yumyulak (Sean Giambrone) and Jesse (Mary Mack) who are forced to live as Earth teenagers. It is them who shrink and capture random humans to toss into a terrarium where the show’s “Show within a show” takes place.

In between the second and third seasons of the show a Christmas special was released. Titled “A Very Solar Holiday Opposites Special,” it basically takes these fish out of water characters and just tosses all manner of Christmas at them. We’re going to get a lot of subversion of Christmas tropes, numerous references to more famous specials, and we’ll likely finish with something that’s not exactly heartwarming and Christmassy.

These aliens know how to decorate.

The special begins with the Solar Opposites house looking very, very, festive. Korvo is inside jumping around with a pair of handguns blasting the Christmas tree. The guns he is firing are apparently Christmas guns, or something, because when they strike the tree they just make ornaments appear. Terry then enters carrying a Santa statue sporting a Santa for President t-shirt and both talk about how much they fucking love Christmas. Yes, since this is for streaming there is a ton of casual swearing. Korvo reminisces about an annual festival on their home world that involved hunting the elderly and looks back on it with nostalgia. Terry just seems to love the kitsch aspect of Christmas as he demonstrates the Santa statue he’s carrying is a novelty hot cocoa dispenser. I bet you can guess where the chocolate comes out.

Everyone is down with Christmas except for the Pupa.

Yumyulak, Jesse, and the Pupa enter and they’re excited for Christmas as well. Yumyulak loves that they get to kill a tree and decorate its corpse while Jesse states she loves getting gifts and then returning them for store credit. They all then gang up on the Pupa as it apparently dislikes Christmas. We have to trust the others on this because it does nothing to demonstrate its dislike for Christmas. It just maintains a neutral face while the rest hurl insults at it until it’s had enough and leaves through the window. Terry demands it not return until its found the Christmas spirit. Meanwhile, Yumyulak seems ready to fuck the tree which I guess would make him a necrophiliac by his own definition? Jesse produces a tray of candy cane Hot Pockets which they all seem to enjoy and Terry lets us know we’re about to experience the Solar Opposites Christmas special! Woo!

Even their origin story is getting the holiday treatment.

We then get a festive rendition of the opening credits. Basically every character is wearing a Christmas outfit and the home world of the aliens is shown being destroyed by Santa instead of an asteroid. I approve. When the credits end, we see what the Pupa is up to: church. It would seem the Pupa is the only one that cares about the secular aspect of Christmas as it attends mass and does so without irony. After a brief sermon by the pastor (Troy Baker), the Pupa goes over to a man who is sobbing in the pews. He confesses to the Pupa (basically none of the humans on the show bat an eye at the aliens, they just accept them as a thing that exists) that he made a mistake by kicking his son out of the house because he confessed he’s a little bit bisexual. The pupa comforts the man and looks up at a large sculpture of Jesus and seems to smile at it.

The Solar Opposites are about to experience Jingle All the Way, a Christmas movie without Will Ferrell elves or leg lamps.

Terry is ready to commence a festive tradition of watching a Christmas movie. And today’s feature: a VHS copy of Jingle All the Way. They’ve never seen it, but Terry boasts about the recommendation it received from the Christian Science Monitor. Korvo chimes in and asks the group if they want to watch Jingle All the Way, or truly live it? He then leads them to the lab where he asks if they remember seeing Ready Player One. No one seems to, but Korvo explains a part of the movie gave him an idea when a character went into The Shining, or something. I’ve never seen it. Yumyulak uses this as an opportunity to likely channel one of the writers on this episode by seeming unimpressed that the movie put a better movie into it to try and seem good. Korvo explains he made the same device though and calls it The Ready Player One Device and receives shit from Jesse for his unoriginal names to which he responds, “Tough ta-tas.”

This isn’t the most exciting movie to enter.

Korvo activates the device and they’re all magically transported into Jingle All the Way complete with a festive, snowy, wipe effect. All four characters find themselves in a home and all are dressed the same. Yumyulak is not impressed to just move from one suburban house to another and when they question their attire Korvo informs them that the device is only able to replace one character in the film so they’ll all be playing Arnold Schwarzenegger’s character. A kid (uncredited) then runs up to them to inform their dads that what they want for Christmas is a Turbo Man action figure. Terry finds this request ridiculous since it’s so close to Christmas and the product is sold out and says as much to the boy, but he reacts as if Terry agreed to purchase the doll. He runs off and the Opposites are left to assume the kid’s father promised to get the toy and they all find this absurd. The screen then goes black and Terry freaks out as he thinks he’s having a stroke, but Korvo just lets him know they’re being transported to the next scene.

Watch out, Jesse! It’s Sinbad!

And that next scene finds them all outside a store. The Sinbad character (Gary Anthony Williams) comes barging through them and Terry remarks that his presence cannot be a good sign for the quality of this movie. Korvo just gets pissed at the lack of holiday décor around them and the absence of snow. Terry apologizes for taking the advice of the Christian Science Monitor while Jesse suggests they bail. Yumyulak is the only one who seems slightly invested in the film’s plot, but he doesn’t protest when Korvo whips out his device to eject them from the film. Back at the house, Korvo suggests they all split up and do something festive to get the horrible taste of Jingle All the Way out of their mouths. Terry calls dibs on calling Santa, while the other three disperse.

Too late for a Game of Thrones joke? Or, is the joke that a mall Santa is precisely the kind of place where you would see a too late Game of Thrones joke?!

At a nearby soup kitchen, Pupa is ladling out food to the less fortunate while holding up a picture of a lost boy. One of the individuals says “Hey, isn’t that Everett, the little bit bi kid,” which is amusing that everyone just knows him as the little bit bi kid. He’s been working at the bus station so Pupa smiles and takes off to go scope it out. At the mall, Jesse is shown emerging from a store with a pile of gifts and bags under her eyes. She seems worn out, as does Korvo, who is waiting to see Santa. They go to meet Santa, who’s seated on a Game of Thrones styled chair made of dangerous looking candy canes. The two get their picture taken, but look depressed in it. At the house, Yumyulak is taunting the tree with a pitcher of water, but this little game he’s playing doesn’t seem to thrill him like it used to. On the couch, Terry is in actual tears on the phone while the Santa on the other end suggests he deposit another 50 bucks to talk about it. He hangs up and wails “Who even cares?” as the Christmas spirit has been sapped from the Opposites!

The spirit is no longer willing.

Jesse is at the house too and is cutting herself wondering why she doesn’t feel right. Korvo is also perplexed while Yumyulak doesn’t understand why torturing the sexy, dead, tree is failing to make him hard. Jesse asks if anyone wants to go get hit by a bus with her and Terry absolutely does. Korvo figures out the problem though and takes the group back to his lab. He uses an X-Ray device which reveals their hearts are too small. Jingle All the Way sucked so hard that it depleted their Christmas spirit and it must be fixed. Yumyulak suggests drinking the blood of someone full of cheer, but Korvo has a better idea. He suggests they use The Ready Player One Device to go into other, better, Christmas movies to regain their Christmas spirit! The others are onboard as Korvo holds up a VHS of “It Be A Wunderful Life” and tells us, the viewer, to suck his ass because the Solar Opposites are going into all of our favorite Christmas movies!

Yes, it’s that kind of show.

Mariah Carey’s “All I Want For Christmas is You” comes on as Korvo inserts his tape into the device. They’re all shown playing the role of George Bailey during the bridge scene from It’s a Wonderful Life. All just repeat the line that they want to live, except Yumyulak who says he wants a limited edition Animal Crossing Nintendo Switch and to live again. We then see Korvo’s next tape, “Rodolfo the Rogue Nose Deer.” All four are in Rudolph costumes and Korvo declares “Nobody likes our stupid, fucking, noses,” while Jesse adds “Being different sucks.” Clarice (Kari Wahlgren) is there though to reassure the group that she likes their nose, and their musk, then whispers to Terry-Rudolph that she’s at the height of her cycle. He says he can tell and begins to fuck her. As he thrusts, the nose on his costume blinks. The other three just watch and smile. It’s wholesome.

Hard to top a pickup line like that.

Our next tape is “luvindeed,” which I think is a romantic comedy parody of Love Actually which is a movie I’ve never seen. A woman answers her door to find the crew all standing with signs for her. Korvo’s says, “Shut the fuck up,” Terry’s reads “Pobodie’s nerfect,” Jesse’s is “Merry Christmas, please cheat on your husband with me,” and lastly we have Yumyulak who is going with “Epstein didn’t kill himself.” The woman seems touched as she has tears in her eyes. The Opposites then whisk back into the lab and Jesse demands Korvo check their spirit levels. They all still look exhausted and worn out, so it’s no surprise the trip through the other films didn’t work as intended.

In order to save Christmas, the Solar Opposites must Jingle ALL the way!

Korvo can only reason that by not finishing Jingle All the Way they ruined their Christmas spirit. Terry really doesn’t want to go back and points out that the film had no stakes. He adds Kindergarten Cop is a way better Arnold movie because you actually care if the kid lives or dies. I have to agree. Jesse confesses she’s feeling some regret about not being a better father while Korvo insists they have no choice. They can’t just jingle some of the way, they have to jingle all the way! He rummages through a box of tapes and asks the others if they remembered what happened to them on Veteran’s Day? Apparently they all lost their Veteran’s Day spirit and now they don’t support the troops. He finds the VHS of Jingle All the Way and insists they have to go back to the Jingle-verse and finish it if they want to save their Christmas spirit!

Before Christmas can be saved, we must check-in on the Pupa.

We check-in with Pupa who is at the bus station in search of Everett. The guy working there tells him he just left on the 7:36 bus to Vegas where he feels he can be a little of whatever it is he is. We then cut to the bus being driven through the falling snow and Pupa smashes into the windshield causing the driver to scream, then stop, to let Pupa on. Pupa finds Everett who tells him “You don’t want to sit next to me, nobody does.” Pupa then holds up the picture of Everett with his parents and he looks at it like he’s about to cry. It cuts to Pupa smiling, then cuts to the two of them standing on the side of the road watching the bus drive away. They begin walking, presumably to Everett’s home.

Something looks…different.

We then return to the Jingle-verse, only now the title of Jingle All the Way is in a destroyed font. The setting looks like a post apocalyptic war zone which confuses the Opposites as they resume their role in the movie. Korvo checks his device and discovers that time moves faster in the Jingle-verse because 80 years have passed since they left. Terry suggests it might not be all bad since he spots Santa peeking over a fence at them, but when they investigate they find it’s just a bunch of Santa heads on pikes in someone’s lawn.

It’s all starting to make sense.

The group walks the ruined streets in search of some way to advance the plot. Terry is repulsed by a guy taking a shit in the road, and then suddenly that same guy is attacked by a pack of miniature, monstrous, Sinbads. They appear to be eating him and when one hisses at Korvo he tells it to go fuck itself. A one-eyed man emerges from a nearby building and asks what the hell they’re doing out there. He tells them to get inside and they do as suggested. Once there, they ask what those things were and he says they’re mutant Sinbads which roam the streets in search of Turbo Man dolls. They asks why the Christmas presence is gone from this movie and the man explains it’s been like this since Jamie took over. Hearing their “son’s” name, Korvo presses the man and finds out that when Jamie didn’t get his Turbo Man doll they promised him and was subsequently abandoned by his father, he rebelled against Christmas. The events are all covered in his book Christmas is a Lie and on the cover Jamie is depicted as an obvious parody of Donald Trump made even more obvious by the words “Sequel to The Art of the Deal.”

If you’re to get murdered and consumed by cannibals might as well have it be Christmas cannibals.

The one-eyed man continues explaining this current predicament and references a wintertime parade that Jamie forces everyone to participate in at 11:45 PM on Christmas Eve. The others are surprised at how much backstory this guy is able to cram into this moment and Jesse just points out that shallow characters are a staple of the Jingle-verse. The man basically confirms as much, but then also adds that he’s stalling for time so his buddies can kill them and help him prepare their bodies for a feast! He calls them out and shouts “We have the meats!” which causes Korvo to ask if they have Arby’s in the Jingle-verse. The guy just responds with “What the fuck is Arby’s? That’s just what I say,” as his “reavers” emerge to attack the Opposites. Their attire is basically Mad Max meets Christmas, but before they can attack a bunch of them start getting shot. The shooter is Jesse who reveals she stole George Bailey’s gun when they were in It’s A Wonderful Life. It’s depicted as a grayscale revolver with a static effect on it which is pretty neat. Korvo confiscates the weapon on account of Jesse likely shooting her eye out if she’s allowed to hold it. He then says they have to find a Turbo Man doll and gift it to Jamie if they want to end this so the four begin searching. As they leave the building, Terry notes that Bailey didn’t display a gun, but Jesse tells him everyone carried back then including Shirley Temple who hid hers up her “hoo-ha,” “That’s what the song “Lollipop” is all about.”

I feel like he’s seen grosser stuff than this.

A nearby clock chimes indicating it’s now 2. Korvo instructs them all to meet back at this spot and reminds them to spread Christmas cheer wherever they go. While he does so, he casually snaps the necks of attacking Sinbad mutants. Mariah returns as we get a mini montage of the Opposites searching for Turbo Man dolls. Jesse is at a decrepit looking toy store, but is soon attacked by zombies and is forced to flee while shouting, “Ho ho ho!” Terry is at an elementary school when more reavers attack him. As he runs for his life he chooses to shout, “Snowflakes! Sugar plums! Shitty orange chocolate!” Korvo is in the bedroom of a long dead individual who might be clutching a Turbo Man? Hard to tell since it’s off model, but that could be done for licensing reasons. As he tries to pry the toy from the corpse, he’s clearly fighting back the urge to vomit, but eventually fails and throws up all over the corpse and the toy.

Pupa’s Hallmark Christmas movie appears to be headed for a happy ending.

We’re then back at the church from earlier as Pupa leads Everett inside. Everett is reluctant for he feels no one in there wants him to be there, but his dad stands up and runs to him. Everett is confused because he thought his dad didn’t want him around anymore since he confessed he’s a little bit bi. The dad apologizes for being wrong and then adds that Anna Paquin is a little bit bi and she’s an integral part of the X-Men! Everett smiles because his dad saying that indicates he read his Livejournal. As father and son embrace, the Jesus on the crucifix opens its eyes to look at the two. Pupa looks up at it, winks, and the statue winks back. It’s a Christmas miracle!

Meanwhile, the very un-Hallmark plot is heading for a bloody thrilling conclusion!

Inside what remains of Jingle All the Way, the Opposites have regrouped only to confirm none have found a Turbo Man doll. It’s proposed that the group just “sci-fi” themselves out of this mess by making a Turbo Man doll, but Korvo says he already tried that and his 3D printer won’t break copyright laws unless they’re in Guam. Yumyulak is ready to throw in the towel and let the Sinbads eat him while Terry just wishes he never picked Jingle All the Way and instead picked a better Christmas movie like Die Hard, Gremlins, or Piranha 3D. Korvo tells him to shut the fuck up and says they’d still be in this mess then starts off a debate whether or not those are even Christmas movies. Terry defines a Christmas movie as any movie that takes place on Christmas, then concedes Piranha 3D has nothing to do with the holiday. Jesse sees this definition as an answer to their problem because it’s Christmas now. All they have to do is wrap up a plot on Christmas and their movie is over. Korvo agrees and declares they need to find Jamie and apologize for something they did 80 years ago to save Christmas. He cocks the shotgun he apparently found for added emphasis.

Okay, I think we’re done here.

We then switch to a small, warm, home. It’s Everett’s house, and his father is leading a toast before their family. Pupa is there to witness the dad declare that he was wrong to kick Everett out and that everyone should be free to be who they are as that’s what Christ would want. When Everett thanks his dad, he tells him to thank Pupa instead. He turns to Pupa and asks if there’s any way he can reward him for all that he’s done. Pupa whispers into the dad’s ear and he seems surprised at the request. The only clue we receive about what Pupa asked for is the dad replying “And it’s just locked up in a child proof cabinet?”

They’re willing to go to great lengths to save Christmas.

Back in the movie, the Opposites have nailed down where Jamie is hiding – in the penthouse of a giant building. Terry is proud of their son’s success, but before anyone can tell him he’s an idiot the parade marches by. Jesse points out that means it’s 11:45 and they only have 15 minutes to save Christmas! Korvo declares he’s about to go on the naughty list as he grabs a severed Santa head. The rest do the same and they jump into the parade with corpse heads over their own doing the same karate chop motion other Santas are using in the parade. The one-eyed man is marching behind them though and immediately recognizes them. He rallies his remaining reavers this time with “Where’s the beef?” which just further annoys Korvo since he has to know it’s an old Wendy’s slogan.

This is where Jesse basically takes over.

The Opposites are able to ditch the cannibals and Yumyulak tries to assess the defenses of the penthouse. He wears some special goggles to identify the security, plus one guy who is jerking off in a bathroom. By Yumyulak’s words, he’s really going to town as he’s also fingering his butthole. Korvo is distressed at this reveal as men who jerk off are always stronger afterwards. Terry is freaking out, but Jesse breaks the tension by casually smoking a cigarette and producing a pair of knives. She confidently says they have plenty of time to finish this and Korvo agrees. He and Yumyulak just magic up some weapons like Jesse did with the knives, but Terry just smiles and holds up his fists. When Korvo questions his lack of weapons, he says he’s been learning a martial arts kill punch technique as a Christmas present for Korvo. Korvo is overcome with emotion and the two share a sweet kiss before embarking on their journey.

This is probably the image with the least amount of blood I could have taken from this sequence.

We then get a montage of the Opposites going on a rampage. It begins with Jesse entering the building looking innocent. A security guard smiles at her, but then she pulls out her knives and stabs him in the eyes. They head up the elevator where they’re forced to take out security guards, followed by a floor full of Santas, and then a bunch of the Sinbad mutants. As they move through each floor, they acquire more and more blood splatters on their clothing. Terry gets to demonstrate his kill punches, and there’s a cool silhouette shot of them running up the stairs on a green background as they demolish Sinbad mutants. Eventually they’re covered entirely in blood, though it fades for a slow walk shot of the four as they approach Jamie’s penthouse.

This “kid” must be pushing 90 at this point. I guess it’s good they got to him when they did.

Once they enter the penthouse, the blood is almost completely gone from their clothes. They call out to Jamie and indicate they’re here to apologize, but the laughing maniac isn’t interested. He floats over via a contraption not unlike what the Emperor is supported by in The Rise of Skywalker. Terry remarks he’s as ugly and twisted as his soul. When he apologizes for not getting him that doll 80 years ago they find out Jamie has all of the Turbo Man dolls. He’s assembled a T-shaped throne out of them and indicates he’s far more angry about being abandoned than not getting the doll. Jamie tries to explain his backstory further, but Korvo interrupts him since they’re running out of time and no one cares. He demands Jamie accept their apology so they can end this movie, but Jamie just laughs and tells him to eat shit.

The Opposites regroup, but they’re not sure how they can complete their emotional journey without Jamie accepting their apology. Jesse then has a realization and approaches Jamie. He taunts her by asking if she’s come to beg him to accept the apology once more, but she indicates she’s not there for that. She grabs one of the Turbo Man dolls, and declaring Jamie the bad guy of this film, starts smashing him with it.

Remember, it doesn’t matter how you celebrate at Christmas, just who you do it with.

It works! Jesse’s heart responds to the beating and grows in size. She urges the rest of her family to help kick this old guy’s dick into his ass, and they soon jump in. Korvo is the first and his heart starts growing too, followed by Terry. Yumyulak grabs a snow globe and starts beating on Jamie with it and smiles. A narrator them comes in to say, “Against all odds, each time the aliens struck the withered, old, asshole their hearts grew bigger and bigger filled with Christmas joy until they were ready to burst!” Beams of light shoot out of Jamie’s smashed skull and each place they touch is converted back into a joyous, Christmas environment.

Time to bring it in.

Yumyulak notes that Jamie’s blood tastes like Christmas while Terry says he’s filled with warm, hugginess. Korvo declares they’ve restored their Christmas spirit because they killed their son as a family, “And doing things as a family is the most Christmassy Christmas shit you can do.” Jesse tells them all that she loves them and they share a group hug. Then the credits for Jingle All the Way start to roll. Yumyulak doesn’t want to stay and watch them, but Korvo thinks they owe it to the movie since they skipped so much of it. Plus, he can’t imagine it took a lot of people to make this thing. They appear to be over, but before they can leave the room the second unit credits begin and the replicants indicate their displeasure at having to endure more.

Just look at that room. Amazing!

Back at the home of the Solar Opposites, we’re ready to put a bow on this thing. They’re all dressed in festive Christmas sweaters and Terry says he’s glad they spent Christmas together as a family. The rest are in agreement and Korvo is the one to reiterate that doing things as a family is what Christmas is all about. The Pupa then comes in playing a whistle and the mood immediately goes sour. Korvo demands to know how the Pupa got its Harry Potter whistle back and asks Terry if he locked it up like he was supposed to. Terry insists he did, then he yells at the Pupa for ruining the mood and chastises him for not even participating in the family Christmas adventure. They all angrily leave the room and the Pupa pauses his playing to say “Merry Christmas, everyone!” to the camera to close it out.

They’re mean to the Pupa, but I have to agree that introducing Harry Potter to Christmas ruins my mood too.

And that is how the Solar Opposites spent Christmas that one time. The show is definitely crude and it loves to take advantage of not being on broadcast or even cable TV with its language and violence. It has that same Justin Roiland timing that Rick and Morty has with Korvo basically just being a Rick character, only he’s not as mean and his dialogue sounds even more ad-libbed than Rick’s. He speaks fast and Roiland’s pauses, hesitations, and stutters are kept in as part of the character’s traits, he just doesn’t burp. There’s a lot of quick jokes that just fly by via the characters which really helps when one doesn’t necessarily stick since nothing is really allowed to linger. There’s certainly a “metta” component to the show as it’s basically self-aware, though that’s not as obvious in this episode. And while there’s nothing focused on the terrarium plot from the main show, we do get a B plot involving the Pupa.

I am actually a little surprised at how hard Solar Opposites went to incorporate Christmas into its special. It would be odd not to, but I was expecting something more like the Rick and Morty episodes that feature Christmas where the holiday is treated more like the B plot. Here it dominates as we get the Opposites going on adventures through Christmas movies to get easy jokes and references into this finally leading to more of a spectacle in the final act to finish Jingle All the Way. The Pupa B plot is actually a straightforward and simple Christmas plot. It’s brief because it can be since it’s just continuing a joke from the first act where the Pupa is ridiculed for not being onboard with Christmas to setup the payoff in the end. I really like how the main cast is actually very into Christmas when it could easily have made Korvo a Christmas antagonist and Yumyulak indifferent. The tree lust was a bit weird, but it didn’t feature much into the plot. I don’t know if this will ruin some of my Christmas cred, but I have a low opinion of Jingle All the Way so it didn’t bother me that this special rips on it quite a bit.

I’m just surprised he didn’t say “God bless us, every one!”

This one also delivers as a visual spectacle. Everything is covered in Christmas when it needs to be and it certainly feels like that was emphasized since the characters complain about the setting of Jingle All the Way not being Christmassy enough. I get the impression either Roiland or some of the writers on the staff filtered through there and it’s something I can go along with. This episode was probably born from them watching the movie and ripping on it. This one gets it though as if you’re doing a Christmas special, animated or otherwise, I want to see the characters at least put a sweater on or a Santa hat. The special also does a good job of working Christmas into the soundtrack and I’m actually surprised Hulu sprung for some Mariah Carrey not once, but twice.

The Solar Opposites Christmas special is definitely not one for everyone. And it should go without saying that it’s not for kids. If you like the show and similar ones like Rick and Morty or South Park then you’ll probably like this. It earns it’s title of Christmas special in basically every way though it obviously subverts the ending message when a group of dads restore the spirit of Christmas by killing their son. Again, not for everyone and if you’re offended by that type of program then you definitely don’t need this one in your life. If you do like that stuff, even if you’ve never watched the show, then I say give it a shot. The only way to watch it is via Hulu in the US and whatever serves as Hulu in other territories.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

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