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#3 Best in TV Animation: Futurama

FuturamaWhen Futurama was first announced I didn’t think much of it. It felt like an unofficial spin-off of The Simpsons with a stupid title. The premise, a 20th century slacker getting cryogenically frozen to awake in the 30th century, probably should have interested me more than it did. As a result, I, along with most of America, mostly ignored the show during its initial run. Only when re-runs started surfacing on Cartoon Network’s Adult Swim block of programming did I truly give the show a chance. And what do you know? – I loved it!

Futurama follows the exploits of Fry, Bender, Leela, and the rest of the Planet Express package delivery crew as they parade around the universe getting into more trouble than a normal package delivery company would expect to. Like The Simpsons, Futurama relies on satire and a diverse cast of characters for its humor, and setting the series a thousand years in the future actually makes the satire come rather easy. It’s almost as if show runners Matt Groening and David X. Cohen watched Back to the Future Part II and decided a show that centers entirely on the future portion of that film would be a great idea. The future is a lot like our present, only America essentially rules the entire globe with President Nixon, now a head preserved in a jar, coming into power early in the show’s life. There’s also the Democratic Order Of Planets, or DOOP, which attempts to police the entire known universe with the incompetent Zapp Brannigan as its leading general. Robots handle a lot of the menial labor on earth with relations between humans and robots tenuous at best.

This picture essentially tells you all you need to know about Bender.

This picture essentially tells you all you need to know about Bender.

The principal cast revolves around the Planet Express crew itself. Fry (Billy West) is the main protagonist who is time-displaced due to a mishap in 1999 and doesn’t seem to mind it all that match. He’s a well-meaning but plainly stupid sort of character. His best friend is the robot Bender (John DiMaggio), who would rather chain smoke and steal than actually do any work around the office. Leela (Katie Sagal) is the pilot of the Planet Express ship and nominal love interest of Fry, a subplot that actually takes quite a while to fully develop. She also happens to be a one-eyed mutant. Professor Farnsworth (also voiced by West) runs the company (mostly incompetently) with the help of Hermes Conrad (Phil LaMarr), Amy Wong (Tress MacNeil)e, and Dr. Zoidberg (West). As you may have noticed, the voice cast is pretty well stocked with talented individuals, some who made a name for themselves with Groening’s Simpsons. West is the obvious star and one of the very best at his craft, but everyone is pretty top-notch making Futurama arguably the most well-voiced program in the history of animation.

Visually, the show is excellent and for most of its run was superior to its predecessor, The Simpsons. Fox clearly was pretty generous with the budget for the show’s first four seasons as traditional hand-drawn animation was blended well with computer-aided visuals where appropriate. The show is bright and vibrant and the setting helps to give it a unique look. As expected, there are some pretty standard tropes of the future setting like transportation tubes and laser weapons to go along the obvious hover cars. The show doesn’t make too many attempts at actually predicting the future, and given the setting is a thousand years away there’s little need to. The various aliens and robots are usually pretty fun to take-in and is where most of the show’s visual creativity ends up being on display.

Billy West lends his voice to many characters on the show.

Billy West lends his voice to many characters on the show.

Most importantly, the show is just plain funny. The characters tend to work well with each other. Fry and Bender are often the ones getting into mischief, and early in the show’s run, Leela was often left to play the straight man (woman). Bender is the unofficial star of the show as his general selfishness and law-breaking ways make him both hilarious and popular in the same way Bart Simpson did ten years prior, only with the debauchery and lewdness magnified considerably. Dr. Zoidberg, likely the universe’s worst doctor, is often a source of humor at the character’s expense considering he is both poor and foul-smelling. Professor Farnsworth is probably my pick for the most unsung hero of the cast. Whenever the show turns to him for a one-liner or a visual gag he seems to always deliver. The simple delivery of his “Tell them I hate them,” from “Fry and The Slurm Factory” gets me every time.

Where the show really found a way to separate itself from others is with its heart. It sounds sappy, but the show is surprisingly effective when it wants to make the viewer experience something other than laughter. The first episode where the show really successfully delivered on such was the Fry-centric “The Luck of the Fryish.” In that episode, Fry finds out his brother essentially stole his identity after he was frozen and basically lived out all of Fry’s dreams while becoming a national treasure. He owed it all to Fry’s lucky seven-leaf clover. Fry, in anger, wants his clover back and will go to great lengths to get it back, even if it means digging up his brother’s corpse. There’s a twist in the end and good luck keeping your eyes dry when it comes about. Of course, the show’s most infamous episode in this style is “Jurassic Bark,” in which we find out what happened to Fry’s dog, Seymour, after he was frozen and left him behind. I still remember the first time I caught the episode on television and the ending really snuck up on me and obviously made an impact. In general, the show does a really strong job of finding the humor in almost any situation. And even when the characters have to do something mean for laughs, the show is able to keep them from straying too far from a moral baseline so that the audience never turns against them. Even Bender has his moments where he does something nice.

Like The Simpsons, Futurama's cast became exceptionally large.

Like The Simpsons, Futurama’s cast became exceptionally large.

Futurama was originally unsuccessful during its initial run on Fox, though it did manage to last for the better part of four seasons. After the reruns performed well for Cartoon Network and DVD sales excelled, the show went the direct-to-video route with four feature-length films. They would eventually be chopped up into episodes that aired on Comedy Central, who picked up the show for an additional three seasons. Having the show come back from the dead was pretty awesome, but you would have a hard time finding a Futurama fan that felt the post-cancellation episodes were up to the same standards of quality as the first four seasons. Still, there were episodes here and there that stood out and subpar Futurama is better than most shows. The show ended with its 140th episode, a healthy run by any standard. In those 140 episodes the show made a bigger impact than all but two others, according to this list, and really stand among all television shows, animated or otherwise, as being among the very best.


#6 Best in TV Animation: The Venture Bros.

2011-03-22-Venture_brothers-533x399Our number seven entrant on this list, Archer, has a lot in common with the number six entrant. So much so, that I couldn’t, in good conscience, rank it ahead of this one. Archer’s creators got their start on Cartoon Network’s adult swim, which is where The Venture Bros. currently (I use that term loosely) reside. Both shows are essentially animated sitcoms, with Venture being the more traditionally animated one. And like Archer, both utilize a setting that’s both dated yet futuristic. And while Archer may be a more modern Get Smart or a parody of James Bond and other spy-centric shows and movies, The Venture Bros. is basically a spoof of Johnny Quest with lots of nods towards comics and geek culture sprinkled about.

The Venture Bros. is the brainchild of Jackson Publick and Doc Hammer. It first began as a fifteen minute crudely animated pilot that first debuted in 2003 on adult swim. Unlike most adult swim programs at the time (the ones created for adult swim, that is), The Venture Bros. did not use repurposed animation from other programs like Sealab 2021 or Space Ghost: Coast to Coast. The animation it did sport though was certainly still low-budget when compared with other similar cartoons. The pilot successfully introduced the main cast for the series. There’s Doctor Venture, a “super” scientist of questionable morals and credentials who is apparently riding the coat tails of his long deceased father. Doc is essentially the Johnny Quest of this show, only he grew up to be a complete failure. In the pilot, he’s trying to hawk a death ray to the UN at a peace conference. His body-guard, Brock Samson, is a short-tempered bad ass with a righteous blond mullet. He’s Race Bannon without a conscience, and the appearance of the assassin Molotov Cocktease implies that Brock has a secret past. The actual Venture brothers the title refers to are Doctor Venture’s twin sons, Hank and Dean. They basically serve as caricatures of the goody two-shoes characters that often showed up in adventure shows. Hank looks like Fred from Scooby Doo, while Dean looks like a Hardy Boys reject. They’ve, up to this point, lived sheltered lives at the family compound and have almost no sense of danger or any awareness of the world around them. The two get into some trouble, without being fully aware of it, while their dad attends the peace conference. Both are pursued by The Monarch, Dr. Venture’s self-appointed arch-enemy. For as bad as Dr. Venture is at science, The Monarch is every bit his equal as a super villain. They’re also pursued by a one-off character, a ninja, who we are lead to believe wishes to assassinate Dr. Venture but it turns out he just wants to masturbate on Venture’s death ray.

The cast started small, but continues to expand.

The cast started small, but continues to expand.

This is the type of humor the series would become known for. The pilot was deemed a success and the show was given a thirteen episode first season with each episode running a half hour, a rarity for original adult swim programs. The animation was given a boost in quality, as was the writing and voice acting. Public and Hammer voice the majority of the cast, with Seinfeld’s Patrick Warburton voicing Brock Samson. The main cast of Venture, Brock, and the two boys were kept intact, with “wacky neighbor” Dr. Orpheus brought in later (he’s a necromancer). The Monarch though was fleshed-out further, given a back story, as well as a stable of disposable henchmen. Conflicts between he and his right-hand woman, Dr. Girlfriend, highlight some episodes while his two most prominent henchmen, 21 and 24, are the other featured members of his stable. The Monarch, as it turns out, is a professional super villain contracted to harass Dr. Venture. He’s a member of The Guild of Calamitous Intent, which governs the conflicts between heroes and super villains and ensures the conflicts exist in perpetuity, essentially providing a reason why certain villain cliches exist. Venture, by virtue of his adventuring past with the original Team Venture, is still considered some kind of hero even though he’s almost irrelevant. The main theme for the show is failure, and both Dr. Venture and The Monarch embody it. Venture as the failed scientist, and Monarch as the failed villain for Venture often ignores his very existence.

Several other characters debut in the first season that would go on to make repeat appearances. There’s Professor Impossible and his family who are an obvious parody of the Fantastic Four. Unlike the comic book heroes, Professor Impossible (voiced by Stephen Colbert) is a villain who keeps his mutated family hidden. His wife’s skin is transparent, his brother in-law is constantly on fire and in tremendous pain, while the their take on The Thing is a special needs man covered by a giant callous. There’s also Baron Von Ünderbheit, a hulking man with a steel lower jaw, who is best characterized by The Monarch as a “dime store Dr. Doom.” As the seasons have gone on the cast has been increased ten-fold. Many characters who seemed like they were just part of a throw-away gag-line in past seasons, like Sergeant Hatred, would eventually show up and play meaningful roles down the road.

The Monarch is a consistent source of comedy, and despite technically being a villain, is easily one of the stars of the show.

The Monarch is a consistent source of comedy, and despite technically being a villain, is easily one of the stars of the show.

The Venture Bros. distinguishes itself from other comedies by being adaptive. During the first season, the show seemed like it would parody Johnny Quest indefinitely with the family going on a new adventure each week. Instead, to throw everyone off, two of the main characters were killed-off in the season finale. This proved to signify that the show would not always remain so static, as there was a major shake-up with The Monarch as well and new villains were brought into the fold. Later seasons would further change the dynamic of the main cast and more hero and villain organizations were introduced. The plot of the show would become more complicated and intricate, and to the surprise of probably many, its various mysteries and cliff-hangers are actually quite interesting and rewarding. It still could be criticized for becoming too complicated, as no longer can one simply tune-in to any given episode and understand what’s going on. And some of the major changes to the cast could be criticized as being the wrong move. One very funny comedic duo was broken up when one of the characters was killed off, and it being several years since that happened, I’m still not convinced it was the right move.

As the show became more popular, adult swim kicked in more money. The show is now well-animated, and while it still retains its retro charm, it also just plain looks good. The fact that the characters actually change their appearance from season to season, even sometimes episode to episode, makes it a more interesting viewing experience than many animated shows on television. By far, the show’s greatest strength though is its writing. The plot for an episode can fall flat at times, but the dialogue is often so good, and so funny, that it doesn’t matter. The show is full of colorful one-liners that could serve as the basis alone for a blog entry. The characters also remain consistent, even amid the numerous backstabs and double-crosses, and very rarely does the show introduce anyone who isn’t worthwhile.

Expect to see plenty of comic book parodies such as Professor Impossible.

Expect to see plenty of comic book parodies such as Professor Impossible.

While some of the choices to take the plot in complicated directions can be criticized, by far the easiest way to criticize the show resides in the length of time that elapses between seasons. Publick and Hammer handle the writing, and like another great comedic duo Parker and Stone, are procrastinators. Unlike Parker and Stone, Publick and Hammer aren’t locked into a contract with their network which demands episodes be delivered by a certain date, so there have been numerous hiatuses for The Venture Bros. Part of the delay also is tied up in the show’s budget, which is much larger than most adult swim shows so renewals likely do not occur fast enough for a normal turn-around between seasons. To further illustrate the point, here is the premiere date and episode count for each season:

Season 1: 8/7/2004 (13)

Season 2: 7/25/2006 (13)

Season 3: 7/1/2008 (13)

Season 4.1: 10/18/2009 (8)

Season 4.2: 9/12/2010 (8) *the season finale was an hour-long

Season 5: 6/2/2013 (8)

A mockumentary on Shallow Gravy, a fake band in the series, aired in 2011 while a Halloween special aired in 2012. A “movie” “All This and Gargantua-2” aired on January 19th of this year and was basically an hour-long special to tide fans over until season 6 begins, but there’s no air date set for the first episode of season 6. It was first expected to premier in the fall of 2014, and then early 2015 (though the hour-long special is technically the first episode of season 6 so I guess it made the premiere of early 2015), but so far we have no idea when it will continue.

The lengthy production cycle, and the some-what sub par season 5, has dimmed enthusiasm for The Venture Bros. going forward. I wonder if season 6 will be the final season, or if there’s desire from all parties to continue the show beyond that. What the show has provided so far has been comedic gold. The humble parody it first began as has evolved into something so much more and hopefully when season 6 does resume it will reignite the franchise. Even so, the first five seasons have been so strong that The Venture Bros’ place on my list is well-deserved. With a strong season 6, it could even continue to rise higher!


#7 Best in TV Animation: Archer

key_art_archerUp until now, this list of the best in animation television has to offer has only included shows that have since been retired. They’ve also only consisted of shows generally created for children and aired on weekend mornings or week day afternoons. Archer changes that as the show recently finished up its sixth season, having already been renewed for a seventh, and airs late nights on cable television. The show is the brainchild Adam Reed and Matt Thompson, two guys who made a name for themselves mostly via Cartoon Network’s adult swim block. Their main break-out show was Sealab 2021, a show that utilized stock footage from the old Hannah Barbera cartoon Sealab 2020, a mostly drab and wooden show from the 70’s that few probably remember fondly. The animation was recycled and characters re-dubbed. What was once an environmentally conscious show with a sci-fi feel to it now was a show about a bunch of narcissistic, perverted, and some-what insane researchers stuck with each other miles under water. The show was funny and crude and one of the first ever programs to air on adult swim. If not for the untimely death of voice actor Harry Goz, the series likely would have lasted longer than it did.

Much like its predecessor Sealab 2021, Archer also feature minimalist animation and a cast of characters with few redeeming qualities. Unlike Sealab, the animation is created for the series and the characters are all new. While it has definitely been improved since season one, where characters wore mostly wooden facial expressions, the show’s approach to animation is as much about keeping down production costs as it is a stylistic choice. The show stars secret agent Sterling Archer (H. Jon Benjamin) who works for his mother’s firm ISIS (no, not that ISIS) as a field agent. Archer is an alcoholic, whore-mongering, sociopath who is emotionally abusive to nearly everyone around him. He’s the self-professed world’s greatest secret agent and is not at all secretive about that. He’s particularly mean-spirited, with the bulk of his abuse directed towards his man-servant Woodhouse who has dutifully served him since birth. And while he is indeed talented at what he does, his vices often mean that his missions are spectacular failures with Archer often getting side-tracked by sex, booze, or the occasional ocelot.

Sterling Archer is a secret agent devoid of any sense of professionalism or responsibility.

Sterling Archer is a secret agent devoid of any sense of professionalism or responsibility.

Archer’s co-workers at ISIS are also pretty flawed individuals. The other lead field agent is Lana Kane (Aisha Tyler), who also happens to be Archer’s ex. Unlike Archer, Lana definitely cares about her job but her love/hate relationship with Archer often gets in the way. She has major commitment issues and when we first meet her she’s currently in a one-sided relationship with the staff accountant Cyril Figgis (Chris Parnell), whom she is most-likely dating just to piss off Archer. Cyril is everything Archer isn’t. He’s a professional and compassionate individual but his insecurities often get the best of him. He also may or may not be a sex addict. He’s so eager to please Lana that he’s often terrible at picking up on what she actually wants out of him. Because his tight-laced demeanor makes him such an easy target, Archer never passes up an opportunity to rip on him or embarrass him in some way. Cheryl Tunt (Judy Greer) is the masochistic staff secretary. She actively seeks out both emotional and physical abuse (she has a fondness for strangulation) which leads her to Archer who can’t even bother to learn her name. She’s also extremely self-centered to the point where she really could not be bothered to care about anyone or anything that doesn’t directly involve her. Pam Poovey (Amber Nash) is the HR consultant for ISIS with an addictive personality. When we first meet her she seems like a sympathetic individual who is unjustly picked on by everyone else at work (mostly on account of her excessive weight) but is soon to be revealed to be just as shitty as everyone else. She has a massive appetite for not only food, but sex and drugs as well and she is not particularly discriminatory about where any of it comes from. She also offers no apologies for her behaviour and seems to be genuinely at peace with herself. Ray Gillette (Adam Reed) is another field agent who happens to be homosexual. He’s actually a pretty okay guy and a competent field agent, though he did pretend to be paralyzed to get out of work. Dr. Krieger (Lucky Yates) is the resident scientist of questionable morals. His lineage is also strongly hinted at throughout the series and is of dubious origins. His creations generally work, but his means are often unethical. Rounding out the main cast is Archer’s mother, Malory (Jessica Walter) who embodies many of the same vices of her son though she is more in control of herself. She is a former field agent herself and it’s unclear how she keeps ISIS afloat considering how poor their track record is.

Archer's co-workers aren't really any better.

Archer’s co-workers aren’t really any better.

The animation for the program is clearly not the star, as I pointed out earlier, it’s rather minimalist. The style for the show resembles something from the 1970’s, though modern technology is available and used by the cast. The writing is the show’s strength and the voice cast is an impressive one. Everyone seems to commit to their role 100%, no matter how ludicrous or filthy their characters become. The show’s mean-spirited approach to comedy isn’t for everyone, but it’s effortlessly funny just in its character interaction alone. The characters have also remained flexible, with many changing considerably since the first season. Most of the supporting cast felt like one-note archetypes at first, but have all gone not on to embody other traits and qualities. The only drawback is that virtually all of the characters have seemingly gone to the same place, with all becoming more and more like Archer each season. And while the show is a comedy, that doesn’t mean it’s not without plot. Many of the storylines carry over and are referenced again and again throughout the series and there’s hardly ever a throw-away character as most will pop up again. The relationships amongst the main cast also change and evolve, though they’re such bad people in general that it’s hard for the show to get the audience to root for any of the characters becoming a couple or even finding happiness. To go along with the impressive voice cast is a pretty dynamite score by Scott Sims, The opening theme is very jazzy and 60’s influenced and sounds like it could have easily fit into a number of James Bond soundtracks (or Cowboy Bebop).

There are many recurring jokes on the show, including Archer's obsession with Burt Reynolds and a certain song by Kenny Loggins.

There are many recurring jokes on the show, including Archer’s obsession with Burt Reynolds and a certain song by Kenny Loggins.

As a comedy series, Archer gets a lot of things right, but it’s also nearly impossible to watch it and not acknowledge that it shares a lot in common with the adult swim series The Venture Bros. From its hybrid dated, yet modern, look to the constant element of failure by the characters, it almost feels like a sister show. Even the opening themes are fairly similar. Which isn’t that surprising considering Reed and Thompson both came from the same place and being compared to The Venture Bros. is not at all a bad thing. Archer separates itself by upping the ante on the filth and depravity of its cast. It’s one of the show’s strengths and the main source for comedy, though it also holds the show back from ever really being able to do an emotional episode. For those that enjoy the show, that’s probably just fine as I personally would hate to see Archer try to make me do anything but laugh.