Tag Archives: ren

Dec. 13 – The Ren & Stimpy Show – “Son of Stimpy/Stimpy’s First Fart”

Original air date December 19, 1992.

The Ren & Stimpy Show burst onto the scene as part of the original trio of Nicktoons in 1991. The other two, Doug and Rugrats, were fairly gentle cartoons. Rugrats could sometimes get a little blue since the main characters were all babies, but the occasional poop joke was hardly something to get offended by. The Ren & Stimpy Show, on the other hand, was far more crass. It felt like a throwback to the days of Bob Clampett and Tex Avery with its manic pacing and outrageous character animations. It also had its own flair in the form of gross, disgusting, humor. It’s hard to imagine another cartoon in the 90s being more influential on what followed in the world of animation than The Ren & Stimpy Show.

This also came with its own set of problems. Certainly, Nickelodeon had to deal with more letters and phone calls regarding the show’s content than it did probably any other show on its network, but it also had to deal with series creator John Kricfalusi, or John K. The less said about him the better, but suffice to say he was very much a demanding boss and a bit of a perfectionist when it came to the show. This meant the show frequently missed deadlines and John K. also frequently ignored suggestions, or mandates, from the network when things got too risqué. I’m all for standing up for your artwork, but John K. agreed to make a show for kids and there’s some battles worth fighting and some that are not. There’s also been plenty of other things shared about him over the years that are not very kind that I don’t want to get into. At the end of the day, I do think he is a talented cartoonist and without his talents The Ren & Stimpy Show likely wouldn’t be what it was, but there were also lots of other talented people involved in the show’s production and without the likes of some of them the show also wouldn’t be what it is.

This very episode captures some of the dance the creators and Nickelodeon entered into with seemingly every episode of the show. The network wanted something heartwarming, I’m not sure if it necessarily wanted a Christmas episode, and John K. was willing to give them one so long as it was done his way. Hence why we have an episode about a fart. The original title is just “Stimpy’s First Fart,” but the network changed it to “Son of Stimpy.” Television networks have long had an adversarial relationship with the word “fart.” I don’t know why, but it is a thing and that’s why it still surprises me to this day that Salute Your Shorts got to have the word appear in every episode via the opening song. In this case though, I think the network was right as the “Son of Stimpy” title is a bit more mysterious and helps the fart joke land a little better.

“Son of Stimpy” is the first Christmas episode from the show and has the distinction of being done with digital ink and paint. Most of the show was animated with traditional ink and paint, but maybe the Christmas deadline forced the show to move a bit faster. The show was also transitioning from Spumco to Games Animation and that is said to have played a role. The content of the episode actually did not please Nickelodeon so it first premiered on MTV instead. It would eventually be run on Nick, but sometimes in an edited state. I can remember catching the first broadcast purely by accident. I was channel surfing in my bedroom and found it on MTV. I was super surprised to see an episode of the show I had never seen airing on the network and I was so excited that I recall telling my mom right away (who probably didn’t care). And it was a Christmas episode too! The episode also uses the full running time to tell its story without any other inserts, another rarity for the show, and contains several callbacks to the first episode either deliberately or to save time.

That was a juicy one.

This episode begins with an exterior shot of a house inhabited by Ren and Stimpy. A voiceover, John K., tells the audience that this is a story they just made up. Inside, Stimpy (Billy West) is watching TV and the sound effects sound exactly like the ones coming from the TV of the very first episode. He’s motionless except for his eyes dancing around as they take-in some cartoons. Then we get a shot of Stimpy’s butt and it’s done as a still image so it’s rather lovingly painted. Stimpy has a nice, well-rounded, set of buttocks in this episode to likely make them appear inviting, which is important to the plot (trust me). We then hear a noise, a gurgling kind of noise, and Stimpy looks at his butt with some confusion. The still image of the butt returns only now the image is shaking as a rumbling is taking place which leads to a very satisfying fart sound. It has a lot of bass and as far as fake farts go it’s quite lovely! It’s followed by the sound of a balloon letting out air as Stimpy looks satisfied and a puff of greenish-brown smoke emerges and then disappears. Some ominous “Dun! Dun! Duuuuun!” music plays as we get another shot of the the butt, this time with some skid marks added to the floor. Stimpy notices an odor in the air and is soon running in place calling for Ren.

There’s a pretty clear juxtaposition being portrayed between Ren and Stimpy here.

In another part of the house, Ren (John K.) is seated in a lounge chair in a bathrobe and fez hat reading from a book. The juxtaposition of the naked, cartoon-watching, farter and this very dignified Ren is obvious. Stimpy excitedly tells him in a quiet voice that something happened while he was watching TV. Ren can’t even begin to act like he cares, but he asks Stimpy what happened. Stimpy proceeds to tell him that something came out of his butt, it made a sound, and it smelled funny. Ren repeats everything Stimpy told him as if he’s gathering an understanding of the situation, then deadpans “You’re an idiot.”

You can’t force these things, Stimpy.

Stimpy is distressed that Ren doesn’t believe him, but then decides to just make another one! He moves into the center of the room and starts trying to push something out of his butt. There’s some groaning and obvious straining as Ren even moves into the danger zone to see what happens, but Stimpy’s butt just ends up deflating. Ren kicks at the remains of Stimpy’s cheeks, then tells him he has an overactive imagination and to leave him out of his stinky fantasies! It’s an interesting approach to the situation as when Stimpy originally approaches Ren we think he’s calling him an idiot for not knowing what a fart is, but now it seems clear that Ren too has never farted. I should point out for you continuity nerds, Stimpy did fart in a previous episode when they were in the bathtub together during “Big Baby Scam,” but this is a show that really has no continuity.

The absurdity of boogers being freaked out by Stimpy talking to farts is not lost on me.

As Ren leaves Stimpy to his stinky fantasies, Stimpy claims to himself that Stinky is real as he has apparently named his fart now. He then perks up as he declares he’ll find him! Stimpy then walks around the house calling out for Stinky in an operatic voice. He giggles with embarrassment seemingly acknowledging that we’re watching him act a bit silly – it’s cute. He checks in a few places before getting the idea to consult his Magic Nose Goblins he leaves under the bench for the piano. If you’re unfamiliar with the show, Magic Nose Goblins are Stimpy’s boogers. Before this episode, I don’t think they were ever personified, but here Stimpy is able to ask them if they’ve seen Stinky. When they press Stimpy for info on who Stinky is, he describes the fart as he did to Ren. One of the “goblins” figures out what Stimpy is looking for and whispers to the others “He talks to farts,” in a manner that expresses he views this behavior as extremely odd. The other boogers then just tell Stimpy they haven’t seen Stinky as they seem eager to get rid of him now. He leaves, but in doing so sits up and slams his face into the underside of the bench seemingly killing his booger buddies by mistake.

It’s not often we can say this, but here Ren does mean well.

Unable to find Stinky, Stimpy slips into a depression. He’s just seated in a darkened room as Ren tries to cheer him up. He pulls out a TV Guide-like magazine and reads off some of the programs Stimpy usually likes only for Stimpy to reply sullenly with an “I don’t care.” This setup is very similar to how the Commander Hoek and Cadet Stimpy cartoons begin, only Stimpy doesn’t get excited about that show or Muddy Mudskipper. Stimpy and Ren’s eyes then well with tears as their mouths quiver with sadness. Ren emotes frustration, and even anger, to the camera, but approaches Stimpy in calm, measured, tones about snapping out of this funk. We find out he’s been moping for 3 years now, which is certainly a long time to miss a fart.

The poor guy just wants his fart back, how can you not relate?!

Ren then dangles a new catnip mouse for Stimpy who makes an “Ehhh,” sound of annoyance that’s amusing to me because he sounds like future Billy West character Zap Brannigan. Ren tries cheering him up by jumping into his litter box and encourages him to drop a big, stinky, one into it. Hearing the word “stinky” causes Stimpy’s eyes to fill with tears again as he says “Stinky” in a longing tone. He then wails and starts sobbing forcing Ren to march over angrily. “So that’s it, you’re still crying about your imaginary butt stinkiness!” Stimpy insists in sad tones that Stinky is real and Ren tries, once more, to be supportive. He tells him he needs to get over this fantasy and says he’ll help him and that they can do it together, but Stimpy just replies once more with “I don’t care.” That’s the last straw for Ren, who has been uncharacteristically supportive and understanding throughout the scene. He stamps his feet and shouts at Stimpy. He tries to muster up one of his usual go-to insults for the cat, but he’s basically choked with anger and can just get out “stupid” over and over. Declaring “Who needs you!” he storms off leaving Stimpy alone and sad.

It’s oddly inviting.

It’s nighttime. Stimpy is laying wide awake in bed staring at the ceiling while Ren is on the other side asleep, his back towards Stimpy, with a smile on his face (this brief shot of Ren is cut from the DVD release, presumably because the DVD uses the Spike TV tapes which probably cut it for time). We move to a close-up of Stimpy’s eyes which once again fill with tears. He lets out a sigh and rolls over giving us a nice shot of his round buttocks covered in a purple blanket. The camera pans over to the window where someone is watching. It’s Stinky! He’s a brownish puff of gas with a face and arms. He’s looking through the window with longing and the camera zooms in on Stimpy’s sparkling butt cheeks. Opera-style chanting fills the soundtrack and Stinky looks so very sad. He lowers his head and drifts away as the snow begins to fall.

Ren’s trying everything to get Stimpy “in the mood.”

We cut to Stimpy in the doorway of the house calling out for Stinky. He has a scarf wrapped around his head and his face and hands are blue from the cold. Ren comes out to urge him to come inside. He says that Stimpy has been out there for months and tells him to come help him with the tree, our first hint at Christmas. Ren suggests he can string the dingleberry garland (gross), but Stimpy gives his “ehh” response again and Ren switches tactics by pointing out the mistletoe over their heads. He leans into Stimpy with a flirty, expectant, expression which might be the pair’s most gay portrayal up to this point in the series. Stimpy doesn’t react at first, and then his eyes widen with surprise. Did Ren maybe touch a sensitive area? Stimpy then explodes at Ren, “Gosh darnit, Ren! Is that all you can think of?!” He lectures Ren further saying that Stinky is lost out in the cold and finishes with a “He needs me.” And Stimpy leaves Ren, who cries for Stimpy to come back, but is ignored. Falling to his knees, he utters a prayer for Stimpy telling a higher power he can hold off on the pectoral muscle implants he presumably prays for usually, just bring Stimpy home!

It certainly would be a festive place for a fart to live at Christmas.

We’re then taken to The Naked City. Stimpy is roaming the streets calling out for Stinky in the dark and cold as the snow continues to pile up. We get a shot of Stimpy’s feet sporting crude shoes as he walks through the snow. A Santa on a street corner cries out “Ho ho ho,” as he rings a bell looking for donations. The cadence of his call changes abruptly like he stepped on something, or maybe someone placed a cold hand where he wasn’t expecting. We then see that Stimpy is behind him checking the fat man’s buttocks for Stinky, but finding nothing, he walks off.

This won’t end well.

Stimpy’s feet are shown again only now his shoes have been worn revealing purplish feet, one toe has a nail sticking out of it. Stimpy has posted signs reading “Have You Smelled Me?” with an image of Stinky on it, which is odd since he never really saw him. We cut back to his feet, now blocks of ice, as he continues his search. He tries filing a missing persons report at a police station, but the cop just throws him out. He smashes into a brick wall, but the scent of something stinky wakes him (this sequence is missing from the Paramount+ version). We see him again clawing his way down the sidewalk towards the smell, but it’s just a manure salesman (Mr. Horse) and Stimpy drops to the ground. A car parks on his head for good measure, and then lo and behold, Stinky shows up! He takes a seat on Stimpy’s ass and wishes he never left home, but Stimpy doesn’t hear or smell him since he, you know, has a truck parked on his head.

It’s tough being a fart.

Stinky then moves on and squeezes in between two guys seated on the ground sleeping back-to-back. One is just in a coat and underwear and they’re clearly meant to be un-housed individuals. One of them notices the stench of Stinky first, then the other who cries out for someone to light a match. They both stand up and start waving a lit match and poor Stinky is terrified. He lets out a tiny scream and is forced to flee to a sewer as the two men give chase.

There’s a lot of sad crying in this episode.

Back at the house, Ren is singing “We Wish You a Merry Christmas” through tears as he digs out Stimpy’s present from under the tree. He then goes to give it to Stimpy and we see his face, but it turns out it’s just a picture of Stimpy (the DVD version cuts out the tease and jumps straight to the gift next to the picture frame). A ring of the doorbell gets Ren’s attention and on the other side he finds Stimpy, only he’s completely encased in ice. They go into their reunited routine from the very first episode, only Stimpy can’t respond to Ren’s cry of “Pal” because he’s frozen.

It’s our first Christmas miracle.

Ren brings Stimpy into the living room and sets him up by the fire. The ice is gone and Stimpy is shivering in a blanket with his feet in a bucket of hot water. Ren has decorated for Christmas and he’s done a rather admirable job as he looks on Stimpy with glee in his eyes. He tells Stimpy to relax and kisses his forehead as Stimpy’s tongue pops out of the blanket. A ring of the doorbell causes Ren to leave and, at first, it looks like no one’s there. Then a familiar odor wafts into Ren’s nostrils. At first he’s repulsed, but then smiles as he reaches down off camera for something.

Take a big whiff, Stimpy.

Ren returns to the living room to tell Stimpy he has a visitor. Stimpy responds with his now customary “I don’t care,” forcing Ren to thrust his finger under his nose. As he sniffs Ren’s finger, a look of recognition crosses his eyes. The brown cloud then appears and Stimpy is on his feet crying out in joy “Stinky!” Stinky returns the cry with a “Dad!” and the two embrace to some uplifting music the show is returning to from the first episode, only the embrace is punctuated with a fart sound.

The moment we’ve been waiting for?

Stimpy, through happy sobs, declares that now he and Stinky can be together forever. Stinky’s face hardens and he pulls away from his father’s embrace to tell him, “No, dad, we can’t.” He explains that he’s a man now, and a man has needs, but when he asks Stimpy if he understands the cat just angrily shakes his head “No.” Stinky then gets an idea and tells him to wait here. He goes to the door and opens it and tells Stimpy he wants him to meet his fiancé: Cora.

She’s quite a…catch.

The bride to be is a rotting, mostly decomposed, fish. Stimpy takes one look at her though and declares her beautiful as the fart and garbage embrace, I guess. Ren and Stimpy embrace too and cry out “Memories!” We cut to a wedding, where Stimpy is marrying Stinky to his fish bride. For the first time, he uses the word fart when addressing Stinky so at some point he learned what he is. The two kiss, then head inside Ren’s nose for their honeymoon hanging a “Do Not Disturb” sign on the door that suddenly appeared on Ren’s nostril. The camera pans out and Ren looks pretty unhappy about this arrangement, as Stimpy tosses cat litter at his face in place of rice and tells the camera that he just loves happy endings!

“I now pronounce you fart and wife!”

And that’s the end! Nick wanted a heartwarming tale and it got one, albeit a subversive one that only could come from The Ren & Stimpy Show. Stimpy searches for his missing son so the two can be reunited for Christmas. It sounds like a nice and pretty standard holiday premise when you ignore that his son is a literal fart. It’s a bizarre and crazy premise that really puts Stimpy’s stupidity on full display. I suppose, in a sense, it’s funny to think about how we create and pass gas that vanishes quickly and for an idiot like Stimpy he might not comprehend that. Mostly, it feels like a challenge from the show to see if the audience can be moved to feel empathy for an actual fart and the one who dealt it.

A fart is having sex with the corpse of a fish in Ren’s nose right now. That’s a lot to process.

As is customary for the show, there’s tons of visual gags and gross images. There’s numerous shots of nice, round, butts that do look inviting given the cold climate throughout. The show almost made me want to climb in between those two gentlemen in the alley as Stinky did, but not quite. Ren and Stimpy’s relationship is also really interesting here. Ren is shown to be far more understanding and permissive of Stimpy’s depression when normally he’d just lash out with anger. He eventually gets there to a point, but it’s actually depicted rather well as it’s very easy to grow frustrated when trying to talk someone out of a funk. We all try our best not to act like Ren did in the end, but it can be trying. And then we have the obvious romance angle. The show flirts with that here and there before and after this episode, but the depiction of the pair under the mistletoe is definitely the most obvious call out to the two being a romantic couple that we’ve ever seen. Of course, the sequel show would make that plainly obvious to mostly disastrous results. Don’t confuse me for saying Ren and Stimpy being out of the closet is disastrous, that show just happens to be not funny and isn’t worth watching. The fact that it isn’t cut from the episode is rather brave on the part of Nickelodeon considering this debuted in 1992. Not on Nickelodeon, but that’s even pretty brave for MTV. And it would eventually jump to the kid’s network.

Watching Stimpy suffer is not really a whole lot fun, but then he’s also suffering because he misses his fart. It’s hard to know how one should feel, but I think that’s the point.

Ultimately, this episode leans so far into telling it straight that it’s not as funny as it perhaps could be. There are funny moments, for sure. Stimpy describing a fart without knowing what one is works as probably the best scene in the whole episode. The dismissive nature of his booger friends and some of the closeups definitely warrant a laugh. After that though, once Stimpy slips into depression, it’s fairly short on laughs and is really committed to telling this sad story that ultimately has a happy ending. Only I don’t think it succeeds in actually getting the viewer to care about Stinky. I think I identify more with Ren’s frustrations than Stimpy’s depression, which is probably not what the episode wants. Though I do think that aspect of it exists because the staff must have known there would be viewers like me and at least we have something to latch onto via Ren. Because of that, I never know how to feel when this one ends. Am I happy for Stimpy? For Stinky? I guess. I’m relieved it’s over because I don’t enjoy seeing Stimpy suffer like this, but the payoff isn’t there. I think if this one wasn’t as long as it is then it would work better because at some point it just feels sadistic with how it treats Stimpy. Stimpy is a character easy to laugh at when the pain inflicted upon him is physical, but not emotional.

There’s really not a ton of Christmas in this episode, but I think there’s enough.

“Son of Stimpy” is not the only Christmas episode the show created as there is also “A Scooter for Yaskmas.” That one is actually very similar in tone to this one as we basically just see Stimpy suffer, though in that one he creates some of that suffering by desiring a physical object. Both have their moments, but also neither one is a Christmas special I feel required to return to every year. I think others feel differently as “Son of Stimpy” seems to be well-received by the fanbase, so what do I know? If you want to embark on a journey of father and son reuniting for Christmas then this one is available to stream on Paramount+ and was also released on DVD many moons ago. That set is very easy to acquire and contains some classic episodes so even if your response to this episode is tepid like mine that DVD is still a worthwhile purchase. Unfortunately, both versions are edited to some degree. The one on Paramount+ omits the sequence where Stimpy enters the police precinct and gets thrown out, while the DVD version cuts out a shot of Ren sleeping in the bed and his giving a gift to a picture of Stimpy. For the DVD, I think both edits were just made for time as the source video is from Spike TV and their broadcast. With Paramount+, I think their version is the one Nickelodeon aired which apparently didn’t like featuring a cop assaulting Stimpy. Given the two choices, the DVD version is superior, but it continues to be frustrating how hard it is to find truly uncut episodes of The Ren & Stimpy Show.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 13 – Bob’s Burgers – “The Bleakening: Part 2”

Well fellow cartoon Christmas enthusiasts, we’re in a new and interesting place today. We’re coming in for the second part of a two-part story we started looking at yesterday. In the first part of “The Bleakening,” the Christmas special from Bob’s Burgers which originally aired in 2017, the children of Bob and Linda Belcher were…

Keep reading

Dec. 13 – The 25 Greatest Christmas TV Specials

Five years ago The Christmas Spot did its first advent calendar countdown to Christmas and the theme was “The 25 Greatest Christmas TV Specials.” With that list, my approach wasn’t entirely forthright. I really had a list of 20 specials that I deemed worthy of such an honor and I devoted the back five to…

Keep reading

Dec. 13 – How to Grinch

Christmas has a number of characters that instantly come to mind at the mere mention of the holiday. The big man, good old S. Claus, is likely number one. Whether you know him as Father Christmas, Saint Nicholas, or something else, Santa Claus has dominated the holiday for decades now. Other characters commonly associated with…

Keep reading

Dec. 19 – The Ren & Stimpy Show: A Scooter for Yaksmas

Untitled

Original air date December 16, 1996

The Ren & Stimpy Show seemed to delight in being absurd and perverse. It’s then no surprise that it’s two Christmas specials center around farts and a drunk who delivers pre-chewed gum and sausage. “A Scooter for Yaksmas” is from the Bob Camp era of the show and is the final episode to premiere on Nickelodeon. As the title implies, this is a parody of Christmas and not a true Christmas episode, but it counts for the purposes of this countdown. It’s also a call-back to an earlier filler short of Yak Shaving Day from the show in which a yak pilots a canoe through the night air and enters the home of children to shave. And it’s also a re-debut of sorts for Stinky Whizzleteats, the singer of “Happy, Happy, Joy, Joy.” As we shall see in this episode, the concept of Yaksmas has been expanded to more closely resemble Christmas.

04

The object of Stimpy’s desires.

The episode opens with Stimpy working at the Cobbco factory making tongue depressors, or popsicle sticks if you prefer. He uses an absurd amount of wood to create just one stick, then discards it when it contains a crack into a comically high pile of rejected sticks. When the whistle blows he happily races to payroll where he is paid in popsicle sticks and gets a bonus half a stick (in addition to his usual one) for Yaksmas. As he giddily leaves work he admires the Yaksmas decor and seasonal traits:  soot in the air, children building soot-men, a street vendor selling roasted rubber bands. I’m not sure if this is supposed to just be seen as weird and the opposite of Christmas or if it’s a commentary on factory life in middle America and how those once wrecked the local ecosystem. It’s probably the first one.

perfect__by_anycartoonrp_stimpy-d6y1onm

He really wants that scooter.

Before heading home, Stimpy stops at a store window to gaze longingly at a scooter. He promises the scooter that they will soon be together before heading home. There he covers the house in obvious hints for his pal Ren that he wants a scooter for Yaksmas. He lays a note across the toilet seat, puts up neon signs, and even wears a giant one on his head when he sits across from Ren at dinner. Ren doesn’t acknowledge the “hints” and even emerges from the bathroom with the sign stuck to his butt. Stimpy does not appear phased or disheartened in the least, being the eternal optimist. He tells Ren they need to get ready for bed or else Stinky Whizzleteats won’t visit their house and leave them sausage and pre-chewed gum. Getting ready includes making the house valuables easily accessible, leaving a place for Stinky to pass out on the front lawn, and decorating the Yaksmas stump and hanging long underwear. Ren admonishes Stimpy for being childish, but still lets Stimpy dress him in the appropriate sleeping attire – a bunny costume (Stimpy sleeps beside him in a tuxedo).

tumblr_myf6agDrk81r2detio1_500

The traditional Yaksmas stump.

During the night, Stimpy’s faith is rewarded as the Yak, piloting a magical sausage cart, brings Stinky to the house. Stinky is clearly drunk and vomits more than once. They clear out the fridge of mayonnaise, pickles, and other stuff that shouldn’t be combined with those before passing out on the lawn. Stinky and the Yak deliver though and fill the pair’s underwear with cooked sausage and pre-chewed gum. When morning arrives, Ren and Stimpy giddily bounce down the stairs, landing on their heads as the song commands (this whole sequence is set to music), and enjoy a heaping helping of their goodies. Stimpy suggests they exchange gifts and Ren agrees. For Yaksmas, Stimpy gives Ren exactly what he wanted (which he threatened with death) – a jewel-encrusted golden statue of the Queen of England. Ren is delighted and Stimpy is ever eager for his gift. Before Ren can produce it, Stimpy runs off-camera to grab his helmet and straps it on. As he trembles with anticipation Ren produces a box much too small to house a scooter. Stimpy’s demeanor immediately changes, but he’s much too polite to actually say anything mean to Ren. Instead he shakes violently as he opens the box and every soft curve of his body is now a squiggle. Inside the box is another box of popsicle sticks. Stimpy remarks it’s a thoughtful gift, as the background reveals an entire wall in their home lined with the things. He says he needs to step out for some gum, and disappears, Ren is completely oblivious to his friend’s distress. This entire sequence is easily the episode’s highlight in terms of animation as Stimpy’s disappointment, rage, and conscience wage war across his body.

06

The yak and Stinky hard at work.

Stimpy returns to the store window to apologize to the scooter that they are not together. He’s illustrated in a real rough manner and even has nipples and man-boobs briefly. He loses his cool and pounds on the glass in despair, only for it to break and the scooter land in his arms. An elderly woman nearby sees it and immediately accuses Stimpy of thievery. A cop shows up and Stimpy panics, choosing to flee via scooter. The cop and old lady chase after him with the cop remarking that Stimpy will be taken dead or alive for stealing a $39 scooter. This feels depressingly topical right now.

Una-Patineta-Para-Navidad-300x225

Stimpy on the run from the law.

Stimpy is able to escape the lawman and hides out under a bridge with his ill-gotten scooter. He falls asleep and has a nightmare about being caught and forced to sit in an interrogation room. There he’s accused and humiliated by the police, Ren, Stinky, and others. A cop says he stole the scooter he was going to buy for his sick daughter, and commands Stimpy “and now look at her,” and a decrepit looking marionette falls into view. I wonder if this was supposed to be a corpse or something and the censors wouldn’t allow it as it’s pretty weird as-is. I do appreciate how child-like Stimpy is portrayed, and his internal fears seem to be exactly what a kid would fear if in this otherwise implausible situation. Stimpy awakes from his dream in distress, and decides to go seek help from Ren as he’ll know what to do.

hqdefault-21

Ren being Ren.

When Stimpy returns home he sees a news crew and they’re interviewing Ren. Predictably, Ren has turned on his best pal in order for his five minutes of fame in front of the camera. Stimpy is forced to run before anyone sees him and decides he needs to disguise himself if he’s to be a fugitive and dresses in a leopard-print vest and a wig that resembles Moe of the Three Stooges. Now disguised, Stimpy asserts that only one person can help him now:  Stinky Whizzleteats.

While on the run, Stimpy crashes into an oaf. Fearing he killed the poor guy, Stimpy weeps only for the large lad to declare he’s fine. They strike up a quick friendship in which Stimpy convinces the lad he’s a CIA agent that needs to deliver the scooter to Stinky. As the oaf, riding on the handlebars despite his monstrous size, gazes back at Stimpy a wanted poster collides with Stimpy’s face and the image on the poster perfectly aligns with Stimpy’s actual face. He screams and runs off shouting for the police and Stimpy is forced to forge on ahead – alone. As he races on, the front tire blows out on his scooter and Stimpy loses control crashing into a pole. Stimpy arises from the wreck only to see he has crashed into The West Pole Motel! Joy! This is the apparent home of Stinky Whizzleteats, but Stimpy’s joy is turned dark when he sees his beloved stolen scooter in shambles.

Stimpy lovingly gathers the poor scooter into his arms and heads into the motel to find Stinky and his yak passed out inside. He then spies a gift in the corner. Upon closer inspection it bares a tag reading “To: Stimpy, From: Ren.” Stimpy immediately tears the paper off to reveal a brand new scooter! Ren didn’t ignore the pleas of his friend, Stinky simply forgot to deliver it! Then Stimpy turns to his stolen scooter, and assuring it Stinky can fix him, he giddily climbs atop his new scooter and rides off. Just as he leaves, the police show up at the motel smashing into it and find Stinky asleep inside with the stolen scooter.

scooter_by_doctorworm1987-d9yl5ij

All’s well that ends well.

Stimpy and Ren are then shown happily enjoying a scooter ride with Ren’s gigantic statue of the queen. Stimpy remarks he has his new scooter and his good name back and wishes everyone a merry Yaksmas. The yak and Stinky then go screaming past on their busted up scooter and the holes through their bodies imply some police brutality as our special comes to an end.

“A Scooter for Yaksmas” is an incredibly silly parody of Christmas with a little dash of A Christmas Story tossed in for good measure. Stimpy, being a pure-hearted soul, is actually a good protagonist for a Christmas special and even though he spends half of it on the run from the law it’s still nice to see him a bit happier than he was in the previous Christmas special, “Son of Stimpy.” Ren is barely in it, but when he is he serves his role of just being a mostly unkind jerk who takes his friend for granted, but he is some-what redeemed by the end even though he wasn’t at all concerned with the missing gift on Yaksmas morning. The sequence with the oaf feels like padding, I guess the only purpose he serves is to show us that the cops are still on Stimpy’s trail? He knew where Stimpy was heading, not that this show really needs to explain how the cops show up at the motel in the end. The musical number depicting Yaksmas is probably the episode’s highlight. While it isn’t on the same level as “Happy, Happy, Joy, Joy” it’s still pretty entertaining. Speaking of that song, I did appreciate them using Stinky Whizzleteats in the Santa role, as I don’t recall seeing him in-between the debut of his now classic song and this episode. As for low points, the backgrounds in this episode are particularly bare. The show often went minimalist with the backgrounds as a matter of style, but here it seems like they went way too far with that.

tumblr_oj7593r8WQ1w0j5q1o1_500

Oh, God what is that?!

Overall, I’m not sure which of the two Christmas specials I prefer when it comes to The Ren & Stimpy Show. This one is better than I remembered as it aired when I had kind of lost track of the show, though I did see it when it was originally broadcast. “Son of Stimpy” basically plays the story straight with the humor coming from the fact that we’re talking about a lost fart (also named Stinky) trying to get back to the cat that dealt it. This episode is just silly, which might make it more entertaining. If you want to watch either this holiday season, you may have better luck tracking down the DVDs or streaming them. Nickelodeon’s retro block The Splat seems to rarely play The Ren & Stimpy Show, perhaps feeling it’s just too controversial (which seems ridiculous for a late night block that happily plays Rocko’s Modern Life, even if it chooses to censor some of the episodes) so it unfortunately can’t be counted on to play the christmas specials from this show.


#9 Best in TV Animation: The Ren & Stimpy Show

renstimpylogoThe thumping bass line leads into a frantic percussion section punctuated with a quick strike of a guitar and The Ren & Stimpy Show is on! The third and most unique of Nickelodeon’s early 90’s Nicktoons, the show was a throwback to the Golden Era of cartoons embodied by directors such as Chuck Jones and Tex Avery. This was a show for animators, for cartoon lovers, for people that wanted a show to just make them laugh. The process of creating an episode, from start to finish, was handled by one director and just a few writers who bounced ideas off one another. There was no rigid, segmented process where every aspect of the show had to be overseen by a specialist and there was no nefarious merchandizing gimmick turning the program into an extended commercial. The Ren & Stimpy Show simply existed for the love of it.

The early days of Nickeldeon consisted of live-action programming mixed in with educational programming for young children. The animation came from outside sources with the most notable being the Looney Tunes package program featuring classic cartoons. As the network grew, the desire to produce its own cartoons naturally arose and thus the Nicktoons were born. Consisting originally of Doug, Rugrats, and The Ren & Stimpy Show, the block first began airing on Sunday morning in 1991 and were so successful that they ended up being just the first in a long line of cartoons. While Doug and Rugrats were fairly tame in their approach to entertainment, Ren & Stimpy stood out for their crass, gross-out style of humor that would eventually land them on Nick’s late-night block of Saturday night programming and even a handful of MTV appearances.

Ren's rotting teeth, as seen here, are an example of the highly detailed (and often gross) still images the show would make use of.

Ren’s rotting teeth, as seen here, are an example of the highly detailed (and often gross) still images the show would make use of.

Conceived primarily by animator John Kricfalusi, Ren and Stimpy were atypical characters existing in a fairly typical format. They were a natural odd couple, being a dog and cat, but broke the mold in a sense by being rather unappealing to look at. Ren, gangly and liver-spotted, resembled a mosquito more than a chihuahua at times while Stimpy was a cat in name only. Rotund with a big, blue nose, he had no worries of being mistaken for Sylvester or Tom. The show was a half-hour program but mostly consisted of two shorts that would drop Ren and Stimpy into completely new environments with no continuity from one episode to the next. In fact, several episodes ended with the characters in hopeless situations or even implied death

The show’s intention was to make the viewer laugh. There were some bits of sentimentality tossed in to appease the network, but mostly the show wanted to be funny in the most obnoxious way possible. The characters often screamed with Ren in particular prone to violent tirades. Stimpy was the dumb one with a good heart while Ren often abused him both physically and emotionally. The show was able to retain its humor because Ren usually got what was coming to him making the show feel like it earned the laughs that came at Stimpy’s expense. The show often resorted to gross imagery for its humor. Stimpy would frequently cough up a lumpy hairball or show viewers his collection of snot he kept under a coffee table. Kitty littler featured prominently in multiple episodes with characters even eating the stuff right out of the litter box. By far, the show’s most memorable gross gag was the long-running extreme and highly detailed close-up shots of characters. These still images usually depicted characters at their worst with bloodshot eyes and hairy moles. The most memorable may have been when Ren revealed a mouth full of rotting teeth in response to Stimpy’s proper dental hygiene.

Because of its penchant for violence and toilet humor, Kricfalusi often found himself battling with standards and practices at Nickelodeon. One very memorable episode featured the characters playing a board game called “Don’t Wiz on the Electric Fence” climaxing with Ren doing just as the box suggested he not do and all the characters being sent to Hell. Another episode, “Man’s Best Friend,” climaxes with Ren violently beating a man with an oar. The animation goes into slow-motion as Ren strikes the man and his head violently squishes and twists with each strike of the oar. It’s the episode often cited as being the last straw for Kricfalusi, who was fired by Nickelodeon in 1992, barely a year after the first episode aired.

Nickelodeon would turn to co-creator Bob Camp to head up the show for the remainder of its run through 1995. Voice acting dynamo Billy West, originally hired to voice Stimpy, took over as Ren and added to his impressive resume (though one wonders what lasting damage all of the screaming from this show did to his vocal chords). Still, without Kricfalusi the show was doomed. It was still capable of making people laugh at times but it often felt directionless, even pointless.

The background was often used as a tool to heighten the emotion and intensity of the onscreen action as opposed to merely being a set piece.

The background was often used as a tool to heighten the emotion and intensity of the onscreen action as opposed to merely being a set piece.

From an animated perspective, the show was quite excellent. Everything was hand-drawn and the backgrounds often popped with detail. The show was not afraid to borrow from several styles of art, even abstract. In addition to the detailed still shot the show was known for, there was also frequent use of emotive backgrounds, usually when a character screamed or was frightened. Instead of the standard background being present, it might be a splatter effect or just splotches of color. Music was a big part of the show as well. The jazzy theme song was unmistakeable, and some of the show’s most iconic scenes include song such as the “Happy, Happy, Joy, Joy” segment from “Stimpy’s Invention” or the theme for the Royal Canadian Kilted Yaksmen. The music and visual effects all came together to help give the show it’s off the wall vibe.

The Ren & Stimpy Show could be described as one of those programs, or events, that burned too hot for it to last long. It may have remained in production until 1995, but the show’s creative output was only at its peak for a year or so. For that reason, it’s inclusion on such a list as this one could be debated, but it left such a mark on the 1990’s that it felt too hard to exclude. Many shows would follow and try to imitate what The Ren & Stimpy Show started but virtually none of them succeeded. Even Kricfalusi tried reviving the show in 2003 as an adult-oriented comedy program but the magic was long gone. It’s possible Ren and his pal Stimpy were simply not meant to last as long as Bugs or Daffy, but for the short while they were around they made an impact and their cartoons stand the test of time.