Tag Archives: bonkers

Dec. 15 – The Nostalgia Spot Christmas Special Countdown #93 – 84

Yesterday’s installment of the countdown trended more adult. Lots of cartoons not for the kids, but today’s list definitely is more general audience. I like the spread today. It’s dominated by animation, as it so often is, but we also have a live-action, puppet, type show. We have weekend cartoons, and week day cartoons. There’s shows from Disney, shows from Warner Bros and it’s almost all entirely dominated by 90s properties. I haven’t really been keeping tabs on the decades as I go through this list, but it makes sense that the 90s would be heavily represented all throughout. That’s when cable really exploded and we had a whole bunch of cartoons with massive episode orders and throwing a Christmas one into that mass of stuff sure makes things a whole lot easier. Networks originally were said to dislike holiday episodes, but I think they changed their tune when they realized they could program an entire day, or even week, around a holiday like Christmas or Halloween. Even the prime time shows tended to do this sort of thing. Anyway, I feel like I’ve talked about all of this before so let’s cut the preamble and get to number 93:

93 – Dinosaurs – Refrigerator Day

It pretty much looks like Christmas, but with a fridge instead of a tree.

Dinosaurs was a real treat to come back to when Disney+ launched a few years ago. I watched it as a kid when it was airing on ABC, but kind of lost track of it. I think it got shuffled around some, or maybe my family latched onto something else in the same timeslot. I don’t know. What I do know is the show is great. It holds up very well in basically all respects. The satire it went for is still biting and relevant today, which is both a good and bad thing. Dinosaurs never technically did air a Christmas episode, but instead we got “Refrigerator Day” which is basically their version of Christmas. Since there is apparently no dinosaur Jesus, they worship at the altar of the refrigerator which changed their lives so completely. It’s a society that’s very consumer-driven, if you couldn’t tell. Despite that, the plot is pretty conventional and, for some, may be a tad too much like The Simpsons since Earl’s horrible boss foregoes Christmas bonuses and things get tight for the Sinclair family. However, they stumble upon a million dollar idea, the concept of store returns, and in exchange for making a huge company even more wealthy they get a few measly gifts and their repossessed appliance is returned. It’s a bit dark, but pretty funny. If you haven’t checked out Dinosaurs in a long time then do yourself a favor and go back to it. I promise you, it’s not as dominated by the baby character as you may remember.

92 – The Looney Tunes Show – A Christmas Carol

It’s a weird environment for Bugs and pals, but it also kind of works?

The Looney Tunes Show is perhaps a more interesting concept than show, but the little I’ve seen is honestly not bad. It’s basically a sitcom starring the cast of Looney Tunes. Bugs Bunny is dating Lola Bunny and is roommates with Daffy. Foghorn Leghorn is the mayor, and Yosemite Sam is more like a rich Texas guy than an outlaw. This Christmas episode of the show involves Lola directing a play, the titular A Christmas Carol, while Foghorn and Daffy head to the North Pole to try and find a way to make their local climate cooler. Their adventure is a bit more madcap, while the story with the play is more grounded. Lola turns out to be a very interesting and funny character. She’s very self-confident without any reason to be and a lot of the characters in her orbit are too polite to tell her when she’s making a bad decision. The play is basically terrible and goes way off the rails, but also the real Santa shows up for it which I honestly didn’t expect. I can’t figure out what the audience was supposed to be for this show, but I do know I was entertained by this more than I was the conventional Looney Tunes Christmas specials and that sure surprised me. It’s still not the best Looney Tunes Christmas special though.

91 – The Sylvester & Tweety Mysteries – It Happened One Night Before Christmas

The folks over at Warner Bros. got a lot of mileage out of this bit.

Our second look at The Sylvester & Tweety Mysteries is the stronger of the two Christmas episodes. It’s a sort-of parody of It’s a Wonderful Life, only instead of focusing on the George Bailey character it centers on a stand-in for his drunk uncle. If you’ve never seen the movie, what sets the plot in motion is George’s uncle Billy losing a deposit of money that their savings and loan business was to make that night. Essentially, they lost the money of a bunch of people and would have probably been arrested for theft or misappropriation or something. For this cartoon, Granny and her animals are going to help her brother find the money he lost by retracing his steps from the prior night. They do a solid job of tiptoeing around the whole alcoholic aspect of the Uncle Billy character to keep things PG, and we do get a Potter stand-in to act as the villain. There are some solid gags throughout and none of the characters really dominate the episode, which is a full-length one as opposed to the half-length one we looked at days ago. It will amuse you if you’re familiar with the movie, but also you don’t have to be in order to be entertained. And it even one-ups the movie by having the Potter stand-in actually face some consequences for his thievery.

90 – CatDog – A Very CatDog Christmas

It’s kind of weird that they can’t share the same tree.

The Nicktoons tended to have solid Christmas episodes, few great ones, but most of them are fine. CatDog was one I had ignored for a long time because I simply wasn’t watching Nickelodeon when it was airing. I knew it had a Christmas episode and it was on my list for years until I finally sat down and watched it just a year ago. And you know what? It’s fine. I liked it more than I expected and I’m even ranking it ahead of shows I did watch a ton of like Doug and The Ren & Stimpy Show. I’m not elevating it to the level of Rocko’s Modern Life or even Rugrats, but this episode is fun enough. It’s almost a little like Mickey’s Good Deed in that CatDog essentially sells itself to a wealthy family as a Christmas present, but then has second thoughts. It’s the Christmas special that taught us being a whore isn’t all it’s cracked up to be. Everything works out though and even the bratty kid that bought them comes around. It has a pretty straight ending where everyone learns something, but it’s not too syrupy sweet or anything. If you’re like me and didn’t really give CatDog much of a chance then you may want to reconsider this Christmas.

89 – Bonkers – Miracle at the 34th Precinct

The best duo in the episode.

I still can’t believe I enjoyed an episode of Bonkers more than Darkwing Duck – and a Christmas one at that! Bonkers is the character no one wanted. He should have been Roger Rabbit, but that just wasn’t possible so we got this weird bobcat character. At least he’s better than Bubsy. This episode is a solid one though and it actually doesn’t feature a ton of the titular character. It’s centered more on his partner Lucky and an amnesiac Santa Claus. Poor Santa got knocked out of the sky and stuck with the character Fall Apart. Since no one can find him, the elves turn to the police and Lucky is chosen to basically be a stand-in. His motivation to help out is his daughter’s belief in Santa Claus. Pretty conventional stuff, but it all wraps up nicely. The animation is also gorgeous as it often is for the Disney Afternoon and the antics between Fall Apart and “Jim” are pretty funny. This also is just a fun world and the premise of the show is terrific, it just rarely came together to form a cohesive half hour of entertainment. For Christmas though, it nailed it.

88 – Batman – Christmas with the Joker

Maybe this is why Batman doesn’t seem to like Christmas?

This Christmas episode of Batman: The Animated Series is fine. It’s funny, the Joker is a good villain for this type of thing, and I usually watch it every year. It’s also an episode that I just wish was better and that’s because of the show it hails from. Batman is the greatest superhero show to ever come around. I say that as a lover of X-Men, but the quality was just so much better. The writing was tighter and the budget greater so it looks terrific. It also helps that the cast was small and that’s one reason why I just can’t get into shows like Justice League following this one. This episode is a fairly standard Joker plot where he’s kidnapped some people and there’s a bomb or something. It just happens to be at Christmas so we get some Christmas puns and festive attire out of the Joker. It unfortunately doesn’t look as good as some episodes and there’s some awkward shots in here. Maybe it was rushed so there was no danger of missing the holiday? I don’t know, I just know it’s a pretty even episode of Batman, but not one of the show’s best.

87 – It’s a Wonderful Tiny Toons Christmas Special

You just know they’re going to spoof some holiday classics.

Batman’s network-mates the Tiny Toons got to make a contribution to Christmas. Unlike the more seasoned Sylvester and Tweety, their It’s a Wonderful Life parody mostly plays it straight. In the role of George is Buster Bunny who is questioning his own worth. Not to the degree that George was, but maybe he’s just not cut out for the life he wants? Through the magic of his guardian rabbit, Harvey, Buster is going to see what life would be like had he never been on Tiny Toons. Plucky is the star, Montana Max owns the Looniversity, and Babs is a humorless solo act. Naturally, Buster has a revelation and has his life restored where he’s able to help the other toons put on an entertaining Christmas show. It doesn’t do anything to upend the framing device, but the humor of Tiny Toons is able to carry this one. Tiny Toon Adventures is a show I can only handle in small doses, but when done well it’s usually pretty rewarding. This one is animated well and there’s some easy Christmas special gags to be found as well which are real crowd pleasers. I tend to lose track of this one among the many other Warner Bros. Christmas episodes and specials, but it’s worth returning to.

86 – TaleSpin – Jolly Molly Christmas

I can’t believe those jerks made Molly cry!

TaleSpin, like Bonkers, is another Disney Afternoon show I didn’t really care for in the moment, but it has a good Christmas episode. This one centers around the child character Molly, who is the daughter of Baloo’s boss, Rebecca. She’s having a bit of a Christmas crisis where her belief in Santa Claus is in doubt and it’s mostly all because of Baloo. He, with the help of Louie, tries to stage a North Pole to trick Molly into believing, but when Louie’s bar is closed for way too long on Christmas Eve the local drunks overrun the place and blow the whole thing. Now, this episode does fly too close to the sun for me when it comes to whether or not Santa Claus is real. I don’t particularly like it when a show aimed at young children places too much doubt on his existence, but they do rectify it at the end (as if there was any doubt). And that’s really my only complaint with the episode. It otherwise is pretty entertaining and it’s very well animated and heartbroken Molly worked on me so when her moment of triumph came it also affected me in much the same way. TaleSpin isn’t reinventing the wheel when it comes to Christmas episodes, but it brings the feels.

85 – Life with Louie – Family Portrait

And that’s not even close to capturing the whole Anderson family.

Life with Louie is one of those forgotten Fox Kids shows. The network never celebrated its works like a Disney or a Nickelodeon would. They kind of just paid for them for the moment, then sold them off when it no longer suited them. As such, I think this show is owned by Disney who bought most of Fox Kids if not all. The company kind of treated most of these shows the same way Fox did using them to pad out expanded, digital, cable channels until it was no longer profitable. Some shows saw DVD release, and many did not. Life with Louie was supposed to according to series creator Louie Anderson, but it never happened. It’s too bad because Life with Louie is a sweet coming of age cartoon. There’s not a ton of stuff like that, especially from the 90s, and it managed to be plenty funny too. In this Christmas episode, Louie basically finds out a kid he thinks is the greatest is actually an orphan and it forces him to reexamine his own relationship with his family. It’s all heartwarming stuff and we get to see Louie’s dad be forced to play Santa which is where a lot of the comedy comes from. I prefer the first Christmas episode from this show more, but this is a worthy (if unexpected) follow-up.

84 – Animaniacs – ‘Twas the Day Before Christmas

Come back next year!

Sing it with me, “It’s time for Animaniacs!” Yes, the first of three entries for the series is “‘Twas the Day Before Christmas.” In 1993, Animaniacs did the odd thing of releasing two Christmas episodes. I guess when you’re a weekday afternoon program you can afford to do that. It also helps that Animaniacs was a pretty large ensemble so giving everyone their own Christmas arc was just not possible in a single half hour episode. Maybe they first envisioned an hour long prime time affair? I don’t know, but this is the lesser of the two despite the other one being a parody of A Christmas Carol. I know – shocking! And the main segment is basically designed to squeeze most of the cast into one short as Aunt Slappy relays the story about the day before Christmas on the Warner lot. It’s the strongest segment across both specials, but it’s not very substantial since its just Slappy reading a parody of A Visit From Saint Nicholas with some funny stuff animated to it. The second segment is Chicken Boo who is playing a mall Santa. One kid sees the character for what it is, a chicken, but no one else does and he freaks out. It’s pretty damn funny, but also brief. The third segment is just the Warners in a toy store after hours where the toys come to life. It’s pretty weak and drags this one down, but it’s not terrible. It’s still an entertaining 25 minutes and most of these characters work best in quick bursts anyway, but there’s better stuff ahead. Especially for a couple of laboratory mice.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 15 – Popeye the Sailor – “Seasin’s Greetinks!”

When it comes to Christmas themed cartoons featuring Popeye, I’ve somehow managed to work backwards. We’ve looked at two previous Popeye cartoons that center around the holiday, but today’s Christmas short is Popeye’s very first. It comes to us all the way from 1933 where it premiered as just the fourth Popeye cartoon. I don’t…

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Dec. 15 – Beavis and Butt-Head Do Christmas

Today we continue our lookback at the best holiday specials ever sent to television and today’s subject is everyone’s favorite pair of Gen X deadbeats Beavis and Butt-Head. Beavis and Butt-Head were created by Mike Judge and the pair got its start on MTV’s Liquid Television in 1992. There they were a cruel, destructive, pair…

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Dec. 15 – South Park – “Mr. Hankey the Christmas Poo”

Today we are continuing our look back at the best of the best when it comes to Christmas specials and today’s entrant comes from the quiet, mountain, town of South Park. South Park burst onto the scene in 1997 and basically transformed the Comedy Central network from the get-go. The show about four foul-mouthed kids…

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Dec. 14 – Bonkers: Miracle at the 34th Precinct

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Original Air Date November 27, 1993

Bonkers was a late inclusion in the Disney Afternoon, a post DuckTales/TailSpin/Rescue Rangers program and contemporary to Goof Troop and Gargoyles. It’s a show about a bobcat named Bonkers who serves in the Toon Police alongside his partner Lucky Piquel (pronounced Pickle by most characters, but it’s supposed to be Pee-kell, making it a running joke). Bonkers exists in a world where people and toons live together, making it sort of like Who Framed Roger Rabbit? except the entire show is animated. It’s a cartoon I never really gave a chance because by the time 1993 rolled around I was invested heavily in Batman and X-Men and I really had no appetite for a more traditional cartoon. I watched some Animaniacs and Ren & Stimpy and that was kind of it. Plus Bonkers, who has an over-the-top “toon” aesthetic like Roger Rabbit just kind of annoyed me from what little I saw. The show’s intro is obnoxious and I honestly can’t remember if I ever sat down and watched an entire episode. As an adult, I appreciate the show’s premise much more. After all, Who Framed Roger Rabbit? is a personal top 10 film for me and one I adore so a cartoon that piggy-backs off of it sounds really appealing to me now.

Bonkers did have a Christmas special, and when I set out to do this it was one I looked forward to checking out. The title of the episode, “Miracle at the 34th Precinct,” implies a parody or adaptation of Miracle on 34th Street which also sounds appealing since it’s a classic Christmas story that’s rarely adapted by cartoons and sitcoms. Where as the contemporary show Darkwing Duck chose to do an It’s a Wonderful Life adaptation, which is so disappointing.

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A haggard looking Blitzen has to inform the elves he lost Santa.

The episode opens with Santa trying to navigate a pretty treacherous looking snow storm. He’s being tossed around and we’re soon taken to a a work shop where a pair of elves are wondering where Santa could be. We learn, through their dialogue, that Santa was off testing a new sleigh with only one reindeer, Blitzen, to guide him. The female elf of this duo immediately reacts with worry that Santa didn’t take Rudolf given the conditions outside (score one Christmas point for this one, it actually acknowledges the existence of the 9th reindeer) and immediately starts to panic. A tired Blitzen enters the shop with only pieces of the sleigh remaining. Santa apparently fell out somewhere over Hollywood. With only two days to go until Christmas, this is a pretty alarming development.

In Hollywood, unseasonable conditions are striking the locals. It’s snowing. Why? I don’t know. The camera pans to a building with a hole in the ceiling. Inside we find a mangey looking rabbit apparently named Fall-Apart and a large pile of snow. The pile shakes and out pops Santa, only he doesn’t know he’s Santa. Amnesia! The bane of all television personalities! Fall-Apart doesn’t seem to recognize him, but seems happy to have him around. Meanwhile, Lucky Piquel is being roused by his wife Dill (Dill Piquel, get it? I can’t believe Rugrats would repeat this joke later) for breakfast. He seems grumpy and his wife tells him not to be a Scrooge, which makes me think he’s going to be a Christmas curmudgeon – he certainly seems like he could play the part. He’s unmistakably voiced by Jim Cummings, which is interesting because Cummings also voices Bonkers so he has both leads in this show. Anyways, Lucky’s daughter is waiting for him at the breakfast table, with a toon pencil casually tucked behind her ear which is awesome as it shows how casually the humans and toons co-exist. She’s heard that Santa isn’t real, and Lucky and his wife seem unsure of how to handle this, only to assure her that lots of people believe in Santa.

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Fall-Apart meets Santa, I mean, Jim.

In comes Bonkers! He’s playfully tossing snow around and of course he hits Lucky in the face. My guess is these two are unlikely partners, just as Roger and Eddie were, with Lucky not exactly enjoying the relationship. Bonkers is there to assure the youngest Piquel that Santa does indeed exist, and he and Lucky head off to the precinct. Meanwhile, Fall-Apart (voiced by Frank Welker using a more intelligible version of his Slimer voice with a touch of Dustin Hoffman from Rainman) decides to take Santa (after dubbing him Jim since he can’t remember his name) for a little spin around Hollywood and loads him into his cab. He immediately becomes more of a tour guide and I’m wondering if he’s good-natured or if he intends to rob this Santa of all of his money by keeping the meter running. We shall see.

At the police station, the two elves from earlier are there to report a missing person – Santa. When Bonkers and Lucky stroll in they immediately suggest that Lucky could be a good stand-in, since he’s fat. Lucky’s boss thinks it’s a good idea, why he’s willing to give up a cop for this I don’t know, but Lucky wants no part of it. He regards the elves as being kind of crazy, suggesting adults in this world probably don’t believe in Santa (I wasn’t sure based on Lucky and his wife’s reaction to their daughters declaration). The elves toss some Christmas magic dust on him to make him envision his daughter waking up disappointed on Christmas since no Santa brought her presents. It’s enough to make Lucky openly cry and agree to put on the red suit.

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At least Lucky looks the part.

Next comes Lucky’s Santa training. He seems to be having a hard time, but at least looks the part, while the elves are getting frustrated with him. Nearby at the beach, Fall-Apart is taking Santa water skiing because it’s snowing, so you’re supposed to ski. A fisherman somehow manages to hook Santa by the ass and reveals his underwear – classic. We then jump back to Lucky’s Santa training in the flight simulator. He makes a crack about the lack of an in-flight movie while he’s jostled around in a mechanical sleigh with a giant fan in his face, so the male elf activates a screen on the sleigh to give Lucky the rundown on what every kid wants for Christmas. Back at the beach, Fall-Apart crashes his boat and we see why he’s called Fall-Apart. Bonkers is there to help piece him back together, mistakenly putting Fall-Apart’s tail where his nose should be and his nose where his tail should be, which can’t smell great. Santa is out of the picture following the wreck, so Bonkers doesn’t see him. When he asks Fall-Apart if he’s seen Santa, he teases the viewer that he might say yes, but says he hasn’t seen him. I don’t think he’s doing that for nefarious reasons, he’s just stupid. He sees his frozen buddy, Jim, after Bonkers leaves and tells him they should go on a picnic, which just further confuses Santa-Jim.

Lucky’s Santa training has moved on from sleigh-piloting to breaking and entering, or rather chimney training. The male elf has whipped up a house of sorts for Lucky to practice on, though he expresses some concern with fitting down the chimney. We also find out that Lucky is actually fatter than Santa. Bonkers, basically frozen, returns to the Piquel residence to get warmed up. Lucky’s daughter hopes her dad can make it home for Santa and lets us know it’s Christmas Eve (I might have missed that morsel of info in the precinct scene earlier) while Bonkers withholds info on Lucky playing Santa. Bonkers tells the girl she’s not supposed to wait up for Santa, and manages to catch his tail on fire at the fireplace. Good thing there’s ample amounts of snow outside to put it out and he returns to his Santa hunt. Lucky, on the other hand, is not making any progress in his Santa training because he’s become lodged in the chimney. He manages to fall through and makes a kind of dark observation that having your life flash before your eyes can put you in the Christmas spirit. Whether he’s ready for it or not, they need to get moving if they want any hope of delivering the presents, and Lucky is still gung-ho to help out.

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This guy should probably never be let near an open flame.

Back at Fall-Apart’s apartment, the duo of Santa and the rabbit return with Fall-Apart remarking their picnic would have been better if Santa didn’t give away all of the food. It’s like he’s some gift-giving guy or something. When Santa sits on a toon lounge-chair he gets ejected out of the apartment. When Fall-Apart asks the chair why he did that he replies, “Because it was funny,” which makes a surprising amount of sense for a toon. Just then, a despondent Bonkers pops in. He’s afraid he won’t find Santa in time. Fall-Apart expresses some sympathy, then remarks he has to go help his friend Jim off the roof and describes him as a big guy in a red suit with a white beard. Bonkers realizes that Jim must be Santa, and when they find him on the roof his memory has returned thanks to the second bump on the head. With only an hour until Christmas, he needs to get to his elves Jingle and Belle (so they have names), but Bonkers first wants to bring him by the Piquel residence.

We cut to the Piquel house and the sleigh and reindeer are arriving. There are only six reindeer, which is bullshit. It’s Lucky and the elves. The elves felt that Lucky’s first house should be a familiar one. He expresses some hurt feelings over it while struggling to stand on the snow covered roof, before eventually falling off, which just justifies the concern the elves have in him. They get a call on their sleigh-phone from Bonkers to let them know Santa is all right and they’re relieved to hear it, naturally. Of course, Lucky is already on the job and fallen off the roof to boot, so they can’t tell him the good news.

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Santa and Bonkers arrive on the scene.

Since he’s at ground level, and it is his house, Lucky decides to enter the conventional way even though it’s not the entrance he wants to make. Just as he enters the front door, Bonkers arrives with Santa. They shoot up to the roof where the elves give Santa the update on what’s going on. He grabs his sack and jumps down the chimney. Inside, Lucky’s daughter is already in tears about there being no Santa and left the room. As Lucky heads in further Santa drops in. Lucky doesn’t think he’s the real Santa, even though he has the Social Security card to prove it, and the two start bickering. Bonkers pops out of the chimney to admonish them when Lucky’s daughter comes in. At first she’s confused about there being two Santas, but not as confused as I would have expected. The real Santa gives her a gift, one she didn’t even tell her dad about, and Lucky finally believes Santa is the real deal when he pronounces his last name properly and gives him a gift to top it off. After Santa leaves, Lucky’s daughter gives her father a warm hug and Bonkers somehow gains the ability to float up the chimney like Santa just in time to see the big guy take off and wish him a merry Christmas.

“Miracle at the 34th Precinct” is not what I expected, since it isn’t really a take on the classic story at all. It also isn’t what I expected in that the plot is pretty straight-forward and it seems to take itself seriously. There’s very little “wacky” elements present for a cartoon world. The Fall-Apart and Santa scenes possessed some physical comedy, but for the most part I found the whole thing kind of subdued. I was expecting more parody, and maybe some satire, but instead this show was more earnest and genuine in its approach. I’m not about to judge the whole series based on one episode, but I don’t think I like this. It was kind of boring and the characters are just the sort of standard archetypes we’re used to seeing. I suppose there is some humor to be found in a world that looks at the toon elements as ordinary, but I feel like Tiny Toon Adventures already did that, and better. This does feel like Disney trying to do a Warner-type show, and maybe they just don’t have the ability to produce that kind of show. The animation, for the most part, is still well done though it’s not as crisp as something like DuckTales or Darkwing Duck. My guess is that’s intentional as they want the characters to have less definition and thus appear more “toon” in appearance. There’s an artful sloppiness in how the characters move and animate, in particular Lucky, which is kind of odd since he’s supposed to be the human. At any rate, at least it’s not A Christmas Carol parody though!


The Other Disney Afternoon Games

Capcom recently released a digital collection of NES games called The Disney Afternoon Collection. It’s available for Playstation 4, Steam, and Xbox One (though curiously not for a Nintendo console despite all of the games originating from one)and is a pretty solid collection of not quite classic games at a budget friendly price. And that last part can’t be understated since copies of DuckTales II sell for hundreds of dollars on the aftermarket thanks to low release totals. By most measures, the collection of games represent Capcom’s best licensed titles, but certainly not all of them. It also doesn’t capture every title released with the Disney Afternoon branding and this post is about the leftovers.

1Bonkers (Super Nintendo 1994)

 

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Expect some indirect cameos from famous Disney characters.

Bonkers was a short-lived series that ran from September 1993 to February 1994. In that window, the show managed to feature 65 episodes, the magic number for most Disney cartoons as that met syndication guidelines. Bonkers is reminiscent of Who Framed Roger Rabbit? as it pairs a cartoon bobcat with a human who both work for the Toon Police. They go around solving crimes in a toon world that’s basically inhabited by all of Disney’s classic characters, many of whom make cameos in the show. Disney even allowed Mickey to cameo breaking with tradition that basically kept Mickey shielded from the television properties.

 

In December of ’94 Bonkers came to the Super Nintendo. In a game developed by Capcom (who else?), Bonkers allowed the player to play as the titular character as he tried to recover some famous cartoon assets stolen from a museum. His partner, Lucky, is laid up in a hospital bed forcing Bonkers to go solo. The items he needs to recover, and the places he visits to find them, should feel familiar to Disney fans young and old as they include Mickey’s iconic sorcerer’s hat and Ariel’s voice.

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The Genesis Bonkers wasn’t developed by Capcom and took the gameplay in a very different direction.

The gameplay for Bonkers is very similar to a Konami contemporary, Buster Busts Loose, released in ’93 and based on the Tiny Toons character Buster Bunny. Both games are platformers with large sprites where a main feature of gameplay is a dash meter. Bonkers can dash as a means of attack and to navigate the levels. Special items will bestow upon him invincibility and unlimited dash for a brief period, which is also a feature of an earlier Capcom Mega Drive/Genesis title Quackshot starring Donald Duck. The dash is your bread and butter and what a player needs to master in order to make it through the game. In addition to that, Bonkers can take out most enemies Mario style with a jump attack and he also can toss bombs, though his supply is limited. The game contains just five levels, with the first three being selectable from the game’s hub menu and can be completed in any order. Bonkers never earns additional power-ups or special abilities beyond what he starts with, so there’s no preferred order to them.

 

Bonkers for the SNES is a solid title, though not really spectacular so it’s not surprising to see it’s not a fondly remembered one. The cartoon from which it came is also not one that possesses a huge following, though it was an interesting premise and is probably worthy of revisiting. Bonkers also received another video game, this one for the Genesis and developed by Sega. It’s kind of like a tower defense game in which Bonkers is primarily featured in the foreground defending a position by tossing items at enemies in the background. There are some platforming parts as well, but most probably agree that the SNES game is superior. There was also a Brazil-only Game Gear title called Bonkers: Wax Up! that I know very little about. Judging it based on some YouTube long plays, it doesn’t look like a title that needs to be sought out.

250px-SNES_Goof_Troop_BoxGoof Troop (Super Nintendo 1993)

Following DuckTales, the flagship series for the Disney Afternoon seemed to shift to Goof Troop. Starring Goofy and his son Max, Goof Troop was a mostly wholesome program about adolescence and being a single parent. It’s really melancholy for a series starring Goofy and definitely added a new dimension to a mostly one-note character. For fans of the more action-oriented cartoons like Rescue Rangers and Darkwing Duck, Goof Troop was a bit of a hard sell, but I recall watching it somewhat frequently and thinking it all right.

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A standard screen in Goof Troop with a standard set of obstacles for Goofy to navigate.

The game is definitely an odd duck amongst the other Disney Afternoon titles. Once again developed by Capcom, Goof Troop is an adventure game in which the player controls either Goofy or Max and simultaneous co-op is possible. I suppose it isn’t surprising that the game is unlike its sister titles since Goof Troop, being more of a sitcom than most cartoons, doesn’t have a natural ability to become a video game. In this one, Goofy and Max somehow end up ship-wrecked on an island and need to find a way off of it. It’s basically a survival game, and the player controls one of the two Goofs from a top-down perspective similar to The Legend of Zelda. Goofy and Max can hold a maximum of two items at a time, and the player has to constantly find and drop items in order to progress. The game is more puzzle-like than the others, and since Goofy and Max can’t directly damage the enemies they encounter you’re almost encouraged to avoid conflict.

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Co-op is the preferred way to tackle this one.

The game was developed by Shinji Mikami, who was basically the mind behind Resident Evil. Yes, Resident Evil owes something to Goof Troop and it’s rather remarkable to see how some of the survival elements from that series were first born in Goof Troop. Even right down to how awkward it is to control Goofy and Max and how frustrating it can be to avoid enemies. The game feels like it’s designed for two players as opposed to one as some rooms are really hard to clear without the aid of a second player. The other player can help act as a lure for enemies allowing player one to activate a switch, move a block, or trigger something else on the screen. In two player mode, Goofy and Max can only hold one item each, but it’s an easy trade-off to make in order to gain an ally. Playing solo, I had a hell of a time trying to clear one room where the enemies could kick blocks, blocks that I needed to kick into a certain spot to pass the room. The problem was getting to the enemies and taking them out before they could kick one into a spot where I couldn’t make any use of it, forcing me to leave the screen and re-enter, also re-spawning the enemies.

Goof Troop is an interesting game, and played through the lens of knowing it’s a pseudo Resident Evil predecessor certainly adds to it. As a change of pace from the other Capcom developed Disney Afternoon games, it’s acceptable, but I found it a bit too frustrating to really want to come back to it again and again. Given the license though, this is probably the best Capcom could have done short of just making a platformer that made little thematic sense.

250px-Gargoyles_game_coverGargoyles (Genesis 1995)

Lastly, we have Gargoyles, our only featured game to only be released on the Genesis without a SNES counterpart and (gasp!) to not be developed by Capcom. This one was done by Buena Vista Interactive, and if you know anything about Disney you know that’s likely the name for an internal studio. At some point, someone high up at the company must have got the bright idea that they could make more money if they developed their own games rather than licensing them out to Capcom. Big mistake, as doing so ultimately lead to a severe reduction in quality for Disney based video games and Gargoyles is no exception.

Gargoyles is a series I’ve covered pretty extensively here. It was basically The Disney Afternoon’s answer to WB’s Batman which aired during Fox’s afternoon block of programming. Batman was a hit, so naturally others copied it and Gargoyles was perhaps the most blatant. Don’t confuse that with criticism, as Gargoyles was a pretty entertaining show and was able to develop its own identity during its run. And unlike say Goof Troop, it pretty obviously lent itself well to video games being an action-oriented show starring some pretty bad ass characters.

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At least it looks pretty good.

The game stars Goliath and is essentially another platform-styled action game with some exploration elements. It’s sort of like DuckTales on steroids and with an overt gothic theme. The game starts off in the past with the fall of the castle and the gargoyles being turned to stone before taking the player to the present timeline. All of the main baddies from the show make an appearance, and Goliath handles like Goliath should possessing powerful strikes, a running attack, and the ability to climb walls and double-jump with his wings.

Visually, the game is probably the best out of any Disney Afternoon title and is one of the better looking Genesis titles around. The music even sounds great and you could almost trick someone into believing it came from a Super Nintendo. Sadly, that’s where the positives mostly dry-up. While the music is great, the sound effects are horrendous with awful enemy death screams that sound like they were recorded through a tin can. Goliath is a chore to control as negotiating tight spaces is problematic and his ability to cling to walls is automatic, resulting in numerous occasions where he’ll grab a wall when you don’t want him to. The opening level is particularly frustrating as it features lots of tiny spaces and towers to ascend. Enemies will routinely strike from offscreen and finding enough room to get a running start to smash through a wall can also be harder than it should be. Goliath should feel like a powerful beast, but he’s too easily felled by the humans who serve as foes. The rotten icing on the cake is spotty collision detection when attacking enemies, making their defeat feel wholly unsatisfying.

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There are plenty of familiar faces from the show.

Gargoyles is one of those games that I want to like, but it just makes it too hard to do so. It’s a great license that should have lead to a great, or at least passable, game and it looks awesome. Unfortunately, it just isn’t remotely fun and I’m sure lots of people were conned into buying, or renting, this one based on the track-record of Disney Afternoon titles and because the screenshots looked promising. The game ended up being released only in North America, and there was a Super Nintendo port planned but it was scrapped, either due to poor sales of the Genesis version or because the 16-bit era was essentially over. Stay away, stay far away.