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Dec. 4 – The Nostalgia Spot Christmas Special Countdown #179 – 170

We’re getting closer, ever closer to the Christmas specials that are most worth watching every year. That’s not necessarily a bad thing that we’re still kind of in the weeds considering today’s entry covers entries 180 through 171. It’s a reminder that there are a lot of Christmas specials out there. Yesterday’s entries on short subjects is so far the outlier in that some of them are worth watching just because they’re so brief. And there’s some historical value. Today’s entries are not so brief and not so old so they need to get by on entertainment value and nostalgia. And, for me anyway, there’s not a ton of nostalgia to be found in this cast of Christmas specials. Oh, there is some, including one that I pretty much watch every year because of how I know it, but there’s a lot of “filler” here as well. These are mostly from children’s entertainment and if there was a theme I suppose it would be Christmas episodes from cartoons that are not well-remembered. There are a few exceptions and as I look over my list and the days to come I can see some that I could have flip-flopped out of here. Though in the case of many, it’s more an issue of seeing a special yet to come that I really don’t think is all that good and wondering why it’s not here, but then I look at what we’re talking about today and it starts to make more sense. I could tinker with this list all month and never feel like it’s perfect so let’s just move on, shall we?

179 – Donkey Kong Country – The Kongo Bongo Festival of Lights

Donkey Kong managed to elevate himself above his more popular genre-mates Sonic and Mario, but let’s not pretend like his Christmas episode is all that great. For me, it’s most memorable for being the kind of show I had very low expectations for going in and it managed to exceed them. That doesn’t mean it rose to the level of something I’d consider good, but it’s not terrible. There’s some silliness to be found with the long lost brothers plot to the point where it kind of works. What does not and never will are the visuals. If this ranking was purely on visual quality, Donkey Kong might be in last place. It’s hideous. Those early 3D CG shows have not aged well.

178 – Aaahh!!! Real Monsters – Gone Shopp’n

This is a Christmas episode that was always going to have to really knock it out of the park to be placed higher in the rankings. That’s because it’s a Christmas in July episode and in it our monstrous protagonists find themselves trapped in the mall after hours. The Christmas element is purely visual as the mall is decorated for a big summer sale, but there’s a lot of actual Christmas episodes that don’t do much more than add a visual element as well. This one is also short since it was only one segment from a half hour television spot and judged strictly on the quality of the entertainment it’s probably better than where I have it. It’s just not very Christmassy. Plus, I’ve never liked the visual style of this show.

177 – Santa Claus is Comin’ to Town

This is the one I teased as being a special I watch annually, even if I don’t really like it that much. It was featured on my beloved Christmas tape growing up so I saw it all of the time and I still see it quite often. As a kid, it was the spot on the tape where I was most likely to drop-off. Thankfully, it had Rudolph backing it up so that’s what usually got me through. Had it been last on the tape then I probably would have seen it far less. If you somehow have not seen this Rankin/Bass production, it’s the origin story for Santa Claus and Mickey Rooney’s debut as the character. The story is pretty silly with a local ruler outlawing toys, but the approach isn’t silly. There’s a lack of fun here and it’s just so long and plodding. None of the songs are particularly good either. Sure, “One Foot in Front of the Other” can get lodged in your head, but that doesn’t mean I want it there. For nostalgia’s sake, I’ll sit through this one at least once this month, but that’s all I’m giving it.

176 – A Flintstones Christmas Carol

For a little while, there was an attempt at making the Flintstones into some sort of holiday tradition in the 90s. There was a A Flintstone Family Christmas and there was this, A Flintstones Christmas Carol. Now, I have some affection for The Flintstones. I never actively sought the show out, but if it was on I’d often watch it as a kid. I do like A Flintstone Christmas and the episode of the show “Christmas Flintstone” it was based on, but that’s sort of my limit. And when you take a dated franchise like The Flintstones and pair it up with one of the most overused Christmas tropes on record by adapting A Christmas Carol, well, you don’t really end up with anything remotely special. I’ll give it some credit in that the special tries to blend a meta component by having it be a production in-show, but Fred lets stardom get to his head to the point where he starts acting like Scrooge. It’s for serious fans of The Flintstones only, the rest need not apply.

175 – Little Dracula – The Bite Before Christmas

There have been many attempts at melding Halloween with Christmas. The most famous is obviously The Nightmare Before Christmas and it’s also probably the most successful. On television in the 90s though, we had stuff like Little Dracula. It’s a cartoon where the cast is basically all monsters, but the approach to the macabre is so tepid that it tends to undermine any real spooky element it could have. In this one, the goal is to capture Santa Claus. I guess that’s what vampires do. It’s very by the numbers for such an unusual plot as we just get a lot of setup where the entertainment is supposed to be seeing how monsters decorate for the holiday, but nothing is particularly clever. The villain of the show, Garlic Man, wants to pose as Santa to enter the house or something, even though he knows they’re trying to capture the big man. And, of course, the real Santa shows up and we all learn something. Or not? It’s not very memorable.

174 – Don Coyote and the Christmas Bell

Make way for Don Coyoooooote! Don Coyote hails from a mostly forgotten Hanna-Barbera cartoon and rightly so. The main character is incredibly annoying and he just bumbles his way through adventure after adventure in a model similar to Inspector Gadget, only Don Coyote didn’t have a niece and a really smart dog looking out for his well-being. The only saving grace for the show is that most of the other characters see Don Coyote for what he is: an idiot. The villagers in the town he tries to help in this one all think he sucks and it’s a bit humorous to see. It’s not a big Christmas vibes sort of episode either, it just takes place at Christmas and the bell referenced in the title has some meaning for the holiday. There is a light faith element to the plot, so if you like your Christmas to appeal more to that aspect of the holiday as opposed to Santa and Rudolph then maybe you can appreciate this on that level. Maybe. It’s still not very good.

173 – Heathcliff – North Pole Cat

Heathcliff may have originated close enough to Garfield that the two can be considered peers, but he’s mostly lived in the fat, orange, cat’s shadow in my lifetime. And that’s despite sounding like Bugs Bunny! Heathcliff did have a solid run on television in the 80s getting two similar, but separate, cartoons and around 100 episodes of entertainment. His grand finale is a Christmas episode in which his letter to Santa is returned so he and Spike (all dogs were required to be named Spike in cartoons) head to the north pole to investigate. There they encounter a jerk of an elf who is hell-bent on destroying Christmas, but as is often the case, things work out in the end and it turns out the elf isn’t such a bad guy after all. There aren’t any memorable gags to find and this one does something I hate. It has Santa literally tell the audience that a year of bad behavior can be redeemed at the last second to get on the Nice List. What a crock! I get needing to give kids something to reach for, but to come out and say it like that is just wrong.

172 – Ace Ventura: Pet Detective – The Reindeer Hunter

Okay, I really didn’t know where to rank this one. Visually, it’s offensive to my eyes. It’s cheap and ugly. It’s also Ace Ventura who is a pretty annoying character. On the big screen, at least the physical acting of Jim Carrey can help make him tolerable, but as an ugly cartoon the charm is gone. This one does have a somewhat clever plot though and it feels pretty original. Since the character is a detective (which allows them to make liberal use of the term dick), there’s a mystery component and it’s not bad. Santa’s reindeer have gone missing, and Ace needs to get them back. It’s a good setup for a pet detective. It’s just…a lot. I can only handle so much of this character. I do think if you really like the character then you’ll like this a lot more than I do. It’s the sort of Christmas episode where I’m glad I did experience it, but once is enough.

171 – Christmas in Tattertown

The Nickelodeon Christmas special by Ralph Bakshi that doubled as a pilot for a show that never was, Christmas in Tattertown is quite possibly the most uneven special in this countdown. There are moments in this one that look terrific. There’s a throwback quality to the character designs and animation of the 1930s and it mostly works. There’s also moments where the quality dips and then there’s just the uneven performances. This is especially seen in the character Muffet, who is at times sympathetic and at times a horrible villain. She is a doll that doesn’t really want to be a girl’s doll and she’s frustrated that her life has seemingly been decided for her. She just decides to go full villain in response to that. The voice work is also so up and down that watching this is like experiencing whiplash. I wanted to like this because the premise is solid, but there are too many moments for me where I questioned if I actually hated it. It’s exhausting to watch, but it looks so interesting that I think it’s something everyone should see once. At least, everyone who has ever been enchanted by a cartoon.

170 – I Am Weasel – Happy Baboon Holidays

Our last entry for today comes courtesy of that other children’s cable network, the Cartoon Network. I Am Weasel was a spin-off from Cow and Chicken which in turn was born out of the What a Cartoon workshop. I have no idea why I Am Weasel was chosen to be spun-off. I liked Cow and Chicken to a certain degree, but I did not care at all for I Am Weasel. It’s a setup where the weasel is basically an ideal character and does everything right and he’s juxtaposed with I.R. Baboon, a selfish, stupid, jealous character. He basically tries, and fails, to undermine the weasel and steal the spotlight for himself. In this Christmas edition, Baboon is surprised by his family when they show up for Christmas. He is ill-prepared, so he runs out to get a tree and all the trimmings, but leaves his family out in the cold. Weasel then comes by and notices the frozen solid group of baboons and invites them into his palatial estate. They become rather enamored with Weasel which just makes Baboon jealous when he finds out. He then tries to sabotage Christmas. It has a happy ending, and it’s actually a lot of plot for what is a short cartoon. It’s a solid setup and premise for the show, it’s problem is it’s just not very funny. Maybe I’ve aged out of this era of visually loud humor, but I didn’t really laugh. If you have fond memories of this or Cow and Chicken then maybe you’ll get more out of it.

And that does it for today’s entries. Tomorrow, we take a break from the countdown to spotlight a forgotten Christmas special. I think it’s a bit of a crowd favorite, but maybe the winds have changed for it over the years and I’m mistaken. Or it’s just become properly rated since we are talking about entry #169. What is it? Well, you’ll have to come back tomorrow and find out. Unless you’re not reading this on December 4, 2025. In that case, you can just click the little button for the next entry. I hope you were surprised!

Can’t wait until tomorrow for more Christmas? Check out what we had to say last year on this day and beyond:

Dec. 4 – Doug – “Doug’s Secret Christmas”

Last year, I made an effort to get to a lot of the Nicktoons that I had yet to cover. My initial thinking when I started doing this Christmas blog was to try and avoid the specials that had been covered in depth many times over. Then I realized that, hey, if you want to…

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Dec. 4 – Doug – “Doug’s Christmas Story”

Last year, we covered in depth the inaugural Christmas episodes of Rugrats and The Ren & Stimpy Show, two of the three original Nicktoons that premiered in 1991. Now, we’re going to look at the Christmas episode for the other original Nicktoon: Doug. Doug was created by Jim Jinkins and was one of the first…

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Dec. 4 – The Pups’ Christmas

Hugh Harman and Rudolf Ising were among the first stars of cartoon creation to burst onto the scene. Together, the duo would work for Disney, Warner, and MGM (among others) creating and overseeing some of animation’s most memorable characters from the golden age. After working with Leon Schlesinger’s studio to produce Looney Tunes shorts, the…

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Dec. 16 – Ace Ventura: Pet Detective – “The Reindeer Hunter”

Original air date December 9, 1995

The year 1994 feels like it belonged to Jim Carrey. Prior to ’94, Carrey was just another actor trying to make his way through Hollywood. He did some stand-up and even starred in a film, but he had yet to really make it. After being cast on the sketch comedy series In Loving Color, Carrey’s status began to rise. He stole the show, and soon found himself entertaining roles from Hollywood. His first big hit, arriving in February of 1994, was Ace Ventura: Pet Detective. The film was largely nonsensical, but the role of Ace Ventura allowed Carrey to basically just do what he did best at the time: act like a screwball cartoon character. There wasn’t much separating the character of Ace Ventura from Carrey’s stand-up or even his characters from In Living Color, such as Fire Marshall Bill. While the film wasn’t exactly a hit with the critics, it was at the box office and Carrey soon found himself among the ranks of the Hollywood A-Listers.

Following Ace Ventura, came The Mask in July and then Dumb and Dumber closed out the Year of Carrey in December of 1994. For Carrey, he began the year as a budding comedian on television and finished it as a big-shot. A sequel for Ace Ventura was fast-tracked for release in 1995 and it too performed well. Though by the time the credits rolled on the sequel, Carrey was likely priced-out of any future sequels for the franchise, just as he was for The Mask.

Whenever a film is a hit, studios naturally look to extract as much money as possible from it. With an Ace Ventura 3 starring Carrey unlikely, Warner Bros. turned to television writer Duane Capizzi to craft a cartoon series based on the character. When a film makes the jump from the big screen to the small screen, there’s always a risk audiences will reject it. Especially when we’re talking about a character like Ace Ventura who was basically just Jim Carrey. Will audiences accept what is essentially a caricature? It’s an important question to ask since there’s virtually no chance of an actor of Carrey’s stature coming with the project, and Ace Ventura: Pet Detective the animated series was no exception. Still, the mere subject of a pet detective leading a wacky cartoon has some promise. Kids like animals and comedy, so perhaps it had a chance? CBS was certainly banking on that when it committed to 13 episodes for the fall 1995 television series and the show did well enough to return for another 13 episodes in 1996. Following that though, CBS apparently lost interest and the Saturday morning block was waning. The show did find new life on Nickelodeon with 15 new episodes produced to air in 1999-2000, along with the returning 26 episodes previously aired. In that sense, the show was a modest success it would seem, though it did fail to get to that magical syndication number of 65 episodes.

The show forgoes opening credits and gets straight to it. Oh, joy.

For the show’s very first episode, it turned to Christmas. This is not unprecedented as the most famous cartoon series ever, The Simpsons, did the same thing. In the case of that more illustrious show, it premiered with the Christmas episode because the show’s first episode was rejected due to how it had been animated. The Christmas episode was ready, and it was also December. It basically had to air on time, so the decision was made to delay the official series premiere to January and air the Christmas episode as a “Sneak Peek” in December of 1989. Fox would repeat the trick with Life with Louie years later. As far as I know, this particular episode of Ace Ventura, “The Reindeer Hunter,” is the first episode in production order. It doesn’t feel like a series premiere though, so it wouldn’t shock me if it wasn’t. It premiered on December 9, 1995 with the second episode not airing until January 20, 1996. I suppose I could have watched that episode to see if it operated like more of a series introduction, but I really don’t want to. And you’ll soon see why.

The cartoon version of Ace Ventura is basically no different from his film counterpart, save for the fact that he’s voiced by Michael Daingerfield (then credited as Michael Hall), a fellow Canadian as well. His voice wouldn’t be confused for Carrey’s, but he seems to have the timing and inflections down. Expect to hear plenty of “All-righty-then” from him. Ace is still a pet detective and he’s joined by his monkey, Spike (Richard Binsley). For this premiere episode, Ace has to take a very important case for someone has abducted perhaps the most famous pets of all: Santa’s reindeer!

This one gets right to the Santa-moon shot, only with a crescent moon instead of a full moon.

The episode begins with a cheery Santa up at the North Pole preparing for Christmas. The image pans out and we see this was just a television. Soon, the real Santa passes overhead and soars past the rare Christmas Eve crescent moon to land on a nearby building. This isn’t exactly an idyllic Christmas image as we’re in hot, sticky, Miami and Santa expresses his displeasure at that almost immediately upon exiting his sleigh. He’s an appropriately chunky Santa, though his reindeer are a bit on the ugly side. It’s sort of in-line with a lot of post Ren & Stimpy cartoons looking to be a bit on the ugly side as the heads of the reindeer are quite triangular with ugly teeth jutting out of their mouth.

Someone wants to abduct these ugly-ass reindeer.

As Santa squeezes his bulbous form down the chimney, a shadow appears over the reindeer. A large figure tosses a sack over them and we smash-cut to the episode’s title card. We’re then introduced to the hero of the show: Ace Ventura. He’s in his apartment and he’s apparently cranked the air conditioner as he has penguins joining him as he’s seated on the couch with his monkey, Spike. It’s so cold in the apartment that there is actually snow falling from the ceiling.

An uncommon sight for Miami, though really, an uncommon sight inside any apartment.

Ace is called upon to answer the door and it’s the building superintendent, Mr. Schickadance (Vince Corazza). He has a problem with the snow, which is something a good super would have concern with. He apparently lives next door as he gestures to his wall which is covered with ice. Ace points out that there’s no “No Snow” designation on the sign for the complex as there is with a “No Pets” (though he has pets, so he obviously wouldn’t feel beholden to such a proclamation anyway). In short: the snow stays.

Old Santa apparently keeps Ace on the speed dial for just such an occasion.

Ace then receives a phone call and he’s skeptical of its source. The gentleman on the other end is claiming to be Santa Claus, so Ace tests him by asking him what he got for Christmas last year. Santa “aces” the quiz as he brought Ace a salon chair for crafting his unique hairstyle. With that out of the way, Ace hears him out. Turns out, Santa’s reindeer have gone missing in Miami and he needs Ace to help him find the reindeer. Surprisingly, the timing of this whole thing isn’t played up as much as it could be considering it’s Christmas Eve. You would think one little hang-up would really throw Santa off schedule, and this is hardly a little hang-up.

Cheeky.

Ace agrees to meet with Santa so he heads out to his car with Spike at his side. There we see that his license plated reads “Pet Dick,” and while I understand that dick is another name for detective, I’m still surprised CBS let the show get away with that. Mr. Schickadance is outside as well changing the sign to read to “No Snow. ” He’s on a ladder, so you can probably guess what happens next as Ace drives away…

Don’t worry, kids, we got Ace on the case!

Ace joins Santa at the scene of the crime. Finding no clues, he begins questioning Santa in order to deduce a motive. He asks him who might hate his guts, and Santa seems rather shocked at the mere suggestion someone might dislike him. Ace asks him to produce his naughty list and is then dismayed when he unfurls it and it’s long enough to roll off the side of the building and continue on down the street. He hands Santa the keys to his apartment, noting this investigation could take a while, and then starts with the top name on the list, a certain Akak the Clown.

A good, sneaking, disguise at Christmas time, I suppose.

Akak is apparently the clown mascot of a local burger joint. Ace spots him leaving his restaurant with a bag of food. Declaring they need disguises, Ace emerges from a costume shop dressed as a snowman and stalks Akak through the streets. When the clown removes a large sack from the back of his trunk, Ace pounces on him only to find the bag filled with toys. He then rules Akak out, and proceeds down the list. A sequence of slamming doors is then presented as Ace apparently finds no leads. He them enters a museum looking for a Larry Asta…something. He’s dismayed to find he’s not out of the “A’s” yet, but does find this Larry fellow in the midst of a heist. Pointing his carrot nose like a gun and doing an Al Capone impression, he holds the crook up and demands answers. It would seem there’s a big caper going down tonight, but it’s not related to any reindeer. When Ace asks where they are, the crook is dumb-founded, but suggests he asks the shady looking guys on the roof across the street who are about to get into a getaway chopper.

The monkey is definitely the smartest one.

Ace races over to the roof of the department store and finds three dudes placing a sack into a helicopter. One is kind of green and monstrous looking, another is your typical giant lug, and the third looks like a little scientist type. Ace demands they cease what they’re doing, but they disregard him. As they take-off, Ace grabs onto the lab coat of the science guy. The thug simply pulls the little man into the copter, while letting him out of his coat, causing Ace to plummet to what should be his death. Rather he lands atop a giant Christmas tree, which was on the roof of the building, which then bends causing him to land on the roof of a police cruiser below.

It’s at this point I think I’ll be okay with them killing off the star 8 minutes into the series.

There Ace is confronted by Officer Emilio (Bruce Tubbe) and Sargent Aguado (Al Waxman). They know Ace from around town and aren’t exactly happy to see him. Emilio helps him up and when Ace tells them to put out an “APB” for a helicopter, Aguado laughs at him and taunts him with, “Why? Have Santa’s reindeer been kidnapped?!” between laughs. When Ace confirms that’s exactly what happened, it doesn’t change the situation. Emilio actually tries to tell him when he talks crazy it makes it harder for him to be of any assistance, and Ace responds by talking through his butt. The two officers have a function to attend that night and they drive off with the giant star still lodged in their car leaving Ace alone with his piece of evidence. Ace then notices the lab coat has the unmistakable odor of lady’s perfume on it, so he runs into the department store to conduct some research.

This is Ace Ventura, so expect some ass-play.

At the cosmetics counter, Ace sprays various perfumes in his face trying to find the right fragrance. All the while, a female clerk tries to warn him against perfume overdose, apparently a thing. Ace doesn’t listen and ends up passing out. A doctor has to come help revive him, and when he awakens he notices a display with an unusual looking woman holding a perfume bottle. It’s the fragrance he’s looking for! The clerk is able to tell him that the woman is Atrocia Odora (Pam Hyatt) and it turns out her factory is in town.

That’s no reindeer!

Ace heads over to the Odora plant and finds the helicopter from earlier on the roof. Spike gets to work sabotaging the chopper so it can’t be utilized as an escape route later, which is far smarter a plan than I would have expected of Ace. He then enters the factory from the roof and finds a big, white, sheet with “No Peeking” printed on it draped over a cage. Thinking this is where the reindeer are, Ace triumphantly removes it only to find an albino alligator roaring at him. The goons from earlier then spot him and are surprised he survived the fall. As Ace goes into some posing routine explaining his death-defying prowess, the big guy does a butt stomp on him. With Ace subdued, the green guy puts on a Santa outfit to go alert the boss.

The villain of the episode (series?), Atrocia Odora.

As the fake Santa enters another room, we see it’s a police officer function hosted by Odora herself. Disguised as Santa, the little guy is able to get over to Odora to alert her of what’s happening in the factory. She excuses herself to go check things out. Inside, Ace has been freed from the large buttocks and is using his karate maneuvers on the big guy, to no effect, while Spike is harassing the scientist guy. Once Odora enters the big guys retrains Ace in a more conventional manner than before by simply grabbing his arms.

Odora immediately notices the various odors on Ace’s shirt and warns him about the dangers of mixing fragrances noting he smells “louder than his shirt.” Ace demands to know where the missing reindeer are, but Odora instructs her men to dispose of him. As she walks away, Ace declares he knows her type and that she is eager to reveal her sinister plan. She deadpans it doesn’t bother her and continues out the door. Ace counts down aloud from 3, and she enters on 1 declaring that she does indeed need to tell him all about it.

That is certainly a sight.

Odora then explains she intends to create a treatment for aging. As she goes into her big, villain, speech, Ace plugs his ears and sings “We Wish You a Merry Christmas” via a sequence of “La’s.” This just enrages and annoys Odora and she has her men restrain him once again. Odora then explains her enemy is aging for as we age things become loose and sag, as she describes the various body parts starting with the face that fall victim to this Ace stops her before she can get past the neck. She then explains that Santa’s reindeer possess the unusual ability to defy gravity and reasons the secret must be in their glands. The professor then wheels in a contraption containing all 8 of Santa’s reindeer. They’re confined with their rear pointing up and a giant syringe is poised above them. It’s pretty kinky, though the reindeer do not look like they’re into these kinds of reindeer games.

At least Spike is enjoying himself.

Odora leaves Ace with an explanation about a death trap she has laid for him as she heads back to the party. As she does though, Spike hitches a ride on the back of her blazer while the goons drag Ace off to certain death. As they do, he reveals to them, out of a sense of moral obligation, that his monkey has escaped and is undoubtedly seeking help. We then cut to Spike at the party stuffing his face with food.

I really don’t like Ace’s character model.

Ace is then dragged away, all the while pleading, and in the process he opens the cage of the albino alligator. The ornery, and surprisingly bipedal, reptile chases the two goons up onto a giant chemical vat. Ace dusts himself off and informs the crooks this is what happens when you mess with him, mistaking the alligator for an ally. It then takes note of him and starts chasing him around the factory forcing Ace to exit into the party. Seeing all of the police in one place, he gets the sensible idea to inform them what’s going on in the other room. When Ace reveals that Odora should be arrested for abducting Santa’s reindeer, the suggestion is met with laughter.

At Ace’s apartment, we check-in with Santa to find him watching TV while one of Ace’s penguins searches for food in his beard. While channel-surfing, Santa stumbles onto apparent live coverage of the function and Ace pleading with the cops to arrest Odora. They’re not taking him seriously, and Emilio tries to reason with Ace by letting him know he’s not helping his cause. Ace then decides they’d probably like to arrest him, and he goads them into doing so while Aguado shouts “he’s disturbing the peace! Arrest him!” As Ace runs off, it’s clear he intends to lead the pursuing officers into the factory. Odora catches wind of the plan and counters in a fiendishly clever way: the dessert tray!

Never fear, Santa is here!

Ace races over to the captive reindeer, but all of the officers have abandoned the chase in pursuit of something sweet. The two other goons have also somehow returned the alligator to his cage, and the third goon still dressed as Santa re-enters the room. With Ace surrounded, it looks like his goose is cooked, but here comes Santa Claus! He swoops in like Tarzan to take out the impostor Santa, then turns his attention to the big guy. He takes him out with a series of kicks, leaving the professor for Ace. He yanks off the little guy’s glasses, and since this is a cartoon, this renders him blind.

Ace living out every kid’s fantasy.

With that guy out of the way, Ace is able to free the reindeer and not a moment too soon as they were about to be “penetrated” by the giant needles. The impostor Santa grabs one of the giant needles and charges towards Ace, but he’s saved by the reindeer. Flying high in the factory, Ace notices the fake Santa has turned his attention to the real Santa. As he charges Santa, Ace swoops in on his reindeer and crashes into him causing the needle to stab into the machinery. This apparently causes an overload of some kind, and the goons beat a hasty retreat.

That’s unfortunate.

Or they would, if it not for the fact that their helicopter was sabotaged! As Ace compliments Santa on his fighting prowess, the copter explodes and the three goons fall from the sky. They land right on Mr. Schickadance, who was still hanging from his sign after Ace took out his ladder. Santa then bids Ace farewell with an uncharacteristic “Heigh-ho, reindeer away!” He thanks Ace, and Ace responds with a “Wait until you see my bill!” He then remembers Spike is still in the building, and he’s been eating this whole time and apparently it’s caught up to him as he gets sick all over Odora’s lap.

I’m surprised we had to wait until the final act for a vomit gag.

Ace stops in front of the giant Odora #5 tank to declare it’s about to blow in a comedic fashion. He then heads into the party to pass this warning on to the police inside, though he’s more interested in making puns. He warns Aguado he’s about to receive a white Christmas as the whole thing blows up covering everyone in white cream. It also frees the rare, albino, alligator which was likely stolen from somewhere and is enough to get Odora arrested.

Ever see an albino alligator covered in cosmetics?

We then catch-up with Ace on the beach as his skin is now bone white. He needs to catch some rays in order to return his skin to some form of normal, and he has Santa along beside him. Ace gives Santa a Christmas present and it’s a shirt just like Ace’s to go along with Santa’s new hairstyle, which Ace reveals by yanking off Santa’s hat. Apparently Santa has co-opted Ace’s signature ‘do, and he goes into a nervous, stammering, explanation as the episode ends.

Now that’s a Miami Christmas.

And that is how Ace Ventura rescued Santa’s reindeer and saved Christmas! All in all, it was mostly what I expected. For better or worse, the Ace Ventura presented here is true to its big screen counterpart. He’s constantly rambling, sometimes its nonsensical, but mostly it’s surprisingly lucid. He’s a far more capable detective, I mean dick, than expected despite his slightly unorthodox approach. It’s a solid premise to incorporate Christmas into the show, and I suppose it was entertaining to kids who liked the films. For me, I was definitely ready for it to be over as a little Ace goes a long way.

The character designs did little for me.

Visually the show is rather ugly. It’s at least bright with a fairly robust color palette, but it’s also super basic. No shading or lighting to speak of and the character designs are a bit crude and ugly. There’s nothing really unique about it as even the three bad guys have a very bland look to them. The voice cast is serviceable, and I think Daingerfield does a good job with what he has, but none of the other cast members do much to stand out. I did like Pam Hyatt’s performance as Odora. And that’s a fun name for a villain too: Atrocia Odora. She has a little Cruella in her and it’s not very subtle.

I think Ace Ventura is just a character you either love or hate, with little room for in-between.

Given all of that, it’s not at all surprising that the cartoon version of Ace Ventura is rarely referenced. The show basically came and went, airing in the waning days of the CBS Saturday Morning before heading to cable to die. I am rather surprised it ever made it to a major network, but that was the power of Jim Carrey in the mid-90s, even if he had nothing to do with the cartoon. This one feels more like a USA show. Regardless, if you like the movies then there’s a reasonably good chance you’ll like this portrayal. And if you want to view it, you’ll probably have to track down a DVD or pay for a streaming option. It’s not terribly expensive, but I also wouldn’t really call it worth it either.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

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