Tag Archives: holiday specials

Dec. 22 – Future-Worm! – “Lost in the Mall”

No title card for this one, so here’s the title card for the show. Original air date December 12, 2016.

I realize we just did a Christmas post the other day set in a mall, but at least this one is actually set at Christmas! And we’re pivoting from Nicktoons to Disney toons (which surprisingly don’t have their own fun branding) with the short-lived cartoon Future-Worm! I’ll be honest, before doing this post I had never heard of this show. It ran for close to two years (one season plus five shorts) from August 2016 to May of 2018 and is the creation of Ryan Quincy. Quincy is probably best known for his work as an animation director on South Park, a Christmas Spot veteran itself, but has had a few opportunities to oversee his own work. Future-Worm! is an animated show about a boy named Danny (Andy Milonakis) who is something of a genius as he’s able to create a time machine out of an ordinary lunch box. That time machine gets sent into the future and returns with a worm, the titular Future-Worm (James Adomian), or Fyootch for short.

It’s a pretty wacky premise, but the 2010s are full of cartoons with pretty wacky premises, from what I’ve encountered. My initial impression upon just viewing the show was that it had a very Adult Swim appearance to it. And I suppose that makes sense since the animation was provided by Titmouse, which made a name for itself via many Adult Swim shows. Titmouse has since gone on to really broaden its portfolio and is one of the more respected names in animation today, but there’s no denying that they’re really good at that sort of minimalist, almost intentionally cheap look a lot of Adult Swim shows (and something like South Park) embody. There also appears to be some influence to the design of the show from Rick and Morty, which was fast becoming the latest breakout hit for Adult Swim when Future-Worm! was in development. Even the concept for the show sounds like it could have been a Rick and Morty episode.

Despite my unfamiliarity with the show, I’ll do my best to relay what’s happening in this holiday themed episode in which one of the protagonists becomes lost in the mall at Christmas time. It’s a solid premise, but it’s a bit of a surprise that the one getting lost is our main character’s father, Doug (Quincy), and not the child lead. What happens to a man who gets lost in the holiday scrum and trapped in the mall after hours? It’s time to find out!

You gotta be careful at the mall on “Holiday” Eve.

“Lost in the Mall” is the second segment of the episode we’re looking at. The first, “Future-Worm and the 54 days of Snordfest,” could also be described as a holiday episode. Rather than do both in one entry, I picked the more “Christmassy” episode of the two. If I need to fill a day down the road, I could always come back to it. This one begins with Doug declaring it’s “Holiday Eve,” and that this is a time for family, only he doesn’t get to finish his thought as he gets knocked over by patrons in the mall. It would seem the family is out at the mall for some last-minute Christmas shopping.

Apparently Mrs. Douglas (yes, the father’s name is Doug Douglas) is an inventor and toy maker.

Doug sees nothing but senseless violence all around, but the rest of the family is just going with it. Danny calls for his dad to help push through the crowd while Fyootch informs him he’s here for a last run on the holiday themed latte. When Doug suggests he himself makes a mean latte, Fyootch shoots him down. He’s a bit of a connoisseur. Megan (Melanie Lynskey), Danny’s mom and Doug’s wife, is actually there to see how well her product is selling: The action figure chair! She holds up a sign for the product and it would seem she made a chair that people are supposed to buy for their action figures. I’m almost embarrassed to admit that I’d probably buy such a thing.

I’m guessing this vision has no chance of happening.

Doug expresses his desires to just have a nice holiday at home by the fire. We even get to see how he envisioned this unfolding and I’m assuming regular viewers of the show would find this idyllic scene to be implausible for the family. Doug seems down, and Danny is too because he’s afraid he’ll never get a copy of Lettuce Delivery 2, the apparent cool game of the season. Danny basically gets stuck in a loop thanks to his anxiety over missing out on the sequel to the greatest game of all time forcing Fyootch to slap him in the face with the end of his tail. Danny thanks his worm-buddy for snapping him out of it, then asks for his help. Fyootch uses his tongue to press a button on a device fastened to his tail that sort of looks like a smart watch, but with buttons. It apparently makes him grow in size as he goes from being a fairly normal-sized worm to one that’s more like the size of a dog.

Who is out here throwing cookies?!

Once embiggened, Fyootch calls out to the mob that someone is giving away free money. This, not surprisingly, causes a stampede as people rush to get some cash and we get to see what they had been crowding around before: the mall Santa shop. Mrs. Claus (Paget Brewster) has a pretty sour expression on her face when she sees her crowd disappear and I’m guessing that’s going to cause some problems. As Future-Worm laughs at the mob for running for free money (which he thinks is worthless), he gets pelted by gingerbread. More gingerbread comes raining down on the family and it’s being tossed by the elves from the Santa setup. Mrs. Claus is now on a megaphone as well announcing there’s free gingerbread which, despite Fyootch mocking the dessert as gross, turns the mob around. The family is forced to run for their lives, but Doug slips on a gingerbread man. He picks it up to regard it in a curious fashion, and then a little girl essentially sets the entire mob on him by claiming he has the last cookie. It sure seemed like those elves had a ton more, but these are mob rules and they don’t have to make sense.

Did he have a bad experience with gingerbread in the past? Or future?

We cut to Fyootch at the counter of a coffee bar. He cheerfully announces that he would like one, seasonal, latte, please. The barista (Charlyne Yi), somewhat aggressively, calls for a gingerbread latte which shocks Fyootch. He then looks around and sees people sucking down lattes and chomping on gingerbread men and he’s horrified. He falls off of the counter in shock and starts backing away towards the door wondering aloud how someone can drink bread. He bumps into a store display gingerbread man which causes him to cry out in fear as he makes a break for it. This worm really doesn’t like gingerbread.

The most efficient way to travel through a stampede.

At the store Toysasaurus Rex, Danny is back to freaking out because he can’t get through a crowd. His mother is beside him when an alarm goes off announcing that the mall is dangerously overcrowded and that all patrons must stampede to the nearest exit. This sets off the requested stampede which Doug finds himself in. A girl comes running at him with a sign reading “The End is Near” which causes him to stumble and crash into a store display coffin. Pretty weird for such a thing to still be hanging around at Christmas, but okay. Danny and his mom end up crowd-surfing atop the mob and it works out for them as we next see them at home looking exhausted. Megan is reclined in a chair when she pops up screaming “Doug!” I wonder how long they were home before they realized they left Doug behind?

Uh oh, Doug’s in trouble!

We go back to find Doug shoving open the coffin. It’s dark now and he’s in some, weird, goth, shop I guess. He questions if he died in the stampede and decides to call home just to make sure. Before he can complete his call though some shadowy figures emerge causing him to shriek, “Ghosts!” and drop his phone. We smash cut to the rest of the family literally smashing their way into the store. Megan seems uneasy about breaking and entering as she tries to assure herself the mall’s “Lost shopper insurance,” will cover the damage. Fyootch, who is still embiggened, wonders why Doug isn’t answering his phone, but Danny declares he implanted a tracking device in his father for just such an occasion (didn’t Peter Griffin claim to do this to Lois in a Family Guy Christmas special?) and his tracker shows that his father is in the security office for lost and found. Makes sense!

Doug may be in trouble, but how often do you get the chance to shop in an empty mall? Oh, right, that’s pretty much every mall these days.

Fyootch gets the line of the episode so far with, “Typical, Doug. Whole place to himself and he goes to hang out with mall cops.” Danny then brings up that the toy store is on the way to the lost and found and they could stop there. Megan is apparently in no hurry as she points out how her husband loves to rummage through lost and found sections. Fyootch also has no intention of going straight to Doug as he’s planning on fixing himself a proper latte – one with peppermint. I’m not a latte person myself, but in the war of peppermint vs gingerbread as a flavoring agent I’m going to have to side with the worm here.

Apparently, the goths are to blame. They all seem to be uncredited, but I’m guessing the main cast voice them.

We cut to Doug who is now tied to a chair in a dark room with wavy, red, lines on the floor that could be mistaken for blood at first glance which adds to the danger. We then see the face of his kidnapper – some goth dude, who asks Doug if he’s a spy because he has some kind of device in his neck. Doug is surprised to hear this, but then tells the guy it was just his kid who implanted the thing. He’s then shocked to find it gone, and then two other even creepier goths emerge from the shadows to inform him they pulled it out and stuck it in the lost and found. They’re not buying his story, but Doug explains he got left behind and expresses his desire for a nice, quiet, holiday at home and we get to see his idyllic image once again. He’s crying now, and a third person emerges from the shadows, this one dressed like a princess (Chelsea Peretti). She relates to Doug’s feelings of abandonment and unties him. She then adds that he can be of assistance to them with their “special mission,” which horrifies Doug for some reason.

So…do they guard all holidays? Or just this apparent Holiday?

At the toy store, the place is in ruins and all of the copies of Lettuce Delivery 2 have been picked clean. In fact, it would appear that everything in the store has sold out (or been stolen) except for a full rack of the action figure chair. Future-Worm comes slithering in with his latte to talk down to a dejected Megan declaring that no one needs chairs for their action figures. I beg to differ, worm. We then jump back to wherever Doug is being held as the goths are apparently ready to explain their plan to him. He’s told they just formed this group this morning because they like belonging and they like acronyms. He pulls down a sign that reads “G.O.T.H.S. – Guardians of the Holidays” to better illustrate his point. Doug, demonstrating that he’s a real square, reads it as “Go-ths” with a long “o” vowel, but no one corrects him. The goth dude just continues to explain their mission is to investigate “this,” and he holds up a flyer that reads “Join Us! Enjoy Us!” and it’s a man in a pile of gingerbread men. A gingerbread sun is also shining down upon him like some sort of religious experience. Honestly, it’s a flyer worth investigating. They feel that someone is trying to replace regular families with gingerbread ones and they want to fight for families because no one ever fought for them.

This must be so damaging for Doug. It would have been better for him to walk in on Megan and Future-Worm than see this!

The goth kid then concedes there’s a good chance they’re going to abandon their mission and just chill out and listen to music. These goths definitely are lacking in self-confidence as this isn’t a confession he’s proud to admit. They ask Doug if he’s willing to help, but Doug is clearly looking for a way out of this social setting. He theorizes that his family is likely worried about him, but the goths have a surprise. They show him the security feed which displays his family at the mall shopping. Doug can’t believe it, while the goths see this as a way to recruit him to their cause. They need a purist like him, and when Doug indicates he’s willing to help, they tell him he needs to first pass their test: by kicking his family out of the mall!

Well, looks like Doug entered his goth phase a little late in life.

Future-Worm, Danny, and Megan are strolling past the Santa area from the episode’s beginning. Fyootch pauses to regard a standee of a gingerbread man which he strikes down and taunts with the question “Are you bread? Or are you cookie, because you sure aren’t a man!” Danny tells his buddy to essentially knock it off as they need to find his dad, but it turns out his dad has found them. They all gasp when they turn to see Doug, now in full goth regalia. He definitely doesn’t look sure of himself while Megan asks if he pierced his nose. We then hear the voice of the princess girl announce that they sell clip-ons. She and the rest of the squad emerge from the shadows and the princess one adds a “Hi Megan. Thanks for saving my planet. P.S. I work at the mall now.” Apparently, they know each other as Megan refers to her as Ennuisha (see episode “The Forever Five”) and seems genuinely happy to see her again.

This is a fun little reunion. I guess?

Megan starts to go on a bit with her surprise reunion before essentially reminding herself that she’s both mad and confused at what’s going on. She demands an explanation from Doug who tells her that he’s joined their group. Fyootch has no interest in what’s going on and requests the keys to the car, but when Doug mentions the gingerbread conspiracy he’s suddenly all ears, assuming worms have ears. Megan doesn’t seem convinced and asks Doug if he got brainwashed by a secret society again? Doug has the rather childlike retort of “I didn’t get brainwashed! You did!” and goes on a rant about Christmas consumerism. Megan tries to defend herself by saying they rushed over to find him, but he throws the surveillance tape at them (figuratively) and they really have no response. Well, Future-Worm shoots back that he’d have gotten another latte if he knew this was going to take so long.

I think this may be the most frightening Mrs. Claus I’ve ever seen.

With that out in the open, Doug does as he was told to do and casts the family out of the mall. They hang their heads and slink off as Doug turns his back on them. The goth dude then tells him to snap out of it as they’re already gone and a voice chimes in to suggest they should have done the same! A lasso gets tossed from out of nowhere that binds the goths together. Then, they see their attacker: Mrs. Claus! And her elves! She offers up no initial explanation instead choosing to unleash a maniacal laugh revealing some sharp, scary-looking, teeth which Mrs. Claus isn’t typically known for. Then again, it might be hard to come by good dental up at the north pole, especially when you mock every elf that wants to become a dentist.

The elf deposited a nice load on Doug’s chest, there.

The rest of the family is shown walking through the parking lot with Danny asking his mom if they’re really going to have holiday morning without his dad? It’s at this point I’m realizing they’re avoiding the word Christmas – is that a Disney thing? I remember the Buzz Lightyear show did the same thing. Anyway, Megan refuses to do such a thing and vows to go back for Doug. Meanwhile, that very same Doug finds himself strapped to a conveyor belt while an elf piles up gingerbread batter on his chest which could be a subtle poop joke. Doug laments that his son is going to have a gingerbread man for a father and Mrs. Claus butts in to basically tell him, “Duh!” She wants to replace all families with gingerbread because families suck, or something, and this machine is going to achieve that. As Doug starts moving along, we see a hydraulic press is in his immediate future which I guess will merge him with the batter on his chest. Or it will just create some human-gingerbread mush.

I’m getting the sense there’s a lot about Megan I don’t know.

Lucky for Doug, he has one heroic wife. Megan cries out to him from the balcony and comes swinging in like Tarzan on some holiday garland. She gets in-between Doug and the press and literally holds it up. This woman is some kind of strong! Doug is understandably happy to be reunited with his wife as Danny comes rushing in to unplug the machine. He then decides to taunt Santa over his plans being foiled which is awfully sexist of him. Mrs. Claus is rather quick to point out that this whole plan is her idea and the Santa standing behind her is just three elves in a costume. Not just any elves, gingerbread elves and their skin basically melts into shapeless mounds of gingerbread which is pretty horrifying stuff. Mrs. Claus then tells the shocked family that it is she who made gingerbread the flavor of the season.

Well, that’s a bit unexpected.

She goes on and on about her efforts to advance gingerbread, but Danny casually interrupts to ask if she’s the Bread Baron? He then explains to the goth people that the Bread Baron is a nemesis of theirs and even refers them to the “Old Man Duck Head” video, which is a previous episode of the show. Mrs. Claus seems insulted he would think that she’s him and Danny is momentarily relieved, only for Mrs. Claus to declare that she’s really the Bread Baroness! She rips off her fleshy head to reveal a head that’s actually a gingerbread house which gets a laugh out of Fyootch. She then explains that her husband thought too small and didn’t think gingerbread was a real bread, which also explains why he left her for “a little French croissant.”

Aww, a little holiday magic.

She cackles that she doesn’t need her ex, or anyone, but is interrupted by Ennuisha who points out that she’s doing all of this just because her marriage deteriorated. She relates to the Baroness and apologizes for that happening to her. The Bread Baroness is caught off-guard by this showing of sympathy and tries to dismiss it, but seems genuinely touched. She soon finds her resolve though and vows to carry out her plan to replace families with gingerbread ones so that people can simply eat their families when they get sick of them. Doug then steps up to essentially say “Not today, Bread Baroness!” He explains that families are imperfect, but they still love each other and there’s no replacing one’s family. They all share a hug, and then Doug declares that “It’s time to break bread,” though not with much bravado.

I guess it was all a story.

A narrator then chimes in to tell us what happened next. Still images of the family beating down the gingerbread squad play before us as the episode basically decides to “Yadda yadda,” what should have been the best part. Some of the stills are amusing, like the family clotheslining the Baroness with a giant candy cane and the crew stomping some elves into mud. We’re then told that’s how the family saved the holidays as a book closes on it. It’s revealed that our narrator is an older version of Future-Worm who just finished reading a story to a really old, and sleeping, Danny. This is apparently some holiday tradition. He then wishes us a “Happy holidays,” to close it out.

That show really did feel like Rick and Morty for kids. Doug is such a Gerry character while Future-Worm himself embodies the selfishness of Rick with the genius of Rick going to Danny, who being a young boy, also embodies some Morty. It kind of works and I definitely didn’t hate what I just watched, but did I like it? I guess I’m not sure. I was definitely annoyed by the avoidance of the word Christmas. I’m not one of those “War on Christmas” types and I think when you’re out and about at this time of year and want to send some holiday wishes to a stranger “Happy Holidays” is the perfect way to do so. I just find it annoying when a television show is clearly celebrating Christmas, but goes out of its way to avoid saying the holiday’s name. It’s not a make or break thing, just a pet peeve.

The fight scene could have been something special, but instead we just got three still images.

This one positions itself as an offbeat Christmas holiday special and it’s out to make the viewer laugh. It’s just not particularly clever. I feel like anyone can come up with an outlandish premise like a time-traveling worm that speaks like Otto from The Simpsons. It’s just after that how do you make such a premise work? The plot with the goths just wasn’t particularly funny. It’s like they thought of the acronym first and then tried to make it fit, but the characters added nothing and it seemed to only exist for the sight gag of Doug in goth attire. I’m also not sure why the character of Ennuisha was brought back, but maybe this show just likes rewarding its viewers with callbacks for the sake of callbacks.

I will concede that the plot of gingerbread trying to replace humanity is pretty creative.

What did work for me was Future-Worm’s disdain for gingerbread. It feels a bit like a Seinfeld routine (“What is the deal with gingerbread? Is it a cookie or a bread?!”), but it works given the character’s preference for peppermint as his chosen holiday spice. I just wish the episode got more out of it. We get the scene at the coffee shop, then it’s reduced to just an occasional quip out of the character. I wanted to see him take charge against the enemies and truly vanquish the gingerbread squad. Instead, the episode wanted to put the focus on the family, which I get, but it’s also not exactly an original conclusion for a Christmas holiday episode. And then to just not even attempt to animate the action part was a cruel joke. Would the censors have not allowed for them to do it justice? If so, then okay, but otherwise that was a cheap cop-out.

All that being said, Future-Worm! isn’t a bad show from the little I’ve seen, it’s just flawed. And perhaps that’s why it wasn’t around for very long. I’ve never really encountered any praise for it online, nor have I encountered the opposite. It’s just a cable animated series for kids that came and went without much of an impact and television is loaded with many such programs in its history. The last remaining question is should you take the time to spend your Christmas holiday with Future-Worm!? I guess if you want to show your kids something a bit different it has some value. If you’re an adult and looking for something truly subversive, there’s better stuff out there.

Future-Worm! can currently be found streaming on Hulu for those in the US. For those outside of the US, check Disney+. It’s also available for purchase digitally.

Can’t wait until tomorrow for more Christmas? Check out what we had to say on this day last year and beyond:

Dec. 22 – Santabear’s High Flying Adventure

As we’ve maneuvered through the countdown for 2022 the theme of The Christmas Tape has stayed strong. And today, I am going down a rabbit hole because of that tape. If you read the first entry this year, you may recall I talked about a Cinnamon Toast Crunch commercial that contained a contest for kids…

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Dec. 22 – Extreme Dinosaurs – “Holiday on Ice”

After looking at what I considered to be a pretty good cartoon yesterday, I’m feeling like I need to take-in some trash today. It’s to the late 90s we go and the Bohbot/DiC Street Sharks spin-off Extreme Dinosaurs! Ah yes, everything was extreme around this time. Surge was packing the soft drinks aisle in stores,…

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An Easter Viewing Guide

easter_south_park

Never forget the reason for the season.

If you are a regularly reader at The Nostalgia Spot, then you’re probably familiar with the holiday version that comes every December:  The Christmas Spot. Christmas is such a big deal in our society that there is an abundance of Christmas themed media, enough to sustain an annual blog for 25 consecutive days. And people like Christmas, despite how much grumbling surfaces every year about decorations appearing in stores in October or the music filling grocery store aisles for weeks on end. I know people like it, because in all likelihood The Christmas Spot has more regular readers than the rest of the stuff I do. My readership always spikes in December and I assume there are a handful of readers that bookmark the page only to come around for December.

When it comes to television, no holiday compares with Christmas and the only one that comes close is Halloween. When I was a kid though, the holiday tier list when like this:  Christmas, Halloween, Easter, Thanksgiving, any holiday that resulted in a day off from school, and then the rest. Christmas was number one because it was the big one:  the toy holiday. I loved toys as a kid, and I still do, so it was a clear number one. Halloween came at number two because it was a unique experience, and it came with lots and lots of candy. Easter was like the compromise holiday. I had Catholic parents, but the religious aspect of the holiday was never enforced in my house so it was just a day that Santa-Light, aka The Easter Bunny, entered my home at night and hid a basket of goodies somewhere for me to find in the morning. That basket contained assorted Easter candies, all of which were awesome:  Reese’s Eggs, pastel M&M’s, Peeps, Cadbury Eggs, and so on. Usually there was one central, big, piece of candy be it a chocolate bunny or one of those giant candy bars that went beyond a king size. In my house, the Easter Bunny also always brought a toy of some kind. Usually it was a modest thing. At most I seemed to get a couple of action figures or a small toy vehicle playset like a TMNT motorcycle thing or something. And that’s why Easter felt like a compromised merger of Christmas and Halloween in my house. There were toys, but way fewer than what Santa would bring, but also a good amount of candy, but not as much as I’d come away with on Halloween.

The combination of toys and candy, plus the fun of hunting for an Easter basket or Easter eggs, made Easter an important day in my house. And I carry forward that tradition now for my kids and I look forward to watching them experience the holiday each year. And in my house, holidays are marked by indulging in moves and television based around that holiday theme. For Easter, I’ve had to put in some work to find stuff. There’s an assortment of biblical videos and such that are just terrible. I mean, if you’re into that component of Easter and get enjoyment from them then more power to you, but they’re not for me. I look for the fun stuff that centers around rabbits and junk. Somewhat to my surprise, I’ve put together a solid collection of Easter specials for my kids and I to take in this year and I thought I’d share that with you all. It might seem a little late in the game with Easter so close, but we’re not talking a massive volume here. And most are suitable for all audiences, so that’s a plus, though I did include one that would probably best be reserved for adults only, or at least teens and adults. And I should stress, I’m not saying these are all necessarily good or essential, there’s definitely some crap here, but it’s crap that at least has nostalgic appeal. And when you’re talking one, annual, viewing there’s a considerable tolerance level in place. Let’s get this going and we’ll go in chronological order of release starting with…

iwantaeasteregg

I can hear this image.

Easter Yeggs (1947)

The classic Easter themed Bugs Bunny short directed by Robert McKimson is probably best remembered for the annoying little kid that just says “I want an Easter egg!” over and over. He, like everyone else in the short, is voiced by the legendary Mel Blanc. In this cartoon, Bugs Bunny agrees to help out the Easter Bunny whom he stumbles upon early in the short who appears to be pretty stressed out over this whole Easter thing. Turns out he’s actually just lazy, but Bugs is game and finds out that being the Easter Bunny is no fun. He eventually encounters Elmer Fudd who has designs on consuming the Easter Bunny (what a killjoy) leading to a fairly traditional Bugs and Elmer cartoon. Which is just fine because Bugs Bunny cartoons are pretty wonderful and I need to write about them more. If you want to watch this one, it’s available as part of The Looney Tunes Golden Collection: Volume 3 and I can’t recommend the entire Golden Collection enough. It’s also available in HD on the Platinum Collection Volume 3. If you’re strapped for cash though, it can easily be found online for free.

happy_go_ducky

He’s just so cute!

Happy Go Ducky (1958)

I completely forgot about this cartoon until this year when I just happened to stumble upon it. This is a Tom and Jerry short from the tandem of William Hanna and Joseph Barbera, who are better known for producing some of the worst cartoons you’ve ever seen. Back in the 40s and 50s though, they were the Tom and Jerry guys churning out award-winning cartoons to rival what Warner and Disney were doing. This little short features an appearance by Quackers, a seldom-used duckling character voiced by Red Coffee doing his best “duck” voice a-la Donald Duck. Quackers is just adorable, as he’s left as a gift for Tom and Jerry by the Easter Bunny, but proceeds to drive them nuts as he floods the home in search of an adequate swimming pool to meet his needs. The sweet thing is that he eventually overwhelms and wins over the duo with his cuteness. Watch this one with young kids and you’ll be hearing them imitate Quackers, as best they can, and his frequent line, “Happy Easter!” This short is available as part of the Tom and Jerry Spotlight Collection Volume 3 which is still easy to find and cheap to acquire (especially if you opt for a used copy). It can also be found online, but many places feature a cropped version that probably aired on television years ago as this cartoon was originally done in Cinemascope. Interestingly, there’s an edited version on YouTube just titled “Happy Easter” that isn’t cropped, but is missing several scenes as nearly 2 minutes were shaved off of the running time. This might be my favorite of this list.

easter_beagle

Snoopy helping Linus avoid more embarrassment. He’s a good boy.

It’s the Easter Beagle, Charlie Brown (1974)

You can always count on The Peanuts gang for a holiday special. These kids even have an Arbor Day special, for crying out loud. Charlie Brown and his friends seem to have a problem with everything, including Easter. For Peppermint Patty, it’s teaching her friend Marcy how to color eggs. For Sally, it’s finding the right pair of shoes for the holiday. And for Linus, it’s people mocking him for his belief in an Easter Beagle. As was the case with Halloween, Linus appears to have picked the wrong holiday mascot to back. What’s rewarding is the other kids remind him of his Halloween foolishness, but he’s somewhat vindicated in this one. And then there’s Lucy, getting victimized by Snoopy once again. Despite the title, Charlie Brown plays a very small role in this one though he still gets reminded that he is indeed Charlie Brown come Easter. This cartoon gets bonus points for making a good Christmas joke when the kids go to the mall and find it already decorated for that holiday. See people, it’s not a new thing to complain about Christmas arriving early in stores as this thing was made in 1974. Strangely, it doesn’t look any network is airing this special this week (I may have missed an earlier airing this month), but it is available to stream on Amazon. Or you could be like me and just buy a DVD to watch at your leisure each season. Charlie Brown holiday DVDs and Blu Rays are often really easy to find at a cheap price during the offseason. And as a bonus, you’ll get that Arbor Day special!

easter_daffy

This one just might cause you to miss the old shorts.

Daffy Duck’s Easter Egg-citement! (1980)

After the era of the cartoon short ended, but before the explosion of cable providing for a landing spot for old cartoons, Warner Bros. put their now meager staff to work making television specials starring the Looney Tunes characters. Many of them featured Bugs Bunny and some included old shorts with some new wrap-around animation connecting them, but many also featured all new toons. The catch for these though was that the quality was abysmal. If you thought the Warner shorts of the 50s looked poor then you better make sure you sit down before watching anything made in the 70s or 80s. Daffy Duck’s Easter Egg-citment is no except as it looks downright terrible in some places. There’s a shot of Daffy and Sylvester both digging for food out of the trash that is so garish and bright it makes me feel ill. This TV special contains three new shorts:  The Yolks on You, The Chocolate Chase, and Daffy Flies North. In between the shorts, Daffy is present to argue with the animator as he did in the classic short Duck Amuck only it’s far less amusing this time around. None of these shorts are particularly good and all recycle old gags and concepts from past toons. Some even recycle assets from other cartoons. Of the three, I suppose Daffy Flies North is my favorite, but it’s also the least festive. Mel Blanc is at least on hand to do the voices, though he’s obviously a little old at this point. It was also an odd choice to pair Daffy with Sylvester in The Yolks on You since both characters sound so similar. This TV special isn’t a very good Looney Tunes production, but a not very good Looney Tunes production is still better than a lot of other stuff. Plus it’s a lot shorter than The Ten Commandments! If you want to watch this, it’s included on The Looney Tunes Golden Collection Volume 6 as well as The Essential Daffy Duck. It’s also received a stand-alone release. Warner isn’t particularly protective of it, so you can also find it online without too much issue.

hokum_hare_easter

This really happened.

Teenage Mutant Ninja Turtles – “The Turtles and the Hare” (1991)

The Fred Wolf produced Teenage Mutant Ninja Turtles cartoon that dominated the late 80s and early 90s did not feature a Christmas episode, but it did find time for an Easter one. In it, the Turtles are preparing for Easter when they have a chance encounter with Hokum Hare who actually isn’t the Easter Bunny, but is actually the hare from the fable The Tortoise and the Hare, hence the episode’s title. He sure looks the part through as he’s a big, white, bunny in purple overalls. He’s also pretty annoying. The Turtles end up in his world, Fableland, in pursuit of some crystal and the story turns into mostly nonsense as many episodes of this show do. It all ends with Hokum serving as the Easter Bunny for some Channel 6 Easter Egg Hunt. Most of the episodes of this show are terrible and this really isn’t an exception. It’s amusing for how absurd a concept it is to basically have the Turtles meet a pseudo Easter Bunny, and as terrible as the show is it usually never fails to produce a smile or two from me just because I once loved it so. For nostalgia lovers only. You can find this episode as part of Season 4 of the old cartoon which is available on DVD. If you’re feeling really retro it received a stand-alone VHS release back in the day too. It’s also not particularly hard to find online as well.

easter_cartman

Cartman is relegated to one scene in this episode, but it just might be my favorite one.

South Park – “Fantastic Easter Special” (2007)

South Park has had a pretty nice run of holiday specials, and it saved one of its best shots for Easter. A parody of The Da Vinci Code takes on the form of an Easter special in which Stan questions all of the bizarre traditions surrounding Easter and tries to square them up with the whole Jesus thing. They don’t make sense, and he soon uncovers an underground Easter Bunny cult of sorts that his father belongs to which seeks to protect the true meaning of Easter, as well as the true pope of the Catholic faith. It’s bonkers, and it never lets up as it finds a way to just keep escalating the crazy as the episode continues ultimately building to a pretty satisfying conclusion. This one being South Park, it’s not for the kids nor is it for those who take the holiday seriously. It’s pretty hilarious though, and it came around when the show really hit its peak. If you want to indulge in this one, you’ll be able to see it for certain on Comedy Central (as well as the other, lesser, Easter special) tonight at 5 EST and it’s available in various formats as part of Season 11 of the show.

creepy_easter_bunny

Horrifying.

Teen Titans Go! – “Easter Creeps” (2017)

The Teen Titans Go! series has become a reliable source of holiday entertainment. Often times, they find a way to work Santa into the mix too as they did in the first Easter special and in the “Halloween vs Christmas” episode. “Easter Creeps” is amusing to me because the show envisions the Easter Bunny as a humanoid rabbit. He basically looks like The Noid only he’s pink and wears a vest. He lays eggs, which grosses every one out, and he’s overall just kind of creepy as the episode title implies. And because of that, he’s declared the worst thing about this otherwise wonderful holiday. This episode is a bit like the “Halloween vs Christmas” one as it’s going to pit the Easter Bunny vs the Tooth Fairy. It’s a silly experience that’s funny enough without overstaying its welcome. Cartoon Network airs this show all the time and tonight is no exception. A block of Easter programming is premiering at 7 EST tonight that will feature a new Easter special from the show. I can only assume this episode will be featured as well since it’s a full hour of programming.

That’s my list for 2020. If you think I missed any worthwhile Easter entertainment feel free to let me know. I’m always on the look-out for more holiday specials. Happy Easter!

 


Halloween is Grinch Night

Halloween is Grinch Night (1977)

Halloween is Grinch Night (1977)

In 1966, a Chuck Jones produced TV special by name of Dr. Seuss’ How the Grinch Stole Christmas arrived. Ever since it’s been a staple of the Christmas television schedule each year and with it nearing its 50th anniversary expect it to only become even more celebrated in the near future. What’s not as celebrated is the spiritual sequel produced eleven years later, Halloween is Grinch Night, despite the fact that it won an Emmy. Like its predecessor, it too was produced by a legend of the animated short:  Friz Freleng. It’s become so obscure that most people have never even heard of it. It has yet to receive its own stand-alone DVD or Blu Ray release and finding it on television at Halloween time is often an exercise in futility.

Halloween is Grinch Night is sometimes cited as being a prequel to the more popular How the Grinch Stole Christmas. If it is, it creates a plot hole or two, but how it relates to the prior special is of little importance. The character of the Grinch seems like a natural fit for Halloween. He’s mean looking and kind of scary and would most likely enjoy a holiday such as Halloween over one like Christmas. Because the first special was so successful, it’s not surprising that the Halloween special would try to use a similar format. There’s a narrator present, Hans Conried, who also happens to voice the titular character just as Boris Karloff did before him. There’s music and the people of Whoville, as well as the Grinch’s dog Max, are here to play foil. Thurl Ravenscroft even shows up again in a singing role.

The Grinch once again is accompanied (reluctantly) by his dog Max.

The Grinch once again is accompanied (reluctantly) by his dog Max.

What isn’t the same is the animation and general look of the special. How the Grinch Stole Christmas is a very clean production. It’s brightly colored with simple backdrops and is quite stylized looking. It’s a perfect mash-up of Chuck Jones’ work and that of Dr. Seuss. Halloween is Grinch Night is less sophisticated to behold. The Seuss designs almost seem downplayed to a point and the Grinch himself has a more cat-like appearance. The backgrounds are exceedingly busy and the characters sometimes appear lost on the screen. When the story takes the visuals to a more surreal place, this style starts to prove its worth, if only for a brief moment. I do appreciate how most of the colors utilized are shades of brown, red, and orange which does enhance the feeling of autumn. This basically looks like a late 70s production, an era when animation was less celebrated, which is partly why it looks the way that it does.

The story of the picture involves the people of Whoville noticing a sour-sweet wind blowing, a harbinger for the Grinch that sends most scurrying into their homes. A young Who by the name of Euchariah steps out to hit the outhouse (referred to as a euphemism by the story) and gets caught up by the breeze and eventually encounters the Grinch. Once encountered, the Grinch makes it a point to try and scare Euchariah, who is either brave or simply feels emboldened when faced with the Grinch’s ghostly apparitions because his poor eyesight renders them less scary. His confrontation with the Grinch is the meat of the story and his ability to face him is what ultimately brings about the story’s resolution.

The plot is certainly less straight-forward than the Christmas special. It’s also less satisfying. The story spends too much time away from the only interesting characters in the special; the Grinch and his abused little dog Max. It would seem the approach this time was to build the Grinch up as a character to be feared, not understood, and to do that a little mystery needed to be created by having much of the story follow Euchariah. If that is indeed what Freleng and Seuss were going for then they should have committed to it fully and further reduced the Grinch’s screen time. At no point does the viewer truly feel like the Grinch is someone to be feared because there’s just nothing very fearsome about him. If anything, we’re just trained to not like him because he’s a terrible dog owner. Perhaps had this story originated in the pages of a Dr. Seuss book it would have come out better and with a tighter narrative.

There seems to always be a lot present in the background of each image with little shading to create depth. It looks much more congested when animated.

There seems to always be a lot present in the background of each image with little shading to create depth. It looks much more congested when animated.

The cast for the picture and the production in general is also less than impressive. Conried does all right as the Grinch, once you get over the fact that he and Captain Hook (from the Disney version of Peter Pan) have the same voice. His singing is probably something I could have done without, and the songs in general just aren’t very memorable. The only time they really caught my ear was when one included an inner monologue from Max. This felt cheap to me as the beauty of the Max character from How the Grinch Stole Christmas was the way in which we were able to understand him without the need to personify him.

Halloween is Grinch Night can be found on a few compilation DVDs as well as some old VHS tapes. It’s included in at least one version of How the Grinch Stole Christmas and also on the Dr. Seuss: On the Loose compilation. I found a copy of the latter for fifty cents, so it’s a pretty easy special to acquire for the curious. It’s never received a proper release though because it’s just not that good. It’s visually inferior to its more popular cousin and the plot, while promising in concept, is poorly executed and utterly forgettable. There’s room for the Grinch at Halloween time, but just not like this.