Tag Archives: christmas

#25 – Moral Orel: The Best Christmas Ever

maxresdefault-2As we kick-off the best Christmas specials feature I say we start with something dark and cynical. It’s no secret that most Christmas movies and TV specials are sweet, warm, and offer a heartfelt message about the holidays (usually something about love, sharing, compassion, selflessness, and so on). That stuff is fine in small doses, but after many Christmases it can also become trite.

Moral Orel’s “The Best Christmas Ever” is hardly the typical Christmas special. If you are not familiar with the Moral Orel series, it’s a stop-motion short-form series that aired on Adult Swim from 2005-2008 and sporadically after. It focused on the title character, Orel, a goody goody two-shoes that just wanted to praise God and live by His word. Each episode usually centered around Orel taking something too literally from a  church sermon and doing something sacrilegious by mistake only to have his father set him straight in the end with a good lecture and a good beating. The adults surrounding Orel were mostly a bunch of miserable, sinful, hypocrites that rarely practiced what they preached, but Orel remains oblivious to his surroundings.

moxmas1

Orel’s blind faith in God and ignorance leads to him concluding this was the best Christmas ever in the end.

For “The Most Wonderful Christmas Ever,” Orel hears about the second coming of Jesus during church and that he won’t be happy when he returns, ushering in the Apocalypse. When Orel overhears his parents arguing about his malcontent younger brother, with his dad proclaiming his doubts the kid is even his, Orel mistakenly reaches the conclusion that his little brother is Jesus reborn. Orel’s attempts to welcome the baby Jesus are pretty humorous, but the side story of his father’s depression over his crumbling marriage is some pretty dark stuff.

Moral Orel is basically a satirical black comedy and its Christmas special captures that perfectly. In a world full of terrible Lifetime and Hallmark Channel Christmas movies, Moral Orel is a nice piece of Christmas bleakness that is funny because it’s not like anything else. Even Bad Santa has more Christmas cheer than this one.


The 25 Greatest Christmas Specials

christmas-tvNo holiday spawns more television specials than Christmas. Really, no holiday spawns more of anything than Christmas (Halloween probably creates the most cavities in children). Christmas is a pervasive presence in our society. It’s everywhere, which makes the imaginary “War on Christmas” all the more ludicrous. Christmas is so inescapable this time of year that it’s hard to not feel cynical over the whole thing. Somehow I’ve managed to retain a fondness for the holiday despite having no religious givings in my bones. I enjoy the splendor, for the most part (Christmas songs are mostly terrible and annoying), and the warm fuzzies the holiday stirs inside me. Mostly though, I just like how I’m able to recall how excited I was as a child knowing Christmas was coming. It’s my ability to tap into that part of me that likely keeps the fire alive.

Each year since I started this blog I’ve taken the time to make Christmas-centered posts every December. This year I’m taking it one step forward and posting what I consider to be the 25 best Christmas specials created for television advent calendar style. What do I mean by that? Well I plan to post a short blog entry on each special on each day of December leading up to the holiday. You may be thinking this sounds like a rip-off of Chris Antista’s A Cartoon Christmas blog and you would be right. In defense of my own ranking I’ll say I’m not limiting myself to just cartoons (though expect the list to be dominated by them) and A Cartoon Christmas never attempted to rank the specials in such a fashion. Also, that site hasn’t been updated since 2013 and the last time the advent calendar format was utilized was 2012 so I think enough time has passed that someone else can do something similar.

My only criteria for selecting the best Christmas specials is that the special must have been featured on television at some point. This excludes Christmas movies, because they’re just a different animal, but not cartoon shorts that originally debuted on the big screen but have since become television staples around the holidays. This also means I’ll be doubling up on some specials that I’ve written about in the past. Many I covered in the first year of this blog as part of my Essential Christmas Viewing posts, but there they were covered in brief. A few have had full write-ups, and where that has occurred I’ll link to the original post but also offer up some fresh takes.

Now, my typical blog posts tend to stretch on for thousands of words, which is why I only end up making 2 or 3 a month. As a result, expect these blog entries to be much shorter than my typical ones. Hopefully by doing so I’ll be able to keep myself from falling behind. Obviously I’ll be writing and working on this list in advance of any being posted so expect this feature to pretty much dominate The Nostalgia Spot for the remainder of 2015, though I may find time to slip in a post or two on other subjects.

#25. Moral Orel – The Best Christmas Ever

#24. Winnie the Pooh and Christmas Too

#23 . Robot Chicken’s Half-Assed Christmas Special

#22. Invader Zim:  Most Horrible X-Mas Ever

#21. Married…With Children – You Better Watch Out

#20. The Snowman

#19. It’s a SpongeBob Christmas

#18. Beavis and Butt-Head Do Christmas

#17. A Muppet Family Christmas

#16. Yes, Virginia

#15. Frosty the Snowman

#14. A Very Special Family Guy Freakin’ Christmas

#13. Rudolph the Red-Nosed Reindeer

#12. Futurama – Xmas Story

#11. Prep & Landing

#10. A Garfield Christmas

#9. A Flintstone Christmas

#8. Mr. Hanky, The Christmas Poo

#7. Toy Tinkers

#6. Simpsons Roasting on an Open Fire

#5. Pluto’s Christmas Tree

#4. A Charlie Brown Christmas

#3. A Chipmunk Christmas

#2. Mickey’s Christmas Carol

#1. Dr. Seuss’ How the Grinch Stole Christmas!


Christmas Commercialism

hqdefaultChristmas and commercialism; the two go hand-in-hand. For what is Christmas without it? Just another day off. Oh, and apparently there’s some religious thing going on too, or something. Cynical? Sure, but this is the world we live in and have lived in for decades. It’s been almost fifty years since A Charlie Brown Christmas first aired on television lambasting the commercial aspect of Christmas. Which is funny, because I’m pretty sure the Hallmark Store down the street had an entire section of its shelves devoted to Peanuts Christmas memorabilia this year. Don’t bite the hand, Chuck.

I’ve made lots of posts about Christmas films and television specials, so why not a post about Christmas commercials? I’m not going to kid anyone and say my life has been enriched by any commercials, but I do get a little uptick in my mood when Christmas commercials show up on television. Sure, the vast majority of them will be annoying and overplayed come the 25th but a select few are able to buck that trend. And while I’d never rank a good Christmas commercial alongside a good holiday special, it does surprise me sometimes when I realize how many of these things still remain in my brain years later. It helps that I spent a huge chunk of my childhood re-watching the same VHS tape full of television specials and commercials each holiday season (and adulthood, since I have it on right now).

Advertisements are supposed to pitch a product, naturally, and convince those who view it to go out and purchase said product. Considering the biggest custom surrounding Christmas is giving gifts, it makes a lot of sense why it’s become such a giant commercial. And since it also tends to invoke warm, happy, feelings, it makes sense for all advertisers to try and tap into that. If an advertiser can successfully create an emotional attachment to its product then that’s going to go a long way towards making that product stick out when it comes time for shopping. Let’s take a look at a few that stand out as being pretty “Christmassy” from past years (apologies for when the youtube links inevitably break, if you’re reading this long after it was originally posted).

Oreo

Who comes down the chimney to deliver presents on Christmas Eve? Santa. And what do kids leave as a “thank you” for Santa? Cookies. It makes quite a bit of sense for cookie makers to come out and tap into that for a commercial, so that’s what Nabisco did with this Oreo cookie commercial from the 1980’s. Another seemingly full-proof advertising strategy is to craft a catchy jingle. That sort of thing likely predates radio and television by decades, if not centuries. Just take a minute and think about how many commercial jingles you can recall easily. I bet tons of people in New England can still remember the New England Telephone commercial jingle, and that company has been dead for decades. Oreo had a catchy jingle for a long time (and maybe they still do) that drew attention to the habit of dunking the cookie in milk and drawing parallels to being a child. It’s a pretty effective ploy. It was also an adaptable jingle as words could be substituted to change things up and have it relate to something else, like Christmas. In this commercial we have little Alex trying to stay up on Christmas Eve to catch Santa. Of course, he can’t keep his eyes open and when Santa comes down that chimney he’s delighted to find a plate of Oreos. Before Alex can wake, Santa is gone but he left a little note. It’s a cute commercial, and it’s likely the jingle that makes it stick out for me.

McDonald’s – “Star Wish”

Fast food doesn’t exactly bring about the holiday spirit, but considering fast food retailers often include toys in their kid’s meals, it makes sense for one to show up here. This commercial from McDonald’s though is fairly unique. It’s not pitching an actual product such as a food item or Happy Meal toy. It’s basically just a short little Christmas story that serves as a video Christmas card of sorts. Today with all of the negative press surrounding fast food and how unhealthy it is, it seems like a strategy that might be worth revisiting. In 1987 though, I don’t think the stigma was as strong. Instead this is probably McDonald’s wanting to push its characters that appeal to kids to create further good will with them. The short stars Ronald McDonald, Birdy, and Grimace, all characters that I believe have been deemphasized by the corporation in recent years. Society has basically decided it’s kind of shitty for fast food retailers to push their unhealthy food on children so these characters may be foreign to today’s kids (I would think they still know who Ronald McDonald is, but I’m not positive), but in the 80’s and early 90’s they were quite prevalent on television. The short features Birdy and Grimace looking for a gift for Ronald, and happen to stumble upon a falling star. They put the obviously alive little bugger in a box (since he came from space he probably doesn’t require oxygen to live, so we can excuse the lack of air holes, I suppose) and give him to Ronald. Ronald sees this amazing thing in a box and rightly decides he shouldn’t enslave it so they send him home. The star, who exists as a hand-drawn animated character, actually interacts pretty well with the real characters in the commercial and the set is far too good than it has any right being. McDonald’s spent some money.

Fruity Pebbles

I don’t know why, but it seems many advertisers decided the best way to market cereal was to have one character possess the cereal and another desperately seek it. There were the kids trying to get Lucky Charms, the Trixx rabbit, and the Cookie Crisp crook, to name a few. Another was Barney Rubble of Flintstones fame always trying to get Fred’s Fruity and Coco Pebbles cereal. It’s kind of bizarre as there’s really nothing about the Barney character that suggests he should obsess over cereal. It’s also kind of funny that the Flintstones are used to market food items and vitamins long after their day in the sun has set. This Christmas commercial stands out for me. I don’t know why, but it probably has something to do with Barney actually getting to have some Fruity Pebbles. I can’t think of a time when the Trixx rabbit actually got to enjoy a bowl of Trixx. I think most kids always wanted these characters to just get some cereal. And in the case of Fruity Pebbles, maybe Barney would finally see that what he’s been chasing is actually pretty terrible and he could move on with his life. So even though this commercial is memorable for me, it never made me want to eat this cereal since I knew it was awful. Who knows, though? Maybe I saw it so often each year that it convinced me to beg my mom to pick up a box just so I could be reminded that I didn’t actually enjoy it. I also find it alarming how effective a job this commercial did at staying with me as I can recite the damn thing word for word. Brainwashing at its finest.

 

It’s Christmas Eve, so this likely ends the Christmas posts of 2014. I hope you enjoyed them.

Merry Christmas!


Fighting the Post-Xmas Blues with the PS4

images-180Every year it’s the same.  The Christmas decorations and merchandise show up in stores in early October, in homes right around Thanksgiving, and everything is pretty festive come December.  Then like a rush, it comes and goes and we all settle in for a cold winter (unless you live in a warm climate, in which case I hate you right now) and wait to do it all over again come the fall.  I love Christmas, and I’ve talked about that at length in other posts, and whenever it’s over I get the post-Christmas blues.  A friend and I used to refer to December 26th as the most depressing day of the year, because it’s the furthest away from Christmas one can be.  My adoration for the holiday is not rooted in the fact that I have to wait another year for gifts.  Certainly, that was a big part of it as a child, but as an adult I’ve just come to appreciate the season even more and that special connection I have with it via my childhood.  Now I appreciate the lead-in to Christmas more than the actual holiday.  I like seeing the specials on television, I enjoy having decorations all over my home (I don’t decorate for any other holiday, though my Danzig/Misfits theme could be considered a Halloween one, if it wasn’t year round), and I even kind of like the stupid songs on the radio and in every store.

Whenever Christmas leaves, though, I get the blues.  Each year it seems to be slightly worse.  This year it took me a good week to shake it though sitting here and thinking about it brings the ache back.  The only way to combat the post-Christmas blues is the same today as it was when I was a kid:  with new stuff!  Namely, the stuff I received for Christmas.  As a kid, this worked pretty damn well and while I was bummed Christmas was over I at least had a ton of new action figures, games, and movies plus no school until after New Year’s.  As an adult, the material things are less important and less fun (I typically use Christmas as an opportunity to refresh my wardrobe), but this year I did receive a most excellent present:  Playstation 4.

I was actually quite proud of myself for not buying the PS4 when it launched.  Part of that was I did kind of expect to receive it as a gift from my bride-to-be, but part of it also was me trying to be more financially responsible.  I had a Disney World vacation in September to budget for, plus a wedding in the new year (and the bill for the engagement ring), and an expensive summer to recover from that included a new water heater and central AC condenser.  2013 was an expensive year and I actually did a good job of not buying a bunch of video games and records and such.  It still wasn’t easy to resist the call of new hardware though, but I am glad to say the wait was worth it.

A new controller for a new generation.

A new controller for a new generation.

Getting a new console like the PS4 is less fun than others.  Not because it’s inferior or anything, but because it’s so ordinary.  With consoles like the Wii and the Wii U, there’s excitement over the new input device but with the PS4 it’s just a more powerful PS3.  It’s a modern console and works in a modern function.  I did not get the camera, so I can’t talk about how that works, but everything else is pretty much as expected.  There’s a new interface that modifies the cross-media bar of the PS3, but not drastically so.  It’s nicer to look at and there’s more emphasis placed on the Playstation Network features though not at the expense of the actual game loaded into the system.  That, and any downloaded titles and demos, are front and center so jumping right into a game is seamless and easy.  The new setup is different enough from the old one that first-time users will have to actually pay attention to what they’re doing, but it soon becomes second nature.

Really, the PS4’s most distinguishing features are it’s physical look and dimensions.  The new console is pretty sleek looking and reminds me of the technology from the Mass Effect series.  It’s black with about 2/3 of the console having a matte finish, and the remaining third a glossy one.  There’s a single stripe that runs through it that glows when the console is on or in standby mode.  There’s a couple of USB ports on the front for controller charging, and the only two buttons are almost impossible to see.  They’re actually just touch panels, one for power and one for disc ejection, and are placed amongst the stripe running through the console.  I couldn’t even find the power button with my eyes the first time I hooked up the console and brushed it accidentally.  The console is also quite small and tidy.  It’s smaller than basically all of the prior Playstation consoles, save for the PSOne and the PS2 Slim.  It’s practically tiny when placed beside my model one PS3 and much smaller than its direct competitor, the Xbox One (it dwarfs the Wii U though).  The size is perfect for me as it just barely fits into my entertainment stand beside the Wii U with both laying horizontally.  Like the PS2 and 3, the PS4 can be displayed vertically.  Sony recommends users buy their stand if opting to do so, though the console seems pretty stable to me without it.  The console runs quiet and runs cool as well.  I have played it in marathon sessions for five to six hours at a time and it’s only ever warm to the touch, not hot, so it appears to be well ventilated.

The biggest change for the PS4 resides in the controller.  The dual shock controller was first introduced by Sony during the PSX era and has received only minimal modifications since.  The new dual shock 4 represents the biggest change for the venerable controller, though it still retains its traditional shape.  The handles have been elongated and the body of the controller is a touch thicker.  The face buttons, including the directional ones, are ever so slightly closer together.  The directional buttons feel better, which is great considering the Playstation console has always had the best d-pad, and the analog sticks are now closer to the rest of the controller.  The new ridges added to each stick does help keep one’s thumb in place (and makes them basically the same stick as what’s on the Wii), and both still retain button functionality.  The handles of the controller have a satisfying grip texture to them, and the R2 and L2 buttons are better shaped for human fingers.  The start and select buttons are gone, replaced with an options button and a big touch panel that also acts as a button.  It remains to be seen if the touch functionality of this over-sized button will have any worthwhile applications, but it’s there for developers to utilize.  The Playstation button has been moved in between the sticks to accommodate this touch pad, and a Share button (for social media integration, if that’s your thing) and speaker have been added.  The console also comes with a headset that can be plugged into the underside of the controller.  I haven’t used it, but it’s a nice feature to have.

The high seas have never looked better.

The high seas have never looked better.

The dual shock 4 truly feels like a home run for Sony.  It’s an improvement in pretty much every way from the dual shock 3 and its updates are both practical and tasteful (well, maybe not the touch pad but we’ll see).  The only negative I have found with it is the battery life.  Like the dual shock 3, the dual shock 4 contains a non-removable rechargeable battery.  Unlike the PS3, the PS4 can charge controllers when it’s in standby mode. Unlike the dual shock 3, the dual shock 4 cannot be charged by plugging it into a non PS4 device such as a PC or cable box.  With the dual shock 3, I could often go days in between charges but with the 4 I find I’m plugging it into the console whenever my gaming is finished for the day.  I haven’t ridden it down to nothing yet, but I would estimate the battery only lasts 6-7 hours on a full charge.  That’s suitable for one gaming session, though there are some who may not agree, but if I were to forget to plug it into the PS4 when I’m done for the day I’d be regretting it the next time I went to play.  Part of this issue will be rectified by getting a second controller (I’m holding out for the colored ones), but it is disappointing to see the battery life so poor.  Some users have also complained that the rubber of the analog sticks wares out quickly.  I just inspected mine which has logged probably around 30 hours at this point, and the heavily used left stick looks no different from the little used right one.  Maybe some people are just getting duds or are really hard on analog sticks.

Thief is looking like it will be my second PS4 game, hopefully it doesn't disappoint.

Thief is looking like it will be my second PS4 game, hopefully it doesn’t disappoint.

The only other fault I currently find with the Playstation 4 right now is a problem all too common, it seems, with new consoles:  the games.  Now, I should state that I am not a first-person shooter fan.  If I was, I’d probably be having a good time with the new Kill Zone game.  Since I’m not, I have Assassin’s Creed 4.  The Assassin’s Creed series is a popular and well known one published by Ubisoft.  I have previously played Assassin’s Creed 2 and enjoyed it, but when it was over I was not itching to play another.  AC4, which I am around 25 hours into, is a better game.  It’s a good game, it’s just not a “wow” game.  It was developed for and is available on the Xbox 360 and PS3, so it’s visuals on the PS4 are not a true representation for what the console can output.  It’s a great looking game, just not a great leap over what I’m used to.  And like AC2, there are little things about AC4 that bug me.  There are too many missions where I’m asked to just follow somebody and eavesdrop on their conversation.  AC has always been an action game masquerading as a sneaking one.  The sneaking mechanics just aren’t anything special, especially considering that I just finished up Dishonored a few weeks ago, and the enemy AI is downright shoddy when it comes to sneaking around.  The fighting is fun, though it can get annoying during big conflicts such as ship-boarding when Edward (the main character) starts attacking the wrong guy.  Or when he goes into one of his long kill sequences only to get struck from behind by another enemy.  Controlling him out and about the various locales is equal parts fun and frustrating.  He can scale almost anything, and often will start climbing something you don’t want him to.  Sometimes the game calls for quick decisions and Edward makes the wrong one by jumping to an unintended spot or assassinating the wrong enemy.

Assassin’s Creed 4 may be flawed, but it’s also really fun.  It can aggravate me greatly at times, but I’m also hopelessly addicted to it so clearly it’s doing something right.  It’s a meaty game too, which is great because nothing else currently available for the console interests me in the least.  The next game I have my eye on is Thief, which drops next month so I should be all set.  Especially considering I still have last generation games to play including The Last of US, Ni No Kuni, and Skyward Sword (which I received for Christmas in 2011, and have yet to play, which is embarrassing).  I’ll be plenty busy the next few months with or without PS4.  I look forward to more games though, and the PS4 has made an excellent first impression on me.  Hopefully the various developers comes through and the PS4 ends up with a library of games that rivals its predecessors.


Teenage Mutant Ninja Turtles (4Kids): The Christmas Aliens

images-166In 2003, Fox and 4Kids Entertainment launched a brand new Teenage Mutant Ninja Turtles cartoon series.  This series was the first re-launch for the TMNT after a long hiatus from both film and television and was an attempt at introducing the Turtles to a whole new generation.  One of the consultants for the show was TMNT co-creator Peter Laird and his Mirage Studios.  Something everyone seemed to be in agreement on was that this new show would borrow more heavily from the original comic book run of the Turtles while still keeping a general audience in mind.  This is, of course, in stark contrast to the original cartoon which all but abandoned the comics as both Laird and Kevin Eastman felt it was impossible to adapt that for a children’s show.  It would be easy to point to that decision as a mistake, but really that original show gave the world a whole separate take on the Turtles that proved endearing, if nothing else.

The 2003 series was more mature, but still pretty much directed at kids.  It took a lot from the old comics but also did its own thing.  Eventually, it would more or less go off on its own, especially once it hit the Fast Forward seasons towards the end of its run.  I can’t pretend to be an expert on the series as I really only watched the first season before eventually losing interest.  The show seemed to be fairly successful, though not a huge hit, with kids.  There was a new toy line and I’m sure the show’s success had some part in the decision to do the feature-length TMNT film.

The source material for this episode.

The source material for this episode.

Something unique to this series is that it contains what is, so far, the only animated Christmas special the Turtles have ever done.  It seems crazy to me that there was a never a Christmas episode during the original cartoon run, but I checked, and there isn’t!  The new series has also yet to do one, but it wouldn’t shock me to see one pop up eventually.  The only Christmas special featuring the TMNT so far is the live-action “We Wish You a Turtle Christmas” and if you’ve never seen it, DON’T WATCH IT!  The 4Kids series decided for its third season to adapt the Michelangelo (then Michaelangelo) Micro Series story for its first episode, “The Christmas Aliens.”  Having read that issue, I was interested in checking this episode out as that story is one of my favorites from the comics as it puts Michelangelo in the starring role as he attempts to make sure a donation of Christmas toys gets to a local orphanage.

Each episode of the series opens with a scene from later on in the episode, usually with a turtle or turtles in some kind of trouble.  This one opens with Michelangelo driving a truck as he’s being chased by some crooks before the opening credits hit.  The opening song for this show is one of its weak points.  I don’t care for the song on the new series, but it’s at least a throwback to the old series so I give it some points.  This one is just lazy.  When we get to the episode it shows Michelangelo strolling through the park on Christmas Eve.  The other guys are back at home in the sewer decorating for the evening’s festivities while Mike befriends some kids in the park and finds a stray kitten he dubs Klunk.  It doesn’t take long for Mikey to stumble upon a toy store that’s in the process of being robbed.  Apparently, this season’s hottest toy is a Christmas Alien doll (I believe in the comics it was intended to be a parody of the then mega-popular Cabbage Patch Kids) and it’s sold out everywhere.  A delivery truck loaded with them is the target of the thieves, but Mikey overhears the truck driver tell the crooks it’s intended for a local orphanage.  The crooks obviously don’t care as they make off with the truck and Mikey feels compelled to stop them.

That's one weird looking Santa.  I can't imagine he smells all that great as well.

That’s one weird looking Santa. I can’t imagine he smells all that great as well.

At the lair, various other characters start piling in.  I actually can’t name any of them since I didn’t watch the show regularly, except for Usagi Yojimbo who arrives with two other characters via some kind of portal.  All of the Turtles’ friends are here though to celebrate Christmas and some mischief is made.  Casey tries in vain to score a kiss under the mistletoe from April, while everyone tries their luck at beating the resident superhero in an arm-wrestling contest.  Everything has to be put on hold though as they all wait for Michelangelo to get home.

Meanwhile, Michelangelo has to contend with a bunch of crooks and even the police as he overtakes the delivery truck and heads for the orphanage.  The majority of the episode is a chase sequence, first with Mikey hanging onto the truck as he tries to take it over, then with more bad guys, and eventually the police.  The animation shows its limitations here as the truck looks extremely heavy.  It strikes parked cars and other moving vehicles and goes right through them without even the slightest wobble.  It’s an okay sequence, but not a very exciting one.  The Michelangelo character in this series is enjoyable though, and Klunk is supremely cute as he hides in Mike’s coat and pops his head out to take a look.

Michelangelo is eventually able to lose his pursuers and wind up back at the lair.  Everyone is ready to scold him for being late, but he of course explains himself and everyone heads to the orphanage.  The Turtles don elf costumes while Splinter goes as Santa and all the kids get their alien dolls.  We get a final lesson on giving, and everyone feels like a good person in the end.

Elf Mike and Klunk.

Elf Mike and Klunk.

As Christmas specials go, this is a solid entry.  It’s not too sentimental, there’s no silly drama, and everyone ends up with a good feeling when all is said and done.  There’s some light humor that is, while not inventive, at least amusing.  Michelangelo is a good choice for the lead role in this one as he’s always been the one that’s easiest to relate to.  His child-like state of mind doesn’t need to be exaggerated any further to make the story work.  In the comics, Klunk stayed around and would show up in future issues.  I don’t know if that was the case here or not but I never mind the addition of a kitten to story.  This episode was released on DVD as a Michelangelo’s Christmas Rescue and if you stumble upon it in your travels it wouldn’t be a horrible pick-up.  The running time is only around 22 minutes so definitely don’t pay too much should you come across it.  Since Nickelodeon launched the new series last year, episodes from this show are no longer on television so don’t expect to find it airing on any channels this season.  As always, there’s youtube if you really want to watch it.