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Dec. 4 – The Nostalgia Spot Christmas Special Countdown #179 – 170

We’re getting closer, ever closer to the Christmas specials that are most worth watching every year. That’s not necessarily a bad thing that we’re still kind of in the weeds considering today’s entry covers entries 180 through 171. It’s a reminder that there are a lot of Christmas specials out there. Yesterday’s entries on short subjects is so far the outlier in that some of them are worth watching just because they’re so brief. And there’s some historical value. Today’s entries are not so brief and not so old so they need to get by on entertainment value and nostalgia. And, for me anyway, there’s not a ton of nostalgia to be found in this cast of Christmas specials. Oh, there is some, including one that I pretty much watch every year because of how I know it, but there’s a lot of “filler” here as well. These are mostly from children’s entertainment and if there was a theme I suppose it would be Christmas episodes from cartoons that are not well-remembered. There are a few exceptions and as I look over my list and the days to come I can see some that I could have flip-flopped out of here. Though in the case of many, it’s more an issue of seeing a special yet to come that I really don’t think is all that good and wondering why it’s not here, but then I look at what we’re talking about today and it starts to make more sense. I could tinker with this list all month and never feel like it’s perfect so let’s just move on, shall we?

179 – Donkey Kong Country – The Kongo Bongo Festival of Lights

Donkey Kong managed to elevate himself above his more popular genre-mates Sonic and Mario, but let’s not pretend like his Christmas episode is all that great. For me, it’s most memorable for being the kind of show I had very low expectations for going in and it managed to exceed them. That doesn’t mean it rose to the level of something I’d consider good, but it’s not terrible. There’s some silliness to be found with the long lost brothers plot to the point where it kind of works. What does not and never will are the visuals. If this ranking was purely on visual quality, Donkey Kong might be in last place. It’s hideous. Those early 3D CG shows have not aged well.

178 – Aaahh!!! Real Monsters – Gone Shopp’n

This is a Christmas episode that was always going to have to really knock it out of the park to be placed higher in the rankings. That’s because it’s a Christmas in July episode and in it our monstrous protagonists find themselves trapped in the mall after hours. The Christmas element is purely visual as the mall is decorated for a big summer sale, but there’s a lot of actual Christmas episodes that don’t do much more than add a visual element as well. This one is also short since it was only one segment from a half hour television spot and judged strictly on the quality of the entertainment it’s probably better than where I have it. It’s just not very Christmassy. Plus, I’ve never liked the visual style of this show.

177 – Santa Claus is Comin’ to Town

This is the one I teased as being a special I watch annually, even if I don’t really like it that much. It was featured on my beloved Christmas tape growing up so I saw it all of the time and I still see it quite often. As a kid, it was the spot on the tape where I was most likely to drop-off. Thankfully, it had Rudolph backing it up so that’s what usually got me through. Had it been last on the tape then I probably would have seen it far less. If you somehow have not seen this Rankin/Bass production, it’s the origin story for Santa Claus and Mickey Rooney’s debut as the character. The story is pretty silly with a local ruler outlawing toys, but the approach isn’t silly. There’s a lack of fun here and it’s just so long and plodding. None of the songs are particularly good either. Sure, “One Foot in Front of the Other” can get lodged in your head, but that doesn’t mean I want it there. For nostalgia’s sake, I’ll sit through this one at least once this month, but that’s all I’m giving it.

176 – A Flintstones Christmas Carol

For a little while, there was an attempt at making the Flintstones into some sort of holiday tradition in the 90s. There was a A Flintstone Family Christmas and there was this, A Flintstones Christmas Carol. Now, I have some affection for The Flintstones. I never actively sought the show out, but if it was on I’d often watch it as a kid. I do like A Flintstone Christmas and the episode of the show “Christmas Flintstone” it was based on, but that’s sort of my limit. And when you take a dated franchise like The Flintstones and pair it up with one of the most overused Christmas tropes on record by adapting A Christmas Carol, well, you don’t really end up with anything remotely special. I’ll give it some credit in that the special tries to blend a meta component by having it be a production in-show, but Fred lets stardom get to his head to the point where he starts acting like Scrooge. It’s for serious fans of The Flintstones only, the rest need not apply.

175 – Little Dracula – The Bite Before Christmas

There have been many attempts at melding Halloween with Christmas. The most famous is obviously The Nightmare Before Christmas and it’s also probably the most successful. On television in the 90s though, we had stuff like Little Dracula. It’s a cartoon where the cast is basically all monsters, but the approach to the macabre is so tepid that it tends to undermine any real spooky element it could have. In this one, the goal is to capture Santa Claus. I guess that’s what vampires do. It’s very by the numbers for such an unusual plot as we just get a lot of setup where the entertainment is supposed to be seeing how monsters decorate for the holiday, but nothing is particularly clever. The villain of the show, Garlic Man, wants to pose as Santa to enter the house or something, even though he knows they’re trying to capture the big man. And, of course, the real Santa shows up and we all learn something. Or not? It’s not very memorable.

174 – Don Coyote and the Christmas Bell

Make way for Don Coyoooooote! Don Coyote hails from a mostly forgotten Hanna-Barbera cartoon and rightly so. The main character is incredibly annoying and he just bumbles his way through adventure after adventure in a model similar to Inspector Gadget, only Don Coyote didn’t have a niece and a really smart dog looking out for his well-being. The only saving grace for the show is that most of the other characters see Don Coyote for what he is: an idiot. The villagers in the town he tries to help in this one all think he sucks and it’s a bit humorous to see. It’s not a big Christmas vibes sort of episode either, it just takes place at Christmas and the bell referenced in the title has some meaning for the holiday. There is a light faith element to the plot, so if you like your Christmas to appeal more to that aspect of the holiday as opposed to Santa and Rudolph then maybe you can appreciate this on that level. Maybe. It’s still not very good.

173 – Heathcliff – North Pole Cat

Heathcliff may have originated close enough to Garfield that the two can be considered peers, but he’s mostly lived in the fat, orange, cat’s shadow in my lifetime. And that’s despite sounding like Bugs Bunny! Heathcliff did have a solid run on television in the 80s getting two similar, but separate, cartoons and around 100 episodes of entertainment. His grand finale is a Christmas episode in which his letter to Santa is returned so he and Spike (all dogs were required to be named Spike in cartoons) head to the north pole to investigate. There they encounter a jerk of an elf who is hell-bent on destroying Christmas, but as is often the case, things work out in the end and it turns out the elf isn’t such a bad guy after all. There aren’t any memorable gags to find and this one does something I hate. It has Santa literally tell the audience that a year of bad behavior can be redeemed at the last second to get on the Nice List. What a crock! I get needing to give kids something to reach for, but to come out and say it like that is just wrong.

172 – Ace Ventura: Pet Detective – The Reindeer Hunter

Okay, I really didn’t know where to rank this one. Visually, it’s offensive to my eyes. It’s cheap and ugly. It’s also Ace Ventura who is a pretty annoying character. On the big screen, at least the physical acting of Jim Carrey can help make him tolerable, but as an ugly cartoon the charm is gone. This one does have a somewhat clever plot though and it feels pretty original. Since the character is a detective (which allows them to make liberal use of the term dick), there’s a mystery component and it’s not bad. Santa’s reindeer have gone missing, and Ace needs to get them back. It’s a good setup for a pet detective. It’s just…a lot. I can only handle so much of this character. I do think if you really like the character then you’ll like this a lot more than I do. It’s the sort of Christmas episode where I’m glad I did experience it, but once is enough.

171 – Christmas in Tattertown

The Nickelodeon Christmas special by Ralph Bakshi that doubled as a pilot for a show that never was, Christmas in Tattertown is quite possibly the most uneven special in this countdown. There are moments in this one that look terrific. There’s a throwback quality to the character designs and animation of the 1930s and it mostly works. There’s also moments where the quality dips and then there’s just the uneven performances. This is especially seen in the character Muffet, who is at times sympathetic and at times a horrible villain. She is a doll that doesn’t really want to be a girl’s doll and she’s frustrated that her life has seemingly been decided for her. She just decides to go full villain in response to that. The voice work is also so up and down that watching this is like experiencing whiplash. I wanted to like this because the premise is solid, but there are too many moments for me where I questioned if I actually hated it. It’s exhausting to watch, but it looks so interesting that I think it’s something everyone should see once. At least, everyone who has ever been enchanted by a cartoon.

170 – I Am Weasel – Happy Baboon Holidays

Our last entry for today comes courtesy of that other children’s cable network, the Cartoon Network. I Am Weasel was a spin-off from Cow and Chicken which in turn was born out of the What a Cartoon workshop. I have no idea why I Am Weasel was chosen to be spun-off. I liked Cow and Chicken to a certain degree, but I did not care at all for I Am Weasel. It’s a setup where the weasel is basically an ideal character and does everything right and he’s juxtaposed with I.R. Baboon, a selfish, stupid, jealous character. He basically tries, and fails, to undermine the weasel and steal the spotlight for himself. In this Christmas edition, Baboon is surprised by his family when they show up for Christmas. He is ill-prepared, so he runs out to get a tree and all the trimmings, but leaves his family out in the cold. Weasel then comes by and notices the frozen solid group of baboons and invites them into his palatial estate. They become rather enamored with Weasel which just makes Baboon jealous when he finds out. He then tries to sabotage Christmas. It has a happy ending, and it’s actually a lot of plot for what is a short cartoon. It’s a solid setup and premise for the show, it’s problem is it’s just not very funny. Maybe I’ve aged out of this era of visually loud humor, but I didn’t really laugh. If you have fond memories of this or Cow and Chicken then maybe you’ll get more out of it.

And that does it for today’s entries. Tomorrow, we take a break from the countdown to spotlight a forgotten Christmas special. I think it’s a bit of a crowd favorite, but maybe the winds have changed for it over the years and I’m mistaken. Or it’s just become properly rated since we are talking about entry #169. What is it? Well, you’ll have to come back tomorrow and find out. Unless you’re not reading this on December 4, 2025. In that case, you can just click the little button for the next entry. I hope you were surprised!

Can’t wait until tomorrow for more Christmas? Check out what we had to say last year on this day and beyond:

Dec. 4 – Doug – “Doug’s Secret Christmas”

Last year, I made an effort to get to a lot of the Nicktoons that I had yet to cover. My initial thinking when I started doing this Christmas blog was to try and avoid the specials that had been covered in depth many times over. Then I realized that, hey, if you want to…

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Dec. 4 – Doug – “Doug’s Christmas Story”

Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first…

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Dec. 4 – The Pups’ Christmas

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…

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Dec. 14 – Heathcliff – “North Pole Cat”

 

north pole catHeathcliff, despite being a cat, shares a similarity to a certain cookie. And that cookie is Hydrox, the chocolate and cream sandwhich style cookie often mistaken for an Oreo. When I was a kid, Hydrox was the inferior Oreo, the knock-off, and I suspect that was true for a lot of people. The funny thing is, Hydrox predates Oreo. Nabisco essentially stole the concept and mass-produced its own version which eventually became more popular than the original. And how does this apply to Heathcliff? Well, most seem to view him as the Garfield knock-off even though he predates Garfield by a solid three years.

Heathcliff debuted in 1973 as a comic strip by George Gately. He became popular enough that he made the jump to animation in 1980 where he was given a voice by the late, great, Mel Blanc. Heathcliff, the cartoon series, consisted of two seasons of 13 episodes each. Heathcliff was paired up with some characters called The Ding-bats and later fellow comic character Marmaduke. The show was still shown for much of the 80s, but in 1984 a new cartoon was created by DiC also titled Heathcliff. This is the show I remember most from the 80s due in large part to the catchy theme song performed by Noam Kaniel. For this show, Heathcliff was paired up with some new characters called the Catillac Cats which is why this show is often referred to as Heathcliff & the Catillac Cats to differentiate it from the series that came before it. Each episode was organized into two segments, one Heathcliff and one Catillac Cats with the two rarely crossing over. The show produced 86 episodes and was shown in syndication into the 90s.

heathcliff strip

Like a lot of 80s toon stars, Heathcliff first began life as a daily comic in print.

The final episode of the series is the one we’re going to talk about today. “North Pole Cat” is the lone Christmas segment and it stars Heathcliff. Wikipedia claims it originally aired on October 7, 1985 though IMDB simply lists it as airing in 1986. The plot borrows slightly from the much more viewed ‘Twas the Night Before Christmas in which letters to Santa are returned and someone needs to figure out why. That someone is Heathcliff and he’s dragging his adversary Spike(Derek McGrath) along for the ride as the two make their way to the North Pole to figure out what’s going on.

heathcliff catillac cats

When Heathcliff returned to TV in 1984 he was joined by the Catillac Cats leaving that loser Marmaduke far behind.

The episode opens with Spike training with Muggsy (McGrath) so he can become a better bully, or “bull” as Muggsy calls him. He looks to test out his new skills on the unsuspecting mailman making his rounds who jumps with terror at the approach of the massive mut. Heathcliff watches from his stoop disapprovingly. He decides to get involved, and utilizing the mail carrier’s satchel like a matador does his red curtain, he tricks Spike into crashing into a number of obstacles before finally falling into an open manhole.

rudolf spike

This one wastes little time in getting going.

The mailman thanks Heathcliff and then hands over the mail. It seems both he and his owner, Iggy, have had their letters to Santa returned. I’m not sure what time of year it is as everything looks sunny and lovely, but I guess we can assume it’s sometime close to Christmas. The mailman adds this is the tenth such letter he’s had to deliver today and wonders if Santa has called it quits. Heathcliff wonders the same, but decides he needs to take action. Putting on a parka and some earmuffs, Heathcliff is ready to set off for the North Pole, but he needs a dog sled to get there. He decides to enlist Spike, and when he makes a crack about needing a red nose to pull Heathcliff’s sleigh the orange cat slaps one on him. He then produces a whip, and Spike is forced to go along with this plot.

heathcliff workshop

Santa’s rather bizarre workshop.

Heathcliff and Spike make tremendous time in getting to the North Pole. There they encounter a blizzard and the scene almost immediately shifts to Santa’s workshop. It looks like something designed by Dr. Seuss and inside an assembly line of toys is running. A cranky elf named Tuck seems intent on breaking toys rather than assembling them. An older elf calls him aside and wants to know why some of Santa’s letters were sent back. Tuck basically confesses and he’s proud to do it. He hates Christmas and thinks it’s a sham to get kids to behave all year to receive presents on one day. Well, this attitude has not gone unnoticed as the older elf informs Tuck that Santa has given him the order to let him go. Channeling another elf, Tuck declares he can’t be fired, for he quits, and takes his leave.

heathcliff north pole

Not much of a pole, is it?

Out in the snow, Heathcliff is rather mercilessly whipping Spike to get him to go faster until Spike decides he’s had enough. He stops and declares he won’t move another inch. Heathcliff just looks at him with an expression of bewilderment as he stands on the sleigh, which slowly starts to slide backwards. As it takes off down an incline, Spike gets pulled along with it smashing his head into a giant ice spike sticking up from the ground. Heathcliff declares this ice formation is the actual North Pole (I guess it doesn’t always need to resemble a candy cane) and congratulates Spike for finding it, who is looking a bit shell-shocked.

tuck mallet

This is Tuck and he’s pretty much a murderous asshole.

Tuck has taken notice of the cat and dog duo and decides to make a little mischief. He rolls a giant snowball at the pair which knocks them both out onto some ice. Heathcliff warns Spike the ice won’t hold forever (you’re at the North Pole, Heathcliff, it’s probably pretty safe) as the two slowly crawl back to land. Tuck is apparently intent on murdering them as he starts smashing the ice with a mallet. The ice beneath the pair splits open and Spike is left dancing on a small, floating, chunk while Heathcliff climbs all over him. Tuck then pelts the two with snowballs until they fall in. He tells them to have a nice day and squeezes a bicycle horn he has affixed to his belt for punctuation, I guess that’s his “thing.”

cold spike

Poor Spike is feeling a little chilly. This is actually rather sweet of Heathcliff to lend him his parka.

Heathcliff paddles a frozen Spike back to land and then kindly wraps Spike in his parka (which magically grows in size to fit Spike) and earmuffs before taking off after Tuck. Tuck continues to pelt him with snowballs forcing Heathcliff to build a giant snow fort for protection. Tuck apparently does the same as the two are now behind castle-like fortifications made of snow which of course makes me think of the classic Disney short Donald’s Snow Fight. Heathcliff quickly assembles a seesaw and puts a giant snowball on one end before smacking the other with a mallet he apparently keeps in his back pocket. The snowball smashes into Tuck’s wall forcing the elf to run away in terror as the ball of snow rolls after him.

heathcliff polar bear

Remember kids, icicles will stop a rampaging polar bear.

Heathcliff, satisfied with himself for taking care of the elf, turns when he hears a loud growl. Poor Spike is being set on by a polar bear and Heathcliff dashes off to help his sometimes adversary. Spike is frozen with fear as the bear sniffs him. A scream from Tuck, who’s still being chased by a rolling ball of snow, causes Spike to yell which in turn causes the bear to rise to its hind legs and do the same. As Tuck runs by, the snowball finally gets him and the bear sending the two into a cave. Heathcliff and Spike look on as Tuck screams for help. Reasoning that Santa might be watching, Heathcliff decides to help the elf out by tossing a snowball at the cave entrance causing a bunch of icicles to drop down forming a cage which prevents the polar bear from leaving the cave.

Heathcliff and Spike then approach Tuck who is trying to catch his breath. He thanks them for the help, but Heathcliff is still pretty salty about all of the stuff Tuck tried before the rescue. Tuck apologizes, claiming he’s going through “some stuff” at the moment, before declaring he’ll help them see Santa. Heathcliff and Spike are amazed at the workshop while Tuck acts nonchalantly about the whole thing. The old elf from earlier doesn’t seem surprised to see Tuck return so soon. He remarks it’s a jungle out there, but Tuck corrects him by saying “Actually, it’s a blizzard,” honking that horn again (this guy sucks). Tuck then starts begging for his job back, but the old elf instructs him he’ll have to take his plea to the big boss man and gestures towards a door at the top of some stairs.

heathcliff santa

The big man himself ready to pass judgement on Tuck and our heroes.

The trio enter and find Santa sitting at his desk. He’s a pretty warm and friendly sort of Santa who may or may not be voiced by Peter Cullen. He asks what they want and Tuck asks Heathcliff to explain it for him. Heathcliff holds up the letters and explains they were sent back. Tuck immediately fesses up to sending them back, then starts begging for his job back. Santa is a pretty generous guy and does indeed restore Tuck’s employment. He then thanks Heathcliff and Spike for returning the letters to him. Then he goes into his whole “Have you been good this year?” routine and Heathcliff and Spike both claim that they have. Each time one starts to make that claim, the other stomps on their foot. Santa gives a chuckle seemingly amused by their petty violence and tells them returning the letters essentially undoes whatever bad deeds they committed. He then points out they need a ride home and orders Tuck to saddle-up his team as the duo dance happily about going for a ride on Santa’s sleigh.

shitty reindeer

Maybe the A-Team only flies on Christmas and these are the D-List reindeer.

Santa’s sleigh is apparently to be pulled by two shoddy looking reindeer, with one being blue for some reason. I don’t think it’s Christmas Eve, so I guess that explains why the full team isn’t needed. Before they depart, Santa asks Tuck if he wants to go for a ride too and the little, blue, elf perks up and climbs in excitedly. They whiz past the moon, as is customary, and Heathcliff points out his house to Santa. The town is now covered in snow and Santa deposits the two in the street. As Heathcliff turns to head home, Spike mentions how they’re supposed to be nice to each other and stuff. Heathcliff then gets nailed by a snowball. He turns to find Spike preparing to hurl another in his direction. A halo forms above his head, and quickly falls down around his neck as Heathcliff decides they don’t need to start being nice right away. The two then engage in a snowball fight as the episode comes to an end.

heathcliff moon

I’d be shocked if this shot wasn’t in the episode.

“North Pole Cat” is a fairly run-of-the-mill Christmas special of a pretty run-of-the-mill 80s cartoon. My most enduring memory of this show was the theme song, and with good reason. It’s a catchy little number, and the cartoon that follows is largely unremarkable. The intro promises a character in Heathcliff who plays pranks, but he seems like more of a righteous character in this episode. There are attempts at one-liners, but they all fall flat. It’s also a bit odd the plot is essentially a homicidal elf who hates Christmas tries to kill Heathcliff for no reason, but then is in turn saved by the cat and returns to his old post. Why would Santa employ an attempted murderer? Is it because the life of a dog and cat mean nothing to him? For shame, Santa.

heathcliff sleigh ride

If Heathcliff was really all about playing pranks on everyone then he’d definitely be spitting right now.

Mel Blanc’s performance is actually the best aspect of the show as it’s unique enough amongst his many performances to stand-out. The rest of the voice cast is fine, though like many shows of this era it’s really hard to figure out who is voicing who outside of the main characters. The role of Tuck sounds similar to Charlie Adler, but I could not find any indication that he did work on this show. It’s not unheard of for actors to go uncredited, but usually that stuff is revealed leaving me to believe whoever did the voice for Tuck (as well as the other one-off characters like Santa, the mailman, and head elf) is someone in the main cast. Which, for the record, included Danny Mann, Peter Cullen, Stanley Jones, Ted Zeigler, Derek McGrath, Danny Wells, Donna Christie, Jeannie Elias, and Marilyn Lightstone.

heathcliff snowball fight

The eternal battle rages on.

As a Christmas special, this one doesn’t try to do too much. It has one character in Tuck sort of come to appreciate the spirit of the holiday, but not really. Heathcliff and Spike don’t learn anything and Santa confirms you can undo a year of naughtiness with a single act at the last second. Visually, the look of Santa’s workshop is interesting, but we barely see anything. Santa himself looks fine and so do the elves, except Tuck who’s a bit odd looking. The overall animation is pretty much what you would expect of a DiC program. It’s better than what Hanna-Barbera were doing in the 70s, but not as good as what would follow. Both Spike and Heathcliff have a white rectangle on their nose that’s supposed to create the illusion of a round, shiny, nose, but often has no curve to it and really annoyed me. And the reindeer looked terrible, like malnourished donkeys with horns stapled to their heads.

If you wish to watch this one yourself this holiday season, and I don’t really recommend that you do, the easiest way is to simply plug it into YouTube. Heathcliff is not a bankable star these days so his cartoons are rather easy to find. You can pay for digital copies if you want to, though I don’t know why you would. After receiving sparse, partial, releases on DVD the entire series was released as a set in 2016 by Mill Creek Entertainment. It retails for about 12 bucks brand new so if Heathcliff is your kind of cat then why not get the whole show? Though if you really are into Heathcliff then you probably already own it and disagree with my take on this episode entirely. Either way, merry Christmas!